603 books match the query 'Description and travel' and 29 start with s

cover of San Juan: Memoir of a City

San Juan

Memoir of a City

Edgardo Rodriguez Julia; Translated by Peter Grandbois

University of Wisconsin Press, 2007

     San Juan: Memoir of a City conducts readers through Puerto Rico's capital, guided by one of its most graceful and reflective writers, Edgardo Rodríguez Juliá. No mere sightseeing tour, this is culture through immersion, a circuit of San Juan's historical and intellectual vistas as well as its architecture. 
     In the allusive cityscape he recreates, Rodríguez Juliá invokes the ghosts of his childhood, of San Juan's elder literati, and of characters from his own novels. On the most tangible level, the city is a place of cabarets and cockfighting clubs, flâneurs and beach bums, smoke-filled bars and honking automobiles. Poised between a colonial past and a commercial future, the San Juan he portrays feels at times perilously close to the pitfalls of modernization. Tenement houses and fading mansions yield to strip malls and Tastee Freezes; asphalt hems in jacarandas and palm trees. "In Puerto Rico," he muses, "life is not simply cruel, it is also busy erasing our tracks." Through this book—available here in English for the first time—Rodríguez Juliá resists that erasure, thoughtfully etching a palimpsest that preserves images of the city where he grew up and rejoicing in the one where he still lives.
 
 
Best Books for Regional General Audiences, selected by the American Association of School Librarians and the Public Library Association
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cover of Satyr Square: A Year, a Life in Rome

Satyr Square

A Year, a Life in Rome

Leonard Barkan

Northwestern University Press, 2008

Part memoir, part literary criticism, part culinary and aesthetic travelogue, this loving reflection is a poignant, funny narrative about an American professor spending a year in Rome. A scarred veteran of academic culture wars retreating to a cradle of culture, Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and definitively returns to America with heart, mind, and body. His memoir is the celebration of a life lived in the uncanny spaces where art and real people intersect.

Barkan’s reminiscence is not just about the Renaissance and ancient statuary, or Shakespeare and Mozart, Charles Bukowski and Paul de Man, eggplant antipasto and Brunello di Montalcino, foot fetishism and sulfur baths. At the heart of the narrative—beneath that beguiling surface of irony, humor, and misdirection—is a man of genuine ardor, struggling with what it means to be a homosexual and a Jew, trying to rediscover or reinvent his own intellectual passions. Hilarious, erudite, and lusciously rendered, Satyr Square gives us the whole of a life made up from fragments of Italy, art, food, and longing.

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cover of Science on Ice: Four Polar Expeditions

Science on Ice

Four Polar Expeditions

Chris Linder

University of Chicago Press, 2011

“Polar exploration is at once the cleanest and most isolated way of having a bad time which has been devised,” wrote Apsley Cherry-Garrard of his time with the 1910 Scott expedition to the South Pole. And that’s how most of us still imagine polar expeditions: stolid men with ice riming their beards drawing sledges and risking death for scientific knowledge. But polar science has changed drastically over the past century—as Chris Linder shows us, brilliantly, with Science on Ice.

An oceanographer and award-winning photographer, Linder chronicles four polar expeditions in this richly illustrated volume: to a teeming colony of Adélie penguins, through the icy waters of the Bering Sea in spring, beneath the pack ice of the eastern Arctic Ocean, and over the lake-studded surface of the Greenland Ice Sheet. Each trip finds Linder teamed up with a prominent science journalist, and together their words and pictures reveal the day-to-day details of how science actually gets done at the poles. Breathtaking images of the stark polar landscape alternate with gritty, close-up shots of scientists working in the field, braving physical danger and brutal conditions, and working with remarkable technology designed to survive the poles—like robotic vehicles that chart undersea mountain ranges—as they gather crucial information about our planet's distant past, and the risks that climate change poses for its future.

The result is a combination travel book and paean to the hard work and dedication that underlies our knowledge of life on earth. Science on Ice takes readers to the farthest reaches of our planet; science has rarely been more exciting—or inspiring.
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cover of Seven Summers: A Naturalist Homesteads in the Modern West

Seven Summers

A Naturalist Homesteads in the Modern West

Julia Corbett

University of Utah Press, 2013

Seven Summers is the story of a naturalist-turned-professor who flees city life each summer with her pets and power tools to pursue her lifelong dream—building a cabin in the Wyoming woods. With little money and even less experience, she learns that creating a sanctuary on her mountain meadow requires ample doses of faith, patience, and luck. This mighty task also involves a gradual and sometimes painful acquisition of flexibility and humility in the midst of great determination and naive enthusiasm.

