28167 books match the query 'History' and 1838 start with s

cover of She's Got a Gun

She's Got a Gun

Nancy Floyd

Temple University Press, 2008

In 1991 Nancy Floyd bought her first handgun.  Soon she was participating in Ladies Day at her local shooting range and reading Women & Guns magazine.  In 1993 she began interviewing and photographing women who were fellow gun owners.  In 1997 she started researching "gun women" from the past to see how they were represented in the popular imagination.  Now she has brought her work together in a riveting new book, filled with remarkable photographs and candid first-person stories, accompanied by an eye-opening illustrated history of female gun ownership in America.

Sympathetic but unsentimental, Floyd presents gun-toting women young and old, including an eleven-year-old girl competing in her first gun competition, a woman whose grandmother was killed by an intruder, and a war veteran who experienced firefights while stationed in Iraq.  Whatever you might think about gun-toting women before you open this book, your preconceptions are sure to be shattered by the end.
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cover of She's the Boss: The Rise of Women’s Entrepreneurship since World War II

She's the Boss

The Rise of Women’s Entrepreneurship since World War II

Debra Michals

Rutgers University Press, 2025

In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies. 

She’s the Boss chronicles the forces that made entrepreneurship attractive to women. In rich detail, Debra Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.
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cover of Sheep Industry of Territorial New Mexico: Livestock, Land, and Dollars

Sheep Industry of Territorial New Mexico

Livestock, Land, and Dollars

Jon M. Wallace

University Press of Colorado, 2023

The Sheep Industry of Territorial New Mexico offers a detailed account of the New Mexico sheep industry during the territorial period (1846–1912) when it flourished. As a mainstay of the New Mexico economy, this industry was essential to the integration of New Mexico (and the Southwest more broadly) into the national economy of the expanding United States.
 
Author Jon Wallace tells the story of evolving living conditions as the sheep industry came to encompass innumerable families of modest means. The transformation improved many New Mexicans’ lives and helped establish the territory as a productive part of the United States. There was a cost, however, with widespread ecological changes to the lands—brought about in large part by heavy grazing. Following the US annexation of New Mexico, new markets for mutton and wool opened. Well-connected, well-financed Anglo merchants and growers who had recently arrived in the territory took advantage of the new opportunity and joined their Hispanic counterparts in entering the sheep industry.
 
The Sheep Industry of Territorial New Mexico situates this socially imbued economic story within the larger context of the environmental consequences of open-range grazing while examining the relationships among Hispanic, Anglo, and Indigenous people in the region. Historians, students, general readers, and specialists interested in the history of agriculture, labor, capitalism, and the US Southwest will find Wallace’s analysis useful and engaging.
 
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cover of Sheer Misery: Soldiers in Battle in WWII

Sheer Misery

Soldiers in Battle in WWII

Mary Louise Roberts

University of Chicago Press, 2021

Marching across occupied France in 1944, American GI Leroy Stewart had neither death nor glory on his mind: he was worried about his underwear, which was engaged in a relentless crawl of its own. Similar complaints of physical discomfort pervade infantrymen’s memories of the European theater, whether the soldiers were British, American, German, or French. Wet, freezing misery with no end in sight—this was life for millions of enlisted men during World War II.

Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII chronicles, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies.”
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cover of Sheer Presence: The Veil in Manet’s Paris

Sheer Presence

The Veil in Manet’s Paris

Marni Reva Kessler

University of Minnesota Press, 2006

Tamar’s instrument of seduction in the Hebrew Bible, Penelope’s shroud in Homer’s Odyssey, accessory of brides as well as widows, and hallmark of the religious and the wealthy, the veil has historically been an intriguing signifier. Initially donned in France for liturgical purposes and later for masked balls and as a sun- and windscreen at the seashore, face-covering veils were adopted for fashionable urban use during the reign of Napoleon III. In Sheer Presence, Marni Reva Kessler demonstrates how this ubiquitous garment and its visual representations knot together many of the precepts of Parisian life. Considering the period from the beginning of Napoleon III’s rule in 1852 to 1889, when the Paris Universal Exhibition displayed veiled North African Muslims and other indigenous colonial peoples, Kessler deftly connects the increased presence of the veil on the streets and on canvas to Haussmann’s massive renovation of Paris. The fashion of veil wearing, she argues, was imbricated with broader concerns: fears of dust and disease fueled by Haussmannization and class mixing on the city streets, changes in ideals of youth and beauty, attempts to increase popular support for imperialism, and the development of modernist art practices. A veil was protection for the proper woman from the vices associated with the modern city, preserving—at least on the surface—her femininity and class superiority. Kessler explores these themes with close readings of paintings by Gustave Caillebotte, Edgar Degas, and Edouard Manet—including Manet’s perplexing portraits of artist Berthe Morisot—as well as photographs, images from the popular press, engravings, lithographs, and academic paintings. She also mines French fashion journals, etiquette books, novels, and medical publications for clues to the veil’s complex meanings during the period.Positioning the veil directly at the intersection of feminist, formalist, and social art history, Kessler offers a fresh perspective on period discourses of public health, seduction and sexuality, colonial stereotypes, and, ultimately, an emerging modernity.Marni Reva Kessler is assistant professor of art history at the University of Kansas.
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cover of Shelby’s Expedition to Mexico: An Unwritten Leaf of the War

Shelby’s Expedition to Mexico

An Unwritten Leaf of the War

John R. Edwards

University of Arkansas Press, 2007

Confederate general Joseph O. Shelby and his legendary Iron Brigade refused to acknowledge the end of the Civil War. Instead, they fought their way to Mexico in search of a place where they could continue to defy the U.S. government. These veteran Missouri cavalrymen clawed their way for fifteen hundred miles, fighting Juaristas, Indians, desperados, and disgruntled gringos. They disbanded only after they had offered their services to Emperor Maximilian and were turned down.

Shelby’s adjutant, journalist John N. Edwards, first published his story of the exploits of this superb mounted brigade and its quixotic final march in 1872. Conger Beasley provides a lively introduction that includes the first biographical sketch of the author. The 1969 movie The Undefeated starring John Wayne and Rock Hudson was based upon Shelby’s expedition.

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cover of Shelley and His Readers: Beyond Paranoid Politics

Shelley and His Readers

Beyond Paranoid Politics

Kim Wheatley

University of Missouri Press, 1999

In Shelley and His Readers, the first full-length critical analysis of the dialogue between Shelley's poetry and its contemporary reviewers, Kim Wheatley argues that Shelley's idealism can be recovered through the study of his poetry's reception. Incorporating extensive research in major early-nineteenth-century British periodicals, Wheatley integrates a reception-based methodology with careful textual analysis to demonstrate that the early reception of Shelley's work registers the immediate impact of the poet's increasingly idealistic passion for reforming the world.

Wheatley examines Shelley's poetry within the context of Romantic-era "paranoid politics," a simultaneously empowering and disabling dynamic in which the reviewers employ a heightened language of defensiveness and persecution that paints their adversaries as Satanic rebels against orthodoxy. This "paranoid style" displays a preoccupation with the efficacy of the printed word and singles out radical writers such as Shelley as sources of social contamination.

Using Shelley's Queen Mab to illustrate his early radicalism, Wheatley demonstrates that the poet, like his contemporary reviewers, is caught up in paranoid rhetoric. Failing to challenge the assumptions underlying the paranoid style-conspiracy and contagion-in this poem Shelley takes merely a defiant, oppositional stance. However, Shelley's later poems, exemplified by Prometheus Unbound and Adonais, circumvent the reviewers' rhetoric through their boldly experimental language, a process registered by the reviewers' own responses. These less explicitly political poems transcend the dynamics of cultural paranoia by shifting to an apolitical conception of the aesthetic. In collaboration with its early readers, Shelley's poetry thus moves momentarily beyond paranoid politics.

