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From a Western perspective, the Persian Gulf War of 1990-1991 largely fulfilled the first President Bush's objective: "In, out, do it, do it right, get gone. That's the message." But in the Arab world, the causes and consequences of Saddam Hussein's invasion of Kuwait and his subsequent defeat by a U.S.-led coalition were never so clear-cut. The potent blend of Islam and Arab nationalism that Saddam forged to justify the unjustifiable—his invasion of a Muslim state—gained remarkable support among both Muslims and Arabs and continued to resonate in the Middle East long after the fighting ended. Indeed, as this study argues in passing, it became a significant strand in the tangled web of ideologies and actions that led to the attacks of 9/11.

This landmark book offers the first in-depth investigation of how Saddam Hussein used Islam and Arab nationalism to legitimate his invasion of Kuwait in the eyes of fellow Muslims and Arabs, while delegitimating the actions of the U.S.-led coalition and its Arab members. Jerry M. Long addresses three fundamental issues: how extensively and in what specific ways Iraq appealed to Islam during the Kuwait crisis; how elites, Islamists, and the elusive Arab "street," both in and out of the coalition, responded to that appeal and why they responded as they did; and the longer-term effects that resulted from Saddam's strategy.

A fresh take on this critical philosopher.

In this essential rereading of Spinoza’s (1632-1677) philosophical and political writings, Negri positions this thinker within the historical context of the development of the modern state and its attendant political economy. Through a close examination of Spinoza, Negri reveals him as unique among his contemporaries for his nondialectical approach to social organization in a bourgeois age.

An insightful reconsideration of our historical moment seen through the lens of madness.

In Seeing Through Madness, W. J. T. Mitchell pursues the idea of “putting madness to work” by transforming it from an individual affliction—an illness to be treated—into a critical framework for understanding the human condition. The human species is now a danger to itself and others—the very definition of mental disorder in most societies. Therefore, it is time, Mitchell argues, for a fundamental reconsideration of madness, not only as a subject in media and the arts but more fundamentally as a “critical optic” on our historical moment. It is time to see through madness in all its variations, to see by means of it as a template for understanding, and to see it through to some form of wisdom. 

While drawing a sense of urgency from Mitchell’s conviction that the whole world is experiencing a widespread political madness, the book specifically focuses on American psychoses and collective disorders, not least the country’s delusional exceptionalism. 

Incisive, eclectic, and occasionally enraged, Mitchell’s essays are the guide we need to see us through crazy times.

Monetary policy and politics have been inextricably intertwined in the United States since the earliest days of the Republic. Indeed, some of the most outstanding events in United States political history have involved maneuvering, dealing, and ultimately legislating on financial questions. By the 1890s, with the government over a hundred years old, the issues far from being settled became perhaps as important as they had ever been in the century-old debates. As the nineteenth century entered its last decade, however, the problems turned not solely on broad economic subjects, but on the metal coinage of the nation and its effect on the financial order. The so-called Populist Revolt of the 1880s and 1890s added fervor and color to the disputes that erupted, and turned the eyes of the country to the western region, where metals and mining had be-come, in some areas, the basis of the economy.

Nevada contained an outstanding example of the fermentthat erupted over the coinage question. There, the decline of the great Comstock lode, in combination with the most difficult features of recurring national and local economic depressions, caused a political outbreak of unusual pro-portions. After failing to bring about a desired inflation of the national currency through remonetization of silver, Nevadans turned to an extravagant-and ultimately unsuc-cessful-action: the politicians put together a new organization and called it the Silver Party of Nevada. This book represents an attempt to reconstruct the political history of the Silver party's decade in power.

An influential thinker on the concept of singularity and its implications on politics, theology, economics, psychoanalysis, and literature

For readers versed in critical theory, German and comparative literature, or media studies, a new book by Samuel Weber is essential reading. Singularity is no exception. Bringing together two decades of his essays, it hones in on the surprising implications of the singular and its historical relation to the individual in politics, theology, economics, psychoanalysis, and literature. Although singularity has long been a keyword in literary studies and philosophy, never has it been explored as in this book, which distinguishes singularity as an “aporetic” notion from individuality, with which it remains historically closely tied.

To speak or write of the singular is problematic, Weber argues, since once it is spoken of it is no longer strictly singular. Walter Benjamin observed that singularity and repetition imply each other. This approach informs the essays in Singularity. Weber notes that what distinguishes the singular from the individual is that it cannot be perceived directly, but rather experienced through feelings that depend on but also exceed cognition. This interdependence of cognition and affect plays itself out in politics, economics, and theology as well as in poetics. Political practice as well as its theory have been dominated by the attempt to domesticate singularity by subordinating it to the notion of individuality. Weber suggests that this political tendency draws support from what he calls “the monotheological identity paradigm” deriving from the idea of a unique and exclusive Creator-God. 

Despite the “secular” tendencies usually associated with Western modernity, this paradigm continues today to inform and influence political and economic practices, often displaying self-destructive tendencies. By contrast, Weber reads the literary writings of Hölderlin, Nietzsche, and Kafka as exemplary practices that put singularity into play, not as fiction but as friction, exposing the self-evidence of established conventions to be responses to challenges and problems that they often prefer to obscure or ignore.

Sinn Féin is a growing force in Irish politics. Now the country's third largest party, Sinn Féin have been one of the central architects of the peace process and are increasingly setting the terms of political debate in Ireland north and south. Despite this, the party remains much misunderstood and often misrepresented.

In Sinn Féin & The Politics of Left Republicanism, Sinn Féin activist Eoin Ó Broin explores the ideological and organisational origins of the party, charts their history and recent political development and assesses their possible futures.

He argues that Sinn Féin is part of a distinct left-republican tradition in Irish society whose future lies in the globally resurgent radical democratic left.

The first collected volume to define superhero television as a distinct cultural phenomenon, broadening horizons of what superhero stories have been and might become.

Superhero films dominate Hollywood and recent studies of popular culture. Superheroes are also abundant on television, and have been for decades, yet critics have largely neglected this intersection of genre and medium. Small-Screen Supers gathers an international group of scholars who, for the first time, examine superhero television as a distinct cultural and artistic phenomenon.

Informed by a range of critical perspectives, contributors examine animated and live-action shows aimed at children, teens, and adults, combining scholarship on popular contemporary programming with analysis of less-successful shows from the recent and distant past. Collectively, the anthology emphasizes how superhero television has reflected, informed, and transformed American culture and media. In particular, Small-Screen Supers argues that superhero TV—more so than film—foregrounds demographic diversity and social critique. Whether interpreting the 1980s cartoon Spider-Man and His Amazing Friends as a queer sitcom, underscoring the progressive politics of Supergirl, or investigating pandemic-inspired subjectivities in Werewolf by Night, the authors reflect on superhero television as a unique mode of expression with important implications for understanding American popular culture.

In the land of beer, cheese, and muskies—where the polka is danced and winter is unending and where Lutherans and Catholics predominate—everybody is ethnic, the politics are clean, and the humor is plentiful. This collection includes jokes, humorous anecdotes, and tall tales from ethnic groups (Woodland Indians, French, Cornish, Germans, Irish, Scandinavians, Finns, and Poles) and working folk (loggers, miners, farmers, townsfolk, hunters, and fishers). Dig into the rich cultural context supplied by the notes and photographs, or just laugh at the hundreds of jokes gathered at small-town cafes, farm tables, job sites, and church suppers. This second edition includes an afterword and indexes of motifs and tale types.