178 books match the query 'Buildings' and 36 start with t

cover of Tavern League: Portraits of Wisconsin Bars

Tavern League

Portraits of Wisconsin Bars

Carl Corey

Wisconsin Historical Society Press, 2011

In Tavern League, photographer Carl Corey documents a unique and important segment of the Wisconsin community. Our bars are unique micro-communities, offering patrons a sense of belonging. Many of these bars are the only public gathering place in the rural communities they serve. These simple taverns offer the individual the valuable opportunity for face to face conversation and camaraderie, particularly as people become more physically isolated through the accelerated use of the internet’s social networking, mobile texting, gaming, and the rapid-fire of email.

This collection of 60 pictures captures the Wisconsin tavern as it is today. Carl Corey’s view is both familiar and undeniably unique, his pictures resonant with anyone who has set foot in a Wisconsin tavern. As the Milwaukee Journal Sentinel’s Mary Louise Schumacher has written, “Carl Corey’s photographs . . . document iconic American places that are taken for granted. . . . They are comforting images, places we know, but also eerie and remote, presented with a sense of romance and nostalgia that suggests they are already past.”

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cover of Temple of Science: The Pre-Raphaelites and Oxford University Museum of Natural History

Temple of Science

The Pre-Raphaelites and Oxford University Museum of Natural History

John Holmes

Bodleian Library Publishing, 2020

Built between 1855 and 1860, the Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. The architect Benjamin Woodward consulted with two groups on the design and decoration of the building: a panel of Oxford scientists and dons, and the society of artists known as the Pre-Raphaelite Brotherhood. The museum's decorative art was modeled on the Pre-Raphaelites' principle of meticulous observation of nature, itself indebted to science. The structure was an experiment in using architecture and art to communicate natural history, modern science, and natural theology.  Temple of Science sets out the history of the campaign to build the museum before taking the reader on a tour of the art found in the museum itself. It looks at the façade and the central court, the natural history carvings and marble columns illustrating different geological strata, and the meticulously carved sculptures of influential scientists. With unique insights and lavish illustrations, Temple of Science tells the story of one of the most remarkable collaborations between scientists and artists in European art.
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cover of The Age of the Cathedrals: Art and Society, 980-1420

The Age of the Cathedrals

Art and Society, 980-1420

Georges Duby

University of Chicago Press, 1981

Recognizing that a work of art is the product of a particular time and place as much as it is the creation of an individual, Duby provides a sweeping survey of the changing mentalities of the Middle Ages as reflected in the art and architecture of the period.

"If Age of the Cathedrals has a fault, it is that Professor Duby knows too much, has too many new ideas and takes such a delight in setting them out. . . insights whiz to and fro like meteorites."—John Russell, New York Times Book Review
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cover of The American Idea of Home: Conversations about Architecture and Design

The American Idea of Home

Conversations about Architecture and Design

By Bernard Friedman; foreword by Meghan Daum

University of Texas Press, 2017

“Home is an idea,” Meghan Daum writes in her foreword, “a story we tell ourselves about who we are and who and what we want closest in our midst.” In The American Idea of Home, documentary filmmaker Bernard Friedman interviews more than thirty leaders in the field of architecture about a constellation of ideas relating to housing and home. The interviewees include Pritzker Prize winners Thom Mayne, Richard Meier, and Robert Venturi; Pulitzer Prize winners Paul Goldberger and Tracy Kidder; American Institute of Architects head Robert Ivy; and legendary architects such as Denise Scott Brown, Charles Gwathmey, Kenneth Frampton, and Robert A. M. Stern.

The American idea of home and the many types of housing that embody it launch lively, wide-ranging conversations about some of the most vital and important issues in architecture today. The topics that Friedman and his interviewees discuss illuminate five overarching themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended introduction that highlights these themes and helps readers appreciate the common concerns that underlie projects as disparate as Katrina cottages and Frank Lloyd Wright Usonian houses. Readers will come away from these thought-provoking interviews with an enhanced awareness of the “under the hood” kinds of design decisions that fundamentally shape our ideas of home and the dwellings in which we live.