The final chapter of this study argues that the posthumous reception of Adonais uniquely replicates the elegiac moves and complex idealism of the poem, concluding with a discussion of how the Shelley circle aestheticized the poet after his death.

Shelley and His Readers offers a new approach to the question of how to recuperate Romantic idealism in the face of challenges from both deconstructive and historicist criticism. Its innovative use of reception-based analysis will make this book invaluable not only to specialists of the Romantic period but also to anyone interested in new developments in literary criticism.

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cover of Shellfish for the Celestial Empire: The Rise and Fall of Commercial Abalone Fishing in California

Shellfish for the Celestial Empire

The Rise and Fall of Commercial Abalone Fishing in California

Todd J. Braje

University of Utah Press, 2016

In the 1800s, when California was captivated by gold fever, a small group of Chinese immigrants recognized the fortune to be made from the untapped resources along the state’s coast, particularly from harvesting the black abalone of southern and Baja California. These immigrants, with skills from humble beginnings in a traditional Chinese fishing province, founded California’s commercial abalone industry, and led its growth and expansion for several decades. By the turn of the twentieth century, however, their successful livelihood was stolen from them through targeted legislation of the U.S. and California governments.

Today, the physical evidence of historical Chinese abalone fishing on the mainland has been erased by development. On California’s Channel Islands, however, remnants of temporary abalone collecting and processing camps lie scattered along the coastlines. These sites hold a treasure trove of information, stories, lifeways, and history. Braje has excavated many of these sites and uses them to explore the history of Chinese abalone fishing, presenting a microcosm of the broader history of Chinese immigrants in America—their struggles, their successes, the institutionalized racism they faced, and the unique ways in which they helped to shape the identity of the United States. 

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cover of Shelter Poverty: New Ideas on Housing Affordability

Shelter Poverty

New Ideas on Housing Affordability

Michael E. Stone

Temple University Press, 1993

"...the most original--and profoundly disturbing--work on the critical issue of housing affordability...." --Chester Hartman, President, Poverty and Race Research Action Council In Shelter Poverty, Michael E. Stone presents the definitive discussion of housing and social justice in the United States. Challenging the conventional definition of housing affordability, Stone offers original and powerful insights about the nature, causes, and consequences of the affordability problem and presents creative and detailed proposals for solving a problem that afflicts one-third of this nation. Setting the housing crisis into broad political, economic, and historical contexts, Stone asks: What is shelter poverty? Why does it exist and persist? and How can it be overcome? Describing shelter poverty as the denial of a universal human need, Stone offers a quantitative scale by which to measure it and reflects on the social and economic implications of housing affordability in this country. He argues for "the right to housing" and presents a program for transforming a large proportion of the housing in this country from an expensive commodity into an affordable social entitlement. Employing new concepts of housing ownership, tenure, and finance, he favors social ownership in which market concepts have a useful but subordinate role in the identification of housing preferences and allocation. Stone concludes that political action around shelter poverty will further the goal of achieving a truly just and democratic society that is also equitably and responsibly productive and prosperous.
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cover of Shelter and Storm: At Home in the Driftless

Shelter and Storm

At Home in the Driftless

dean

University of Minnesota Press, 2025

Living mindfully with nature during a time of uncertainty

 

In the midst of the environmental crises of the early twenty-first century, Tamara Dean sought a way to live lightly on the planet. Her quest drew her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There, she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change—an experience at once soul-stirring and practical that she recounts in Shelter and Storm.

 

Dean’s boundless curiosity and gift for storytelling imbue these essays with urgency and a sense of adventure. She invites readers to share in her discoveries while hunting for water, learning that a persistent weed could be food, or burning a hayfield to recreate a prairie. Contending with the fallout of fires, floods, and tornadoes, she offers responses to natural disasters that reflect the importance of community, now and for generations to come. Whether tracking down a rare, blue-glowing firefly, engineering a beaver-friendly waterway to appease a dying neighbor, or building a house of earthen blocks, Dean unites personal experience with science and history, presenting a perspective as informative as it is compelling.

 

Keenly attentive to the stakes for our planet’s future—and the implications of extreme weather, shifting agricultural practices, and political divides—Shelter and Storm illuminates a thoughtful way forward for anyone concerned about climate change and its far-reaching consequences or for anyone searching, as Dean has, for a more sustainable way to live.

 

 

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cover of Shelter from the Machine: Homesteaders in the Age of Capitalism

Shelter from the Machine

Homesteaders in the Age of Capitalism

Jason G. Strange

University of Illinois Press, 2020

”You’re either buried with your crystals or your shotgun.” That laconic comment captures the hippies-versus-hicks conflict that divides, and in some ways defines, modern-day homesteaders. It also reveals that back to-the-landers, though they may seek lives off the grid, remain connected to the most pressing questions confronting the United States today.

Jason Strange shows where homesteaders fit, and don't fit, within contemporary America. Blending history with personal stories, Strange visits pig roasts and bohemian work parties to find people engaged in a lifestyle that offers challenge and fulfillment for those in search of virtues like self-employment, frugality, contact with nature, and escape from the mainstream. He also lays bare the vast differences in education and opportunity that leave some homesteaders dispossessed while charting the tensions that arise when people seek refuge from the ills of modern society—only to find themselves indelibly marked by the system they dreamed of escaping.
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cover of Shepherd of the Hills Country: Tourism Transforms the Ozarks, 1880s-1930s

Shepherd of the Hills Country

Tourism Transforms the Ozarks, 1880s-1930s

Lynn Morrow

University of Arkansas Press, 1999

Modern tourism in the Ozark Mountains of Missouri and Arkansas is concentrated around the area’s glistening man-made lakes, its fish-filled streams and rivers, and the entertainment mecca of Branson. But recreational excursions into this part of the country began over one hundred years ago as urban Midwesterners, many of them captivated by Harold Bell Wright’s novel The Shepherd of the Hills, sought the outdoors for spiritual and physical regeneration.

Morrow and Myers-Phinney excavate the beginnings of commercial tourism in the region and follow it through six decades as the influx of visitors who became familiar with the Ozarks and its investment opportunities brought capital, new commerce, and additional residents to the hills. Chapters focus on float fishing, game parks, cave exploration, the influence of the railroad, and the men who were instrumental in the region’s transformation. The authors discuss traditional lifestyles rooted in “living off the land,” with stock raising and lumbering providing basic subsistence, and changes wrought by tourism, which affected all classes of people across the White River landscape. They describe the flowering of “Ozarks folklore”—how stories told around gravel-bar fishing camps and retold by newspaper journalists translated the hills’ oral tradition for mass audiences.

While the main theme of this study is the development of tourism, it is also a social history of the interior highlands of the Ozarks. We see how the residents and their way of life were discovered, exploited, and changed by new opportunities and the demands of tourism and increasing trade. As such, this book is a valuable new addition to the University of Arkansas Press’s Ozarks Collection.

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cover of Sherabad Oasis: Tracing Historical Landscape in Southern Uzbekistan

Sherabad Oasis

Tracing Historical Landscape in Southern Uzbekistan

Edited by Ladislav Stanco and Petra Tušlová

Karolinum Press, 2020

Sherabad Oasis: Tracing Historical Landscape in Southern Uzbekistan is the second volume of the series examining the Czech-Uzbek archaeological expedition in southern Uzbekistan. While the first book was devoted to the excavations at the central site of the Sherabad Oasis called Jandavlattepa, this volume analyzes the development of the settlement throughout this oasis based on important new data gained in the recent expedition. The methodology used includes extensive and intensive archaeological surveys, revisions of previously published archaeological data, historical maps, and innovative satellite images. Apart from the dynamics of the settlement of the research area, spanning from prehistoric to modern time, the development of the irrigation systems in the lowland steppe is also assessed.
 