For Corbett, homesteading is not about wresting a living from the land, but respecting and immersing herself in it—observing owls and cranes, witnessing seasons and cycles, and learning the rhythms of wind and weather in her woods and meadow. The process changes her in unexpected ways, just as it did for women homesteaders more than a century ago. The more she works with wood, the more she understands the importance of “going with the grain” in wood as well as in life. She must learn to let go, to move through loss and grief, to trust her voice, and to balance independence and dependence. Corbett also gains a better understanding of her fellow Wyomingites, a mix of ranchers, builders, gas workers, and developers, who share a love of place but often hold decidedly different values. This beautifully written memoir will appeal to readers who appreciate stories of the western landscape, independent women, or the appreciation of the natural world.

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cover of Seven Words for Wind: Essays and Field Notes from Alaska's Pribilof Islands

Seven Words for Wind

Essays and Field Notes from Alaska's Pribilof Islands

Sumner MacLeish

University of Alaska Press, 2008

Far off the coast of mainland Alaska lie the remote Pribilof Islands—a fiercely isolated wilderness surrounded by a wild, rich sea. The largest island, St. Paul, is just fourteen miles long and eight wide; despite its small size and relative self-enclosure, Sumner MacLeish lived and worked on the island, coming to love its rugged weather, abundant wildlife, and 600 native Aleuts. Her spare, imagistic prose illuminates the unforgiving darkness and unimaginable beauty of this subarctic landscape, and the pieces in Seven Words for Wind relate her own experience with attentive, open curiosity that finds light, humor, and companionship where it might least be expected.
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cover of Sidewalks: Portraits of Chicago

Sidewalks

Portraits of Chicago

Rick Kogan & Charles Osgood

Northwestern University Press, 2008

"A wonderful book that tells you the basic truths of our city." —Studs Terkel

Few people know Chicago as do Rick Kogan and Charles Osgood, and their "Sidewalks" column for the Chicago Tribune Sunday Magazine is a tour of the city like no other, taking readers to the off-beat and quintessential spots that give Chicago its character—that make its inhabitants feel at home and tell its visitors that they have arrived.

Accompanied by evocative color photographs by Charles Osgood, Kogan's pieces revisit the lost places and people of Chicago, and take readers down the quiet byways and thriving thoroughfares, pointing out the characters and cornerstones, the oddities and institutions that make the city what it is. In this collection you will find an elegy for Maxwell Street, the marketplace that pulsed with city life for more than 100 years; a remembrance of a disturbing advertisement ("Are you a slave to housework?") on the side of a building on Irving Park Road; a cross marking a deadly intersection; a magical miniature golf course; as well as ballad singer Fred Holstein, the denizens of the World Gym and memories of Bensinger's pool hall, the day-camp kids of summer, bike couriers, the creatures of the beach, and much, much more. Here is Chicago, past, present, and—let's hope—future, captured in the unique archive of Sidewalks.
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cover of Siena: City of Secrets

Siena

City of Secrets

Jane Tylus

University of Chicago Press, 2015

Jane Tylus’s Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern.
           
As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.
           
We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team.
           
A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.
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cover of Singers Die Twice: A Journey to the Land of Dhrupad

Singers Die Twice

A Journey to the Land of Dhrupad

Peter Pannke

Seagull Books, 2013

Singers Die Twice: A Journey to the Land of Dhrupad tells the story of Peter Pannke’s life in music, his travels from Cologne to Varanasi, from Delhi to the forests of Vrindavan, from Darbhanga back to Berlin, of how he studied in the gharana of the famous Mallik family and became Germany’s best-known exponent of Indian classical music. His richly woven tale takes readers from the beginning of the gharana in the 1700s, through the last splendid days of the maharaja of Darbhanga and other proud patrons who inspired Satyajit Ray’s 1957 classic film The Music Room, to the Maha Kumbh Mela that opened the twenty-first century. Along the way, we meet colourful characters whose names are still known to every devotee of dhrupad: the grand old Pandit Ram Chatur Mallik, the pious and inspiring Pandit Vidur Mallik, Pannke himself, a master of the sarangi, and the humbler musicians and travelling players who bring music of all kinds to the fields of Bihar, across India and beyond. Singers Die Twice is the inspiring story of a master musician in the world that he loves.
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cover of Sketches of Alabama

