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Examines a poem that has not only withstood the vicissitudes of time, but has spread around the world like the waves lapping at a beach
 
Thousands of wonderful and sometimes strange fads have captured the public fancy in the almost five decades since the end of World War II. Most have been short-lived and soon faded away. There is, however, a poem that has not only withstood the vicissitudes of time, but has spread around the world like the waves lapping at a beach. This is the poem "Youth," by Samuel Ullman.
 
In December 1945, the Reader’s Digest published the poem and reported that General Douglas MacArthur, Commander of the Allied Forces, Far East, kept a copy of the poem near his desk.
 
Around that time, Yoshio Okada, a Japanese businessman, bought a copy of that December 1945 edition of the Reader's Digest, read the poem and was deeply affected by it. He translated it into Japanese and displayed it in his office as a guiding inspiration. Many of Okada's friends read the poem and were fascinated by its beauty. It began to receive national publicity through newspapers and magazines and became popular throughout Japan, especially among the intellectual community. Part of the reason for this widespread popularity is the excellence of the translation. Yoshio Okada, a man of noble character, gifted with a profound philosophy of life and literary talent, translated the poem into a beautiful, soul­stirring Japanese version.
 
Samuel Ullman's “Youth” reflects the truth of life, and his outcry of spirituality touches the intrinsic nature of man.
 

The definitive analysis of how the presence of women politicians affects young people.

From Kamala Harris to Nikki Haley, women in public life are widely expected to inspire young people, especially girls, to follow in their footsteps. See Jane Run provides the definitive analysis of women politicians as role models. With wide-ranging data and attention to gender, race, and party, David E. Campbell and Christina Wolbrecht find that women in politics help convince young people, regardless of gender, that women are capable of political leadership. For young women, women role models enhance faith in democracy and inspire political engagement, including running for office themselves. As role models, women politicians help ensure a more inclusive democracy.

The twenty-first century is already riddled with protests demanding social justice, and in every instance, young people are leading the charge. But in addition to protesters who take to the streets with handmade placards are young adults who engage in less obvious change-making tactics. In Speaking Truths, sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry—and young people’s participation in it—contributes to a broader understanding of contemporary social justice activism, including this generation’s attention to the political importance of identity, well-being, and love.
 
Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism’s emphasis on personal storytelling and “truth,” the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face.
 
Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation’s experiences with social injustice.

Students played a critical role in the Sandinista struggle in Nicaragua, helping to topple the US-backed Somoza dictatorship in 1979—one of only two successful social revolutions in Cold War Latin America. Debunking misconceptions, Students of Revolution provides new evidence that groups of college and secondary-level students were instrumental in fostering a culture of insurrection—one in which societal groups, from elite housewives to rural laborers, came to see armed revolution as not only legitimate but necessary.

Drawing on student archives, state and university records, and oral histories, Claudia Rueda reveals the tactics by which young activists deployed their age, class, and gender to craft a heroic identity that justified their political participation and to help build cross-class movements that eventually paralyzed the country. Despite living under a dictatorship that sharply curtailed expression, these students gained status as future national leaders, helping to sanctify their right to protest and generating widespread outrage while they endured the regime’s repression. Students of Revolution thus highlights the aggressive young dissenters who became the vanguard of the opposition.