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The first English-language volume on Vietnamese contemporary art.

Contemporary art in Vietnam is a dynamic field shaped by memory, history, and experimentation. Over the last thirty years, Vietnamese artists have come to command international recognition, even as a growing domestic market for contemporary art fosters alternative infrastructures of collection and exhibition. Signs and Signals from Vietnam brings together artists, curators, and academics to examine artistic practice and contemporary art histories in Vietnam today.

Moving beyond familiar North-South or diasporic-national divides, the essays represent the perspectives of Vietnamese, Vietnamese diasporic, and non-Vietnamese writers of different generations, affiliations, and positionalities. Contributors trace the inventive ways artists work with language, narrative, performance, and archival practice to communicate through their art. Key themes running through the volume represent the predominant concerns of Vietnamese artists over the past three decades, including the enduring impact of socialist paradigms in contemporary art, gender, diaspora, memory, and the environment. Together, these essays demonstrate how contemporary art can convey lesser-known histories, contested narratives, and personal perspectives. 

Sites of Writing builds upon the multiple contributions of Anne Ruggles Gere across a long and highly productive career. The chapters in this edited collection, written by leading scholars (including some of Gere’s former students) to track her major contributions to writing studies, situate those contributions within the broader landscape of field development, and draw on those findings to assess important trends and project productive pathways for the future. The contributors to the collection consider disciplinary history, language and literacy, writing across the curriculum, digital rhetoric, writing’s extracurriculum, assessment, and English education, among other areas. Connecting these multiple fields of activity, Sites of Writing affirms Gere’s view of writing as a powerful social and cultural activity and of literacy, broadly conceived, as enabling cultural transformations and, in the process, transforming writing studies and other fields.

What we have here is another mighty slim volume from Michael Feldman, best known (when known at all) for his public radio show "Whad'ya Know" (sic). Feldman, who spouts off about things he knows "not much" about weekly, here writes them down:
    · how to get your own radio show and what you can do with it once you do
    · paranoia
    · marriage (or as Feldman likes to refer to it, "a long-term bad relationship")
    · Hitler
    · SUVs
    · child-rearing (although it sounds like it's the author who is being reared)
    · a number of short pieces on places he and his crew have visited for their "remote possibilities" 
    · more references to "gentiles" than absolutely necessary (seems to be an issue for Feldman, although he is tickled with the 
        notion that, to a Mormon, he is one)
    · some attempts to misrepresent scientific or social research for humorous purposes
    · many personal revelations that prove the examined life is not necessarily worth living either
    · and pages and pages of fluff.

Mr. Feldman has not been compared, to our knowledge, to S. J. Perlman.

But here is some of what Michael Feldman says in Something I Said:
"The paranoid no longer is: paranoia has outlived its usefulness when everybody is out to get us."

"Take the phrase 'no problem': I can use it, although it is the very opposite of my two-word world view ('Nothing works')."

"Whatever latitude beauty may have in the eye of the beholder, funny is not readily apparent to all, and, who knows, they may be right. More importantly, they may be bigger."

Includes a music CD by Michael Feldman and John Sieger.

2026 Outstanding Book Award for Non-Fiction, National Association for Chicana and Chicano Studies (NACCS) Tejas Foco
2026 Silver Medal for the Dolores Huerta Best Cultural & Community Themed Book – English, Conference on Latin American History (CLAH)

An expansive volume on Tejana identity and Tejanidad told through personal narratives, poetry, and essays.

Being Tejanx is different than just being from Texas. Being Tejanx means you are a border subject. Being Tejanx means living in and from a certain history of oppression, possibility, activism, and cultural-linguistic hybridity arising within the US-Mexico borderland that is home. And being Tejanx means something in particular if you are a woman.

In ¡Somos Tejanas!, editors Norma E. Cantú and Jody A. Marín assemble contemporary Tejanx writers who provide firsthand accounts of their experience of identity, enriching the field of Tejanx studies through an encounter with gender and sexuality. The contributions, including personal and scholarly essays, poems, criticism, and artworks, explore the heterogeneity of Tejana identity and the sociopolitical movements, stories, dances, music, and athletic feats that mark Tejanidad. Authors contemplate the history and memory of segregation in Texas, the struggles of surviving the unnatural disaster and blackouts of 2021 amid the global pandemic of COVID-19, and the drug-war violence and ever-tightening immigration restrictions that strangle a transborder way of life shared by millions. An unrepentant act of expression from women under attack by state policymakers, this collection dispels the silence imposed by colonial erasure.

"I believe every sunrise and I remember the smell of wet grass, the color of robins, and rustle of leaves on the big oaks that outlive nations, all this comes with each sunrise."

Sonata marks the sixth and final installment of Charles Bowden’s towering “Unnatural History of America” series. While his earlier volumes were suffused with violence and war, Bowden offers here a celebration of rebirth and regrowth. Rendered in Bowden's inimitable style, more prose poetry than reportage, he evokes panoramas that contain the potential for respite and offer a state of grace all but lost in the endless wars of man.

