77 books match the query 'Words' and 7 start with s

cover of Saddam's War of Words: Politics, Religion, and the Iraqi Invasion of Kuwait

Saddam's War of Words

Politics, Religion, and the Iraqi Invasion of Kuwait

By Jerry M. Long

University of Texas Press, 2004

From a Western perspective, the Persian Gulf War of 1990-1991 largely fulfilled the first President Bush's objective: "In, out, do it, do it right, get gone. That's the message." But in the Arab world, the causes and consequences of Saddam Hussein's invasion of Kuwait and his subsequent defeat by a U.S.-led coalition were never so clear-cut. The potent blend of Islam and Arab nationalism that Saddam forged to justify the unjustifiable—his invasion of a Muslim state—gained remarkable support among both Muslims and Arabs and continued to resonate in the Middle East long after the fighting ended. Indeed, as this study argues in passing, it became a significant strand in the tangled web of ideologies and actions that led to the attacks of 9/11.

This landmark book offers the first in-depth investigation of how Saddam Hussein used Islam and Arab nationalism to legitimate his invasion of Kuwait in the eyes of fellow Muslims and Arabs, while delegitimating the actions of the U.S.-led coalition and its Arab members. Jerry M. Long addresses three fundamental issues: how extensively and in what specific ways Iraq appealed to Islam during the Kuwait crisis; how elites, Islamists, and the elusive Arab "street," both in and out of the coalition, responded to that appeal and why they responded as they did; and the longer-term effects that resulted from Saddam's strategy.

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cover of Secret Treachery Of Words: Feminism And Modernism In America

Secret Treachery Of Words

Feminism And Modernism In America

Elizabeth Francis

University of Minnesota Press, 2002

Untangles the intertwined relationship between feminism and modernism through a look at four major figures of the era. In the early decades of the twentieth century, women's pursuit of freedom and independence earned both the adulation and the scorn of American modernists. Elizabeth Francis traces this unexpected, complex strain in cultural history through the stories of four legendary American figures--Isadora Duncan, Margaret Anderson, Floyd Dell, and Josephine Herbst. The Secret Treachery of Words begins in the early 1910s, when feminism was an essential part of "the shock of the new" that modernist art and thought introduced to American culture. Francis follows an arc of treacherous repression into the 1920s and 1930s, as feminists broke out of the mold of Victorian culture only to find themselves bound by the historical representation so central to modernism. Francis's four portraits vividly reveal the dynamic tensions in feminist modernism: in Duncan's performances of the female body, Anderson's manifestos of self-expression and cultural outlawry, Dell's advocacy of the revolutionary potential of sex, and Herbst's insights into cultural and political marginality. Part of a new appreciation of the diversity of American modernism, The Secret Treachery of Words discloses both the centrality and the critical impasses of feminist and modernist engagements with modern culture. Elizabeth Francis teaches American history at the University of Rhode Island.
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cover of Self-Portrait in Words: Collected Writings and Statements, 1903-1950

Self-Portrait in Words

Collected Writings and Statements, 1903-1950

Max Beckmann

University of Chicago Press, 1997

One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life.

"Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review
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cover of So What, or How to Make Films with Words

So What, or How to Make Films with Words

Alexander García Düttmann

Northwestern University Press, 2023

A series of philosophical meditations on the nature of aesthetics across a wide array of filmmaking styles
 
Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying So What, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to make their films as if they did not precede his text, capturing their idea and experience.
 
If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book’s chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. So What is a practical exercise in “making films with words,” inviting readers to draw out insights from its conceptual play.
 
So What compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.
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cover of Speak Peace: Words of Wisdom, Work, and Wonder

Speak Peace

Words of Wisdom, Work, and Wonder

Lynette Ford

Parkhurst Brothers, Inc., 2019

The authors and contributors—educators, storytellers, and peacemakers—discuss what each of us can do to promote a more peaceful community, country, and world.
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cover of Speechifying: The Words and Legacy of Johnnetta Betsch Cole

Speechifying

The Words and Legacy of Johnnetta Betsch Cole

Johnnetta Betsch Cole. Celeste Watkins-Hayes and Erica Lorraine Williams, editors

Duke University Press, 2023

Speechifying collects the most important speeches of Dr. Johnnetta Betsch Cole—noted Black feminist anthropologist, the first Black female president of Spelman College, former director of the Smithsonian Institution's National Museum of African Art, and former chair and president of the National Council of Negro Women. A powerful and eloquent orator, Dr. Cole demonstrates her commitment to the success of historically Black colleges and universities, her ideas about the central importance of diversity and inclusion in higher education, the impact of growing up in the segregated South on her life and activism, and her belief in public service. Drawing on a range of Black thinkers, writers, and artists as well as biblical scripture and spirituals, her speeches give voice to the most urgent and polarizing issues of our time while inspiring transformational leadership and change. Speechifying also includes interviews with Dr. Cole that highlight her perspective as a Black feminist, her dedication to public speaking and “speechifying” in the tradition of the Black church, and the impact that her leadership and mentorship have had on generations of Black feminist scholars.
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cover of Storm of Words: Science, Religion, and Evolution in the Civil War Era

Storm of Words

Science, Religion, and Evolution in the Civil War Era

Monte Harrell Hampton

University of Alabama Press, 2014

A study of the ways that southern Presbyterians in the wake of the Civil War contended with a host of cultural and theological questions

Southern Presbyterian theologians enjoyed a prominent position in antebellum southern culture. Respected for both their erudition and elite constituency, these theologians identified the southern society as representing a divine, Biblically ordained order. Beginning in the 1840s, however, this facile identification became more difficult to maintain, colliding first with antislavery polemics, then with Confederate defeat and reconstruction, and later with women’s rights, philosophical empiricism, literary criticisms of the Bible, and that most salient symbol of modernity, natural science.

As Monte Harrell Hampton shows in Storm of Words, modern science seemed most explicitly to express the rationalistic spirit of the age and threaten the Protestant conviction that science was the faithful “handmaid” of theology. Southern Presbyterians disposed of some of these threats with ease. Contemporary geology, however, posed thornier problems. Ambivalence over how to respond to geology led to the establishment in 1859 of the Perkins Professorship of Natural Science in Connexion with Revealed Religion at the seminary in Columbia, South Carolina. Installing scientist-theologian James Woodrow in this position, southern Presbyterians expected him to defend their positions.

Within twenty-five years, however, their anointed expert held that evolution did not contradict scripture. Indeed, he declared that it was in fact God’s method of creating. The resulting debate was the first extended evolution controversy in American history. It drove a wedge between those tolerant of new exegetical and scientific developments and the majority who opposed such openness. Hampton argues that Woodrow believed he was shoring up the alliance between science and scripture—that a circumscribed form of evolution did no violence to scriptural infallibility. The traditionalists’ view, however, remained interwoven with their identity as defenders of the Lost Cause and guardians of southern culture.

The ensuing debate triggered Woodrow’s dismissal. It also capped a modernity crisis experienced by an influential group of southern intellectuals who were grappling with the nature of knowledge, both scientific and religious, and its relationship to culture—a culture attempting to define itself in the shadow of the Civil War and Reconstruction.

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