Results by title

. . . we move to the town of Aconchi on the Río Sonora, where the mission church once contained a life-sized crucifix with a black corpus, known both as Nuestro Señor de Esquipulas . . . and El Cristo Negro de Aconchi . . .

So describes well-known and beloved folklorist James S. Griffith as he takes us back through the decades to a town in northern Sonora where a statue is saved—and in so doing, a community is saved as well.

In Saints, Statues, and Stories Griffith shares stories of nearly sixty years of traveling through Sonora. As we have come to expect through these journeys, “Big Jim”—as he is affectionately known by many—offers nothing less than the living traditions of Catholic communities. Themes of saints as agents of protection or community action are common throughout Sonora: a saint coming out of the church to protect the village, a statue having a say in where it resides and paying social calls to other communities, or a beloved image rescued from destruction and then revered on a private altar. A patron saint saves a village from outside attackers in one story—a story that has at least ten parallels in Sonora’s former mission communities. Details may vary, but the general narrative remains the same: when hostile nonbelievers attack the village, the patron saint of the church foils them.

Griffith uncovers the meanings behind the devotional uses of religious art from a variety of perspectives—from artist to audience, preservationist to community member. The religious artworks transcend art objects, Griffith believes, and function as ways of communicating between this world and the next. Setting the stage with a brief geography, Griffith introduces us to roadside shrines, artists, fiestas, saints, and miracles. Full-color images add to the pleasure of this delightful journey through the churches and towns of Sonora.

A woman obsessed with reality TV encounters a sorority girl who has embarked on a very personal scavenger hunt. A man unexpectedly discovers that his father—a seemingly rational man—believes, seriously, in lake monsters. A woman whose husband has just survived a near-fatal accident flees to St. Petersburg, Russia, to wander through museums and palaces and simply try to forget. Hansel (yes, that Hansel), all grown up, tries to be a good father. A young girl begins to suspect that the séances being held in her basement just might not be as harmless as they seem.

These are the people and situations—where the familiar and bizarre intermix—that animate Becky Hagenston’s stories in Scavengers. From Mississippi to Arizona to Russia, characters find themselves faced with a choice: make sense of the past, or run from it. But Hagenston reminds us that even running can never be pure—so which parts of your past do you decide to hold on to? A brilliant collection from a master of short fiction, Scavengers is surprising, strange, and moving by turns—and wholly unforgettable.

Most recent work on the nature of experiment in physics has focused on "big science"—the large-scale research addressed in Andrew Pickering's Constructing Quarks and Peter Galison's How Experiments End.

This book examines small-scale experiment in physics, in particular the relation between theory and practice. The contributors focus on interactions among the people, materials, and ideas involved in experiments—factors that have been relatively neglected in science studies.

The first half of the book is primarily philosophical, with contributions from Andrew Pickering, Peter Galison, Hans Radder, Brian Baigrie, and Yves Gingras. Among the issues they address are the resources deployed by theoreticians and experimenters, the boundaries that constrain theory and practice, the limits of objectivity, the reproducibility of results, and the intentions of researchers. The second half is devoted to historical case studies in the practice of physics from the early nineteenth to the early twentieth century. These chapters address failed as well as successful experimental work ranging from Victorian astronomy through Hertz's investigation of cathode rays to Trouton's attempt to harness the ether. Contributors to this section are Jed Z. Buchwald, Giora Hon, Margaret Morrison, Simon Schaffer, and Andrew Warwick.

With a lucid introduction by Ian Hacking, and original articles by noted scholars in the history and philosophy of science, this book is poised to become a significant source on the nature of small-scale experiment in physics.

Winner, 2011 Balcones Fiction Prize

Unlike the heroines of domestic fiction, Katherine Karlin's women face their biggest challenges outside of the house. The characters in this debut collection encompass a broad range of contemporary American experiences: a struggling young woman in post-Katrina New Orleans persuades a welder to teach her his trade; an orchestra oboist hears a confession from a beloved teacher; an idealistic aerobics instructor decamps for revolution- era Nicaragua to pick coffee on a farming collective.

In each of these stories, Karlin offers rare insight into the place of work in the lives of women, her narrators keenly observant and attuned to the humor that arises when life doesn't turn out as planned. But even more remarkable is the fullness with which she renders characters who make us wonder how they've escaped the notice of other writers. In unadorned prose that evokes complete worlds with deceptive ease, Karlin shows us people immersed in the negotiations of survival, just at the edge of being able to make sense of their lives.