Sketches of Alabama

Mary Duffee, edited by Jane Porter Nabers and Virginia Pounds Brown

University of Alabama Press, 1970

Rediscover the spirit, stories, and landscapes of Alabama through a timeless collection of observations and historical reflections.

In Sketches of Alabama, Mary Duffee offers a richly detailed portrait of a state shaped by diverse communities, enduring traditions, and a deeply rooted cultural identity. Through a series of engaging sketches, Duffee captures the essence of Alabama’s towns, people, and everyday life, preserving moments that might otherwise be lost to time.

Blending historical insight with narrative charm, this collection explores the character of Alabama from multiple perspectives—rural and urban, past and present. Readers encounter vivid depictions of local customs, notable figures, and the evolving social fabric of the region. Duffee’s work not only chronicles the state’s development but also reflects the broader story of the American South, illuminating its complexities, resilience, and sense of place.

This collection contains typescripts of some of Mary Gordon Duffee's Iron Age columns "Sketches of Alabama," manuscripts of seven of Duffee's poems, a typed biographical sketch of Duffee, undated, and Duffee's obituary from the Birmingham Age-Herald. Ideal for students, historians, and general readers alike, Sketches of Alabama serves as both a literary work and a cultural record. Its accessible style makes it an excellent introduction to Alabama’s heritage, while its thoughtful observations reward those seeking deeper understanding of Southern history and identity.

Whether you are drawn to regional storytelling, historical narrative, or the rich traditions of the Deep South, this work offers a compelling journey into Alabama’s past—one sketch at a time.

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cover of Snowshoeing Through Sewers: Adventures in New York City, New Jersey, and Philadelphia

Snowshoeing Through Sewers

Adventures in New York City, New Jersey, and Philadelphia

Michael Aaron Rockland

Rutgers University Press, 2008

When Daniel Boone heard a neighbor's dog bark, he moved West. But when there's no Wild West left, where is adventure to be found? Michael Aaron Rockland looks for adventure in the megalopolis, "not where no one has been but where no one wishes to go . . . across traffic-clogged cities, the parking lots of wall-to-wall suburban malls, and the sinister waterways that seep through rusting industrial sites."

In these ten alternately poetic and comic tales of adventure in the New York/Philadelphia corridor, the most densely populated chunk of America, Rockland walks and bikes areas meant only for cars and paddles through waters capable of dissolving canoes. He hikes the length of New York's Broadway, camps in New York City, treks across Philadelphia, pedals among the tractor trailers of Route 1 in New Jersey, and paddles around Manhattan and through the dark tunnels under Trenton.

Whereas Henry David Thoreau built his cabin on Walden Pond to get out of town, for Rockland, the challenge is to head into town. As he writes, "in the late twentieth century, a weed and trash-filled city lot . . . may be a better place than the wilderness to contemplate one's relationship to nature."
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cover of Soldier-Artist of the Great Reconnaissance: John C. Tidball and the 35th Parallel Pacific Railroad Survey