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cover of The Archaeology of Protestant Landscapes: Revealing the Formation of Community Identity in the US South

The Archaeology of Protestant Landscapes

Revealing the Formation of Community Identity in the US South

Kimberly Pyszka

University of Alabama Press, 2023

How religious institutions used landscapes and architecture to express their religious and social ideologies

The Archaeology of Protestant Landscapes focuses on three religious institutions in the US South in the eighteenth and nineteenth centuries: St. Paul’s Parish Church in coastal South Carolina, St. Luke’s Episcopal Church in central Alabama, and Cane Hill College in Northwest Arkansas. Drawing from archaeological surveys and excavations, artifact analysis, archival research, geophysical testing, and architectural information on religious structures, Kimberly Pyszka offers case studies of these institutions, which were located in developing communities that varied socially, politically, and economically.

Pyszka uses these case studies to demonstrate that select religious institutions used and modified natural landscape features to create cultural landscapes to express their ideology, identity, goals, and social, religious, and political power. She notes that where those structures were constructed, how they sat on the landscape, their architectural style, and their overall visual appearance were well-considered decisions made by religious leaders to benefit their organizations, communities, and, sometimes, themselves.

Pyszka also uses these case studies to highlight the social roles that religious organizations played in the development of communities. She points to landscape decisions—specifically to how the architectural design of religious structures was used, intentionally or not, to unite people, often those of differing religious backgrounds—as contributing to the creation of a common identity among people living in new and still-growing settlements, aiding in community development. This book contributes to the growing body of work within historical archaeology on churches, churchyards, and cemeteries and to the increasing awareness among archaeologists of how these sites contribute to questions of identity, consumerism, trade, and colonialism.
 

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cover of The Architectural Legacy of Wallace A. Rayfield: Pioneer Black Architect of Birmingham, Alabama

The Architectural Legacy of Wallace A. Rayfield

Pioneer Black Architect of Birmingham, Alabama

Allen R. Durough

University of Alabama Press, 2010

A priceless material legacy documenting Wallace Rayfield’s life and work on two continents.

In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield’s drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield’s life and work on two continents.

Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending Howard University, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from Columbia University. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the Sixteenth Street Baptist Church in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity.

Durough includes catalog-style descriptive entries and illustrations of Rayfield’s designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.

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cover of The Architecture of Disability: Buildings, Cities, and Landscapes beyond Access

The Architecture of Disability

Buildings, Cities, and Landscapes beyond Access

David Gissen

University of Minnesota Press, 2022

A radical critique of architecture that places disability at the heart of the built environment

Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for “the construction of disability,” this book fundamentally reconsiders how we conceive of and experience disability in our world.

Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space.

By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.

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cover of The Art Museums of Louis I. Kahn

The Art Museums of Louis I. Kahn

Patricia C. Loud

Duke University Press, 1989

The art museum has become a prestige commission for contemporary architects, and for several decades reference has been made to a “museum building boom.” Among these new museums, those of Louis Kahn are especially admired. This significant American architect, who ranks in this century with Frank Lloyd Wright both as a creator and as an influence, has made a special contribution to the architecture of museums and has helped create a subtle but telling change in the concept of what a late twentieth-century museum building should be.
After a brief look at the development of a tradition in museum architecture, this study examines Kahn’s three art museums: the Yale University Art Gallery, the Kimbell Art Museum, and the Yale Center for British Art. It traces the development of each museum through museum through its various stages: the background of the institutions and the commissions, the programs for the buildings, their designs and evolutions, their constructions, and the evaluations of the completed buildings. Material on Kahn’s plans for a museum for the De Menil collection, begun shortly before his death, is also included.
Accompanying the text are illustrations of the buildings, including Kahn’s personal sketches, architectural plans and sections, and presentation perspective drawings. Photographs of the finished buildings present the transformed vision of the architect in tangible form, showing that the museums, while related, are individualized accomplishments. This is the first comprehensive study of Kahn’s museums.
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cover of The Avenues of Salt Lake City

The Avenues of Salt Lake City

Cevan J. LeSieur

University of Utah Press, 2012

Salt Lake City’s oldest residential historic district is a neighborhood known as the Avenues. During the late nineteenth century this area was home to many of the most influential citizens of Salt Lake City. Built from 1860 until 1930, it contains a mix of middle and upper middle class homes of varying architectural styles. This architectural diversity makes the Avenues unique among Utah's historic districts. For the past thirty years, as citizens have rediscovered the value of living in historic properties near downtown and the University of Utah, preservation efforts have soared in the area.

