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Seattle Sports: Play, Identity, and Pursuit in the Emerald City, edited by Terry Anne Scott, explores the vast and varied history of sports in this city where diversity and social progress are reflected in and reinforced by play. The work gathered here covers Seattle’s professional sports culture as well as many of the city’s lesser-known figures and sports milestones. Fresh, nuanced takes on the Seattle Mariners, Supersonics, and Seahawks are joined by essays on gay softball leagues, city court basketball, athletics in local Japanese American communities during the interwar years, ultimate, the fierce women of roller derby, and much more. Together, these essays create a vivid portrait of Seattle fans, who, in supporting their teams—often in rain, sometimes in the midst of seismic activity—check the country’s implicit racial bias by rallying behind outspoken local sporting heroes.

Examines how settler colonial and sexist infrastructures and narratives order a resource boom

Over the past decade, new oil plays have unsettled U.S. energy landscapes and imaginaries. Settling the Boom studies how the disruptive forces of an oil boom in the northern Great Plains are contained through the extension of settler temporalities, reassertions of heteropatriarchy, and the tethering of life to the volatility of oil and its cruel optimisms.

This collection reveals the results of sustained research in Williston, North Dakota, the epicenter of the “Bakken Boom.” While the boom brought a rapid influx of capital and workers, the book questions simple timelines of before and after. Instead, Settling the Boom demonstrates how the unsettling forces of an oil play resolve through normative narratives and material and affective infrastructures that support settler colonialism’s violent extension and its gendered orders of time and space. Considering a wide range of evidence, from urban and regional policy, interviews with city officials, media, photography, and film, these essays analyze the ongoing material, aesthetic, and narrative ways of life and land in the Bakken.

Contributors: Morgan Adamson, Macalester College; Kai Bosworth, Virginia Commonwealth U; Thomas S. Davis, Ohio State U; Jessica Lehman, Durham U.

Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century

They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing.

From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. 

In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.

A unique and engaging account of local urban decision-making within the globalizing world

High Point, North Carolina, is known as the “Furniture Capital of the World.” Once a manufacturing stronghold, most of its furniture factories have closed over the past forty years, with production shipped off to low-wage countries. Yet as manufacturing left, the city tightened its hold on a biannual global exposition that serves as the world’s furniture fashion runway. At the High Point Market, visitors from more than one hundred nations traverse twelve million square feet of meticulous design. Downtown buildings—once courthouses, movie theaters, post offices, and gas stations—are now chic showroom spaces, even as many sit empty between each exposition.

In Showroom City, John Joe Schlichtman applies an ethnographic lens to the global exposition’s relationship with High Point after it defeated rival Chicago in the 1960s and established itself as the world’s dominant furniture center. In recent decades, following trends in global finance, private equity firms were increasingly behind downtown High Point’s real estate transactions, coordinated by buyers far removed from the region. Then, in one massive transaction in 2011, a firm funded by Bain Capital purchased every major showroom building, and the majority of downtown real estate was under one owner. 

Showroom City is a story of exclusionary growth and unchecked development, of a city flailing to fill the void left by its dwindling factories. But beyond that Schlichtman engages the general lessons behind both High Point’s deindustrialization and its stunning reinvention as a furniture fashion, merchandising, and design node. With great nuance, he delves deeply to reveal how power operates locally and how citizens may affirm, exploit, influence, and resist the takeover of their community.