413 books match the query 'Pictorial works' and 21 start with s

cover of Secrets from the Center of the World

Secrets from the Center of the World

Joy Harjo and Stephen E. Strom

University of Arizona Press, 1989

"My house is the red earth; it could be the center of the world."

This is Navajo country, a land of mysterious and delicate beauty. "Stephen Strom's photographs lead you to that place," writes Joy Harjo. "The camera eye becomes a space you can move through into the powerful landscapes that he photographs. The horizon may shift and change all around you, but underneath it is the heart with which we move." Harjo's prose poems accompany these images, interpreting each photograph as a story that evokes the spirit of the Earth. Images and words harmonize to evoke the mysteries of what the Navajo call the center of the world.
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cover of Sedges: Carex

Sedges

Carex

Robert H. Mohlenbrock. Illustrated by Paul Nelson

Southern Illinois University Press, 1999

Sedges: Carex is the fourteenth volume of the Illustrated Flora of Illinois series and the sixth and last volume devoted to monocots, or plants that have a single seed-leaf, or cotyledon, upon germination. For each of the 159 species of Carex in Illinois, there is a full illustration showing the habit of the plant and close-ups of various vegetative and reproductive structures that are crucial for the identification of the individual species. There is also a complete description of each species as well as a discussion of the nomenclature and habitats. Range maps show the county distribution of each species in Illinois. A detailed key is provided for identification of the species.



Unique in several respects, Carex is by far the most numerous genus of plants in Illinois. Because of the vast number of species, the similarity of many of the species, and the relatively small size of the critical reproductive structures, the members of this genus are extremely confusing to identify. This book, with its detailed descriptions, key, and precise illustrations, should aid the interested person in the identification of these plants.



Since more than three-fourths of the species of Carex in Illinois are inhabitants of wetlands, an understanding of the genus is critical for those working in wetlands. Amateur and professional botanists will find the information extremely valuable, as well as environmental and conservation groups, garden clubs, farm bureaus, home extension groups, scout organizations, and school libraries. Persons working in natural areas programs and in rare and endangered species programs and those working on environmental impact assessments and wildlife management projects will also find the information pertinent.



 

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cover of Sedges: Cyperus to Scleria

Sedges

Cyperus to Scleria

Robert H. Mohlenbrock

Southern Illinois University Press, 2001

This second edition of Sedges: Cyperus to Scleria brings up to date the identification of species of sedges in Illinois (except Carex) since publication of the first edition in 1976.

During the intervening years, several additions to the sedge flora of Illinois have been made, and many new distributional records have been added. Also, a large number of nomenclatural changes have taken place, resulting in several alterations of scientific names. New illustrations have been provided for all of the additions. 

In his introductory material, Robert H. Mohlenbrock discusses the morphology of sedges and the habitats where they can be found. Although the semitechnical keys and descriptions are familiar to experienced botanists, he has simplified them as much as possible to accommodate the novice in sedge identification. He has also included a new key to the sedges and to each genus in which additional species have been added.

For each species, Mohlenbrock has provided a description, statement of habitat and range, Illinois distribution map, discussion, synonymy, and line illustrations showing its diagnostic features. Sedges: Cyperus to Scleria contains 128 illustrations.

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cover of Seeing Silicon Valley: Life inside a Fraying America

Seeing Silicon Valley

Life inside a Fraying America

Mary Beth Meehan and Fred Turner

University of Chicago Press, 2021

Acclaimed photographer Mary Beth Meehan and Silicon Valley culture expert Fred Turner join forces to give us an unseen view of the heart of the tech world.

It’s hard to imagine a place more central to American mythology today than Silicon Valley. To outsiders, the region glitters with the promise of extraordinary wealth and innovation. But behind this image lies another Silicon Valley, one segregated by race, class, and nationality in complex and contradictory ways. Its beautiful landscape lies atop underground streams of pollutants left behind by decades of technological innovation, and while its billionaires live in compounds, surrounded by redwood trees and security fences, its service workers live in their cars.

With arresting photography and intimate stories, Seeing Silicon Valley makes this hidden world visible. Instead of young entrepreneurs striving for efficiency in minimalist corporate campuses, we see portraits of struggle—families displaced by an impossible real estate market, workers striving for a living wage, and communities harmed by environmental degradation. If the fate of Silicon Valley is the fate of America—as so many of its boosters claim—then this book gives us an unvarnished look into the future.
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cover of Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia

Selling Black Brazil

Race, Nation, and Visual Culture in Salvador, Bahia

Anadelia Romo

University of Texas Press, 2022

2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA)

This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America.