In 1980, the Avenues was established as a historic district and the Utah Historical Society published The Avenues of Salt Lake City. That book’s authors, Karl T. Haglund and Philip F. Notarianni, gleaned much about the area’s history by using information found on the historic district applications. This newly revised edition of The Avenues of Salt Lake City by Cevan J. LeSieur updates the original with a greatly expanded section on the historic homes in the neighborhood, including more than 600 new photos, and additional material covering the history of the Avenues since 1980.

The book is designed so that readers can take it along as a guide when exploring the neighborhoods. All the pictures of Avenues homes are accompanied with architectural information and brief histories of the properties. This volume makes a valuable resource for those interested in the history of the Avenues and its diverse architecture, and for anyone interested in Utah history, Utah architecture, and historic preservation.
 

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cover of The Building of Castle Howard

The Building of Castle Howard

Charles Saumarez Smith

University of Chicago Press, 1990

This book is the first complete study of the circumstances which led to the building of Castle Howard, one of the greatest and best-known English country houses. It describes how and why Charles Howard, third earl of Carlisle, decided to build it; how the architect Sir John Vanbrugh received his first commission; how the building was paid for and where the money came from; what the original interiors looked like; how the gardens and park were laid out; and the decision taken to build the first classical mausoleum in England, designed by Nicholas Hawksmoor. It relates the physical appearance of the architecture to the hopes, desires and personalities of those involved in the building and makes it possible to look at the house in the way that it was intended to be seen by visitors in the eighteenth century. The Building of Castle Howard should appeal to anyone who is interested in eighteenth-century architecture, in the history of gardens, in country houses, and in a historical detective story of a house which Sir John Vanbrugh was determined should be 'the top seat and garden of England.'
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cover of The Chicago Auditorium Building: Adler and Sullivan's Architecture and the City

The Chicago Auditorium Building

Adler and Sullivan's Architecture and the City

Joseph M. Siry

University of Chicago Press, 2002

Winner of the Alice Davis Hitchcock Award from the Society of Architectural Historians

When the magnificent Auditorium Building opened on Chicago's Michigan Avenue in December 1889, it marked Chicago's emergence both as the leading city of the Midwest and as a metropolis of international stature. In this lavishly illustrated book, Joseph M. Siry explores not just the architectural history of the Auditorium Building but also the crucial role it played in Chicago's social history. Covering the Auditorium from the early design stage to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), this volume recounts the fascinating tale of a building that helped to define a city and an era.
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cover of The Chicago School of Architecture: A History of Commercial and Public Building in the Chicago Area, 1875-1925

The Chicago School of Architecture

A History of Commercial and Public Building in the Chicago Area, 1875-1925

Carl W. Condit

University of Chicago Press, 1973

This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture.

"A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine

"A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times
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cover of The Construction of Gothic Cathedrals: A Study of Medieval Vault Erection

The Construction of Gothic Cathedrals

A Study of Medieval Vault Erection

John Fitchen

University of Chicago Press, 1981

A classic account of the design and building of the great cathedrals of the Gothic era

In The Construction of Gothic Cathedrals, John Fitchen systematically walks readers through the process of erecting the great edifices of the Gothic era. He explains the building equipment and falsework needed, the actual operations undertaken, and the sequence of these operations as specifically as they can be deduced today. In the absence of contemporary accounts of the techniques used by medieval builders, Fitchen's study brilliantly pieces together clues from manuscript illuminations, pictorial representations, and the fabrics of the building themselves. The result is the clearest picture available of the innovations and techniques that enabled these buildings, which still generate awe today, to rise majestically above the low buildings of their surrounding towns. It's a book that will enthrall readers of history, and one that, as Progressive Architecture noted, "no student of architecture should miss."
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cover of The Covert Life of Hospital Architecture

The Covert Life of Hospital Architecture

Edited by Julie Zook and Kerstin Sailer

University College London, 2022

A strong visual text that makes research on hospital architecture comprehensible.

