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Discover the women who transformed Alabama's past and continue to inspire its future.

The history of Alabama has been told, but most often in terms of white men and their politics and economics. Now a more complex story of the state is emerging from the shadows of history in a new book that investigates the place of women from the perspective of race, class, and gender. Stepping Out of the Shadows, is a compilation of articles first presented at the 1990 Alabama Women’s History Forum in Birmingham, and edited by Mary Martha Thomas. The writers discuss the lives of women in antebellum Alabama and reexamine the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders in the Progressive era, and as members of the state legislature in the 20th century.
 

With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.

Psychoanalyst Susan S. Levine provides a fly-on-the-wall view of psychoanalysis through the observations of fictional Dr. Sandra Krasnapol. 

Subject Lessons is a novel in stories that provides a fly-on-the-wall view of psychoanalysis from the perspective of the elegant and exacting Dr. Sandra Krasnapol, whose sometimes hair-raising, sometimes heartwarming encounters in and out of the office offer voyeuristic satisfaction for anyone who has ever wondered what goes on in an analyst’s mind.

Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies.

Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.

The title of this book, Supermadre, is ironic. It means, not that women have begun to exercise real power in Latin American political life, but that their participation is mostly confined to roles that are extensions of their roles as mothers—health, education, welfare, for example—and then only on the lower levels of policy-making.

Elsa Chaney begins her study with an examination of various attempts to explain women's virtual absence from decision-making councils not only in Latin America but also world-wide, concluding that their motherhood role has had the profoundest effect on the nature of their political activities. She then analyzes the images and realities of women in Latin American society from colonial times to the present.

The remainder of the book is a detailed study of women in politics and government in Latin America, with emphasis on the contrasting cases of Peru and Chile. In conclusion, Chaney suggests that women will make only slow progress toward full participation in public life until they themselves stop seeing their role in politics as that of the supermadre.

A memoir of discovery, loss, and wonder that shows us how to slow down 

When psychologist and author Susan Baur first slipped into a Cape Cod pond with a snorkel, she wasn’t looking for transformation, just a swim. But beneath the surface, she discovered something extraordinary: minnows hiding among water lilies; fresh-water jellies like jewels and—most striking of all—painted, musk, and snapping turtles. Whether the turtles were buried in mud, teetering on a submerged branch, or drifting like ancient astronauts, they pulled her into a mysterious happiness she could not explain. 

Learning to move slowly enough to see them became both her new discipline and her greatest joy. Each dive required patience, curiosity, and humility, and she learned to read the water, follow a subtle shadow, and anticipate the turtles’ rhythms without disturbing their world. As she mastered the art of swimming with turtles, Baur also fell in love with an older man whose companionship deepened her connection to the natural world. When he passed away, grief drove her deeper into the water. There, among the turtles, she found solace and purpose: a reason to keep diving, looking, and learning. 

Over nearly two decades, Baur became a self-taught naturalist, children’s author (of The Turtle Sisters series), and unlikely environmental advocate, founding Old Ladies Against Underwater Garbage to protect the ponds she had grown to love. With humor, heart, and vivid observation, Baur shows that wonder isn’t reserved for the young or the lucky—it waits beneath the surface for anyone willing to slow down, look closely, and stay a while.

A memoir of discovery, loss, and wonder that shows us how to slow down 

When psychologist and author Susan Baur first slipped into a Cape Cod pond with a snorkel, she wasn’t looking for transformation, just a swim. But beneath the surface, she discovered something extraordinary: minnows hiding among water lilies; fresh-water jellies like jewels and—most striking of all—painted, musk, and snapping turtles. Whether the turtles were buried in mud, teetering on a submerged branch, or drifting like ancient astronauts, they pulled her into a mysterious happiness she could not explain. 

Learning to move slowly enough to see them became both her new discipline and her greatest joy. Each dive required patience, curiosity, and humility, and she learned to read the water, follow a subtle shadow, and anticipate the turtles’ rhythms without disturbing their world. As she mastered the art of swimming with turtles, Baur also fell in love with an older man whose companionship deepened her connection to the natural world. When he passed away, grief drove her deeper into the water. There, among the turtles, she found solace and purpose: a reason to keep diving, looking, and learning. 

Over nearly two decades, Baur became a self-taught naturalist, children’s author (of The Turtle Sisters series), and unlikely environmental advocate, founding Old Ladies Against Underwater Garbage to protect the ponds she had grown to love. With humor, heart, and vivid observation, Baur shows that wonder isn’t reserved for the young or the lucky—it waits beneath the surface for anyone willing to slow down, look closely, and stay a while.

From militant suffragette at the beginning of the twentieth century to campaigner against colonialism in Africa after the Second World War, Sylvia Pankhurst dedicated her life to fighting oppression and injustice.

In this vivid biography Katherine Connelly examines Pankhurst’s role at the forefront of significant developments in the history of radical politics. She guides us through Pankhurst's construction of a suffragette militancy which put working-class women at the heart of the struggle, her championing of the Bolshevik Revolution and her clandestine attempts to sabotage the actions of the British state, as well as her early identification of the dangers of Fascism.

The book explores the dilemmas, debates and often painful personal consequences faced by Pankhurst which were played out in her art, writings and activism. It argues that far from being an advocate of disparate causes, Pankhurst’s campaigns were united by an essential continuity which hold vital lessons for achieving social change. This lively and accessible biography presents Pankhurst as a courageous and inspiring campaigner, of huge relevance to those engaged in social movements today.