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Psychoanalyst Susan S. Levine provides a fly-on-the-wall view of psychoanalysis through the observations of fictional Dr. Sandra Krasnapol. 

Subject Lessons is a novel in stories that provides a fly-on-the-wall view of psychoanalysis from the perspective of the elegant and exacting Dr. Sandra Krasnapol, whose sometimes hair-raising, sometimes heartwarming encounters in and out of the office offer voyeuristic satisfaction for anyone who has ever wondered what goes on in an analyst’s mind.

A bold new consideration of climate change between narratives of the Earth’s layers and policy of the present

 

Long seen as a realm of mystery and possibility, the subsurface beneath our feet has taken on all-too-real import in the era of climate change. Can reading narratives of the past that take imaginative leaps under the surface better attune us to our present knowledge of a warming planet?

In Subsurface, Karen Pinkus looks below the surface of texts by Edgar Allan Poe, Arthur Conan Doyle, George Sand, E. T. A. Hoffmann, and Jules Verne to find the buried origins of capitalist fantasies in which humans take what they want from the earth. Putting such texts into conversation with narrative theory, critical theory, geology, and climate policy, she shows that the subsurface has been, in our past, a place of myth and stories of male voyages down to gain knowledge—but it is also now the realm of fossil fuels. How do these two modes intertwine?

A highly original take on evocative terms such as extraction, burial, fossils, deep time, and speculative futurity, Subsurface questions the certainty of comfortable narrative arcs. It asks us to read literature with and against the figure of the geological column, with and against fossil fuels and the emissions warming our planet. As we see our former selves move into the distance, what new modes of imagination might we summon?

The career of Susan Glaspell (1876-1948), the American playwright and novelist, follows closely the trajectory of other "reclaimed" American women writers of the century such as Kate Chopin, Charlotte Perkins Gilman, and Zora Neale Hurston. She was well known in her time, effaced from canonical consideration after her death, and rediscovered years later through the surfacing of one work around which critical attention has focused. Glaspell was a respected international playwright and novelist who amassed some of the most impressive credentials in American theater history, including the Pulitzer Prize in 1931. Over the past fifteen years, she has been rediscovered through the work of leading feminist scholars; and her one-act play Trifles and its short story form, "A Jury of Her Peers," have become classics. This book is the first collection devoted to the study of the body of Glaspell's work. Essays by leading playwrights and scholars provide an array of perspectives on the writer and her work. The book features the first complete Glaspell bibliography, including original reviews of her plays and fiction and recent critical studies of her writing.

In 1960 S. K. Sharma, a brilliant young astrophysicist at the beginning of his academic career, has finally succeeded in bringing his wife, Sushila, from India to America. Intensely drawn to one another as star university students, the couple pursue an unlikely affair and marriage that crosses caste lines. Their sweeping, decades-long story of love, forgiveness, and coming of age takes place in a country that is both fascinated by and shuns them. The United States, with its exaltation of individualism, offers immense opportunities, but its looser sexual mores threaten to undermine the family’s happiness and devotion to one another.

As their three daughters become young women, they must navigate the tumultuous decades of the Vietnam War, the civil rights movement, and the women’s liberation movement. In their journeys of self-discovery, they upend their parents’ hold on them to craft radically new identities for themselves. As they discover their parents’ faults they grow increasingly puzzled by their devotion to one another, eventually learning how love and forgiveness have the power to overcome the most uncomfortable truths.

Native American legends, shipping tales, folklore, and myths spanning the last 150 years are gathered together for the first time in this collection. The presence of Native American culture, the unpredictable climate, the dangerous closeness of the shoreline, and the bloody history of shipping on the Lakes contribute greatly to the uniqueness of maritime literature on the Lakes.

Sweetwater, Storms, and Spirits will appeal to those interested in both Native American literature and history and Great Lakes maritime history, and to those who simply enjoy a good maritime tale. The collection is a seabag of different kinds of stories, myths, and tales that together create a picture of life as it has been lived on the Great Lakes.

She wanted to die. The universe—and her mother—had other plans.

Maldon is an adjunct literature instructor at a prestigious East Coast university, with a deteriorating heart condition and no insurance. She finds herself caught between the demands of her job and the needs of her body, triggering economic and emotional strains that cause her to fantasize about taking her own life. But Maldon, who has pledged to safeguard her mother ever since their arrival in the US on a refugee ship from postwar Vietnam, has vowed to forgo suicide for as long as her mother is living.

In time, her heart worsens rapidly, and she ventures cross-country to a place called Cloud for the operation that may save her life. In Cloud, Maldon is joined by old friend planet Neptune, who is hermaphroditic, peculiar, and has agreed to accompany Maldon through the operation.

Swimming with Dead Stars is a hallucinatory meditation on the stars and planets, the precariousness of our existence, the cruel inequities of labor and healthcare, chickens and ice cream, and the grace that comes from enduring the physical and psychic pain wrought by pernicious social forces that enslave us all.
 

The most comprehensive collection of Sámi folktales ever translated into English

From the vast region of Northern Sápmi comes Sámi Folktales from the Near and Far Worlds, the most extensive compilation of Sámi narratives recorded from Sámi storytellers ever published in English translation. Comprising more than 300 folktales and legends from Northern Norway, including many from the coastal Sámi and the Skolt Sámi of Eastern Finnmark, this volume illuminates an oral storytelling tradition and shares narratives told by fishers, farmers, reindeer herders, lay preachers, and teachers from the interior plateaus and valleys to the Arctic fjords.

Originally recorded in the late nineteenth and early twentieth centuries by the Norwegian philologist Just Knud Qvigstad and the Sámi politician and folklorist Isak Saba, this collection spans centuries of storytelling in multiple genres, from migratory fairytales with kings and princesses to legends of ghosts and the Devil to fables with talking animals. A young lad from a poor family embarks on a quest through the wilderness to find treasure, receiving help from a wise female elder along his path. A Sámi boy falls in love with a háldi girl from another world, and they find a way to marry. A man carries sickness out of a village and stops the plague from spreading. Cunning foxes outsmart bears and humans alike. The villainous Chudes are tricked, foiled in their plans to steal from and kill the Sámi. People are turned into wolves, able to turn back only if they don’t taste the blood of a reindeer or if they are given cooked food. The ogre Stállu appears again and again, terrorizing the community until he’s outwitted or subdued. Rávgas, undead creatures of the sea, drag themselves out of the depths to lure others to their demise.

With historical context that reveals the cultural resilience of the Sámi people, Sámi Folktales from the Near and Far Worlds honors these traditional narratives, often overlooked in other folktale anthologies from the Nordic countries. Translator Barbara Sjoholm’s insightful introduction describes Qvigstad’s and Saba’s backgrounds and their work in gathering and translating these essential texts, and she introduces Sámi storytellers Johan Aikio, Efraim Pedersen, and Elen Utsi, who contributed dozens of stories.

An unprecedented trove of Sámi narratives, this expansive collection brings most of these tales to English readers for the first time, marking a major contribution to Indigenous folk literature and enhancing a broader understanding of Sámi and Nordic cultures.

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