This book addresses hospital architecture as a set of interlocked, overlapping spatial and social conditions, identifying ways that hospital spaces work to produce desired outcomes such as greater patient safety, increased care provider communication, and more intelligible corridors.
 
The volume brings together emerging research on hospital environments. Opening with a description of hospital architecture that emphasizes everyday relations, the book examines the patient room and its intervisibility with adjacent spaces, care teams and on-ward support for their work, and the intelligibility of public circulation spaces for visitors. The final chapter moves outside the hospital to describe the current healthcare crisis of the global pandemic. Reflective essays by practicing designers follow each chapter, bringing perspectives from professional practice into the discussion.
 
This volume provides new insights into how to better design hospitals through principles that have been tested empirically. It will become a reference for healthcare planners, designers, architects, and administrators, as well as for readers from sociology, psychology, and other areas of the social sciences.
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cover of The English House, 1860-1914: The Flowering of English Domestic Architecture

The English House, 1860-1914

The Flowering of English Domestic Architecture

Gavin Stamp and André Goulancourt

University of Chicago Press, 1986

Ranging from picturesque cottages to Romantic manor houses, this illustrated survey of British domestic architecture in the Victorian era documents styles still popular today. André Goulancourt's superb photographs of urban, suburban, and country homes are combined with Gavin Stamp's commentary to unique effect. What emerges is not only a stunning visual record but also a lesson on the creative development of national and vernacular building traditions.

Stamp suggests that the characteristic features of British domestic design in this era were symbolic and interpretive as well as functional. Reacting against modern industrialism and materialism, Victorian builders, in tandem with the Arts and Crafts Movement in Britain, revived vernacular traditions. Emphasis was placed on the proper use of building materials found locally and on elements that would later recur in the American Prairie House: the heavy pitched roof and the oversized and centrally placed chimney and fireplace. A number of domestic styles that emerged during this period, such as the Shingle style and the Queen Anne style, were imported by American architects and clients who shared the Victorian reverence for home, privacy, and the family unit.

In addition to the interpretive text and catalog of eighty-seven buildings, The English House, 1860-1914 includes brief biographies of the sixty-three architects represented, including Pugin, Butterfield, Street, and Prior. Historians of both English and American architecture, as well as practicing architects and critics, will welcome this comprehensive volume.

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cover of The Former “Yugoslavia Tribunal” as Monument of Justice: History, Heritage and Memory of the ICTY and IRMCT in the City of Peace and Justice

The Former “Yugoslavia Tribunal” as Monument of Justice

History, Heritage and Memory of the ICTY and IRMCT in the City of Peace and Justice

Rob van der Laarse

Amsterdam University Press, 2025

After Nuremberg, there is probably no other place where the future of Europe has been so definitively tested and safeguarded as in The Hague. The iconic building of the former International Criminal Tribunal for the former Yugoslavia (ICTY) has become a global symbol of international law and transitional justice since its establishment in 1993. As the direct successor to the International Military Tribunal of Nuremberg in 1945-1946, this UN tribunal concluded 25 years of unprecedented success in investigating and trying all major war crimes suspects from the wars in the former Yugoslavia during the 1990s. It also made history through the first application of the UN Genocide Convention in the trial of the 1995 Srebrenica massacre. This report addresses the question of how the significance of the International Criminal Tribunal for the former Yugoslavia, as a heritage and memorial site for its many (inter)national stakeholders, can be preserved following the withdrawal of the UN and a possible redevelopment of the site.
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cover of The Friday Mosque in the City: Liminality, Ritual, and Politics

The Friday Mosque in the City

Liminality, Ritual, and Politics

Edited by A. Hilâl Ugurlu and Suzan Yalman

Intellect Books, 2020

This edited volume explores the dynamic relationship between the Friday mosque and the Islamic city, addressing the traditional topics through a fresh new lens and offering a critical examination of each case study in its own spatial, urban, and socio-cultural context. While these two well-known themes—concepts that once defined the field—have been widely studied by historians of Islamic architecture and urbanism, this compilation specifically addresses the functional and spatial ambiguity or liminality between these spaces. 