Edited by Ladislav Stančo and Petra Tušlová, this volume continues the significant work of Czech researchers in Uzbekistan, a key Central Asian republic at the crossroads of history and culture.
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cover of Sherman's Forgotten General: Henry W. Slocum

Sherman's Forgotten General

Henry W. Slocum

Brian C. Melton

University of Missouri Press, 2007

Henry Warner Slocum, a Union major general who was a corps and army commander in the Civil War, served from the first call for troops until he stood with William Tecumseh Sherman to receive Joseph E. Johnston’s surrender after Appomattox. He saw action at Bull Run, Chancellorsville, and Gettysburg, and by the end of the war he had taken command of the Army of Georgia, yet historians have largely overlooked this key commander.

            Brian Melton has written the first scholarly account of this important general—the first full-length biography in nearly a century—who as one of Sherman’s most trusted commanders exercised significant influence during the Civil War. Although Slocum is remembered primarily for his lackluster performance at Gettysburg, Melton discloses that there is more to him than current history credits, offering a holistic account of his life to show that his career was much more significant than has been supposed.

            Slocum took on the characteristics of the leaders he served, and Melton reveals how Slocum’s attitudes and tactics changed dramatically between commanders to explain why he proved to be of little help to George McClellan and almost a liability while serving under “Fighting Joe” Hooker and yet was an effective commander under Sherman. Slocum became Sherman’s “left arm” and adapted so thoroughly to his style of generalship that he anticipated the general’s intentions on two important occasions, and Melton contends that Slocum was a much more important contributor to the success of Sherman’s later campaigns than has been acknowledged, becoming at times more aggressive and driving than Sherman himself.

            Melton ultimately considers Slocum’s fate as one of the forgotten generals of the Civil War—brought on largely by his joining the Democratic Party in 1865—and demonstrates why previous simplistic depictions of Slocum miss the mark. By providing the first detailed look at this important second-tier commander, Sherman’s Forgotten General illuminates the influences, events, and individuals of Slocum’s career to show that, while he may not have changed the course of the war, he played a conspicuous and important role in its successful execution that has long deserved to be recognized.

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cover of Sherman's Mississippi Campaign

Sherman's Mississippi Campaign

Buck T. Foster

University of Alabama Press, 2006

The campaign that shaped Sherman's path to victory and changed the future of Civil War warfare.

With the fall of Vicksburg to Union forces in mid-1863, the Federals began work to extend and consolidate their hold on the lower Mississippi Valley. As a part of this plan, Major General William Tecumseh Sherman set out from Vicksburg on February 3, 1864, with an army of some 25,000 infantry and a battalion of cavalry. They expected to be joined by another Union force moving south from Memphis and supported themselves off the land as they traveled due east across Mississippi.

Sherman entered Meridian on February 14 and thoroughly destroyed its railroad facilities, munitions plants, and cotton stores, before returning to Vicksburg. Though not a particularly effective campaign in terms of enemy soldiers captured or killed, it offers a rich opportunity to observe how this large-scale raid presaged Sherman’s Atlanta and Carolina campaigns, revealing the transformation of Sherman’s strategic thinking.

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cover of Sherman: A Soldier's Passion for Order

Sherman

A Soldier's Passion for Order

John F. Marszalek

Southern Illinois University Press, 1993

Sherman: A Soldier’s Passion for Order is the premier biography of William Tecumseh Sherman, the Civil War commander known for his “destructive war” policy against Confederates and as a consummate soldier. This updated edition of John F. Marszalek’s award-winning book presents the general as a complicated man who, fearing anarchy, searched for the order that he hoped would make his life a success.

Sherman was profoundly influenced by the death of his father and his subsequent relationship with the powerful Whig politician Thomas Ewing and his family. Although the Ewings treated Sherman as one of their own, the young Sherman was determined to make it on his own. He graduated from West Point and moved on to service at military posts throughout the South. This volume traces Sherman’s involvement in the Mexican War in the late 1840s, his years battling prospectors and deserting soldiers in gold-rush California, and his 1850 marriage to his foster sister, Ellen. Later he moved to Louisiana, and, after the state seceded, Sherman returned to the North to fight for the Union.

Sherman covers the general’s early Civil War assignments in Kentucky and Missouri and his battles against former Southern friends there, the battle at Shiloh, and his rise to become second only to Grant among the Union leadership. Sherman’s famed use of destructive war, controversial then and now, is examined in detail. The destruction of property, he believed, would convince the Confederates that surrender was their best option, and Sherman’s successful strategy became the stuff of legend.

This definitive biography, which includes forty-six illustrations, effectively refutes misconceptions surrounding the controversial Union general and presents Sherman the man, not the myth.

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cover of Sherwood Anderson and Other Famous Creoles: A Gallery of Contemporary New Orleans

Sherwood Anderson and Other Famous Creoles

A Gallery of Contemporary New Orleans

Drawings by William Spratling<br>Text by William Faulkner

University of Texas Press, 1966

"When Bill Faulkner came to New Orleans he was a skinny little guy, three years older than I, and was not taken very seriously except by a few of us." Thus the late William Spratling, popularly known as the Taxco "Silver King," recalled the mid-1920's, when Faulkner, a young man fresh from Oxford, Mississippi, roomed with Spratling in Pirates Alley.

"By the time I would be up, say at seven, Bill would already be out on the little balcony over the garden tapping away on his portable, an invariable glass of alcohol-and-water at hand."

A result of their friendship was a book depicting "various people who were then engaged … with the arts in New Orleans." It was based on firsthand observation.

"There were casual parties with wonderful conversation and with plenty of grand, or later to be grand, people." Some of the names, in addition to Sherwood Anderson, were Horace Liveright, Carl Van Doren, Carl Sandberg, John Dos Passos, Anita Loos, and Oliver La Farge.

Spratling supplied sharp caricatures of the people and Faulkner contributed succinct captions and a Foreword. It was all "sort of a private joke," but the four hundred copies were sold within a week and the original edition is now a collector's item. This book is a charming reminder of exciting days and talented people.

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cover of Sherwood Anderson: A Writer in America, Volume 2

Sherwood Anderson

A Writer in America, Volume 2

Walter B. Rideout

University of Wisconsin Press, 2006

Sherwood Anderson, an important American novelist and short-story writer of the early twentieth century, is probably best known for his novel Winesburg, Ohio. His realistic and nonformulaic writing style would influence the next generation of authors, most notably Ernest Hemingway and William Faulkner.
    Walter Rideout’s Sherwood Anderson: A Writer in America is a seminal work that reintroduces us to this important, yet recently neglected, American writer, giving him long overdue attention. This second volume of the monumental two-volume work covers Anderson’s life after his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia (where Volume 1 ended.) The second volume covers his return to business pursuits; his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic; and finally his unexpected death in 1941.
    No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson’s friends and family members, or as complete in its vision of the man and the writer. Rideout uncovers much new information about events and people in Anderson’s life and provides a new perspective on many of his works. This two-volume biography presents Anderson’s many remarkable attributes more clearly than ever before, while astutely placing his life and writings in the broader social, political, and artistic movements of his times.