Soldier-Artist of the Great Reconnaissance

John C. Tidball and the 35th Parallel Pacific Railroad Survey

Eugene C. Tidball

University of Arizona Press, 2004

In 1853, a survey team under Amiel W. Whipple set out for California from Fort Smith, Arkansas, in search of a transcontinental railroad route. In addition to studying the engineering obstacles for the railroad, the party collected natural history specimens in this unexplored and dangerous corner of America—and when the expedition entered New Mexico, it requested an additional military escort to guard against hostile Indians. An 1848 West Point graduate, Lt. John C. Tidball had only recently arrived at Fort Defiance in New Mexico, when he received his orders to join the surveying party. Although his official duties were strictly military, Tidball began sketching as soon as he joined the expedition, and his talents made him an indispensable member of Whipple’s artistic staff. This book offers a new look at the Whipple expedition through the lens of a newly discovered manuscript of Tidball’s memoirs—the only firsthand account of the 35th parallel survey to be discovered in nearly thirty years. Soldier-Artist of the Great Reconnaissance includes much of the material from this manuscript, giving us John Tidball’s pungent observations on the journey as well as striking examples of his artwork. Melding the observations of several diarists—which sometimes presented opposing viewpoints—author Eugene Tidball offers a new perspective on the Whipple expedition that focuses on the diverse personalities of the party and on the Native Americans they encountered along the way. The Pacific Railroad Surveys were among the most important explorations of North America ever undertaken. Eugene Tidball’s account of this journey tells how the artistic and literary contributions of John Tidball, his distant cousin, enrich our understanding of what the survey party saw and thought as they crossed the continent. Soldier-Artist of the Great Reconnaissance recaptures the Whipple expedition’s trials and triumphs as it documents the unusual talents of one of its most versatile members.
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cover of Some Strange Corners of Our Country

Some Strange Corners of Our Country

Charles F. Lummis; Foreword by Lawrence Clark Powell

University of Arizona Press, 1989

Lummis's prose portraits of the Grand Canyon, Petrified Forest, Montezuma Castle, and other sites reflect the author's knowledge of Southwest anthropology and history.
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cover of Some of the Dead Are Still Breathing: Living in the Future

Some of the Dead Are Still Breathing

Living in the Future

By Charles Bowden

University of Texas Press, 2018

The third book in Charles Bowden’s “accidental trilogy” that began with Blood Orchid and Blues for Cannibals, Some of the Dead Are Still Breathing attempts to resolve the overarching question: “How can a person live a moral life in a culture of death?” As humanity moves further into the twenty-first century, Bowden continues to interrogate our roles in creating the ravaged landscapes and accumulated death that still surround us, as well as his own childhood isolation, his lust for alcohol and women, and his waning hope for a future. We witness post-Katrina New Orleans and terrorist-bombed Bali; we encounter our shared actions with the animal world and the desirous need for consumption; we see the clash and erosion of our physical and figurative borders, the savagery of our own civilization. A man of his time and out of time, Bowden seeks acceptance and a will to endure what may lie ahead.

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cover of Somebody Else: Arthur Rimbaud in Africa 1880-91

Somebody Else

Arthur Rimbaud in Africa 1880-91

Charles Nicholl

University of Chicago Press, 1999

At the age of twenty-five, Arthur Rimbaud—the infamous author of A Season in Hell, the pioneer of modernism, the lover and destroyer of Verlaine, the "hoodlum poet" celebrated a century later by Bob Dylan and Jim Morrison—turned his back on poetry, France, and fame, for a life of wandering in East Africa.

In this compelling biography, Charles Nicholl pieces together the shadowy story of Rimbaud's life as a trader, explorer, and gunrunner in Africa. Following his fascinating journey, Nicholl shows how Rimbaud lived out that mysterious pronouncement of his teenage years: "Je est un autre"—I is somebody else.

"Rimbaud's fear of stasis never left him. 'I should like to wander over the face of the whole world,' he told his sister, Isobelle, 'then perhaps I'd find a place that would please me a little.' The tragedy of Rimbaud's later life, superbly chronicled by Nicholl, is that he never really did."—London Guardian

"Nicholl has excavated a mosaic of semi-legendary anecdotes to show that they were an essential part of the poet's journey to become 'somebody else.' Not quite biography, not quite travel book, in the end Somebody Else transcends both genres."—Sara Wheeler, Daily Telegraph

"At the end of Somebody Else Rimbaud is more interesting and more various than before: he is not less mysterious, but he is more real."—Susannah Clapp, Observer Review
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cover of Sonora: A Description of the Province

Sonora

A Description of the Province

Ignaz Pfefferkorn; Foreword by Bernard L. Fontana; Translated and Annotated by Theodore E. Treutlein

University of Arizona Press, 1989

"The bloodsucking bat, construction of bows and arrows, the punishment for adultery among the Apaches... all was grist that dropped into the industrious mill of Father Pfefferkorn's eyes, ears, and brain."—Saturday Review

"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review

"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
 
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cover of Southern Fried: Going Whole Hog in a State of Wonder

Southern Fried

Going Whole Hog in a State of Wonder

Rex Nelson

Butler Center for Arkansas Studies, 2016

For decades, Rex Nelson has been traveling Arkansas. He learned to love the back roads, small towns, and people of the state while going on trips with his father, who sold athletic supplies to high schools. They sat in old Depression-era gyms built by the Works Progress Administration, ate in small-town cafes, and waded in streams on warm spring days.