Instead of addressing the Friday mosque as the central signifier of the Islamic city, this collection provides evidence that there was (and continues to be) variety in the way architectural borders became fluid in and around Friday mosques across the Islamic world, from Cordoba to Jerusalem and from London to Lahore. By historicizing different cases and exploring the way human agency, through ritual and politics, shaped the physical and social fabric of the city, this volume challenges the generalizing and reductionist tendencies in earlier scholarship.

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cover of The George Washington Bridge: Poetry in Steel

The George Washington Bridge

Poetry in Steel

Michael Aaron Rockland

Rutgers University Press, 2020

Since opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure.

Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous “Bridgegate” Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie’s candidacy for the US presidency.

Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable.

Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday.

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cover of The Hindu Temple: An Introduction to Its Meaning and Forms

The Hindu Temple

An Introduction to Its Meaning and Forms

George Michell

University of Chicago Press, 1988

For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In The Hindu Temple, considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.

Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.
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cover of The Invention of the Colonial Americas: Data, Architecture, and the Archive of the Indies, 1781–1844

The Invention of the Colonial Americas

Data, Architecture, and the Archive of the Indies, 1781–1844

Byron Ellsworth Hamann

J. Paul Getty Trust, The, 2022

The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s.
 
The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa.
 
In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
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cover of The Makers of Trinity Church in the City of Boston

The Makers of Trinity Church in the City of Boston

James F. O'Gorman

University of Massachusetts Press, 2004

Since its dedication in 1877, Trinity Church on Copley Square in Boston has been widely regarded as one of the most important and successful monuments of American architecture. It has long been hailed as the cornerstone of the career of America's first celebrity architect, H. H. Richardson. But architecture is not solely the expression of individual genius. Buildings result from collaboration and compromise. They are the concrete manifestations of competing needs, desires, and expectations expressed through clients, building committees, designers, bankers, engineers, builders, decorators, and others. The Makers of Trinity Church in the City of Boston recognizes and celebrates this collaborative effort.

While critics often speak of the church as Richardson's creation, this collection of essays, written by leading scholars in the field, recognizes and assesses the individual contributions of the rector, Phillips Brooks; the chairman of the building committee, Robert Treat Paine; the builder, O. W. Norcross; and the decorator, John La Farge, as well as Richardson. The book includes the first study of the furnishings of the interior by the architect's office and features chapters on the stained glass designers Sarah Wyman Whitman and Margaret Redmond, as well as the architect Charles D. Maginnis, whose remodeling of the chancel in the 1930s brought the building to its full glory. These architectural collaborators are rarely given the recognition they receive here, although the absence of any one of them would have produced a very different result. Such omissions would have significantly diminished this towering landmark of America's cultural heritage.

In addition to the editor, contributors to the volume include Keith Bakker, David B. Chesebrough, Kathleen A. Curran, Erica Hirshler, Keith N. Morgan, Thomas M. Paine, Virginia Chieffo Raguin, Milda B. Richardson, Theodore E. Stebbins Jr., and Charles A. Vandersee.
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cover of The Mosaic Decoration of San Marco, Venice

The Mosaic Decoration of San Marco, Venice

Otto Demus

University of Chicago Press, 1988

Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds and figures—Adam and Eve, Noah and his progeny, Isaiah, Christ, Mark, of course, and other holy men and women of Venice—these mosaics create a cosmic panorama. The Mosaic Decoration of San Marco, Venice brings these unrivaled mosaics into breathtaking focus, combining a descriptive history of their creation and repair over the ages with close-up photographs revealing their iconographic detail.
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cover of The Mosaics of San Marco in Venice

The Mosaics of San Marco in Venice

Otto Demus

University of Chicago Press, 1984

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cover of The Necessity for Ruins and Other Topics

The Necessity for Ruins and Other Topics

J. B. Jackson

University of Massachusetts Press, 1980

Essays examine the way we perceive landscape, the effect of gardens and cities of the past on the landscapes of the present, and the way American architecture has broken with tradition. Discussion relates the importance of space to relativism throughout time.
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cover of The Porch: Meditations on the Edge of Nature

The Porch

Meditations on the Edge of Nature

Charlie Hailey

University of Chicago Press, 2021

Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild.
 
Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand.