In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.

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cover of She's Got a Gun

She's Got a Gun

Nancy Floyd

Temple University Press, 2008

In 1991 Nancy Floyd bought her first handgun.  Soon she was participating in Ladies Day at her local shooting range and reading Women & Guns magazine.  In 1993 she began interviewing and photographing women who were fellow gun owners.  In 1997 she started researching "gun women" from the past to see how they were represented in the popular imagination.  Now she has brought her work together in a riveting new book, filled with remarkable photographs and candid first-person stories, accompanied by an eye-opening illustrated history of female gun ownership in America.

Sympathetic but unsentimental, Floyd presents gun-toting women young and old, including an eleven-year-old girl competing in her first gun competition, a woman whose grandmother was killed by an intruder, and a war veteran who experienced firefights while stationed in Iraq.  Whatever you might think about gun-toting women before you open this book, your preconceptions are sure to be shattered by the end.
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cover of Sidewalks: Portraits of Chicago

Sidewalks

Portraits of Chicago

Rick Kogan & Charles Osgood

Northwestern University Press, 2008

"A wonderful book that tells you the basic truths of our city." —Studs Terkel

Few people know Chicago as do Rick Kogan and Charles Osgood, and their "Sidewalks" column for the Chicago Tribune Sunday Magazine is a tour of the city like no other, taking readers to the off-beat and quintessential spots that give Chicago its character—that make its inhabitants feel at home and tell its visitors that they have arrived.

Accompanied by evocative color photographs by Charles Osgood, Kogan's pieces revisit the lost places and people of Chicago, and take readers down the quiet byways and thriving thoroughfares, pointing out the characters and cornerstones, the oddities and institutions that make the city what it is. In this collection you will find an elegy for Maxwell Street, the marketplace that pulsed with city life for more than 100 years; a remembrance of a disturbing advertisement ("Are you a slave to housework?") on the side of a building on Irving Park Road; a cross marking a deadly intersection; a magical miniature golf course; as well as ballad singer Fred Holstein, the denizens of the World Gym and memories of Bensinger's pool hall, the day-camp kids of summer, bike couriers, the creatures of the beach, and much, much more. Here is Chicago, past, present, and—let's hope—future, captured in the unique archive of Sidewalks.
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cover of Silent Witnesses: Representations of Working-Class Women in the United States

Silent Witnesses

Representations of Working-Class Women in the United States

Jacqueline Ellis

University of Wisconsin Press, 1998

Through detailed analyses of documentary photography and radical literature, Silent Witnesses explores how working-class identity has been repressed and manipulated to fit the expectations of liberal politicians, radical authors, Marxist historians, feminist academics, and contemporary cultural theorists.

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cover of Silver Screens: A Pictorial History of Milwaukee's Movie Theaters

Silver Screens

A Pictorial History of Milwaukee's Movie Theaters

Larry Widen

Wisconsin Historical Society Press, 2007

Silver Screens traces the rich history of Milwaukee's movie theaters, from 1890s nickelodeons to the grand palaces of the Roaring Twenties to the shopping mall outlets of today. And the story doesn't end there: in the past two decades, the revival of interest in preservation and restoration of theaters has confirmed that there's still life in these beloved old structures. With the publication of Silver Screens, authors Larry Widen and Judi Anderson help ensure that our old theaters, those being restored and those long since vanished, will remain forever embedded in our collective memory.

In this revised edition of their book Milwaukee Movie Palaces, the authors present new findings on film innovations, drive-in theaters, projection booths, movie promotions, noted theater personalities, recent restoration efforts, and much more. Illuminated with more than a hundred photographs, including many never before published, Silver Screens is a stunning tribute to the legacy of the movie theater.

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cover of Smile: A Picture History of Olympic Park, 1887-1965

Smile

A Picture History of Olympic Park, 1887-1965

Siegel, Alan A

Rutgers University Press, 1995

In Smile, Alan A. Siegel chronicles the evolution of Olympic Park from a den of hedonism and intoxication in the 1880s into Essex County's most popular family entertainment site in the 1950s and 1960s. Under the fifty-year reign of Newark brewer Henry A. Guenther, millions of men, women, and children passed under the signs Smile and Learn to Play into what the legendary beer baron called a little bit of Coney Island, the circus, an old-fashioned beer garden, and Monte Carlo rolled into one. With its myriad games, attractions, performances, and restaurants, it was impossible to walk away from the park unsatisfied and not wishing for a return. Though the doors to Olympic Park have been closed for thirty years, it will forever reside in the memories of many as a towering monument on the cultural landscape of New Jersey in a simpler, more innocent, and less affluent time.
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cover of Snake Day: A Story of 24 Hours and 24 Serpentine Lives

Snake Day

A Story of 24 Hours and 24 Serpentine Lives

Marty Crump

University of Chicago Press, 2026

An hourly guide that follows twenty-four snakes as they find mates, hunt, and survive a changing world.

