835 books match the query 'France' and 60 start with s

cover of Storytelling in Sixteenth-Century France: Negotiating Shifting Forms

Storytelling in Sixteenth-Century France

Negotiating Shifting Forms

Emily E. Thompson

University of Delaware Press, 2022

Storytelling in Sixteenth-Century France is an innovative, interdisciplinary examination of parallels between the early modern era and the world in which we live today. Readers are invited to look to the past to see how then, as now, people turned to storytelling to integrate and adapt to rapid social change, to reinforce or restructure community, to sell new ideas, and to refashion the past. This collection explores different modalities of storytelling in sixteenth-century France and emphasizes shared techniques and themes rather than attempting to define narrow kinds of narrative categories. Through studies of storytelling in tapestries, stone, and music as well as distinct genres of historical, professional, and literary writing (addressing both erudite and more common readers), the contributors to this collection evoke a society in transition, wherein traditional techniques and materials were manipulated to express new realities. 

Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press. 
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cover of Strains of Dissent: Popular Music and Everyday Resistance in WWII France, 1940 - 1945

Strains of Dissent

Popular Music and Everyday Resistance in WWII France, 1940 - 1945

Kelly Jakes

Michigan State University Press, 2019

During the German Occupation from 1940 to 1944, Resistance fighters, Parisian youth, and French prisoners of war mined a vast repertoire from a long national musical tradition and a burgeoning international entertainment industry, embracing music as a rhetorical resource with which to destabilize Nazi ideology and contest collaborationist Vichy propaganda. After the Liberation of 1944, popular music continued to mediate French political life, helping citizens to challenge American hegemony and recuperate their nation’s lost international standing. Ultimately, through song, French dissidents rejected Nazi subordination, the politics of collaboration, and American intervention and insisted upon a return to that trinity of traditional French values, liberté, egalité, fraternité. Strains of Dissent recovers the significance of music as a rhetorical means of survival, subversion, and national identity construction and illuminates the creative and cunning ways that individual citizens defied the Occupation outside of formal resistance networks and movements. 
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cover of Street by Street: Dispossessing Jewish Apartments in Wartime Paris

Street by Street

Dispossessing Jewish Apartments in Wartime Paris

Isabelle Backouche

Rutgers University Press, 2027

During the Holocaust, nearly 40,000 apartments in Paris inhabited by Jewish families were completely emptied by the German authorities, and many of their tenants lost their rights to continue renting the apartments. In Street by Street, Isabelle Backouche, Sarah Gensburger, and Eric Le Bourhis tell this little-known history of how Parisians took advantage of the persecution of the Jews to improve their own housing in a time of crisis. In the aftermath of the war, the French Republic ensured that the dispossession became permanent, silencing Jewish claims to their prewar homes.

Based on a ten-year investigation and written in a narrative style, this recounting of an unknown chapter of the history of the Holocaust in Western Europe goes beyond the study of individual behavior to highlight how material benefits and privileges can foster systemic antisemitism. The book includes a map of the sites and neighborhoods discussed, as well as photographs of views from windows and doors, courtyards, and building entryways, in both affluent and working-class neighborhoods. The authors tell the story of the organized disappearance of tenants identified as Jewish and the lack of justice that persists to this day. 

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cover of Stumbling Blocks Before the Blind: Medieval Constructions of a Disability

Stumbling Blocks Before the Blind

Medieval Constructions of a Disability

Edward Wheatley

University of Michigan Press, 2010

"Bold, deeply learned, and important, offering a provocative thesis that is worked out through legal and archival materials and in subtle and original readings of literary texts. Absolutely new in content and significantly innovative in methodology and argument, Stumbling Blocks Before the Blind offers a cultural geography of medieval blindness that invites us to be more discriminating about how we think of geographies of disability today."
---Christopher Baswell, Columbia University

"A challenging, interesting, and timely book that is also very well written . . . Wheatley has researched and brought together a leitmotiv that I never would have guessed was so pervasive, so intriguing, so worthy of a book."
---Jody Enders, University of California, Santa Barbara

Stumbling Blocks Before the Blind presents the first comprehensive exploration of a disability in the Middle Ages, drawing on the literature, history, art history, and religious discourse of England and France. It relates current theories of disability to the cultural and institutional constructions of blindness in the eleventh through fifteenth centuries, examining the surprising differences in the treatment of blind people and the responses to blindness in these two countries. The book shows that pernicious attitudes about blindness were partially offset by innovations and ameliorations---social; literary; and, to an extent, medical---that began to foster a fuller understanding and acceptance of blindness.

A number of practices and institutions in France, both positive and negative---blinding as punishment, the foundation of hospices for the blind, and some medical treatment---resulted in not only attitudes that commodified human sight but also inhumane satire against the blind in French literature, both secular and religious. Anglo-Saxon and later medieval England differed markedly in all three of these areas, and the less prominent position of blind people in society resulted in noticeably fewer cruel representations in literature.

This book will interest students of literature, history, art history, and religion because it will provide clear contexts for considering any medieval artifact relating to blindness---a literary text, a historical document, a theological treatise, or a work of art. For some readers, the book will serve as an introduction to the field of disability studies, an area of increasing interest both within and outside of the academy.

Edward Wheatley is Surtz Professor of Medieval Literature at Loyola University, Chicago.

