279 books match the query 'Film & Video' and 13 start with s

cover of Scenes of Projection: Recasting the Enlightenment Subject

Scenes of Projection

Recasting the Enlightenment Subject

Jill H. Casid

University of Minnesota Press, 2015

Theorizing vision and power at the intersections of the histories of psychoanalysis, media, scientific method, and colonization, Scenes of Projection poaches the prized instruments at the heart of the so-called scientific revolution: the projecting telescope, camera obscura, magic lantern, solar microscope, and prism. From the beginnings of what is retrospectively enshrined as the origins of the Enlightenment and in the wake of colonization, the scene of projection has functioned as a contraption for creating a fantasy subject of discarnate vision for the exercise of “reason.”

Jill H. Casid demonstrates across a range of sites that the scene of projection is neither a static diagram of power nor a fixed architecture but rather a pedagogical setup that operates as an influencing machine of persistent training. Thinking with queer and feminist art projects that take up old devices for casting an image to reorient this apparatus of power that produces its subject, Scenes of Projection offers a set of theses on the possibilities for felt embodiment out of the damaged and difficult pasts that haunt our present.

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cover of Screen Captures: Film in the Age of Emergency

Screen Captures

Film in the Age of Emergency

Stephen Lee Naish

Lever Press, 2026

Screen Captures: Film in the Age of Emergency offers a vibrant and accessible collection of essays that explore how films and changes in the media industries reflect and influence our political, cultural, technological, and ecological moment. Critic Stephen Lee Naish reveals what lies just out of frame: the climate crisis, the ongoing Disney-fication of franchises, the audience's active participation in the rewriting and reproduction of their attention, and the impacts of the COVID-19 pandemic on the movie theaters. Screen Captures explores these tensions from the rebooted Star Wars franchise to the dominance of superheroes, the pop cultural memeification of Nicholas Cage to the artistic worlds of David Lynch, the failing American Dream in the American Pie franchise, and the female interpretation of toxic masculinity on screen and in public life. Naish argues that film isn’t merely escapism and entertainment—it’s a political space that bleeds into our daily lives. Appealing to pop culture fans and film critics alike, these essays challenge the reader to question, critique, and go beyond passive consumption of what we see on our screens.
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cover of Screen Time: Photography and Video Art in the Internet Age

Screen Time

Photography and Video Art in the Internet Age

Richard Rinehart

Bucknell University Press, 2022

Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices—art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan.

Published by Bucknell University Press for the Samek Art Museum.
Distributed worldwide by Rutgers University Press.

 
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cover of Screens: Viewing Media Installation Art

Screens

Viewing Media Installation Art

Kate Mondloch

University of Minnesota Press, 2010

Media screens—film, video, and computer screens—have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes.
 
Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture.
 
Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject’s field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.
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cover of Sergei Paradjanov: Shadows of Forgotten Ancestors

Sergei Paradjanov

Shadows of Forgotten Ancestors

Joshua First

Intellect Books, 2016

Released in 1965, Sergei Paradjanov’s Shadows of Forgotten Ancestors is a landmark of Soviet-era cinema—yet, because its emphasis on folklore and mysticism in traditional Carpathian Hutsul culture broke with Soviet realism, it caused Paradjanov to be blacklisted soon after its release.
            This book is the first full-length companion to the film. In addition to a synopsis of the plot and a close analysis of the many levels of symbolism in the film, it offers a history of the film’s legendarily troubled production process (which included Paradjanov challenging a cinematographer to a duel). The book closes with an account of the film’s reception by critics, ordinary viewers, and Soviet officials, and the numerous controversies that have kept it a subject of heated debate for decades. An essential companion to a fascinating, complicated work of cinema art, this book will be invaluable to students, scholars, and regular film buffs alike.
 
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cover of Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds

Shaping Global Cultures through Screenwriting

Women Who Write Our Worlds

Edited by Rose Ferrell and Rosanne Welch

Intellect Books, 2025

The voices of women changing the world one script at a time speak to how screenwriting is more than a craft—it’s activism, education, and revolution.

Shaping Global Culture through Screenwriting is a powerful testament to the undeniable impact of an international collection of female screenwriters. Spanning film, television, virtual reality, games, and digital media, these case studies showcase instances when women filmmakers used screenwriting to challenge injustice and give voice to communities around the world.

Divided into sections that seek to overcome global disparities in wealth and power, the book views screenwriting as activism, shifting attitudes, and altering lived experiences. Whether about gender and race or war and colonization, each chapter exposes the deep connections between storytelling and social change. More than just a study of the craft, this book is a celebration of the women writers who use their artistic lens to educate and empower others. Geared toward readers interested in screenwriting, media studies, sociology, women’s studies, and a wide range of humanities subjects, including history and population studies, Shaping Global Culture through Screenwriting brings long-overdue attention to the vital role women take in shaping the global cultural landscape.
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cover of Shooting Women: Behind the Camera, Around the World

Shooting Women

Behind the Camera, Around the World

Harriet Margolis, Alexis Krasilovsky and Julia Stein

Intellect Books, 2015

Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton—who got her job only after suing the union—to China’s first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in what has long been seen as a male field.
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cover of Southern Neogothic: Literary and Cinematic Reckonings from the 1970s to the Present

Southern Neogothic

Literary and Cinematic Reckonings from the 1970s to the Present

Lee Rozelle

University of Alabama Press, 2026

In Southern Neogothic, Lee Rozelle moves beyond familiar debates that have long dominated studies of the American South, proposing a new framework for understanding how contemporary writers, filmmakers, and artists have transformed the genre’s signature tropes to engage pressing cultural, political, and environmental concerns. Rather than revisiting narratives centered on white grievance, Confederate memory, or Lost Cause mythology, Rozelle examines works that expand Southern Gothic’s reach, connecting regional traditions to global audiences and contemporary struggles over identity, power, and belonging. By demonstrating how contemporary artists have reinvented one of America’s most enduring literary modes, Rozelle offers a fresh and timely account of the genre’s continuing cultural relevance.

