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Former Gulag sites—operating theaters of terror during the Stalinist period—are scattered across western Siberia, where memories of the purges run deep. The camps represent some of the most horrific events of the Soviet past, and yet their current role is complicated. Focusing on three former prison camps, folklorist Jeanmarie Rouhier-Willoughby untangles a surprising nexus of memory, legend, and vernacular religious practice afforded by the sacred springs located at each of these sites.

Grounded by detailed ethnography, Sacred Springs in the Camps explores how legend creates, negotiates, and challenges collective memory; how lived religious practices intersect with the current revival of the Russian Orthodox Church; how politics intertwine with belief; and how the social construction of sacred places affects folk narratives, faith, and local identity. These unlikely holy waters thus reflect important facets of contemporary Russian religion, politics, and society, refracting and reframing memories of the socialist past even as they offer important lessons for the present moment.

This book is a comprehensive exposition of the interaction of a national (the Serbian people) and a religiou (the Orthodox Christian faith) content, in the formation of a distinctive national identity and a mode of being. Its interdisciplinary approach, drawing on sociology, social anthropology, theology, political theory, Balkan historiography, and Serbian folklore, is deployed to provide a powerful and original analysis of how Serbian Orthodoxy has resulted in the sacralisation of the Serbian nation by framing the parameters of its existence. Addresses the following questions: what 'makes' a Serb? Are meaningful assumptions possible by introducing Serbian Orthodoxy as the primal point of reference? Why does religion appear to have an especially strong appeal?

An important and previously unexplored body of esoteric ritual songs of the Tz’utujil Maya of Santiago Atitlán, Guatemala, the “Songs of the Old Ones” are a central vehicle for the transmission of cultural norms of behavior and beliefs within this group of highland Maya. Ethnomusicologist Linda O’Brien-Rothe began collecting these songs in 1966, and she has amassed the largest, and perhaps the only significant, collection that documents this nearly lost element of highland Maya ritual life.

This book presents a representative selection of the more than ninety songs in O’Brien-Rothe’s collection, including musical transcriptions and over two thousand lines presented in Tz’utujil and English translation. (Audio files of the songs can be downloaded from the UT Press website.) Using the words of the “songmen” who perform them, O’Brien-Rothe explores how the songs are intended to move the “Old Ones”—the ancestors or Nawals—to favor the people and cause the earth to labor and bring forth corn. She discusses how the songs give new insights into the complex meaning of dance in Maya cosmology, as well as how they employ poetic devices and designs that place them within the tradition of K’iche’an literature, of which they are an oral form. O’Brien-Rothe identifies continuities between the songs and the K’iche’an origin myth, the Popol Vuh, while also tracing their composition to the late sixteenth and early seventeenth centuries by their similarities with the early chaconas that were played on the Spanish guitarra española, which survives in Santiago Atitlán as a five-string guitar.

A new analytical perspective on stones and stone masters across Southeast Asia that extends and deepens the recent literature on animism. 

Stones and stone masters are an important focus of animist religious practice in Southeast Asia. Recent studies on animism see animist rituals not as a mere metaphor for community or shared values, but as a way of forming and maintaining relationships with occult presences. This book features city pillars, statues, megaliths, termite mounds, mountains, rocks found in forests, and stones that have been moved to shrines, as well as the territorial cults which can form around them. The contributors extend and deepen the recent literature on animism to form a new analytical perspective on these cults across mainland Southeast Asia. Not just a collection of exemplary ethnographies, Stone Masters is also a deeply comparative volume that develops its ideas through a meshwork of regional entanglements, parallels, and differences, before entering into a dialogue with debates on power, mastery, and the social theory of animism globally.