As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
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cover of The Reredos of All Souls College Oxford

The Reredos of All Souls College Oxford

Edited by Peregrine Horden

Paul Holberton Publishing, 2021

The reredos of the fifteenth-century chapel of All Souls College Oxford, with its combination of medieval niches and statuary by George Gilbert Scott, has remained one of the unsung glories of both medieval perpendicular architecture and Victorian restoration. Informed by recent scientific investigation of its stonework and its surviving medieval polychromy, this volume follows the reredos from the phases of its medieval and early Tudor construction, through its covering up with a succession of baroque and neoclassical decorative schemes, to its uncovering and restoration in the 1870s. Through a sweeping survey of the chapel’s architectural and decorative history, this book provides a novel and revealing vantage point on the artistic, cultural, and ecclesiological history of Britain across four centuries.
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cover of The Robie House of Frank Lloyd Wright

The Robie House of Frank Lloyd Wright

Joseph Connors

University of Chicago Press, 1984

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.
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cover of The San Francisco Civic Center: A History of the Design, Controversies, and Realization of a City Beautiful Masterpiece

The San Francisco Civic Center

A History of the Design, Controversies, and Realization of a City Beautiful Masterpiece

James Haas

University of Nevada Press, 2019

San Francisco is known and loved around the world for its iconic man-made structures, such as the Golden Gate Bridge, cable cars, and Transamerica Pyramid. Yet its Civic Center, with the grandest collection of monumental municipal buildings in the United States, is often overlooked, drawing less global and local interest, despite its being an urban planning marvel featuring thirteen government office and cultural buildings.

In The San Francisco Civic Center, James Haas tells the complete story of San Francisco’s Civic Center and how it became one of the most complete developments envisioned by any American city. Originally planned and designed by John Galen Howard in 1912, the San Francisco Civic Center is considered in both design and materials one of the finest achievements of the American reformist City Beautiful movement, an urban design movement that began more than a century ago.

Haas meticulously unravels the Civic Center’s story of perseverance and dysfunction, providing an understanding and appreciation of this local and national treasure. He discusses why the Civic Center was built, how it became central to the urban planning initiatives of San Francisco in the early twentieth century, and how the site held onto its founders’ vision despite heated public debates about its function and achievement. He also delves into the vision for the future and related national trends in city planning and the architectural and art movements that influenced those trends.

Riddled with inspiration and leadership as well as controversy, The San Francisco Civic Center, much like the complex itself, is a stunning manifestation of the confident spirit of one of America’s most dynamic and creative cities.
 
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cover of The Umayyad Mosque of Damascus: Art, Faith and Empire in Early Islam

The Umayyad Mosque of Damascus

Art, Faith and Empire in Early Islam

Alain George

Gingko, 2020

An expansive illustrated history of the historic Umayyad Mosque in Damascus.

The Umayyad Mosque of Damascus is one of the oldest continuously used religious sites in the world. The mosque we see today was built in 705 CE by the Umayyad caliph al-Walid on top of a fourth-century Christian church that had been erected over a temple of Jupiter. Incredibly, despite the recent war, the mosque has remained almost unscathed, but over the centuries has been continuously rebuilt after damage from earthquakes and fires. In this comprehensive biography of the Umayyad Mosque, Alain George explores a wide range of sources to excavate the dense layers of the mosque’s history, also uncovering what the structure looked like when it was first built with its impressive marble and mosaic-clad walls. George incorporates a range of sources, including new information he found in three previously untranslated poems written at the time the mosque was built, as well as in descriptions left by medieval scholars. He also looks carefully at the many photographs and paintings made by nineteenth-century European travelers, particularly those who recorded the building before the catastrophic fire of 1893.
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cover of The University of Alabama: A Guide to the Campus and Its Architecture

The University of Alabama

A Guide to the Campus and Its Architecture

Robert Oliver Mellown

University of Alabama Press, 2013

The University of Alabama: A Guide to the Campusand Its Architecture is a richly illustrated guidebook to the architecture and development of the University of Alabama’s campus as it has evolved over the last two centuries.

In 1988 the University of Alabama Press published Robert Oliver Mellown’s The University of Alabama: A Guide to the Campus, a culmination of a decade’s worth of research into both the facts and the legends surrounding the architecture, history, and traditions of the Capstone.