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cover of Spanish Cinema of the New Millennium: And the Winner Is...

Spanish Cinema of the New Millennium

And the Winner Is...

Thomas G. Deveny

Intellect Books, 2019

Spanish Cinema of the New Millennium provides a new approach to the study of contemporary Spanish cinema between 2000 and 2015 through the analysis of films that represent both "high" culture and "popular" culture. The two film cultures are represented by Goya Award–winning films and box-office successes. Thomas G. Deveny's examination of the country's most important films in this 16-year period provides a rigorous academic analysis of contemporary Spain's film industry, identity, and culture.
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cover of Speculative Blackness: The Future of Race in Science Fiction

Speculative Blackness

The Future of Race in Science Fiction

André M. Carrington

University of Minnesota Press, 2016

In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination.

Carrington’s argument about authorship, fandom, and race in a genre that has been both marginalized and celebrated offers a black perspective on iconic works of science fiction. He examines the career of actor Nichelle Nichols, who portrayed the character Uhura in the original Star Trek television series and later became a recruiter for NASA, and the spin-off series Star Trek: Deep Space Nine, set on a space station commanded by a black captain. He recovers a pivotal but overlooked moment in 1950s science fiction fandom in which readers and writers of fanzines confronted issues of race by dealing with a fictitious black fan writer and questioning the relevance of race to his ostensible contributions to the 'zines. Carrington mines the productions of Marvel comics and the black-owned comics publisher Milestone Media, particularly the representations of black sexuality in its flagship title, Icon. He also interrogates online fan fiction about black British women in Buffy the Vampire Slayer and the Harry Potter series.

Throughout this nuanced analysis, Carrington theorizes the relationship between race and genre in cultural production, revealing new understandings of the significance of blackness in twentieth-century American literature and culture.


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cover of Stephen King on the Small Screen

Stephen King on the Small Screen

Mark Browning

Intellect Books, 2011

 

In this follow up to Stephen King on the Big Screen, Mark Browning turns his critical eye to the much-neglected subject of the best-selling author’s work in television, examining what it is about King’s fiction that makes it particularly suitable for the small screen.

By focusing on this body of work, from the highly successful The Stand and The Night Flier to the lesser-known TV films Storm of the Century, Rose Red, Kingdom Hospital, and the 2004 remake of Salem’s Lot, Browning is able to articulate how these adaptations work and, in turn, suggest new ways of viewing them. This book is the first written by a film specialist to consider King’s television work in its own right, and it rejects previous attempts to make the films and books fit rigid thematic categories. Browning examines what makes a written or visual text successful at evoking fear on a case-by-case basis, in a highly readable and engaging way. He also considers the relationship between the big and small screen. Why, for instance, are some TV versions more effective than movie adaptations and vice versa? In the process, Stephen King on the Small Screen is able to shed new light on what it is that makes King’s novels so successful and reveal the elements of style and approach that have helped make King one of the world’s best-selling authors.

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cover of Studying Unmade, Unseen, and Unreleased Film and Television: Histories, Theories, Methods

Studying Unmade, Unseen, and Unreleased Film and Television

Histories, Theories, Methods

James Fenwick and Kieran Foster

Intellect Books, 2026

A comprehensive study uncovering the hidden histories of film and television projects abandoned despite major investment.

Unmade, unseen, and unreleased film and television are a strikingly underexplored aspect of media history, even though significant financial investment and creative labor in these industries are devoted to projects that never reach production or distribution. This groundbreaking collection offers a comprehensive examination of this phenomenon, bringing together interdisciplinary perspectives from film history, gender and sexuality studies, industry studies, archival research, and creative practice.

Each chapter presents a state-of-the-art overview of a key theme, debate, method, or theory, drawing on illuminating case studies from different historical periods and global contexts. Together, the contributions define what it means for a work to remain unmade, unseen, or unreleased, while showcasing innovative research approaches and mapping the scale of unfinished projects in film and television. Serving as both a foundational text for students and a valuable reference for established researchers, the volume’s scope will offer an essential resource for anyone seeking to understand the hidden histories of the screen industries.
 
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cover of Superman: The Movie: The 40th-Anniversary Interviews

Superman

The Movie: The 40th-Anniversary Interviews

Gary Bettinson

Intellect Books, 2018

At a moment when superheroes dominate pop culture, Gary Bettinson takes us back to the first comic book blockbuster. Superman: The Movie – The 40th Anniversary Interviews takes us behind the scenes to reveal the personalities and expertise that went into making this landmark of Hollywood cinema.
 
Marking forty years since the film’s release, this book presents original interview transcripts with the cast and crew. It serves as a rare insider account of an acclaimed blockbuster that was steeped in controversy throughout production, from its record-breaking budget to conflicts between the director and producers. With refreshing candor, the interviewees cast light on the daily realities on set, as well as on the film’s release and reception. Beginning with the film’s inception and continuing through its runaway success, this book provides valuable insights into the practical logistics and day-to-day realities of mounting a big-budget production, at a time when high-concept Hollywood blockbusters were only just emerging as a genre.
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