Outstanding Book, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Outstanding Academic Title, Choice Magazine

Winner, Biography Award, Society of Midland Authors
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cover of Shifting Borders and a Tattered Passport: Intellectual Journeys of a Mormon Academic

Shifting Borders and a Tattered Passport

Intellectual Journeys of a Mormon Academic

Armand L. Mauss

University of Utah Press, 2012

The life of a Mormon intellectual in the secular academic community is likely to include some contradictions between belief, scholarship, and the changing times. In his memoir, Armand L. Mauss recounts his personal and intellectual struggles—inside and outside the LDS world—from his childhood to his days as a graduate student at UC Berkeley in the 1960s through his many years as a professor.

As an important and influential observer and author in the Mormon intellectual world, Mauss has witnessed how, in attempting to suppress independent and unsponsored scholarship during the final decades of the twentieth century, LDS leaders deliberately marginalized important intellectual support and resources that could have helped, in the twenty-first century, to refurbish the public image of the church. As a sociologist, he notes how the LDS Church, as a large, complex organization, strives to adjust its policies and practices in order to maintain an optimal balance between unique, appealing claims on the one hand and public acceptance on the other. He also discusses national and academic controversies over the New Religious Movements of the 1960s and 1970s. Writing in clear language, Mauss shows how he has navigated the boundaries where his faith and academic life intersect, and reveals why a continuing commitment to the LDS Church must be a product of choice more than of natural or supernatural “proof.”
 

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cover of Shifting Borders: Rhetoric, Immigration And Prop 187

Shifting Borders

Rhetoric, Immigration And Prop 187

Kent Ono

Temple University Press, 2002

"Like articles representing the positions of proponents of the measure, those representing opponents constructing the nation as potentially in danger as a result of undocumented immigration."

How do we learn to recognize the damning effects of good rhetorical intentions? And where will we find arguments which escape this trap that permeates the liberal social policy world? Shifting Borders uses an evaluation of the debate over California Proposition 187 to demonstrate how this quandary is best understood by close interrogation of mainstream reports and debates and by bringing to the fore voices that are often left out of mediated discussions.

It is these voices outside the mainstream, so-called "outlaw" discourses, that hold the best possibilities for real social change. To illustrate their claim, the authors present dominant and outlaw discourses around Proposition 187, from television reports, internet chat sites, and religious discourse to coverage of the Los Angeles Times. Their critique ably demonstrates how difficult it is to maintain a position outside the mainstream, but also how important it is for the press, citizens and scholars to actively search out such voices. The findings are organized through a model that provides an innovative method for understanding events and arguments through their rhetorical and communicative construction. In a world where the mediated word defines so much of what we know, Shifting Borders provides a lucid introduction to analyzing the spoken and written word that constitutes political debate in contemporary U.S. culture. In doing so, it makes an important contribution to any future development of progressive political strategy.

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cover of Shifting Memories: The Nazi Past in the New Germany

Shifting Memories

The Nazi Past in the New Germany

Klaus Neumann

University of Michigan Press, 2000

Shifting Memories explores the contours and genealogies of non-Jewish Germans' public memories of the Nazi past in the Federal Republic of Germany, asking how the crimes committed by Nazi Germany are reflected in the present. The study illuminates particular aspects of public remembering by focusing on case studies, telling a number of stories which at times appear parallel and at times intersect.
The case studies address, for example, the legacy of the so-called Celler Hasenjagd (the hunting down of concentration camp prisoners who survived an Allied air raid in April 1945 in a town in Lower Saxony); efforts by the City of Hildesheim to memorialize the Kristallnacht pogrom; attempts by Italian, Jewish, and Sinti survivors to commemorate their suffering in two West German towns; the posthumous reputation of a German communist imprisoned in Buchenwald and credited with having saved the lives of 159 Jewish children; and the public memories of the Ravensbrück and Buchenwald concentration camps in East Germany.
Directed at an audience curious about contemporary Germany, this book will appeal to those interested in issues of public and social memory, and in the legacy of Auschwitz.
Klaus Neumann is a historian who has taught in universities in Germany and Australia and written about social memories in the Pacific Islands, Australia, and Germany. Previous books include Not the Way It Really Was and Rabaul Yu Swit Moa Yet. He lives in Richmond, Australia.
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cover of Shifting Sands: Landscape, Memory, and Commodities in China's Contemporary Borderlands

Shifting Sands

Landscape, Memory, and Commodities in China's Contemporary Borderlands

Xiaoxuan Lu

University of Texas Press, 2023

How China’s borderlands transformed politically and culturally throughout the twentieth and twenty-first centuries.

China’s land borders, shared with fourteen other nations, are the world’s longest. Like all borders, they are not just lines on a map but also spaces whose histories and futures are defined by their frontier status. An ambitious appraisal of China’s borderlands, Shifting Sands addresses the full scope and importance of these regions, illustrating their transformation from imperial backwaters to hotbeds of resource exploitation and human development in the age of neoliberal globalization.

Xiaoxuan Lu brings to bear an original combination of archival research, fieldwork, cartography, and landscape analysis, broadening our understanding of the political economy and cultural changes in China’s borderlands in the twentieth and twenty-first centuries. While conventional wisdom looks to the era of Deng Xiaoping for China’s “opening,” Lu shows the integration of China’s borderlands into national and international networks from Sun Yat-sen onward. Yet, while the state has left a firm imprint on the borderlands, they were hardly created by China alone. As the Chinese case demonstrates, all borderlands are transnational, their physical and socioeconomic landscapes shaped by multidirectional flows of materials, ideas, and people.

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cover of Shih-shuo Hsin-yü: A New Account of Tales of the World

Shih-shuo Hsin-yü

A New Account of Tales of the World

By Liu I-ch’ing; With commentary by Liu Chün; Translated with introduction and notes by Richard B. Mather

University of Michigan Press, 2002

Shih-shuo hsin-yü: A New Account of Tales of the World, compiled by Liu I-ch’ing (403–444), is a collection of anecdotes, short conversations, and pithy observations on personalities who lived in China between about 150 and 420 A.D. In its own time, the text was considered to be an aid to conversation, and one of its aims was to provide enjoyable reading. For this reason, it has been loosely linked with the later “novels” (hsiao-shuo) such as “Romance of the Three Kingdoms” (San-kuo yen-i).
Shih-shuo hsin- yü is organized thematically, with sections devoted to civic and moral virtues, cultivated and intellectual accomplishments, recluses, women, technology, art, and human frailty. Yet the view onto these subjects remains narrow: center stage is occupied by emperors and princes, courtiers, officials, generals, genteel hermits, and urbane monks. These figures are depicted in a rarified atmosphere of great refinement and sensitivity, yet they are usually caught up in a very earthly, often bloody, world of war and factional intrigue. It is a dark world against which the occasional flashes of wit and insight shine the more brightly.
Mather's classic translation was the first English translation of the work when it appeared in 1971. Mather incorporates the commentary of Liu Chun (461–521), which provides invaluable contextualizing information from works of the third and fourth centuries that are now lost. The second edition has been comprehensively revised, introducing numerous collaborative corrections and improvements.
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cover of Shimmering Screens: Making Media in an Aboriginal Community

Shimmering Screens

Making Media in an Aboriginal Community

Jennifer Deger

University of Minnesota Press, 2006

How does the introduction of modern media influence a community? How does technology coexist with tradition? How do reality and imagination converge in the creation of documentary? Jennifer Deger addresses these questions in her compelling study of one Aboriginal community’s relationship with media. Deger spent several years working with the Yolngu community in Gapuwiyak, a remote Aboriginal community in Australia, both as an ethnographic researcher and as a collaborator in the production of media. Shimmering Screens explores the place of technology in Gapuwiyak through discussions about the influence of mainstream television, the changing role of photography in mortuary ceremonies, and the making of local radio and video. A rich ethnographic study, this book examines the productive, and sometimes problematic, conjunctions of technology, culture, and imagination in contemporary Yolngu life. Deger offers a new perspective to ongoing debates regarding “media imperialism.” Reconsidering established assumptions about the links between representation, power, and “the gaze,” she proposes the possibility of a more culturally specific and, ultimately, a more mutual relationship between subject, image, and viewer.Jennifer Deger is a research fellow in anthropology, Macquarie University, Australia.
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cover of Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice

Shine

The Visual Economy of Light in African Diasporic Aesthetic Practice

Krista Thompson

Duke University Press, 2015

In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.
 
