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      Unique and compelling, this husband-and-wife memoir of the Holocaust
        will move and inform generations. As we lose eyewitnesses to this ultimate
        horror, the Kuperhands present us with an elegantly restrained, yet hard-hitting,
        Kaddish to Polish Jewry.
      Miriam was the daughter of a prosperous furrier; Saul was the son of
        a poor shoemaker. Miriam was sixteen when she and her brother roamed the
        wild countryside of Poland, searching for food and shelter--and for their
        parents. Saul was only a few years older when he watched the smoke rising
        from the crematoria and knew that his parents, sister, and eight brothers
        were gone forever. Miriam lived by hiding; Saul lived by escaping from
        the camp.
      The authors emphasize the essential role that Polish Christians played
        in their survival and stress that wit, courage, faith, luck, and even
        a strong will to live were worthless without their help.
      The travail of their survival is wrenching yet comforting, tragic yet
        upbeat, cinematic yet intimate. Shadows of Treblinka will haunt
        and inspire its readers.
 

Shaping Losses explores how traumatic loss affects identity and how those who are shaped by loss give shape, in turn, to the empty place where something--relationships, family, culture--was and is no longer. Taking the example of the decimation of European Jewry during the Nazi era, Shaping Losses confronts the problem of transforming trauma into cultural memory.
 
This eloquent volume examines how memoirs, films, photographs, art, and literature, as well as family conversations and personal remembrances, embody the impulse to preserve what is destroyed. The contributors -- all distinguished women scholars, most of them survivors or daughters of survivors--examine classic memorializations such as Claude Lanzmann's film Shoah and Roman Vishniac's photographs of prewar Jews as well as several less-well-known works. They also address ways in which children of survivors of the Holocaust--and of other catastrophic traumas--struggle with inherited or vicarious memory, striving to come to terms with losses that centrally define them although they experience them only indirectly.
 
Shaping Losses considers the limitations of Holocaust representations and testimonies that capture shards of the experience but are necessarily selective and reductive. Contributors discuss artistic efforts to "preserve the rawness" of memory, to resist redemptive closure in Holocaust narratives and public memorials, and to prevent the Holocaust from being sealed in "the cold storage of history." The authors probe the nature of memory and of trauma, studying the use of language within and outside a traumatic context such as Auschwitz and pinpointing the qualities that make traumatic memory ineffable, untransmittable, and perhaps unreliable. Within the "haunted terrain of traumatized memory" that all Holocaust testimonies inhabit, the impulse to give form to emptiness--to shape loss--emerges as a necessary betrayal, a vital effort to bridge the gap between history and memory.
 
 

Rare, First-Hand Accounts from Newspaper Correspondents Describing the Course of America’s Largest Indian War, Compiled and Edited for the First Time in One Volume

“No one commands better the story of the Great Sioux War of 1876–1877 as presented in the nation’s newspapers than does Marc Abrams. Here is Abrams’s story of America’s greatest Indian war woven from those timely reports, augmented with insightful introductions and annotations. Abrams has produced a significant addition to the historiography of this endlessly fascinating struggle and its colorful personalities.” —Paul L. Hedren, author of After Custer: Loss and Transformation in Sioux Country

“Marc Abrams has provided an invaluable service to both scholars and lay readers in compiling this treasure trove of primary information. Like the correspondents he has come to know through his research, Marc has done the hard work; we need only read in comfort and benefit from his efforts.” —Douglas W. Ellison, author of Sole Survivor: An Examination of the Frank Finkel Narrative

“Marc Abrams’s book is an exciting and innovative approach that brings immediacy to the campaigns of Custer, Crook, and Miles, and teems with fascinating new detail. Sioux War Dispatches not only offers a gripping contemporary window into those times, it fills an important reference need as well.” —Jerome A. Greene, author of Stricken Field: The Little Bighorn Since 1876