Bowden travels back in time to the worlds of artists Francisco Goya and Vincent van Gogh, the latter painting furiously against encroaching madness. “Van Gogh tries to dream a life of color,” writes Bowden. “Powder blue sheds, yellow stubble, pink skies—but the fears and dark things drag him down.” As Bowden’s vivid prose wrestles with the madness of the world, van Gogh’s paintings represent an act of resistance, ultimately unsuccessful, against depression and suicide.

Moving from the vibrant hues of van Gogh’s painted gardens to America’s southern border, Bowden returns once more to the Mexican asylum run by "El Pastor," Jose Antonio Galvan, who was first introduced to readers of the sextet in Jericho. Here, too, is the dream of a garden that will be planted in the desert, a promise of regeneration in a world gone mad. Poetic, elegiac, and elliptical, Sonata is the final, captivating book of Bowden’s monumental career.

The Sonoran Desert has many marvelous and well-known creatures such as the javelina and the coyote, often found on postcards and lawn ornaments. But what about the lesser-known creatures—the ones that are underfoot yet unseen, that lurk only in the shadows and in our imaginations? In this collection of essays, prose poems, and illustrations, naturalist Gary Paul Nabhan and artist Robert J. Long team up to celebrate these unsung beings of the Sonoran Desert.

This desert bestiary includes creatures whose existence lies largely in traditional story and belief, as well as creatures whose life cycles are so cryptic they seem mythic, such as the walking catfish and the carbunco. Positioned at the dynamic intersection of folklore and natural history, the book reflects on the reasons why human imaginations over the ages have reached into this realm of seldom seen but often intuited animals. Focusing on small animals and charismatic mini-fauna, Nabhan expands our understanding of the natural world by delightfully describing the interactions between animals and plants.

This more-than-natural history is for anyone who finds joy in the marvels of the natural world.

Featuring interviews with eminent historians, journalists, and writers, Speaking of America brings together nineteen wide-ranging conversations from philanthropist and financier David M. Rubenstein’s long-running Congressional Dialogues series of interviews at the Library of Congress. Highlights include Ken Burns on documenting American history, Stacy Schiff on Samuel Adams, Manisha Sinha on Reconstruction, and David McCullough on the American frontier.

Published in association with the Library of Congress

Featuring interviews with eminent historians, journalists, and writers, Speaking of America brings together nineteen wide-ranging conversations from philanthropist and financier David M. Rubenstein’s long-running Congressional Dialogues series of interviews at the Library of Congress. Rubenstein and his guests bring to life notable figures, events, and trends drawn from American history and culture and beyond.

Highlights include Ken Burns on bringing American history to life, Stacy Schiff on Samuel Adams, Manisha Sinha on Reconstruction, David McCullough on the American frontier, Beverly Gage on J. Edgar Hoover, Chris Wallace on the presidential election of 1960, Evan Thomas on Justice Sandra Day O’Connor, Eric Schmidt on artificial intelligence, Arthur Brooks on happiness, and David Grann on The Wager, his best-selling story of shipwreck and mutiny. Taken together, the conversations in Speaking of America all build toward the same shared message of dialogue, cooperation, and the importance of knowledge and reflection, highlighting how the study of history can enrich our understanding of current-day challenges in politics and policy.

What is the purpose of sport, and how are ethical conceptions of sport shaped by the answers to this question? In Sport and Moral Conflict, William Morgan investigates, examining sport as a moral crucible that puts athletes in competitive, emotionally charged situations where fairness and equality are contested alongside accomplishment.

Morgan looks at the modern Olympics—from 1906 Athens to 1924 Paris, when the Games reached international prestige — in order to highlight the debate about athletic excellence and the amateur-professional divide. Whereas the Americans emphasized winning, the Europeans valued a love of the game. Morgan argues that the existing moral theories of sport—formalism and broad internalism (aka interpretivism), which rely on rules and general principles—fall short when confronted with such a dispute as the transition from amateur to professional sport. As such, he develops a theory of conventionalism, in which the norms at work in athletic communities determine how players should ethically acquit themselves. Presenting his case for an ethical theory of sport, Morgan provides insights regarding the moral controversies and crises that persist today.

2025 Anthology Award, North American Society for Sport History

The stories behind and legacies of important sports photos from the last 130 years.

Ever since photography and professional sports originated in the nineteenth century, photographers have shaped how we perceive sports. Sports through the Lens collects essays by twenty-five historians that consider what it means to capture and revisit a moment of cultural significance in sports, looking at each photo’s creation, its contexts, and how its meaning has shifted over time. Some essays provide fresh perspectives on such iconic images as Muhammad Ali standing over Sonny Liston at their 1965 rematch and Michael Jordan soaring at the 1988 NBA All-Star Game slam dunk competition; others introduce readers to the lesser-known stories of the first woman to officially run the Boston Marathon or the inaugural World Indigenous Games. The authors examine the photos' legacies alongside the artistry of both the athletes and the photographers. Reflecting on images of athletes from around the world engaged in sports from baseball to horse-racing to hockey, Sports through the Lens provides a wide-ranging meditation on the visual, historical, and cultural meaning of sports photographs.