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cover of Shining and Other Paths: War and Society in Peru, 1980-1995

Shining and Other Paths

War and Society in Peru, 1980-1995

Steve J. Stern, ed.

Duke University Press, 1998

Shining and Other Paths offers the first systematic account of the social experiences at the heart of the war waged between Shining Path and the Peruvian military during the 1980s and early 1990s. Confronting and untangling the many myths and enigmas that surround the war and the wider history of twentieth-century Peru, this book presents clear and often poignant analyses of the brutal reshaping of life and politics during a war that cost tens of thousands of lives.

The contributors—a team of Peruvian and U.S. historians, social scientists, and human rights activists—explore the origins, social dynamics, and long-term consequences of the effort by Shining Path to effect an armed communist revolution. The book begins by interpreting Shining Path’s emergence and decision for war as one logical culmination, among several competing culminations, of trends in oppositional politics and social movements. It then traces the experiences of peasants and refugees to demonstrate how human struggle and resilience came together in grassroots determination to defeat Shining Path, and explores the unsuccessful efforts of urban shantytown dwellers, as well as rural and urban activists, to build a “third path” to social justice. Integral to this discussion is an examination of women’s activism and consciousness during the years of the crisis. Finally, this book analyzes the often paradoxical and unintended legacies of this tumultuous period for social and human rights movements, and for presidential and military leadership in Peru.

Extensive field research, broad historical vision, and strong editorial coordination enable the authors to write a coherent and deeply humanistic account, one that draws out the inner tragedies, ambiguities, and conflicts of the war.

Providing historically grounded explication of the conflicts that reshaped contemporary Peru, Shining and Other Paths will be widely read by Latin Americanists, historians, anthropologists, gender theorists, sociologists, political scientists, and human rights activists.

Contributors. Jo-Marie Burt, Marisol de la Cadena, Isabel Coral Cordero, Carlos Iván Degregori, Iván Hinojosa, Carlos Basombrío Iglesias, Florencia E. Mallon, Nelson Manrique, Hortensia Muñoz, Enrique Obando, Patricia Oliart, Ponciano del Pino H., José Luis Rénique, Orin Starn, Steve J. Stern

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cover of Ship Captain's Daughter: Growing Up on the Great Lakes

Ship Captain's Daughter

Growing Up on the Great Lakes

Ann Michler Lewis

Wisconsin Historical Society Press, 2015

Ann Lewis's childhood was marked by an unusual rhythm. Each year the thawing and freezing of the Great Lakes signaled the beginning and end of the shipping season, months of waiting that were punctuated by brief trips to various ports to meet her father, the captain.

With lively storytelling and vivid details, Lewis captures the unusual life of shipping families whose days and weeks revolved around the shipping industry on the Great Lakes. She paints an intriguing and affectionate portrait of her father, a talented pianist whose summer job aboard an ore freighter led him to a life on the water. Working his way up from deckhand to ship captain, Willis Michler became the master of thirteen ships over a span of twenty-eight years. From the age of twelve, Ann accompanied the captain to the ports of Milwaukee, Chicago, Toledo, and Cleveland on the lower Great Lakes. She describes sailing through stormy weather and starry nights, visiting the engine room, dining at the captain's table, and wheeling the block-long ship with her father in the pilot house. Through her mother's stories and remarks, Lewis also reveals insights into the trials and rewards of being a ship captain's wife. The book is enhanced by the author's vintage snapshots, depicting this bygone lifestyle.

[more]
cover of Ships and Shipwrecks of the Au Sable Shores Region of Western Lake Huron

Ships and Shipwrecks of the Au Sable Shores Region of Western Lake Huron

John M. O'Shea

University of Michigan Press, 2004

Focusing on an area of coastline particularly known for vessel strandings, this volume includes histories of more than 50 lost vessels; a description of the remains of vessels and wreckage documented during archaeological research; an analysis of shoreline change in the last 150 years; and a model for matching wreckage to lost ships. This book will be of interest to archaeologists, historians, and anyone who loves the Great Lakes.
[more]
cover of Ships and Shipwrecks: Stories from the Great Lakes

Ships and Shipwrecks

Stories from the Great Lakes

Richard Gebhart

Michigan State University Press, 2022

From the day that French explorer Robert Cavelier de La Salle launched the Griffin in 1679 to the 1975 sinking of the celebrated Edmund Fitzgerald, thousands of commercial ships have sailed on the vast and perilous waters of the Great Lakes. In a harbinger of things to come, on the return leg of its first trip in late summer 1679, the Griffin disappeared and has never been seen again. In the centuries since then, the records show that an alarming number of shipwrecks have occurred on the Great Lakes. If vessels that wrecked but were later repaired and returned to service are included, the number certainly swells into the thousands. Most did not mysteriously vanish like the Griffin. Instead, they suffered the occupational hazards of every lake boat: collisions, groundings, strands, fires, boiler explosions, and capsizes. Many of these disasters took the lives of crews and passengers. The fearsome wrath of the storms that brew over the Great Lakes has challenged and defeated some of the staunchest vessels constructed in the shipyards of port cities along the U.S. and Canadian lakeshores. Here Richard Gebhart tells the tales of some of these ships and their captains and crews, from their launches to their sad demises—or sometimes, their celebrated retirements. This volume is a must-read for anyone intrigued by the maritime history of the Great Lakes.
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cover of Shipwreck Modernity: Ecologies of Globalization, 1550–1719

Shipwreck Modernity

Ecologies of Globalization, 1550–1719

Steve Mentz

University of Minnesota Press, 2015

Shipwreck Modernity engages early modern representations of maritime disaster in order to describe the global experience of ecological crisis. In the wet chaos of catastrophe, sailors sought temporary security as their worlds were turned upside down. Similarly, writers, poets, and other thinkers searched for stability amid the cultural shifts that resulted from global expansion. The ancient master plot of shipwreck provided a literary language for their dislocation and uncertainty.

Steve Mentz identifies three paradigms that expose the cultural meanings of shipwreck in historical and imaginative texts from the mid-sixteenth through the early eighteenth centuries: wet globalization, blue ecology, and shipwreck modernity. The years during which the English nation and its emerging colonies began to define themselves through oceangoing expansion were also a time when maritime disaster occupied sailors, poets, playwrights, sermon makers, and many others. Through coming to terms with shipwreck, these figures adapted to disruptive change.

Traces of shipwreck ecology appear in canonical literature from Shakespeare to Donne to Defoe and also in sermons, tales of survival, amateur poetry, and the diaries of seventeenth-century English sailors. The isolated islands of Bermuda and the perils of divine anger hold central places. Modern sailor-poets including Herman Melville serve as valuable touchstones in the effort to parse the reality and understandings of global shipwreck.

Offering the first ecocritical account of early modern shipwreck narratives, Shipwreck Modernity reveals the surprisingly modern truths to be found in these early stories of ecological collapse.