Sioux War Dispatches: Reports from the Field, 1876-1877, tells the story of the Great Sioux War, including the battle of the Little Big Horn, primarily through the eyes of contemporary newspaper correspondents, both civilian and military. The volume begins with the Black Hills dilemma and the issue of the unceded territory (the disputed lands that were adjacent to the Great Sioux Reservation) and continues through to the spring of 1877 with the surrender of the legendary Sioux leader Crazy Horse. Along the way readers will learn about the Reynolds battle, the skirmish at Tongue River Heights, the battle of the Rosebud, the battle of the Little Big Horn, the skirmish at Warbonnet Creek, the fight at Slim Buttes, and more. In addition to numerous annotated excerpts from those who were there, are rare original dispatches, reprinted in full, that will take readers on a wild ride through several battles.

This volume expands the intellectual exchange between researchers working on the Holocaust and post-Holocaust life and North American sociologists working on collective memory, diaspora, transnationalism, and immigration. The collection is comprised of two types of essays: primary research examining the Shoah and its aftermath using the analytic tools prominent in recent sociological scholarship, and commentaries on how that research contributes to ongoing inquiries in sociology and related fields.

Contributors explore diasporic Jewish identities in the post-Holocaust years; the use of sociohistorical analysis in studying the genocide; immigration and transnationalism; and collective action, collective guilt, and collective memory. In so doing, they illuminate various facets of the Holocaust, and especially post-Holocaust, experience. They investigate topics including heritage tours that take young American Jews to Israel and Eastern Europe, the politics of memory in Steven Spielberg’s collection of Shoah testimonies, and the ways that Jews who immigrated to the United States after the collapse of the Soviet Union understood nationality, religion, and identity. Contributors examine the Warsaw Ghetto Uprising of 1943 in light of collective action research and investigate the various ways that the Holocaust has been imagined and recalled in Germany, Israel, and the United States. Included in the commentaries about sociology and Holocaust studies is an essay reflecting on how to study the Holocaust (and other atrocities) ethically, without exploiting violence and suffering.

Contributors. Richard Alba, Caryn Aviv, Ethel Brooks, Rachel L. Einwohner, Yen Le Espiritu, Leela Fernandes, Kathie Friedman, Judith M. Gerson, Steven J. Gold , Debra R. Kaufman, Rhonda F. Levine , Daniel Levy, Jeffrey K. Olick, Martin Oppenheimer, David Shneer, Irina Carlota Silber, Arlene Stein, Natan Sznaider, Suzanne Vromen, Chaim Waxman, Richard Williams, Diane L. Wolf

Blood and anger, bragging and pain, are all part of this young Iowa soldier's vigorous words about war and soldiering. A twenty-year-old farmer from Council Bluffs, Charles O. Musser was one of the 76,000 Iowans who enlisted to wear the blue uniform. He was a prolific writer, penning at least 130 letters home during his term of service with the 29th Iowa Volunteer Infantry.

Soldier Boy makes a significant contribution to the literature of the common soldier in the Civil War. Moreover, it takes a rare look at the Trans-Mississippi theater, which has traditionally been undervalued by historians.

Always Musser dutifully wrote and mailed his letters home. With a commendable eye for historical detail, he told of battles and marches, guerrilla and siege warfare, camp life and garrison soldiering, morale and patriotism, Copperheads and contraband, and Lincoln's reelection and assassination, creating a remarkable account of activities in this almost forgotten backwater of the war.

For self-made artist and soldier Horace Pippin—who served in the 369th all-black infantry in World War I until he was wounded—war provided a formative experience that defined much of his life and work. His ability to transform combat service into canvases of emotive power, psychological depth, and realism showed not only how he viewed the world but also his mastery as a painter. In Suffering and Sunset, Celeste-Marie Bernier painstakingly traces Pippin’s life story of art as a life story of war. 

Illustrated with more than sixty photographs, including works in various mediums—many in full color—this is the first intellectual history and cultural biography of Pippin. Working from newly discovered archives and unpublished materials, Bernier provides an in-depth investigation into the artist’s development of an alternative visual and textual lexicon and sheds light on his work in its aesthetic, social, and political contexts.