Does a snake crossing your path trigger delight or dread? The answer is clear for celebrated biologist Marty Crump, who shows us that snakes deserve our respect, admiration, and protection. In her short book Snake Day, each chapter introduces a single snake during a single hour, highlighting twenty-four different species from around the globe. 

In the dark morning of a Brazilian forest, we avoid stepping on a jararaca, a nocturnal viper. If she bites, her venom will make our blood pressure—and us—drop. A synthetic version of this venom is now a lifesaving drug, used to treat hypertension and heart failure. Later in the morning, in the Zagros Mountains that trace Iran’s northwest border, what appears to be a tiny arachnid wiggles on the ground. When a hungry warbler approaches for a meal, realizes too late that the spider is actually a snake’s tail, and an Iranian spider-tailed viper makes a meal of the bird. In the early afternoon, in a pine forest outside Atlanta, Georgia, an eastern hognose snake strikes at us—a bluff—and then rolls over and plays dead. By the end of our snake day, we’ll have glimpsed the diversity of this unique group of reptiles, met serpentine friends who frighten and fascinate, and learned how humans can protect these amazing species.

For each hour, celebrated artist Stuart Patience has depicted serpentine scenes in stunning pen-and-ink drawings. Working together to narrate and illustrate these unique moments in time, Crump and Patience have created an engaging read that is a perfect way to spend an hour or two—and a true gift for amateur scientists or anyone who recoils at or relishes the sight of a snake.
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cover of Some Wear Leather, Some Wear Lace: The Worldwide Compendium of Postpunk and Goth in the 1980s

Some Wear Leather, Some Wear Lace

The Worldwide Compendium of Postpunk and Goth in the 1980s

Andi Harriman and Marloes Bontje

Intellect Books, 2014

It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. “Goth” did not gain lexical currency until the late 1980s. But no matter what term was used, “postpunk” encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes.

A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
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cover of Southeastern Indians Life Portraits: A Catalogue of Pictures 1564-1860

Southeastern Indians Life Portraits

A Catalogue of Pictures 1564-1860

Emma Lila Fundaburk

University of Alabama Press, 1958

This pictorial classic is a valuable ethnological record of southeastern Indians that also showcases the work of early photographers and artists.

A collection of over 350 photographs, paintings, drawings,and woodcuts, Life Portraits offers us an important visual representation of southeastern Indians—at work, at play, in rituals, and in death—when they first encountered Europeans.

Studied by historians and archaeologists, as well as museum exhibit designers and costumers, these illustrations provide a wealth of information on native dress and jewelry, house construction, agricultural techniques, warfare, and other aspects of American Indian life. Among the tribes illustrated are Natchez, Choctaw, Creek, Chickasaw, Cherokee, Seminole, Chitimacha, Timucua, Powhatan, Tuscarora, Caddo, Yuchi, and Shawnee.

A special section of the book quotes historic narratives and comments on the life and work of the artists, lithographers, photographers, and engravers who made the originals. Included among these are Jacques le Moyne, John White, Theodore De Bry, Francis Parsons, Joshua Reynolds, John Trumball, George Catlin, John Mix Stanley, Thomas McKenney, and Samuel Waugh.

Life Portraits has been a classic title in southeastern archaeology and a staple of bookstores and museum shops around the country since its original publication in 1958. Because the carefully identified illustrations were secured from a wide variety of sources, including the British Museum, the Charleston Museum, the New York Public Library, and the Oklahoma Historical Society, this volume represents the most comprehensiveand widely available record of Indian images. Designed for Americana collections, it will appeal to general readers as well as professional historians and archaeologists.

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cover of Southern Exposure: The Overlooked Architecture of Chicago's South Side

Southern Exposure

The Overlooked Architecture of Chicago's South Side

Lee Bey; Foreword by Amanda Willliams

Northwestern University Press, 2019

Southern Exposure: The Overlooked Architecture of Chicago’s South Side is the first book devoted to the South Side’s rich and unfairly ignored architectural heritage. With lively, insightful text and gallery-quality color photographs by noted Chicago architecture expert Lee Bey, Southern Exposure documents the remarkable and largely unsung architecture of the South Side. The book features an array of landmarks—from a Space Age dry cleaner to a nineteenth-century lagoon that meanders down the middle of a working-class neighborhood street—that are largely absent from arts discourse, in no small part because they sit in a predominantly African American and Latino section of town better known as a place of disinvestment, abandonment, and violence. 