Over twenty years later, this new guide brings to light the numerous additions, expansions, and renovations the university has undergone on its spacious grounds in Tuscaloosa. In addition to updated sections devoted to the university’s historic landmarks—such as Foster Auditorium, where “the stand in the schoolhouse door” occurred; Denny Chimes,where the handprints and footprints of famous Tide athletes are memorialized in concrete; and the Gorgas House, which with stood the destruction of Union troops at the end of the Civil War—new sections account for the acquisition of Bryce Hospital’s campus, the expansions at Bryant-Denny Stadium to accommodate the growing Crimson Tide fan base, and the burgeoning student recreation facilities, playing fields, and residential communities.

Chapters are arranged into various campus tours for walking or driving—Antebellum, Victorian, Early Twentieth-Century, East Quad, West Quad, Science and Engineering Corridor, Student Life, Bryce, Medical, Southeast, Athletics, and Off Campus. Alumni, prospective students and their parents, new faculty, out-of-state visitors, and foreign dignitaries will all welcome this useful, compact, and colorful guide to one of the most beautiful campuses in the country.
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cover of The University of Iowa Guide to Campus Architecture

The University of Iowa Guide to Campus Architecture

John Beldon Scott

University of Iowa Press, 2006

The University of Iowa boasts an outstanding ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. In this first comprehensive guide to the university’s architecture, authors John Scott and Rodney Lehnertz reveal the artistic integrity, intellectual inspiration, and cutting-edge function of the campus buildings.Scott and Lehnertz highlight seventy-eight buildings that they consider architecturally significant, from the Greek Revival style of Old Capitol at the center of the Pentacrest, designed by John Francis Rague of Springfield, Illinois, to Art Building West, a work of art in itself designed by Steven Holl of New York City. The buildings are arranged in eleven campus zones, each illustrated with a map: Pentacrest, Iowa Avenue Campus, Main Campus North, Main Campus South, River Valley Campus, Arts Campus, Near West Campus, Medical Campus, University of Iowa Hospitals and Clinics Campus, Athletics Campus, and Oakdale Research Campus. Each building is presented with one or two pages of text, giving its architectural history and its noteworthy features, and one to three photographs, most of which were taken especially for this publication. The introductory essays provide both personal recollections and historical information about the diverse styles of campus architecture. Particularly valuable are the lists of all the extant campus buildings that the authors considered worthy of inclusion organized by building names, the names of their principal and project architects, and the date completed or occupied; another list contains information about notable campus sculptures. Also included are an essay about long-time campus architect George Horner and a highly useful glossary.Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this copiously illustrated, accessible, and informative tour of the University of Iowa’s distinctive campus.
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cover of The University of Iowa Guide to Campus Architecture, Second Edition

The University of Iowa Guide to Campus Architecture, Second Edition

John Beldon Scott and Rodney P. Lehnertz

University of Iowa Press, 2016

In this guide to the University of Iowa’s architecture, revised and updated to reflect the numerous changes following the 2008 flood, John Beldon Scott and Rodney P. Lehnertz discuss and illustrate an ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this informative tour of the university’s distinctive campus. 
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cover of The Wisconsin Capitol: Stories of a Monument and Its People

The Wisconsin Capitol

Stories of a Monument and Its People

Michael Edmonds

Wisconsin Historical Society Press, 2017

On the occasion of the Capitol’s centennial in 2017, this book tells the remarkable story of the building—in all its incarnations—and the people who made history beneath its dome. The book covers the creation of the territorial capitol in 1837, the construction of the second capitol in the 1860s (and the fire that almost completely destroyed it in 1904), the eleven-year construction project that completed the third capitol in 1917, and the extensive conservation project of the 1990s that restored the building to its grandeur. Supporting the framework of this architectural history are colorful stories about the people who shaped Wisconsin from within the Capitol—attorneys, senators, and governors (from Henry Dodge to Scott Walker), as well as protesters, reformers, secretaries, tour guides, custodians, and even Old Abe, the Capitol’s resident eagle. Combining historical photographs with modern, full-color architectural photos, The Wisconsin Capitol provides fascinating details about the building, while also emphasizing the importance of the Capitol in Wisconsin’s storied history.