Throughout his career as a sportswriter, political writer, senior staff member in the governor’s office, presidential appointee to the Delta Regional Authority, and now corporate communications director for Simmons Bank, Nelson has written millions of words about Arkansas and its people.

In this collection of columns from the Arkansas Democrat-Gazette, Nelson brings to life the personalities, communities, festivals, and tourist attractions that make Arkansas unique. As he says, “Arkansas is a hard place to explain to outsiders. We’re mostly Southern but also a bit Midwestern and a tad Southwestern. The Ozarks are different from the pine woods of the Gulf Coastal Plain, and the Delta is different from the Ouachitas. Invariably, though, those who take the time to get off the main roads and get to know the real Arkansas are entranced by the place.”

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cover of Spiral Jetta: A Road Trip through the Land Art of the American West

Spiral Jetta

A Road Trip through the Land Art of the American West

Erin Hogan

University of Chicago Press, 2008

Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.

A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.

“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review

“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic

“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times

“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune

“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker

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cover of Spring, Heat, Rains: A South Indian Diary

Spring, Heat, Rains

A South Indian Diary

David Shulman

University of Chicago Press, 2008

“Rocks. Goats. Dry shrubs. Buffaloes. Thorns. A fallen tamarind tree.” Such were the sights that greeted David Shulman on his arrival in the South Indian state of Andhra Pradesh in the spring of 2006. An expert on South Indian languages and cultures, Shulman knew the region well, but from the moment he arrived for this seven-month sojourn he actively soaked up such simple aspects of his surroundings, determined to attend to the rich texture of daily life—choosing to be at the same time scholar and tourist, wanderer and wonderer.
 
Lyrical, sensual, and introspective, Spring, Heat, Rains is Shulman’s diary of that experience. Evocative reflections on daily events—from explorations of crumbling temples to battles with ineradicable bugs to joyous dinners with friends—are organically interwoven with considerations of the ancient poetry and myths that remain such an inextricable part of life in contemporary India. With Shulman as our guide, we meet singers and poets, washermen and betel-nut vendors, modern literati and ancient gods and goddesses. We marvel at the “golden electrocution” that is the taste of a mango fresh from the tree. And we plunge into the searing heat of an Indian summer, so oppressive and inescapable that when the monsoon arrives to banish the heat with sheets of rain, we understand why, year after year, it is celebrated as a miracle.
 
An unabashedly personal account from a scholar whose deep knowledge has never obscured his joy in discovery, Spring, Heat, Rains is a passionate act of sharing, an unforgettable gift for anyone who has ever dreamed of India.
 
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cover of Stardust Monuments: The Saving and Selling of Hollywood

Stardust Monuments

The Saving and Selling of Hollywood

Alison Trope

Dartmouth College Press, 2012

Stardust Monuments spotlights the enduring efforts to memorialize and canonize the history and meaning of Hollywood and American film culture. In this engaging analysis, Alison Trope explores the tensions between art and commerce as they intersect in a range of nonprofit and for-profit institutions and products. An insightful tour of Hollywood’s past, present, and future, Stardust Monuments examines the establishment of film libraries and museums beginning in the mid 1930s, the many failed attempts to open a Hollywood museum ranging from the 1960s to today, and the more successful recent corporate efforts to use Hollywood’s past in theme restaurants and parks, classic movie channels, and DVD boxed sets. This fascinating narrative details the ongoing struggle to champion and codify Hollywood’s legacy, a struggle engaged in by Hollywood stars and corporate executives, as well as memorabilia collectors and users of IMDb.
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cover of Stars Fell on Alabama

Stars Fell on Alabama

Carl Carmer

University of Alabama Press, 2000

A timeless journey into the heart and folklore of Alabama.