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cover of Shipwreck in the Early Modern Hispanic World

Shipwreck in the Early Modern Hispanic World

Carrie L. Ruiz

Bucknell University Press, 2022

Seafaring activity for trade and travel was dominant throughout the Spanish Empire, and in the worldview and imagination of its inhabitants, the specter of shipwreck loomed large. Shipwreck in the Early Modern Hispanic World probes this preoccupation by examining portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck’s symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates. The contributors find examples in poetry, theater, narrative fiction, and other print artifacts, and approach the topic variously through the lens of historical, literary, and cultural studies. Ultimately demonstrating how shipwrecks both shaped and destabilized perceptions of the Spanish Empire worldwide, this analytically rich volume is the first in Hispanic studies to investigate the darker side of mercantile and imperial expansion through maritime disaster.
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cover of Shock Cities: The Environmental Transformation and Reform of Manchester and Chicago

Shock Cities

The Environmental Transformation and Reform of Manchester and Chicago

Harold L. Platt

University of Chicago Press, 2005

Shock Cities is environmental history of the highest order. This searching work is the first trans-Atlantic study to examine the industrial city in holistic terms, looking at the transformation of its land, water, and air. Harold L. Platt demonstrates how the creation of industrial ecologies spurred the reorganization of urban areas into separate spheres, unhealthy slums in the center and garden estates in the suburbs. By comparing Chicago and Manchester, Platt also shows how the ruling classes managed the political creation of urban space to ensure financial gain—often to the environmental detriment of both regions.

Shock Cities also recasts the age of industry within a larger frame of nature. Frightening epidemics and unnatural "natural disasters" forced the city dwellers onto the path of environmental reform. Crusaders for social justice such as Chicago's Jane Addams and Manchester's Charles Rowley led class-bridging campaigns to clean up the slums. Women activists and other "municipal housekeepers" promoted regulations to reduce air pollution. Public health experts directed efforts to improve sanitation.

Out of these reform movements, the Progressives formulated new concepts of environmental conservation and regional planning. Comparing the two cities, Platt highlights the ways in which political culture and institutions act to turn social geography into physical shapes on the ground. This focus on the political formation of urban space helps illuminate questions of social and environmental justice. Shock Cities will be of enormous value to students of ecology, technology, urban planning, and public health in the Western world.
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cover of Shock Therapy: A History of Electroconvulsive Treatment in Mental Illness

Shock Therapy

A History of Electroconvulsive Treatment in Mental Illness

Shorter, Edward

Rutgers University Press, 2007

Shock therapy is making a comeback today in the treatment of serious mental illness. Despite its reemergence as a safe and effective psychiatric tool, however, it continues to be shrouded by a longstanding negative public image, not least due to films such as the classic One Flew over the Cuckoo's Nest, where the inmate of a psychiatric clinic (played by Jack Nicholson) is subjected to electro-shock to curb his rebellious behavior. Beyond its vilification in popular culture, the stereotype of convulsive therapy as a dangerous and inhumane practice is fuelled by professional posturing and public misinformation. Electroconvulsive therapy, or ECT, has in the last thirty years been considered a method of last resort in the treatment of debilitating depression, suicidal ideation, and other forms of mental illness. Yet, ironically, its effectiveness in treating these patients would suggest it as a frontline therapy, bringing relief from acute symptoms and saving lives.

In this book, Edward Shorter and David Healy trace the controversial history of ECT and other "shock" therapies. Drawing on case studies, public debates, extensive interviews, and archival research, the authors expose the myths about ECT that have proliferated over the years. By showing ECT's often life-saving results, Shorter and Healy endorse a point of view that is hotly contested in professional circles and in public debates, but for the nearly half of all clinically depressed patients who do not respond to drugs, this book brings much needed hope.
[more]
cover of Shock Therapy: Psychology, Precarity, and Well-Being in Postsocialist Russia

Shock Therapy

Psychology, Precarity, and Well-Being in Postsocialist Russia

Tomas Matza

Duke University Press, 2018

After the collapse of the Soviet Union, Russia witnessed a dramatic increase in psychotherapeutic options, which promoted social connection while advancing new forms of capitalist subjectivity amid often-wrenching social and economic transformations. In Shock Therapy Tomas Matza provides an ethnography of post-Soviet Saint Petersburg, following psychotherapists, psychologists, and their clients as they navigate the challenges of post-Soviet life. Juxtaposing personal growth and success seminars for elites with crisis counseling and remedial interventions for those on public assistance, Matza shows how profound inequalities are emerging in contemporary Russia in increasingly intimate ways as matters of selfhood. Extending anthropologies of neoliberalism and care in new directions, Matza offers a profound meditation on the interplay between ethics, therapy, and biopolitics, as well as a sensitive portrait of everyday caring practices in the face of the confounding promise of postsocialist democracy.
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cover of Shock Values: Prices and Inflation in American Democracy

Shock Values

Prices and Inflation in American Democracy

Carola Binder

University of Chicago Press, 2024

ONE OF THE WALL STREET JOURNAL'S 10 BEST BOOKS OF 2024

How inflation and deflation fears shape American democracy.

Many foundational moments in American economic history—the establishment of paper money, wartime price controls, the rise of the modern Federal Reserve—occurred during financial panics as prices either inflated or deflated sharply. The government’s decisions in these moments, intended to control price fluctuations, have produced both lasting effects and some of the most contentious debates in the nation’s history.

A sweeping history of the United States’ economy and politics, Shock Values reveals how the American state has been shaped by a massive, ever-evolving effort to insulate its economy from the real and perceived dangers of price fluctuations. Carola Binder narrates how the pains of rising and falling prices have brought lasting changes for every generation of Americans. And with each brush with price instability, the United States has been reinvented—not as a more perfect union, but as a reflection of its most recent failures.

Shock Values tells the untold story of prices and price stabilization in the United States. Expansive and enlightening, Binder recounts the interest-group politics, legal battles, and economic ideas that have shaped a nation from the dawn of the republic to the present.

[more]
cover of Shoddy: From Devil’s Dust to the Renaissance of Rags

Shoddy

From Devil’s Dust to the Renaissance of Rags

Hanna Rose Shell

University of Chicago Press, 2020

The history of modern-day old clothes recycling begins with a thing called shoddy. Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then re-used. Usually undisclosed, shoddy–also known as reworked wool–became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue.
 
In Shoddy: From Devil’s Dust to the Renaissance of Rags, Hanna Rose Shell takes readers on a journey to discover shoddy, from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. Shell’s narrative is both literary and historical, drawing on an extraordinary range of sources, from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art. Shoddy moves between genres, bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world.
 
Almost since the time it first appeared, shoddy was both ubiquitous and controversial. In part because it was often so hard to detect, it was inherently suspicious. Public health experts worried about sanitation and disease—how could old clothes be disinfected? As well, the idea of wearing someone else’s old clothes so close to your own skin was discomforting in and of itself. Could you sleep peacefully knowing that your mattress was very likely to be stuffed with dead soldiers’ overcoats? The use of the term “virgin” wool, the idea of virginity in relation to clothes, in fact emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem shoddy. Over time, shoddy would capture a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration, of what we today think of as conscious clothing, eco-fashion, sustainable textiles.
 
Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering. Discarded clothes may make many journeys over the course of several lifetimes. Not only in your garments, but under your rug, in your mattress pads, piano blankets, in the peculiar confetti-like stuffing in your mailing envelopes, even in the insulation in your walls. Though it began with wool, over the past century the shredding “devil” has turned to synthetics from nylon stockings to Kevlar. Shoddy is likely connected to something you are wearing right now. After reading, you will never use the word shoddy or think about your clothes, the environment, sustainability, or the intermingled world around you the same way again.
 