Inspired by Bey’s 2017 Chicago Architecture Biennial exhibition, Southern Exposure visits sixty sites, including lesser-known but important work by luminaries such as Jeanne Gang, Frank Lloyd Wright, and Eero Saarinen, as well as buildings by pioneering black architects such as Walter T. Bailey, John Moutoussamy, and Roger Margerum. 

Pushing against the popular  narrative that depicts Chicago’s South Side as an architectural wasteland, Bey shows beautiful and intact buildings and neighborhoods  that reflect the value—and potential—of the area. Southern Exposure offers much to delight architecture aficionados and writers, native Chicagoans and guests to the city alike.
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cover of Southern Illinois Coal: A Portfolio

Southern Illinois Coal

A Portfolio

C. William Horrell. Edited with an Introduction by Herbert K. Russell. Foreword by Jeffrey L. Horrell

Southern Illinois University Press, 1995

The coal mining photographs of C. William Horrell, taken across the southern Illinois Coal Belt over a twenty-year period from 1966 to 1986, are extraordinary examples of documentary photography—so stark and striking that captions often seem superfluous.

Horrell’s photographs capture the varied phenomena of twentieth-century coal mining technology: the awesome scale of surface mining machines and their impact on the land; massive machines forced into narrow passageways with inches to spare as they carry coal from the face to conveyer belts; and, more significant, the advent of continuous miners, machines that can handle four previously separate processes and which have been a fixture in underground or “deep” mines since the mid-1960s.

Horrell was also intrigued by the related activities of mining, including coal’s processing, cleaning, and transportation, as well as the daily, behind-the-scenes operations that keep mines and miners working. His photographs reflect the beauty of the commonplace—the clothes of the miners, their dinner pails, and their tools—and reveal the picturesque remnants of closed mines: the weathered boards of company houses, the imposing iron beauty of an ancient tipple, and an abandoned building against the lowering sky of an approaching storm. Finally, his portraits of coal minersshow the strength, dignity, and enduring spirit of the men and women who work the southern Illinois coal mines.

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cover of Sports through the Lens: Essays on 25 Iconic Photographs

Sports through the Lens

Essays on 25 Iconic Photographs

Edited by Maureen M. Smith, Daniel A. Nathan, and Sarah K. Fields

University of Texas Press, 2024

2025 Anthology Award, North American Society for Sport History

The stories behind and legacies of important sports photos from the last 130 years.

Ever since photography and professional sports originated in the nineteenth century, photographers have shaped how we perceive sports. Sports through the Lens collects essays by twenty-five historians that consider what it means to capture and revisit a moment of cultural significance in sports, looking at each photo’s creation, its contexts, and how its meaning has shifted over time. Some essays provide fresh perspectives on such iconic images as Muhammad Ali standing over Sonny Liston at their 1965 rematch and Michael Jordan soaring at the 1988 NBA All-Star Game slam dunk competition; others introduce readers to the lesser-known stories of the first woman to officially run the Boston Marathon or the inaugural World Indigenous Games. The authors examine the photos' legacies alongside the artistry of both the athletes and the photographers. Reflecting on images of athletes from around the world engaged in sports from baseball to horse-racing to hockey, Sports through the Lens provides a wide-ranging meditation on the visual, historical, and cultural meaning of sports photographs.

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cover of Still Philadelphia

Still Philadelphia

Fredric Miller

Temple University Press, 1983

This is a book about Philadelphia and about photography, but it is not the usual book about either. On one level, this is the pictorial story of a great industrial metropolis in transition. It is the story of a railroad city, a city of trolleys and subways and horse-drawn vehicles, as it gradually succumbed to the automobile. It is the story of a city filled with neighborhood industry giving way to suburbs, to commuter travel, and to a change in the very nature of work. It is the story of a city spreading out, expanding and doubling in population in fifty years. It is the story of urban exuberance and vitality where ethnic groups mixed and mingled, but it is also the story of slums and poverty, crime and conflict. A Philadelphia family album, filled with pictures of ordinary people, Still Philadelphia focuses on the city of immigrants and industry, not on the lives and houses of the wealthy.