Stars Fell on Alabama is a landmark work of Southern literature that transports readers to Alabama during the early 20th century. Written by Carl Carmer, this evocative narrative blends memoir, travel writing, and folklore to paint a rich portrait of a region steeped in tradition and complexity. Carmer captures the rhythms of rural life, the haunting beauty of the landscape, and the voices of its people—farmers, musicians, storytellers—whose tales reveal the cultural fabric of the Deep South. From ghost stories and folk songs to accounts of social customs and racial tensions, this book offers an unflinching yet affectionate look at Alabama’s heritage. Both a historical document and a literary masterpiece, Stars Fell on Alabama remains essential reading for anyone interested in Southern history, American folklore, and the enduring power of storytelling.

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cover of Steamboat Modernity: Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Steamboat Modernity

Travel, Transport, and Social Transformation on the Lower Danube, 1830–1860

Constantin Ardeleanu

Central European University Press, 2024

Through a skillful combination of economic and cultural history, this book describes the impact on Moldavia and Wallachia of steam navigation on the Danube. The Danube route integrated the two principalities into a dense network of European roads and waterways. From the 1830s to the 1860s, steamboat transport transformed time and space for the areas that benefited from regular services. River traffic accelerated urban development along the Lower Danube and contributed directly to institutional modernization in one of Europe’s peripheries.

Beyond technological advances and the transportation of goods on a trans-imperial waterway, steamboat travel revolutionized human interactions, too. The book offers a fascinating insight into the social and cultural milieu of the nineteenth century, drawing on first-hand accounts of Danube cruising. Describing the story of travelers who interacted, met, and visited the places they stopped, Constantin Ardeleanu creates a transnational history of travel up and down the Danube from Vienna to Constantinople. The pleasures and sometimes the travails of the travelers unfold against a backdrop of technical and economic transformation in the crucial period of modernization.

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cover of Steaming to the North: The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Steaming to the North

The First Summer Cruise of the US Revenue Cutter Bear, Alaska and Chukotka, Siberia, 1886

Katherine C. Donahue and David C. Switzer

University of Alaska Press, 2014

On a rugged frontier where the ocean was king, most laws came from those who ruled the sea—and few ships policed the western Arctic like the revenue cutter Bear. Commissioned into the organization that would eventually become the US Coast Guard, the Bear patrolled and charted the waters of Alaska and Siberia, bringing medical care, saving lives, and dealing out justice when needed. The ship’s crew and famous captain, the fiery Michael Healy, looked out for Natives and Americans alike in a time when Alaska was adjusting to its new status as a US territory.

Steaming to the North follows the Bear from May to October 1886 as it takes its first summer cruise from San Francisco up to Point Barrow and back again. This is the first book to exhibit the photographs taken by 3rd Lt. Charles Kennedy of New Bedford, introducing rarely seen photos of the last sail-and-steam whaling ships, capturing early interactions of Natives with white whalemen and explorers, and showing lives otherwise lost to time. Essays follow the logbook of the cruise and allow readers to vividly ride alongside the crew on a history-making voyage.
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cover of Stepping Twice Into the River: Following Dakota Waters

Stepping Twice Into the River

Following Dakota Waters

Robert King

University Press of Colorado, 2005

What happens when an English professor takes a year off to explore a tiny prairie creek? Between mishaps with the canoe, long walks to the sites of Cheyenne villages and cavalry trenches, and gallons of coffee with isolated farmers, what happens is insight. In Stepping Twice Into the River, Robert King recounts his exploration of the "almost unnoticeable" along North Dakota's Sheyenne River, from its headwaters to river's end. With each experience along the way - tracing a military campaign, canoeing the river, visiting a ghost town and even trying to sleep in an ancient Cheyenne village - King examines a different aspect of the plains: Native American culture, pioneer society, religion, war, agriculture, and nature.

Blending travel narrative and poetic reflection, Stepping Twice Into the River takes readers on a journey through time, revealing both stability and change and offering prairie wisdom. An affectionate and shrewd observer, King illuminates the ordinary from the perspectives of history, science, and literature. In the hands of this gifted thinker and writer, local facts yield universal metaphor.