Only a fraction of what is known about Madison’s earliest African American settlers and the vibrant and cohesive communities they formed has been preserved in traditional sources. The rest is contained in the hearts and minds of their descendants. Seeing a pressing need to preserve these experiences, lifelong Madison resident Muriel Simms collected the stories of twenty-five African Americans whose families arrived, survived, and thrived here in the late nineteenth and early twentieth centuries. While some struggled to find work, housing, and acceptance, they describe a supportive and enterprising community that formed churches, businesses, and social clubs—and frequently came together in the face of adversity and conflict. A brief history of African American settlement in Madison begins the book to set the stage for the oral histories.

Sarah Beth Childers grew up listening to stories. She heard them riding to school with her mother, playing Yahtzee in her Granny’s nicotine cloud, walking to the bowling alley with her grandfather, and eating casseroles at the family reunions she attended every year.

In a thoughtful, humorous voice born of Appalachian storytelling, Childers brings to life in these essays events that affected the entire region: large families that squeezed into tiny apartments during the Great Depression, a girl who stepped into a rowboat from a second-story window during Huntington’s 1937 flood, brothers who were whisked away to World War II and Vietnam, and a young man who returned home from the South Pacific and worked his life away as a railroad engineer.

Childers uses these family tales to make sense of her personal journey and find the joy and clarity that often emerge after the earth shakes terribly beneath us.

Silence on the Mountain is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala’s thirty-six-year internal war, a conflict that claimed the lives of some 200,000 people, the vast majority of whom died (or were “disappeared”) at the hands of the U.S.-backed military government. Written by Daniel Wilkinson, a young human rights worker, the story begins in 1993, when the author decides to investigate the arson of a coffee plantation’s manor house by a band of guerrillas. The questions surrounding this incident soon broaden into a complex mystery whose solution requires Wilkinson to dig up the largely unwritten history of the country’s recent civil war, following its roots back to a land reform movement that was derailed by a U.S.-sponsored military coup in 1954 and to the origins of a plantation system that put Guatemala’s Mayan Indians to work picking coffee beans for the American and European markets.

Decades of terror-inspired fear have led the Guatemalans to adopt a survival strategy of silence so complete that it verges on collective amnesia. The author’s great triumph is that he finds a way for people to tell their stories, and it is through these stories—dramatic, intimate, heartbreaking—that we are shown the anatomy of a thwarted revolution that has relevance not only to Guatemala but also to countless places around the world where terror has been used as a political tool.

The Campaign Choirs Network is a loose affiliation of like-minded choirs across the UK sharing a belief in a better world for all and dedicated to taking action by singing about it; the Campaign Choirs Writing Collective is a part of that network.


The book intends to inspire the reader to engage with this world: to find out more, to join a choir in their community, to enlist their local street choir to support campaigns for social change and, more generally, to mobilize artistic creativity in progressive social movements.


It is an introduction to street choirs and their history, exploring origins in and connections with other social movements, for example the Workers Education Association, the Clarion movement, Big Flame and the Social Forum movement. The book identifies the political nodes where choir histories intersect, notably Greenham Common, the Miners’ Strike, anti-apartheid and Palestinian struggles. The title of the book is taken from a song by the respected American musician and activist Holly Near, and is popular in the repertoire of many street choirs. Exploring the role of street choirs in political culture, Singing For Our Lives introduces this neglected world to a wider public, including activists and academics.


Signing for Our Lives also elaborates the personal stories and experiences of people who participate in street choirs, and the unique social practices created within them. The book tells the important, if often overlooked, story of how making music can contribute to non-violent, just and sustainable social transitions.


www.singing4ourlives.net/about.html 

Sites, Bodies and Stories examines the intimate links between history and heritage as they have developed in postcolonial Indonesia. Sites discussed in the book include Borobudur in Central Java, a village in Flores built around megalithic formations, and ancestral houses in Alor. Bodies refers to legacies of physical anthropology, exhibition practices and Hollywood movies. The Stories are accounts of the Mambesak movement in Papua, the inclusion of wayang puppetry in UNESCO’s List of the Intangible Cultural Heritage of Humanity, and subaltern history as written by the people of Blambangan in their search for national heroes. Throughout the book, citizenship entitlement figures as a leitmotif in heritage initiatives.


           Contemporary heritage formation in Indonesia is intrinsically linked to a canon of Indonesian art and culture developed during Dutch colonial rule, institutionalized within Indonesia’s heritage infrastructure and in the Netherlands, and echoed in museums and exhibitions throughout the world. The authors in this volume acknowledge colonial legacies but argue against a colonial determinism, considering instead how contemporary heritage initiatives can lead to new interpretations of the past.

