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 Poetry that invites us to transform our sense of kinship, mutuality, and reciprocity.
 

With this collection, poet and artist Meredith Stricker considers questions about personhood, belonging, property, and ownership within interdependent living cultural systems. Looking beyond humans alone, she considers whether animals dream, who our relations are, what interior lives are held within words, and whether the world is truly alive to us today or if it is simply something we experience through screens. The poems track bee swarms and hazardous waste, separation walls, and diatoms. They are intently visual, aural, and spatial, tracing the dendritic forms of trees and fractal coastlines and the symmetries of biomorphic animal patterns. They highlight non-artificial, non-extractive intelligences in sharp contrast to the rise of AI. Informed by biosemiotics, SENTIENCE arises from Stricker's continuing multidisciplinary work and architectural habitat restoration in Big Sur and her performance collaborations with musicians, composers, artists, and beekeepers.

Selected Poems is compiled from the best works in Jean Garrigue's eight published collections. Garrigue (1914-72) is recognized as a leading American poet of the fifties and sixties. Among her awards and honors were a Guggenheim fellowship and a National Institute of Arts and Letters grant.

A comic and melancholy novel about translation and living between cultures, set during one historic day in Spain: February 21, 1981, the attempted coup against the newborn Spanish democracy.

Early one morning in 1981, Peter Carp, an American poet and translator living in Granada, wakes to the sounds of shouting and the revving of a motorcycle. These interruptions to Peter’s sleep provoke a series of interrelated thoughts, delivered with wry humor, about personal relations in Spain, gossip, the role of women in a patriarchal society, and the after-effects of expelling the Jewish population from Spain in 1492. We are introduced to Peter’s associative view of the world as he draws on a lifetime of reading poetry, of making sense of his own Jewish sensibility, and how it relates to the cultural history of the Spain he has come to love for its music, people, food, and language. 

Peter lives in the home of Alberto, a professor of translation, who was once jailed under Franco’s regime. He has fallen in love with Ana, a young woman who is exploring the new freedoms of post-Franco Spain. Years ago, he had befriended flamenco singers of the Roma community, and his current task is to translate the flamenco lyrics he has collected, a process that challenges his understanding of Spanish and the capacity of language to convey meaning. His day brings him into contact with a wide range of Spaniards, including a gardener at the Alhambra, a group of children playing in the street, a professional beggar, a diverse range of personalities at a neighborhood bar before the midday dinner, and in the evening, a small band of fascist sympathizers encouraged by the attempted coup now taking place in the Spanish parliament.

With prose that mixes social observation, linguistic conjecture, and vivid description, Paul Hecht examines how living is itself a form of translation when moving from one language or culture to another, and how history can erupt into our own world. In Send Down Einstein, Hecht creates a tension between what we dream will happen and what actually does happen. In this bouillabaisse of emotion, the reader will taste how, for Peter Carp—with the right food and the best company—dreams, hope, and words can matter.

A powerful meditation of the echoes of history and the never-ending struggle for sovereignty

Sovereignty unfolds over two parallel timelines. In present-day Oklahoma, a young Cherokee lawyer, Sarah Ridge Polson, and her colleague Jim Ross defend the inherent jurisdiction of Cherokee Nation in the U.S. Supreme Court when a non-Indian defendant challenges the Nation’s authority to prosecute non-Indian perpetrators of domestic violence. Their collaboration is juxtaposed with scenes from 1835, when Cherokee Nation was eight hundred miles to the east in the southern Appalachians. That year, Sarah’s and Jim’s ancestors, historic Cherokee rivals, were bitterly divided over a proposed treaty with the administration of Andrew Jackson, the Treaty of New Echota, which led to the nation’s removal to Oklahoma on the infamous Trail of Tears.
 
A direct descendant of nineteenth-century Cherokee leaders John Ridge and Major Ridge, Mary Kathryn Nagle has penned a play that twists and turns from violent outbursts to healing monologues, illuminating a provocative double meaning for the sovereignty of both tribal territory and women’s bodies. Taking as its point of departure the story of one lawyer’s passionate defense of the rights of her people to prosecute non-natives who commit crimes on reservations, Sovereignty opens up into an expansive exploration of the circular continuity of history, human memory, and the power of human relationships.

What lies beneath the surface of Masters' timeless classic

One of the most striking and original achievements in American poetry is now available in a remarkable edition that comprehends the poet and his book in an entirely new way.

This edition of Spoon River Anthology probes the social background of the small-town world that Edgar Lee Masters loved and hated--and finally transmuted into powerful literary art. Extensive annotations identify the people whose lives inspired the 243 poetic accounts of frustration, violence, struggle, and triumph that shocked American readers.

The most extraordinary feature of this edition is the extensive introduction that provides the key to this misunderstood American classic. The book's relationship to Whitman is clearly established, and the important influences of Browning, Goethe, Spinoza, and others are revealed for the first time. John Hallwas' approach combines cultural, biographical, philosophical, psychoanalytic, mythic, and symbolic insights--and concludes with a stunning reassessment of "Our New Poet."

The annotated Spoon River Anthology supersedes seventy-five years of largely misdirected critical commentary. It will send a new generation of readers back to this surprisingly complex book that probes so deeply into the American consciousness.