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cover of This Place of Silence: Ohio's Cemeteries and Burial Grounds

This Place of Silence

Ohio's Cemeteries and Burial Grounds

Ian Adams; Randall Lee Schieber; Robin L. Smith

Ohio University Press, 2024

This Place of Silence is a photographic portrait of Ohio’s cemeteries and burial grounds by Ohio photographers Ian Adams and Randall Lee Schieber. The text and photo captions by Robin L. Smith provide an overview of the history of burial grounds, from prehistoric mounds through modern “green” cemeteries—and many fascinating details about gravestones, mausoleums, statuary, and cemetery landscapes. The introduction provides an overview of the historical place of burial grounds in our society and of their value today not only as rich sources of history but also as repositories of art, architecture, and nature. Cemeteries record the history of their communities in their names and dates, but they also tell us how a community wanted its history recorded: How did this community see itself? What was important to that community? Who were the prominent people, and what did they accomplish? Graveyards, especially older ones, are also full of quirky names and mysteries. Who would name a child Nimrod, and where did that name come from? Why would two families build identical side-by-side mausoleums? Who would want a grave marker that looks like a pile of stones? Chapters cover prehistoric mounds and early European American burial grounds; the evolution from rural cemeteries in the nineteenth century to modern green burials; art, architecture, and symbolism in cemeteries; cemeteries and nature; military and institutional burial grounds; and distinctive ethnic cemeteries. The authors highlight and showcase these often beautiful but sometimes neglected pieces of history. Cemeteries are not dark, morbid places to be avoided, but historic landscapes that are full of beauty, hope, and honor for those Ohioans who came before us.
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cover of Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France

Triumph of the Dead

American World War II Cemeteries, Monuments, and Diplomacy in France

Kate Clarke Lemay

University of Alabama Press, 2018

An investigation into the relationship between history, art, architecture, memory, and diplomacy.
 
Between 1948 and 1956, the United States government planned an enormous project to build fourteen permanent overseas military cemeteries in Europe. These park-like burial grounds eventually would hold the graves of approximately 80,000 American soldiers and nurses who died during or immediately after World War II. Five of these cemeteries are located in France, more than any other nation: two in Normandy; one in Provence; and two in Lorraine.
 
In Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France, Kate Clarke Lemay explores the relationship between art, architecture, war memory, and Franco-American relations. She addresses the many functions, both original and more recent, that the American war cemeteries have performed, such as: war memorials, diplomatic gestures, Cold War political statements, prompts for debate about Franco-American relations, and the nature of French identity itself. Located on or near former battlefields, the American war cemeteries are at once history lessons, sites of memory, and commemorative monuments. As places of mourning, war cemeteries are considerably different than civic cemeteries in their rituals, designs, and influences on collective memory. As transatlantic sites, the cemeteries both construct and sustain an American memory of World War II for a Francophile and European audience.
 
The book features ten color photographs, fifty black and white photographs, and four maps. Scholars as well as enthusiasts of World War II history, mid-century art and architecture, and cultural diplomacy will be interested in reading this richly researched book, the first in-depth history of some of the most important sites of American World War II remembrance.
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cover of Twelve Mormon Homes Revisited: Touring Polygamous Utah with Elizabeth Kane, 1872-1873

Twelve Mormon Homes Revisited

Touring Polygamous Utah with Elizabeth Kane, 1872-1873

Lowell C. Bennion

University of Utah Press, 2024

In Twelve Mormon Homes: Visited in Succession on a Journey through Utah to Arizona, first published in 1874, Elizabeth Kane recorded impressions of what she heard and saw among the Mormon people in the twelve communities that hosted her and her family. Neither an apologist nor a convert, Kane maintained her anti-polygamy stance, even while gaining admiration for the women who had entered and endured what she considered an objectionable practice. In this new volume, Lowell C. Bennion immerses readers in the social and architectural worlds encountered by Kane. He provides descriptions of the people and customs of the plural families that hosted her and reconstructions of what the houses looked like at the time of the visit, particularly valuable to contemporary readers because all but two—the Hinckley house at Cove Creek Fort and the Dame house in Parowan—have long since been demolished. By retracing Elizabeth Kane's steps, readers will gain a new perspective on attitudes toward Mormon life in the nineteenth century.
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