Central to Sleep Tight Satellite is the theme of queer chosen family. This positive form of connection contrasts with violent pseudo-communities formed by policing, government control, and technological surveillance. Characters struggle to survive the pandemic, but their survival skills were honed long before the Covid-19 outbreak. There’s a gritty realism to the odd jobs characters take to survive, and the ways they create loving communities of mutual aid.

Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents' own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.

The indigo skies and lush vegetation of the contemporary West Coast belie the damaged souls and desperate alienation that lurk behind fading stucco walls and off the endless highways. The lives of women on the edge and beyond the margins have seldom been explored with as much power or insight as in these brilliant stories by award-winning novelist and poet Kate Braverman. In a world without succor, Braverman’s characters grope for meaning and solutions to their dilemmas. Our Lady of the 43 Sorrows must meet the bizarre needs of her severely brain-damaged mother as her own career as a soap-opera actress declines. The protagonist of "Pagan Night" waits with her unnamed and unwanted infant in a shabby zoo in Idaho while her partner buys dope and makes plans to reconstitute their failed rock band. And the precocious, awkward adolescent narrator of the title story watches as her elegant grandmother confronts the illness that will soon end the colorful life she has so enjoyed. Abandonment, in these wrenching stories, comes in many forms, and freedom is elusive and sometimes fraught with pain and terror. Braverman’s language is ripe, intense, as vivid as the sun-drenched California landscape, and her characters are contrary, unpredictable, and unforgettable. These haunting stories evoke the glittering expectations and shattering disappointments of the postmodern West.

"Just recently, we once again traveled the high roads of snow leopard country, enjoying the beauty of Ladakh's iconic monasteries and watching blue sheep graze steep mountainsides. We saw no snow leopards but sensed their presence, feeling lucky and thrilled to be under the distant gaze of this magnificent cat. May you experience a similar feeling as you read about the snow leopard in this remarkable collection."
-Robert Bateman, from the foreword.

Like no other large cat, the snow leopard evokes a sense of myth and mysticism, strength and spirit shrouded in a snowy veil, seldom seen but always present. Giving a voice to the snow leopard, this collection of powerful first person accounts from an impressive cadre of scientist-adventurers grants readers a rare glimpse of this elusive cat and the remarkable lives of those personally connected to its future. These Stories from the Roof of the World resonate with adventure, danger, discovery, and most importantly hope for this magnificent big cat.

Very little has been written about this mystical creature. Its remote and rugged habitat among the mightiest collection of mountains on Earth, proclaimed "The Roof of the World" by awe-struck explorers, make it one of the most difficult and expensive animals to study. After a millennia thriving in peaceful isolation, human encroachment, poaching and climate change threaten the snow leopards survival. Speaking on behalf of the snow leopard, these heart-felt stories will inform and inspire readers, creating the vital connection needed to move people toward action in saving this magnificent cat. Contributors include: Ali Abutalip Dahashof, Som B. Ale, Avaantseren Bayarjargal, Yash Veer Bhatnagar, Joseph L. Fox, Helen Freeman, Darla Hillard, Don Hunter, Shafqat Hussain, Rodney Jackson, Jan E. Janecka, Mitchell Kelly, Ashiq Ahmad Khan, Nasier A. Kitchloo, Evgeniy P. Kashkarov, Peter Matthiessen, Kyle McCarthy, Tom McCarthy, George B. Schaller, and Rinchen Wangchuk

Sometimes the opposite of love is not hate, but depravity. In these twelve stories set in the Missouri Ozarks, New Orleans, and Mississippi, Steve Yates reveals lovers clawing back from precipices of destructiveness, obsessiveness, cruelty, vanity, or greed. They seek escape and yet find new barriers, realizing true love may not be at all what they imagined. Pioneers, limestone quarry owners, young German American Civil War survivors, bankers, sex toy catalog designers, highway engineers, Pakistani terrorists, attorneys, missile guidance masterminds, and furniture factory workers (who can see the future) populate these pieces. From the Ozarks of the 1830s, when locals perceive doomsday in a historic starfall, to the near future at an all-night slow-pitch softball tournament when Armageddon looms yet again, these stories chart the dark side of love, the ties that bind families, and the sweet complications of human desire.

The residents of The Sound of Holding Your Breath could be neighbors, sharing the same familiar landscapes of twenty-first-century Appalachia—lake and forest, bridge and church, cemetery and garden, diner and hair salon. They could be your neighbors—average, workaday, each struggling with secrets and losses, entrenched in navigating the complex requirements of family in all its forms.

Yet tragedy and violence challenge these unassuming lives: A teenage boy is drawn to his sister’s husband, an EMT searching the lake for a body. A brother, a family, and a community fail to confront the implications of a missing girl. A pregnant widow spends Thanksgiving with her deceased husband’s family. Siblings grapple with the death of their sister-in-law at the hands of their brother. And in the title story, the shame of rape ruptures more than a decade later.

