413 books match the query 'Pictorial works' and 21 start with s
Joy Harjo and Stephen E. Strom
University of Arizona Press, 1989
Robert H. Mohlenbrock. Illustrated by Paul Nelson
Southern Illinois University Press, 1999
Robert H. Mohlenbrock
Southern Illinois University Press, 2001
This second edition of Sedges: Cyperus to Scleria brings up to date the identification of species of sedges in Illinois (except Carex) since publication of the first edition in 1976.
During the intervening years, several additions to the sedge flora of Illinois have been made, and many new distributional records have been added. Also, a large number of nomenclatural changes have taken place, resulting in several alterations of scientific names. New illustrations have been provided for all of the additions.
In his introductory material, Robert H. Mohlenbrock discusses the morphology of sedges and the habitats where they can be found. Although the semitechnical keys and descriptions are familiar to experienced botanists, he has simplified them as much as possible to accommodate the novice in sedge identification. He has also included a new key to the sedges and to each genus in which additional species have been added.
For each species, Mohlenbrock has provided a description, statement of habitat and range, Illinois distribution map, discussion, synonymy, and line illustrations showing its diagnostic features. Sedges: Cyperus to Scleria contains 128 illustrations.
Mary Beth Meehan and Fred Turner
University of Chicago Press, 2021
Anadelia Romo
University of Texas Press, 2022
2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA)
This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America.
In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.
Nancy Floyd
Temple University Press, 2008
Rick Kogan & Charles Osgood
Northwestern University Press, 2008
Jacqueline Ellis
University of Wisconsin Press, 1998
Through detailed analyses of documentary photography and radical literature, Silent Witnesses explores how working-class identity has been repressed and manipulated to fit the expectations of liberal politicians, radical authors, Marxist historians, feminist academics, and contemporary cultural theorists.
Larry Widen
Wisconsin Historical Society Press, 2007
Silver Screens traces the rich history of Milwaukee's movie theaters, from 1890s nickelodeons to the grand palaces of the Roaring Twenties to the shopping mall outlets of today. And the story doesn't end there: in the past two decades, the revival of interest in preservation and restoration of theaters has confirmed that there's still life in these beloved old structures. With the publication of Silver Screens, authors Larry Widen and Judi Anderson help ensure that our old theaters, those being restored and those long since vanished, will remain forever embedded in our collective memory.
In this revised edition of their book Milwaukee Movie Palaces, the authors present new findings on film innovations, drive-in theaters, projection booths, movie promotions, noted theater personalities, recent restoration efforts, and much more. Illuminated with more than a hundred photographs, including many never before published, Silver Screens is a stunning tribute to the legacy of the movie theater.
Siegel, Alan A
Rutgers University Press, 1995
Marty Crump
University of Chicago Press, 2026

Andi Harriman and Marloes Bontje
Intellect Books, 2014
Emma Lila Fundaburk
University of Alabama Press, 1958
This pictorial classic is a valuable ethnological record of southeastern Indians that also showcases the work of early photographers and artists.
A collection of over 350 photographs, paintings, drawings,and woodcuts, Life Portraits offers us an important visual representation of southeastern Indians—at work, at play, in rituals, and in death—when they first encountered Europeans.
Studied by historians and archaeologists, as well as museum exhibit designers and costumers, these illustrations provide a wealth of information on native dress and jewelry, house construction, agricultural techniques, warfare, and other aspects of American Indian life. Among the tribes illustrated are Natchez, Choctaw, Creek, Chickasaw, Cherokee, Seminole, Chitimacha, Timucua, Powhatan, Tuscarora, Caddo, Yuchi, and Shawnee.
A special section of the book quotes historic narratives and comments on the life and work of the artists, lithographers, photographers, and engravers who made the originals. Included among these are Jacques le Moyne, John White, Theodore De Bry, Francis Parsons, Joshua Reynolds, John Trumball, George Catlin, John Mix Stanley, Thomas McKenney, and Samuel Waugh.
Life Portraits has been a classic title in southeastern archaeology and a staple of bookstores and museum shops around the country since its original publication in 1958. Because the carefully identified illustrations were secured from a wide variety of sources, including the British Museum, the Charleston Museum, the New York Public Library, and the Oklahoma Historical Society, this volume represents the most comprehensiveand widely available record of Indian images. Designed for Americana collections, it will appeal to general readers as well as professional historians and archaeologists.
Lee Bey; Foreword by Amanda Willliams
Northwestern University Press, 2019
C. William Horrell. Edited with an Introduction by Herbert K. Russell. Foreword by Jeffrey L. Horrell
Southern Illinois University Press, 1995
The coal mining photographs of C. William Horrell, taken across the southern Illinois Coal Belt over a twenty-year period from 1966 to 1986, are extraordinary examples of documentary photography—so stark and striking that captions often seem superfluous.
Horrell’s photographs capture the varied phenomena of twentieth-century coal mining technology: the awesome scale of surface mining machines and their impact on the land; massive machines forced into narrow passageways with inches to spare as they carry coal from the face to conveyer belts; and, more significant, the advent of continuous miners, machines that can handle four previously separate processes and which have been a fixture in underground or “deep” mines since the mid-1960s.