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cover of Subject/Object and Beyond: Women in Early Modern France

Subject/Object and Beyond

Women in Early Modern France

Edited by Nancy M. Frelick and Edith Benkov

Iter Press, 2023

A collection of essays on early modern women from a collection of leading figures in the field.

Subject/Object and Beyond brings together essays by established and emerging scholars to honor the exceptionally rich contributions and career of scholar Colette H. Winn. It also celebrates fifty years of sustained scholarship on early modern women, along with the foundation of Women’s Studies as a recognized academic discipline in North America. The collection comprises seventeen articles that explore multiple perspectives on early modern women, including their writings, translations, reception, and contributions to various fields, including literature, music, politics, religion, and science.
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cover of Suddenly Soldiers: The 166th Infantry Regiment in World War I

Suddenly Soldiers

The 166th Infantry Regiment in World War I

Robert Thompson

Westholme Publishing, 2020

Finalist for the 2021 Army Historical Foundation Distinguished Writing Awards in Unit Histories
Americans Face the Horror of a Modern European War for the First Time  
When America entered World War I in April 1917, state National Guard units had never planned to mobilize for this kind of war, and the men who made up the hometown companies of each regiment never imagined that they would be asked to fight in what was then the most savage war in human history—they were “innocents” being thrown into a horrendous European conflagration. Made up of companies from ten Ohio towns, the 166th Infantry Regiment became part of the famous 42nd Division, known as the “Rainbow Division.” They were the third American division to arrive in France, where they fought courageously in the trenches at Lunéville and Baccarat before being a key part of the American effort in the Second Battle of the Marne and the Saint Mihiel and Meuse-Argonne offensives. Despite their initial lack of training in modern warfare and weapons, the 166th Infantry compiled an impressive combat record. However, that record came at a terrible cost, with the regiment suffering over two thousand casualties in just nine months of fighting. While they battled the Germans, these hometown Guardsmen lived in trenches and foxholes for weeks at a time, while subsisting on canned beef and coffee amid near constant rain, deep mud, rats, and body lice that made their lives miserable. Because of poor planning and leadership from higher headquarters, they were often asked to achieve impossible objectives amid withering enemy machine-gun fire without proper logistics or artillery support. Yet, despite these challenges, they would persevere, overcome, and emerge victorious.
    Using regimental histories and the letters and diaries of the soldiers who fought in France, Suddenly Soldiers: The 166th Infantry Regiment in World War I by author and historian Robert Thompson tells the compelling story of the young men—“citizen soldiers”—who have always borne the cost of America’s freedom with quiet courage.

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cover of Sunspots and the Sun King: Sovereignty and Mediation in Seventeenth-Century France

Sunspots and the Sun King

Sovereignty and Mediation in Seventeenth-Century France

Ellen M. McClure

University of Illinois Press, 2006

Mediation, monarchy, and Louis XIV's attempts to legitimize his reign

In order to assert his divine right, Louis XIV missed no opportunity to identify himself as God’s representative on earth. However, in Sunspots and the Sun King Ellen McClure explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. McClure analyzes texts devoted to definitions of sovereignty, presents a meticulous reading of Louis XIV’s memoirs to the crown prince, and offers a novel analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king’s authority. McClure asserts that these discussions, ranging from treatises to theater, expose incommensurable models of authority and representation permeating almost every aspect of seventeenth-century French culture.

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cover of Surrealism: The Road to the Absolute

Surrealism

The Road to the Absolute

Anna Balakian

University of Chicago Press, 1987

First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry.

This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.
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cover of Symbolic Space: French Enlightenment Architecture and Its Legacy

Symbolic Space

French Enlightenment Architecture and Its Legacy

Richard A. Etlin

University of Chicago Press, 1994

Richard A. Etlin explores the social and cultural hierarchies established in eighteenth-century France to illustrate how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space.

For Etlin, the eighteenth-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullée and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux.

After discussing the eighteenth-century hôtel, revolutionary space, and the transformation of the image of the cemetery, Etlin examines the space of absence as embodied in commemorative architecture from Boullée and Gilly to Cret, Wright, and Terragni. His book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
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cover of Symbolic Violence: Conversations with Bourdieu

Symbolic Violence

Conversations with Bourdieu

Michael Burawoy

Duke University Press, 2019

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism—a tradition Bourdieu ostensibly avoided. While Bourdieu's expansive body of work stands as a critique of Marx's inadequate account of cultural domination, Burawoy shows how Bourdieu's eschewal and rejection of Marxism led him to miss out on a number of productive theoretical engagements. In eleven “conversations,” Burawoy outlines the intellectual and biographical parallels and divergences between Bourdieu and the work of preeminent Marxist thinkers. Among many topics, Burawoy examines Bourdieu's appropriation and silencing of Beauvoir and her theory of masculine domination; the commonalities as well as differences in Bourdieu's and Fanon's thought on colonialism and revolution; the extent to which Gramsci's theory of hegemony aligns with Bourdieu's notion of symbolic violence; and both how Freire and Bourdieu understood education as the site of oppression. In showing how Bourdieu has more in common with these thinkers than Bourdieu himself cared to admit, Burawoy offers a critical assessment of Bourdieu's work that illuminates its paradoxes and reaffirms its significance for the twenty-first century.
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