Accidents and deaths, cons and cover-ups, abuse and returning veterans—Natalie Sypolt’s characters wrestle with who they are during the most trying situations of their lives.

Francis Pegahmagabow (1889–1952), an Ojibwe of the Caribou clan, was born in Shawanaga First Nation, Ontario. Enlisting at the onset of the First World War, he served overseas as a scout and sniper and became Canada’s most decorated Indigenous soldier. After the war, Pegahmagabow settled in Wasauksing First Nation, Ontario, where he married and raised six children. He served his community as both Chief and Councillor and was a founding member of the Brotherhood of Canadian Indians, the first national Indigenous political organization. In 1949 and 1950, he was elected the Supreme Chief of the National Indian Government.
 
Francis Pegahmagabow’s stories describe many parts of his life and are characterized by classic Ojibwe narrative. They reveal aspects of Francis’s Anishinaabe life and worldview. Interceding chapters by Brian McInnes provide valuable cultural, spiritual, linguistic, and historical insights that give a greater context and application for Francis’s words and world. Presented in their original Ojibwe as well as in English translation, the stories also reveal a rich and evocative relationship to the lands and waters of Georgian Bay.
 
In Sounding Thunder, Brian McInnes provides a new perspective on Pegahmagabow and his experience through a unique synthesis of Ojibwe oral history, historical record, and Pegahmagabow family stories.
 

In Spoiling the Stories, Tamar Merin presents the as yet untold story of the rise of prose by Israeli women, while further exploring and expanding the gendered models of literary influence in modern Hebrew literature. The theoretical idea upon which this book is based is that of intersexual dialogue, a term that refers to the various literary strategies employed by Israeli female fiction writers expressing their voice within a male-dominated and (still) inherently Oedipal literary tradition. Spoiling the Stories focuses on intersexual dialogue as it evolved in the first three decades after the establishment of the state of Israel in the works of Yehudit Hendel, Amalia Kahana Carmon, and Rachel Eytan. According to Merin, these three women writers were the most important in the history of modern Hebrew literature: each was a significant participant in the poetic development of her time.

 

This debut collection of stories by Michelle Sacks features characters from many walks of life, scattered around the globe—a young Irish woman backpacking in India, an ambitious black South African businessman, a roving killer for hire, a former SS officer. Their stories usually lead them—and us—to pivotal events that reveal unexpected, hidden truths.

Working on a large canvas that encompasses the extremes of rural Africa and urban London, material poverty and the surfeit of privilege, Sacks writes stories peopled by characters whose lives occasionally crisscross, with a protagonist in one story playing a deceptively small role in another. The stories artfully illuminate the rich interconnections and clashes that occur as her characters strike out boldly, yet find themselves at the mercy of capricious waves of circumstance.

Stone Baby explores movement, loss, and reinvention in the lives of people who are in the wrong place, in the wrong body, perhaps in the wrong life—it encapsulates an engrossing and urgent message in our age of migration and dislocation. 

Whatever the topic, Madson’s love of nature shines through, be it coon hunting or an explanation of the incredible bird machine. His obvious affection is tempered with the recognition that not everything “natural” is a pretty sight. All of which leaves readers with a better understanding of life under the sky. 

In Stories of an Imaginary Childhood Melvin Jules Bukiet inscribes the world that might have been his own if not for the catastrophe that destroyed most of Jewish life in eastern Europe during the 1940s. Set before the Holocaust in the tiny Polish shtetl of Proszowice, each interconnected story follows the young protagonist through the pleasures and humiliations of childhood and the rites of manhood, as he fights against historical, social, and psychological forces that threaten to pull him down.

"Bukiet proves that he is an expert at the [short story] form. His stories lift and soar, encompassing a world of truth in just a few pages. His characters have flesh and life. . . . Bukiet’s topics are varied and universal: first love, growing up, trying to get along with people who are different. Each of these is approached with great humor and a deep respect for life experience."—Daniel Neman, Richmond News Leader

"Jewish-American fiction of a new order, one able to bring the best that has been thought and said about voice and literary texture to the service of a world with richer meaning and a deeper resonance."—Sanford Pinsker, Midstream

"Bukiet is enchanting, original, and thoroughly irresistible in any disguise. Stories of an Imaginary Childhood is an extraordinary achievement, an immensely enjoyable collection of truly remarkable tales."—Susan Miron, Miami Herald