Horrell was also intrigued by the related activities of mining, including coal’s processing, cleaning, and transportation, as well as the daily, behind-the-scenes operations that keep mines and miners working. His photographs reflect the beauty of the commonplace—the clothes of the miners, their dinner pails, and their tools—and reveal the picturesque remnants of closed mines: the weathered boards of company houses, the imposing iron beauty of an ancient tipple, and an abandoned building against the lowering sky of an approaching storm. Finally, his portraits of coal minersshow the strength, dignity, and enduring spirit of the men and women who work the southern Illinois coal mines.
Edited by Maureen M. Smith, Daniel A. Nathan, and Sarah K. Fields
University of Texas Press, 2024
2025 Anthology Award, North American Society for Sport History
The stories behind and legacies of important sports photos from the last 130 years.
Ever since photography and professional sports originated in the nineteenth century, photographers have shaped how we perceive sports. Sports through the Lens collects essays by twenty-five historians that consider what it means to capture and revisit a moment of cultural significance in sports, looking at each photo’s creation, its contexts, and how its meaning has shifted over time. Some essays provide fresh perspectives on such iconic images as Muhammad Ali standing over Sonny Liston at their 1965 rematch and Michael Jordan soaring at the 1988 NBA All-Star Game slam dunk competition; others introduce readers to the lesser-known stories of the first woman to officially run the Boston Marathon or the inaugural World Indigenous Games. The authors examine the photos' legacies alongside the artistry of both the athletes and the photographers. Reflecting on images of athletes from around the world engaged in sports from baseball to horse-racing to hockey, Sports through the Lens provides a wide-ranging meditation on the visual, historical, and cultural meaning of sports photographs.
Fredric Miller
Temple University Press, 1983
This is a book about Philadelphia and about photography, but it is not the usual book about either. On one level, this is the pictorial story of a great industrial metropolis in transition. It is the story of a railroad city, a city of trolleys and subways and horse-drawn vehicles, as it gradually succumbed to the automobile. It is the story of a city filled with neighborhood industry giving way to suburbs, to commuter travel, and to a change in the very nature of work. It is the story of a city spreading out, expanding and doubling in population in fifty years. It is the story of urban exuberance and vitality where ethnic groups mixed and mingled, but it is also the story of slums and poverty, crime and conflict. A Philadelphia family album, filled with pictures of ordinary people, Still Philadelphia focuses on the city of immigrants and industry, not on the lives and houses of the wealthy.
Hall Anderson
University of Alaska Press, 2010
A staff photographer for the Ketchikan Daily News, Hall Anderson counted among his early influences photographers like Robert Frank and Henri Cartier-Bresson, who understood the visual bounty to be found in photographing the candid side of life. For more than twenty-five years, Anderson has brought this perspective to his photographic endeavors, both personal and professional, in the small town of Ketchikan in southeast Alaska.
Still Rainin' Still Dreamin' showcasesone hundred of Anderson's prize-winning black-and-white images, which collectively chronicle three decades of life in Ketchikan, spanning its transition from a timber- and fishing-based economy to one built on a booming tourism industry. From timber carnivals to election coverage to Fourth of July parades, Still Rainin' Still Dreamin' is a poignant celebration of the uncanny juxtapositions found in everyday life.

Elena Siemens
Intellect Books, 2017
Everett W. Kuntz
University of Iowa Press, 2008
By Kenny Braun
University of Texas Press, 2014
The urge to ride a wave, the search for the next perfect swell, is an enduring preoccupation that draws people to coastlines around the world. In recent decades, surfing has grown into a multimillion-dollar industry with over three million surfers in the United States alone and an international competitive circuit that draws top surfers to legendary beaches in Hawaii, California, and Australia. But away from the crowds and the hype, dedicated surfers catch waves in places like the Texas Gulf Coast for the pure pleasure of being in harmony with life, their sport, and the ocean. Kenny Braun knows that primal pleasure, as both a longtime Texas surfer and a fine art photographer who has devoted years to capturing the surf culture on Texas beaches. In Surf Texas, he presents an eloquent photo essay that portrays the enduring fascination of surfing, as well as the singular and sometimes unexpected beauty of the coast.
Texas is one of the top six surfing states in America, and Braun uses evocative black-and-white photography to reveal the essence of the surfers’ world from Galveston to South Padre. His images catch the drama of shooting the waves, those moments of skill and daring as riders rip across the breaking face, as well as the downtime of bobbing on swells like seabirds and hanging out on the beach with friends. Braun also photographs the place—beaches and dunes, skies and storms, surf shops, motels, and parking lots—with a native’s knowing eye for defining details. Elegant and timeless, this vision of the Texas Coast is redolent of sea breezes and salt air and the memories and dreams they evoke. Surfer or not, everyone who feels the primeval attraction of wind and waves will enjoy Surf Texas.