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cover of Still Rainin' Still Dreamin': Hall Anderson's Ketchikan

Still Rainin' Still Dreamin'

Hall Anderson's Ketchikan

Hall Anderson

University of Alaska Press, 2010

A staff photographer for the Ketchikan Daily News, Hall Anderson counted among his early influences photographers like Robert Frank and Henri Cartier-Bresson, who understood the visual bounty to be found in photographing the candid side of life. For more than twenty-five years, Anderson has brought this perspective to his photographic endeavors, both personal and professional, in the small town of Ketchikan in southeast Alaska.

Still Rainin' Still Dreamin' showcasesone hundred of Anderson's prize-winning black-and-white images, which collectively chronicle three decades of life in Ketchikan, spanning its transition from a timber- and fishing-based economy to one built on a booming tourism industry. From timber carnivals to election coverage to Fourth of July parades, Still Rainin' Still Dreamin' is a poignant celebration of the uncanny juxtapositions found in everyday life.

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cover of Street Fashion Moscow

Street Fashion Moscow

Elena Siemens

Intellect Books, 2017

Few cities in the world offer the diversity of stunning visuals that can be found on the streets of Moscow, from famous landmarks like Red Square to the Boulevard Ring and Kamergersky Lane and the residential areas beyond the Garden Ring. For this book, former Moscow resident Elena Siemens traveled them all as an urban flâneur, taking photographs of contemporary fashion in action and setting it alongside explorations of modern and historic representations of fashion and beauty as seen in a wide variety of products of Russian culture. Through her photos and analysis, Siemens considers the question of how contemporary Russians understand their post-Soviet identity and express it through the ways they present themselves in public.
 
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cover of Sunday Afternoon on the Porch: Reflections of a Small Town in Iowa, 1939-1942

Sunday Afternoon on the Porch

Reflections of a Small Town in Iowa, 1939-1942

Everett W. Kuntz

University of Iowa Press, 2008

In 1939, just before graduating from high school in the small town of Ridgeway in northeast Iowa, Everett Kuntz spent his entire savings of $12.50 on a 35mm Argus AF camera. He made a camera case from a worn-out boot, scraps from a tin can, and a clasp from his mother’s purse. For the next several years, especially during the summers when he worked on his parents’ dairy farm, he clicked the shutter of his trusty Argus all around the quiet town.

Everett bought movie reel film in bulk from a mail-order house, rolled his own film, and developed it in a closet at home, but he never had the money to print his photographs. More than two thousand negatives stayed in a box while he married, raised a family, and worked as an electrical engineer in the Twin Cities. When he became ill with cancer in the fall of 2002—sixty years after he had developed the last of his bulk film—Everett opened his time capsule and printed the images from his youth. He died in 2003, having brought his childhood town back to life just as he was leaving it.

A sense of peace radiates from these images. Whether skinny-dipping in the Turkey River, wheelbarrow-racing, threshing oats, milking cows, visiting with relatives after church, or hanging out at the drugstore or the movies, Ridgeway’s hardworking citizens are modest and trusting and luminous in their graceful harmony and their unguarded affection for each other. Visiting the town in 2006 as he was writing the text to accompany these photographs, Jim Heynen crafted vignettes that perfectly complement these rediscovered images by blending fact and fiction to give context and voice to Ridgeway’s citizens.
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cover of Surf Texas

Surf Texas

By Kenny Braun

University of Texas Press, 2014

The urge to ride a wave, the search for the next perfect swell, is an enduring preoccupation that draws people to coastlines around the world. In recent decades, surfing has grown into a multimillion-dollar industry with over three million surfers in the United States alone and an international competitive circuit that draws top surfers to legendary beaches in Hawaii, California, and Australia. But away from the crowds and the hype, dedicated surfers catch waves in places like the Texas Gulf Coast for the pure pleasure of being in harmony with life, their sport, and the ocean. Kenny Braun knows that primal pleasure, as both a longtime Texas surfer and a fine art photographer who has devoted years to capturing the surf culture on Texas beaches. In Surf Texas, he presents an eloquent photo essay that portrays the enduring fascination of surfing, as well as the singular and sometimes unexpected beauty of the coast.

Texas is one of the top six surfing states in America, and Braun uses evocative black-and-white photography to reveal the essence of the surfers’ world from Galveston to South Padre. His images catch the drama of shooting the waves, those moments of skill and daring as riders rip across the breaking face, as well as the downtime of bobbing on swells like seabirds and hanging out on the beach with friends. Braun also photographs the place—beaches and dunes, skies and storms, surf shops, motels, and parking lots—with a native’s knowing eye for defining details. Elegant and timeless, this vision of the Texas Coast is redolent of sea breezes and salt air and the memories and dreams they evoke. Surfer or not, everyone who feels the primeval attraction of wind and waves will enjoy Surf Texas.

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