Suffering and Sunset illustrates Pippin’s status as a groundbreaking artist as it shows how this African American painter suffered from but also staged many artful resistances to racism in a white-dominated art world.

Izrael Zachariah Deutsch was born on March 15, 1934, in Komjata, Czechoslovakia. The second youngest child, Izrael lived a bucolic existence with nine brothers and sisters on a farm, differing from them only in that he was deaf. When he was six, his mother took him to Budapest, Hungary, and enrolled him in a Jewish school for deaf children, where he thrived. Soon, however, the Nazi regime in Germany and the Arrow Cross fascists in Hungary destroyed Izrael’s world forever.
       Izrael realized that by being both Jewish and deaf, he faced a double threat of being exported to the gas chambers in Poland. But at every lethal junction, he found a way to survive, first by buying and reselling pastries for extra money that later saved his life in the Budapest ghetto. Still, Izrael was close to death from starvation when he was liberated by Russian soldiers on January 18, 1945.
​       Izrael survived the war only to learn that his parents and two brothers had been murdered by the Nazis. The rest of his brothers and sisters scattered to distant parts of the world. Forced to remain in Budapest, Izrael finished school and became an accomplished machinist. He avoided any part in the Hungarian uprising in 1956 so that he could secure a visa to leave for Sweden. From Sweden he traveled throughout Europe and Israel, using an amazing network of Holocaust survivors, relatives, and deaf friends to ease his journey. He finally settled in Los Angeles, where he married a deaf Jewish woman he had met years before. Along the way, he changed his name from Izrael Deutsch to Harry Dunai.

Though the world was stunned by the horrific massacres of Tutsi by the Hutu majority in Rwanda beginning in April 1994, there has been little coverage of the reprisals that occurred after the Tutsi gained political power. During this time hundreds of thousands of Hutu were systematically hunted and killed.
Surviving the Slaughter: The Ordeal of a Rwandan Refugee in Zaire is the eyewitness account of Marie Béatrice Umutesi. She tells of life in the refugee camps in Zaire and her flight across 2000 kilometers on foot. During this forced march, far from the world’s cameras, many Hutu refugees were trampled and murdered. Others died from hunger, exhaustion, and sickness, or simply vanished, ignored by the international community and betrayed by humanitarian organizations. Amidst this brutality, day-to-day suffering, and desperate survival, Umutesi managed to organize the camps to improve the quality of life for women and children.
In this first-hand account of inexplicable brutality, day-to-day suffering, and survival, Marie Béatrice Umutesi sheds light on a backlash of violence that targeted the Hutu refugees of Rwanda after the victory of the Rwandan Patriotic Front in 1994.  Umutesi’s documentation of the flight and terror of these years provides the world a veritable account of a history that is still widely unknown. After translations from its original French into three other languages, this important book is available in English for the first time. It is more than a testimony to the lives and humanity lost; it is a call for those politicians, military personnel, and humanitarian organizations responsible for the atrocious crimes—and the devastating silence—to be held accountable.


“Umutesi’s tale, told with honesty and eloquence, is a tribute to the human spirit, a searing indictment of the agents who perpetrated these horrors, and a reproach to those who turned away.”—Catharine Newbury, African Studies Review

“Restores a human dimension that has been lacking in the history of the genocide and massacres in Rwanda.”—Danielle de Lame, African Studies Review

“A vivid account of the grueling nightmare experienced by tens of thousands of Rwandan civilians whom the world had deliberately forsaken. . . . An outstanding call for justice.”—Aloys Habimama, African Studies Review

 “A towering work. . . . An epic for our times, a tale to ponder for the lessons it conveys, testimony so powerful and moving that it reaches an unintended literary greatness.”—Jan Vansina, African Studies Review

“Of all the current books and films ten years after the Rwandan genocide, none is more effective than Surviving the Slaughter . . . . This book carries one along, often as if running with the refugees.”—Anne Serafin, Multicultural Review