“Vi Khi Nao’s Swimming with Dead Stars is somber until you start laughing, hilarious until you weep, and every single sentence contains the enormity, volatility, and devotion of a poetic and plasmic sun. Its radiance will leave you salty with despair and woefully, regretlessly hot.”
—Lily Hoang, author of A Bestiary
"At first, when reading Swimming with Dead Stars you wonder why the book exists. By the end you wonder why you exist."
—Noah Cicero, author of Las Vegas Bootlegger: Empire of Self-Importance
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“All of Vi Khi Nao’s books share a mythopoetic impulse and create together a world in which modes of being and art-making seem suddenly more recognizable in their elaborately evoked never-before-seen-ness. Nao reminds me of Antoine Volodine, not stylistically, but in her forging of genres that seem distinctly her own.”
—Joanna Ruocco, author of Dan
“Maldon is a very human character even as she is also celestial, mineral, elliptical in her orbit.”
—Sarah Blackman, author of Hex: A Novel
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“Vi Khi Nao is an absurdist dreamer with a lacerating view of the world and its ills. Swimming with Dead Stars, a philosophical treatise on adjuncting, illness, and relationships, is ferocious and alive, like a monstrous field of technicolor flowers foaming at the mouth.”
—Patrick Cottrell, author of Sorry to Disrupt the Peace: A Novel
“Vi Khi Nao’s Swimming with Dead Stars teems with bodies—corporeal, celestial—churning and circulating, beating, and always costing: money or time or relationships. I felt each word of this book, so potent, bury itself inside me, and I buried myself inside Nao’s text, became entirely a part of her world. It’s that powerful.”
—Sarah Gerard, author of True Love: A Novel
"Nao invites her readers to occupy the world through a masterful deconstruction and reconstruction of her medium.… Nao’s work consistently recalibrates what is capable of being perceived in the blank space between perceptual frames."
—The Believer— -