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cover of Shooting Polaris: A Personal Survey in the American West

Shooting Polaris

A Personal Survey in the American West

John Hales

University of Missouri Press, 2005

Shooting Polaris is John Hales’s fascinating and far-reaching account of working as a government surveyor in the southern Utah desert. In it, he describes his search for a place in the natural world, beginning with an afternoon spent tracking down a lost crew member who cracked up on the job and concluding with his supervising a group of at-risk teenagers on a backpacking trip in the Escalante wilderness. In between, he depicts a range of experiences in and outside nature, including hostile barroom encounters between surveyors and tourists, weekends spent climbing Navajo Mountain and floating what remains of Glen Canyon, and late-night arguments concerning the meaning and purpose of nature with the eccentric polygamist who ran the town in which the surveyors parked their bunk trailers.
Although this work is autobiographical, Shooting Polaris is so much more. It is a reflection on man’s relationship to nature and work, American history and the movement into the West, the desire to impose order and the contrary impulse for unmediated experience, the idealistic legacy of the sixties, the influence of the Mormon Church, and the often-antagonistic relationship of American capitalism to sound ecological management. Along the way, Hales introduces engaging characters and reveals the art, science, and history of surveying, an endeavor that turns out to be surprisingly profound.
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cover of Shooting a Revolution: Visual Media and Warfare in Syria

Shooting a Revolution

Visual Media and Warfare in Syria

Donatella Della Ratta

Pluto Press, 2018

From ISIS propaganda videos to popular regime-backed soap operas and digital activism, the Syrian conflict has been profoundly affected by visual media. But what are the aesthetic, political, and material implications of this disturbing collusion between war and digital culture?
            Drawing on a decade of ethnographic research conducted in Syria and neighboring countries, Donatella Della Ratta examines here how the networked age shapes contemporary warfare, from conflict on the ground to the performance of violence on the screen. Her findings present a stark parallel to the digital democracy offered by techno-utopians, delving into the dark side of web 2.0 practices, where visual regimes of representation and media production are put in service of modes of destruction.
            A vivid account of the politics of Syria’s visual media, from commercial television to citizen journalism and Daesh propaganda, Shooting a Revolution offers fascinating insight into the media’s role in transforming conflict zones in the digital age. 
 
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cover of Shooting for Change: Korean Photography after the War

Shooting for Change

Korean Photography after the War

Jung Joon Lee

Duke University Press, 2024

In Shooting for Change, Jung Joon Lee examines postwar Korean photography across multiple genres and practices, including vernacular, art, documentary, and archival photography. Tracing the history of Korean photography while considering what is disguised or lost by framing the history of photography through nationhood, Lee considers the role of photography in shaping memory of historical events, representing the ideal national family, and motivating social movements. Further, through an investigation of what it means to practice photography under the normalized conditions of militarism, Lee treats the transnational militarism of Korea as a lens through which to probe the officially and culturally sanctioned readings of images when returning to them at different times. Among other themes, Lee draws on photography of militarized sex work, political protest in the military era, war orphans, and mass protests. Ultimately, Lee treats the formative periods in nation building and transnational militarization as both backdrops and cultivators for photographic works.
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cover of Shooting from the Hip: Photography, Masculinity, and Postwar America

Shooting from the Hip

Photography, Masculinity, and Postwar America

Patricia Vettel-Becker

University of Minnesota Press, 2005

In Shooting from the Hip, Patricia Vettel-Becker reveals how photography helped to reconstruct and redefine the American idea of masculinity after the traumas of World War II. She argues that from 1945 to 1960 photography became increasingly concerned with restoring the male body and psyche, glorifying traditional masculinity - cowboys, boxers, athletes, military men - while treading carefully in an increasingly homophobic Cold War climate. Examining photojournalism as well as art and fashion photography, Shooting from the Hip finds in the crisp images of postwar photography five models of masculinity - the breadwinner, the action hero, the tough guy, the playboy, and the rebel. Vettel- Becker shows how the professionalization of photography itself was an attempt by male photographers to identify themselves as breadwinners. She goes on to analyze combat photography, exposing its valorization of action, subjugation of the enemy, and the use of the blurred shot to signify credibility. She links street photography - heir to Depression-era social documentary - with hard-boiled crime photography, exemplified in the works of William Klein and Weegee. And sexualized fashion models and their relationships with photographers, such as Richard Avedon and Irving Penn, fuel the ideal of the consummate playboy. Finally, Vettel-Becker demonstrates the authentic and sometimes rebellious nature of the male body as presented by sports photographers and others influenced by the Beat generation, including Robert Frank and Bruce Davidson. Taking a wide view of postwar photography, Vettel-Becker presents it as the triumph of a new form of modernist photography, centered on individual expression and the seductive image of the male body, and stimulated by a quest for the existential truth of masculinity.
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cover of Shopping: Material Culture Perspectives

Shopping

Material Culture Perspectives

Deborah C. Andrews

University of Delaware Press, 2015

The degree to which shopping, or, more broadly, consumerism, is both critiqued and defended in American society confirms the role that commercial goods play in our daily lives. This collection of essays provides case studies depicting selected aspects of this engaging activity. The authors include several historians with diverging specialties: an art historian, an anthropologist, an environmental journalist, a geographer and urban planner, and practicing artists. Each author demonstrates how a material culture perspective—a focus on the relationship between people and their things—can illuminate a specific corner of consumption. Connecting the essays are concerns about the spaces in which shopping occurs; about the experience of shopping itself, both individual and social; and about its economic, environmental, and personal downsides. Collectively, these essays demonstrate how a material culture perspective on shopping yields insights into multiple aspects of American culture.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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cover of Short-Changed?: South Africa since Apartheid

Short-Changed?

South Africa since Apartheid

Colin Bundy

Ohio University Press, 2015

What have been the most significant developments—political, social, economic—in South Africa since 1994? How much has changed since the demise of apartheid, and how much remains stubbornly the same? Should one celebrate a robust democracy now two decades old, or lament the corrosive effects of factionalism, greed, and corruption on political life? Colin Bundy tries to answer such questions, while avoiding simplistic or one-sided assessments of life under Mandela, Mbeki, and Zuma. He recognizes real advances under ANC rule but also identifies the limits and contradictions of such progress. Bundy demonstrates, too, how the country’s past permeates the present, complicating and constraining the politics of transition, so that genuine transformation has been short-changed.

[more]
cover of Shortcut or Piecemeal: Economic Development Strategies and Structural Change

Shortcut or Piecemeal

Economic Development Strategies and Structural Change

Jan Winiecki

Central European University Press, 2016

Alternative strategies of economic development have received little attention in the literature. Academics rarely compare certain strategic features or assess the performance of different strategies in terms of outcomes. This book seeks to address that gap and to provide a theoretical background to the shift from industry to human capital-intensive services as the engine of economic growth. Pioneering studies reveal interesting trends and patterns that point to the growing importance of intangible capital for the level of GDP. They also indicate a much greater role of economic freedom in bringing about this second great structural change than was the case with industrialization. With this perspective on structural change and the role of freedom, Shortcut or Piecemeal also provides an extensive assessment of four key developing countries: Brazil, Russia, India, and China. Subjects: 1. Central planning—History. 2. Economic development—History
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cover of Shoshonean Peoples and the Overland Trail: Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Shoshonean Peoples and the Overland Trail

Frontiers of the Utah Superintendency of Indian Affairs, 1849–1869

Richard Saunders

Utah State University Press, 2007

This compilation of Dale Morgan’s  historical work on Indians in the Intermountain West focuses primarily on the Shoshone who lived near the Oregon and California trails. Three connected works by Morgan are included: First is his classic article on the history of the Utah Superintendency of Indian Affairs. This is followed by an important set of government reports and correspondence from the National Archives concerning the Eastern Shoshone and their leader Washakie. Morgan heavily annotated these for serial publication in the Annals of Wyoming. He also wrote a previously unpublished history of early relations among the Western Shoshone, emigrants, and the government along the California Trail. Morgan biographer Richard L. Saunders introduced, edited, and further annotated this collection. His introduction includes an intellectual biography of Morgan that focuses on the place of the anthologized pieces in Morgan’s corpus. Gregory E. Smoak, a leading historian of the Shoshone, contributed an ethnohistorical essay as additional context for Morgan’s work.