Raymond Carver, known in some circles as the “godfather of minimalism,” has been credited by many as the rejuvenator of the once-dying American short story. (See the link on this page to a 2008 Kenyon Review story that discusses the recent controversy over the editing of Carver’s stories.) Drawing on representative tales from each of Carver’s major volumes of fiction, Nesset’s critical exploration leads us deep into the heart of Carver country, an eerie post-industrial world of low-rent survivors. In the earliest fiction, the politics of sex are tied to politics of fortune and chance; marriage as an institution is capricious and unsettling. In later stories, the gesture of telling stories provides an escape for certain of these characters, metaphorically and otherwise; and in Carver’s last stories, subtle strategies of language offer a similar, if more tentative release. From beginning to end, Carver’s distinctive, highly imitative style is intrinsic to his subject and is crucial in presenting what Carver called the “dark side of Reagan’s America.”

In this comprehensive study of Carver, Nesset discusses the relationship of minimalism and postmodern trends and the rise of new realism. By locating Carver in the gallery of American letters, Nesset shows him to be at once more simple and more complex than we might have believed, skillfully laying the groundwork for Carver studies to come.

The saga of Jonestown didn’t end on the day in November 1978 when more than nine hundred Americans died in a mass murder-suicide in the Guyanese jungle. While only a handful of people present at the agricultural project survived that day in Jonestown, more than eighty members of Peoples Temple, led by Jim Jones, were elsewhere in Guyana on that day, and thousands more members of the movement still lived in California. Emmy-nominated writer Leigh Fondakowski, who is best known for her work on the play and HBO film The Laramie Project, spent three years traveling the United States to interview these survivors, many of whom have never talked publicly about the tragedy. Using more than two hundred hours of interview material, Fondakowski creates intimate portraits of these survivors as they tell their unforgettable stories.

Collectively this is a record of ordinary people, stigmatized as cultists, who after the Jonestown massacre were left to deal with their grief, reassemble their lives, and try to make sense of how a movement born in a gospel of racial and social justice could have gone so horrifically wrong—taking with it the lives of their sons and daughters, husbands and wives, fathers and mothers, and brothers and sisters. As these survivors look back, we learn what led them to join the Peoples Temple movement, what life in the church was like, and how the trauma of Jonestown’s end still affects their lives decades later.

What emerges are portrayals both haunting and hopeful—of unimaginable sadness, guilt, and shame but also resilience and redemption. Weaving her own artistic journey of discovery throughout the book in a compelling historical context, Fondakowski delivers, with both empathy and clarity, one of the most gripping, moving, and humanizing accounts of Jonestown ever written.
 

Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land."

In The Land of Little Rain, Austin's attention to natural detail allows her to write prose that is geologically, biologically, and botanically accurate at the same time that it offers metaphorical insight into human emotional and spiritual experience. In Lost Borders, Austin focuses on both white and Indian women's experiences in the desert, looks for the sources of their deprivation, and finds them in the ways life betrays them, usually in the guise of men. She offers several portraits of strong women characters but ultimately identifies herself with the desert, which she personifies as a woman.

The images and stories in this book were created by patients and families living with Cancer and Blood Disorders. Their expressions, created in the sand and conveyed through the written word, provide insight into what it is like to live with health challenges. Sand tray therapy is a recognized therapeutic modality used with children and adults, providing a sacred space to process experiences using symbols instead of language. Sometimes meaning is further revealed through talking about a sand tray. Other times, it can remain a private expression that holds significance only to its creator. It is a helpful way for youth to process their past and present medical experience, help them set goals, and to teach others about their needs. Sand tray is a window into the thoughts, feelings, and coping styles of youth struggling with illness and hospitalization. Importantly, as youth with chronic medical illnesses often experience pain and discomfort as part of their treatment, the ability to have positive tactile experiences can be a very healing process. This collection of photos and personal stories, facilitated by the Child and Family Life Department, C.S. Mott Children’s Hospital at the University of Michigan, was compiled so that other patients, their families, and their friends can share the authors’ journeys as we all continue to battle these difficult diseases.

Every shipwreck has a story that extends far beyond its tragic end. The dramatic tales of disaster, heroism, and folly become even more compelling when viewed as junction points in history—connecting to stories about the frontier, the environment, immigration, politics, technology, and industry. In Stories from the Wreckage, John Odin Jensen examines a selection of Great Lakes shipwrecks of the wooden age for a deeper dive into this transformative chapter of maritime history. He mines the archeological evidence and historic record to show how their tragic ends fit in with the larger narrative of Midwestern history. Featuring the underwater photography of maritime archeologist Tamara Thomsen, this vibrant volume is a must-have for shipping enthusiasts as well as anyone interested in the power of water to shape history.