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cover of Stories From Under The Sky

Stories From Under The Sky

John Madson

University of Iowa Press, 2006

In Stories from under the Sky, John Madson salutes the outdoor life. These thirty-six essays display his healthy respect for the forces of nature, without diminishing his wry awareness of the foibles of beast, bird, fish, and human.
In sections on mammals, the river, and birds, Madson acquaints readers with some real characters—not all of them four-footed! Some are old favorites: the raccoon, the otter, the fawn, and the badger. Others are less familiar—the demonic shrew, the indomitable dogfish, and the exotic blue heron. Even the “unloved” come in for their share of attention: toads, waterbugs, wasps, and turkey buzzards. Madson has a yarn to spin about each one. Where else would you find an essay on “Snake Liars”?

Whatever the topic, Madson’s love of nature shines through, be it coon hunting or an explanation of the incredible bird machine. His obvious affection is tempered with the recognition that not everything “natural” is a pretty sight. All of which leaves readers with a better understanding of life under the sky. 

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cover of Stories from the Country of Lost Borders by Mary Austin

Stories from the Country of Lost Borders by Mary Austin

Pryse, Marjorie

Rutgers University Press, 1987

Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land."

In The Land of Little Rain, Austin's attention to natural detail allows her to write prose that is geologically, biologically, and botanically accurate at the same time that it offers metaphorical insight into human emotional and spiritual experience. In Lost Borders, Austin focuses on both white and Indian women's experiences in the desert, looks for the sources of their deprivation, and finds them in the ways life betrays them, usually in the guise of men. She offers several portraits of strong women characters but ultimately identifies herself with the desert, which she personifies as a woman.
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cover of Sun, Sin & Suburbia: The History of Modern Las Vegas, Revised and Expanded

Sun, Sin & Suburbia

The History of Modern Las Vegas, Revised and Expanded

Geoff Schumacher

University of Nevada Press, 2015

More than forty million visitors per year travel to Sin City to visit the gambling mecca of the world. But gambling is only one part of the city’s story. In this carefully documented history, Geoff Schumacher tracks the rise of Las Vegas, including its vital role during World War II; the rise of the Strip in the 1950s; the explosive growth of the 1990s; and the colossal collapse triggered by the real estate bust and economic crisis of the mid-2000s. Schumacher surveys the history of the iconic casinos, debunking myths and highlighting key players such as Howard Hughes, Kirk Kerkorian, and Steve Wynn.
 
Schumacher’s history also profiles the Las Vegas where more than two million people live. He explores the neighborhoods sprawling beyond the Strip’s neon gleam and uncovers a diverse community offering much more than table games, lounge acts, and organized crime. Schumacher discusses contemporary Las Vegas, charting its course from the nation’s fastest-growing metropolis to one of the Great Recession’s most battered victims.
 
Sun, Sin & Suburbia will appeal to tourists looking to understand more than the glitz and glitter of Las Vegas and to newcomers who want to learn about their new hometown. It will also be an essential addition to any longtime Nevadan’s library of local history.
 
First published in 2012 by Stephens Press, this paperback edition is now available from the University of Nevada Press.
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cover of Sundancers and River Demons: Essays on Landscape and Ritual

Sundancers and River Demons

Essays on Landscape and Ritual

Conger Beasley Jr.

University of Arkansas Press, 1990

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cover of Survival City: Adventures among the Ruins of Atomic America

Survival City

Adventures among the Ruins of Atomic America

Tom Vanderbilt

University of Chicago Press, 2002

On the road to Survival City, Tom Vanderbilt maps the visible and invisible legacies of the cold war, exhuming the blueprints for the apocalypse we once envisioned and chronicling a time when we all lived at ground zero. In this road trip among ruined missile silos, atomic storage bunkers, and secret test sites, a lost battleground emerges amid the architecture of the 1950s, accompanied by Walter Cotten’s stunning photographs. Survival City looks deep into the national soul, unearthing the dreams and fears that drove us during the latter half of the twentieth century.

“A crucial and dazzling book, masterful, and for me at least, intoxicating.”—Dave Eggers


“A genuinely engaging book, perhaps because [Vanderbilt] is skillful at conveying his own sense of engagement to the reader.”—Los Angeles Times


“A retracing of Dr. Strangelove as ordinary life.”—Greil Marcus, Bookforum

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