[more]
cover of Shoshoni Frontier and Bear River Massacre

Shoshoni Frontier and Bear River Massacre

Brigham Madsen

University of Utah Press, 1985

In January 1863 over two hundred Shoshoni men, women, and children died on the banks of the Bear River at the hands of volunteer soldiers from California. Bear River was one of the largest Indian massacres in the Trans-Mississippi West, yet the massacre has gone almost unnoticed as it occurred during a time when national attention was focused on the Civil War, and the deaths of the Shoshoni Indians in a remote corner of the West was of only passing interest. 

Bear River was the culmination of events from nearly two decades of Indian-white interaction. The Shoshoni homelands encompassed a huge expanse of territory and were traversed by the main paths of western travel, forcing Indian-white encounters. Initially friendly and accommodating to white travelers in the 1840s, by the late 1850s resentment soared among the Indians as they were killed and their food stocks were consumed by emigrants and their livestock. The process of white appropriation of Indian lands reached crisis proportions in the Far West and Great Basin before it did on the Great Plains.

In the historiography of western Indians, few have appreciated the role of tribes inhabiting the regions of along the Oregon and California Trails. Madsen makes a compelling argument that precedents were established that were followed again and again on subsequent western Indian frontiers, offering a new view of early encounters in the Trans-Mississippi West. This detailed narrative of the events and conflicts that culminated in the massacre remains the definitive account of this bloody chapter in United States-Native American relations.
[more]
cover of Shot in Alabama: A History of Photography, 1839–1941, and a List of Photographers

Shot in Alabama

A History of Photography, 1839–1941, and a List of Photographers

Frances Osborn Robb

University of Alabama Press, 2016

A landmark study of vernacular and professional photography, from 1839 to 1941, that frames Alabama’s history through its images.  

Shot in Alabama by Frances Osborn Robb is a visual and textual narrative of Alabama’s photographic history from 1839 to 1941. It describes the phenomenon of photography as practiced in Alabama as a major cultural force, paying close attention to the particular contexts from which each image emerges and the fragments of microhistory that each image documents.

Presented chronologically—from the very first photograph ever taken in the state to the appearance of cameras as commonplace possessions in mid-twentieth-century households—Robb draws into sharp relief the eras of daguerreotypes, Civil War photography, photographic portraiture at the end of the nineteenth century, urban and rural photography in the early twentieth century, WPA photography during the Great Depression, postcards and tourist photography, and pre–World War II illustrated books and art photographs. Robb also examines a wide spectrum of vernacular photography: Alabama-made photographs of everyday people and places, the photographs that fill dresser drawers and shoeboxes, a vast array of unusual images against which Alabama’s more typical iconography can be measured.

She also chronicles the work of hundreds of photographers—black and white, amateur and professional, women and men—some little-known outside their communities, some of them the medium’s most important practitioners. “Who Shot Alabama?” is an accompanying appendix that includes 1,400 photographers by name, working dates, and location—a resource that will help countless individuals, families, and archives identify the specific Alabama photographers whose names appear on family photographs or those in institutional collections.

Shot in Alabama is an insightful document of photography as both a communicator and creator of social, cultural, economic, and visual history. It highlights the very personal worlds rendered by individual photographs as well as the larger panorama of Alabama history as seen through the photographs collectively. A landmark work of research, curation, and scholarship, it fills the void of published history on Alabama photography and is an invaluable resource for historians, archivists, librarians, collectors, hobbyists, and readers with an interest in Alabama history or historic photography. Shot in Alabama is a book that all Alabamians will want on their coffee tables.

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cover of Shot on Location: Postwar American Cinema and the Exploration of Real Place

Shot on Location

Postwar American Cinema and the Exploration of Real Place

Palmer, R. Barton

Rutgers University Press, 2016

In the early days of filmmaking, before many of Hollywood’s elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change?
 
Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O’Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a “reality effect” to otherwise implausible stories.
 
Shot on Location describes how the period’s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. 
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cover of Shots in the Dark: Japan, Zen, and the West

Shots in the Dark

Japan, Zen, and the West

Shoji Yamada

University of Chicago Press, 2009

In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture.

First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.

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cover of Shovel Ready: Archaeology and Roosevelt's New Deal for America

Shovel Ready

Archaeology and Roosevelt's New Deal for America

Bernard K. Means

University of Alabama Press, 2013

Shovel Ready provides a comprehensive lens through which to view the New Deal period, a fascinating and prolific time in American archaeology.
 
In this collection of diverse essays united by a common theme, Bernard K. Means and his contributors deliver a valuable research tool for practicing archaeologists and historians of archaeology, as well as New Deal scholars in general.
 
To rescue Americans from economic misery and the depths of despair during the Great Depression, President Franklin Delano Roosevelt created several New Deal jobs programs to put people to work. Men and women labored on a variety of jobs, from building roads to improving zoos. Some ordinary citizens—with no prior experience—were called on to act as archaeologists and excavate sites across the nation, ranging in size from small camps to massive mound complexes, and dating from thousands of years ago to the early Colonial period.
 
Shovel Ready contains essays on projects ranging across the breadth of the United States, including New Deal investigations in California, Georgia, Illinois, Iowa, Kentucky, New Jersey, Oklahoma, Pennsylvania, Tennessee, and Texas. Some essays engage in historical retrospectives. Others bring the technologies of the twenty-first century, including accelerator mass spectrometry (AMS) dating of curated collections and geophysical surveys at New Deal–excavated sites, to bear on decades-old excavations. The volume closes with an investigation into material remnants of the New Deal itself.
 
Contributors
John L. Cordell / John F. Doershuk / David H. Dye /Scott W. Hammerstedt / Janet R. Johnson / Kevin Kiernan /Gregory D. Lattanzi /Patrick C. Livingood / Anna R. Lunn / Bernard K.  Means / Stephen E. Nash / Amanda L. Regnier / Sissel Schroeder / James R. Wettstaed
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cover of Show Me the Bone: Reconstructing Prehistoric Monsters in Nineteenth-Century Britain and America

Show Me the Bone

Reconstructing Prehistoric Monsters in Nineteenth-Century Britain and America

Gowan Dawson

University of Chicago Press, 2016

Nineteenth-century paleontologists boasted that, shown a single bone, they could identify or even reconstruct the extinct creature it came from with infallible certainty—“Show me the bone, and I will describe the animal!” Paleontologists such as Georges Cuvier and Richard Owen were heralded as scientific virtuosos, sometimes even veritable wizards, capable of resurrecting the denizens of an ancient past from a mere glance at a fragmentary bone. Such extraordinary feats of predictive reasoning relied on the law of correlation, which proposed that each element of an animal corresponds mutually with each of the others, so that a carnivorous tooth must be accompanied by a certain kind of jawbone, neck, stomach, limbs, and feet.
 
Show Me the Bone tells the story of the rise and fall of this famous claim, tracing its fortunes from Europe to America and showing how it persisted in popular science and literature and shaped the practices of paleontologists long after the method on which it was based had been refuted. In so doing, Gowan Dawson reveals how decisively the practices of the scientific elite were—and still are—shaped by their interactions with the general public.
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