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From sprawling houses to compact bungalows and from world-famous museums to a still-working gas station, Frank Lloyd Wright’s designs can be found in nearly every corner of the country. While the renowned architect passed away more than fifty years ago, researchers and enthusiasts are still uncovering structures that should be attributed to him.
William Allin Storrer is one of the experts leading this charge, and his definitive guide, The Architecture of Frank Lloyd Wright, has long been the resource of choice for anyone interested in Wright.  Thanks to the work of Storrer and his colleagues at the Rediscovering Wright Project, thirty-seven new sites have recently been identified as the work of Wright. Together with more photos, updated and expanded entries, and a new essay on the evolution of Wright’s unparalleled architectural style, this new edition is the most comprehensive and authoritative catalog available.
Organized chronologically, the catalog includes full-color photos, location information, and historical and architectural background for all of Wright’s extant structures in the United States and abroad, as well as entries for works that have been demolished over the years. A geographic listing makes it easy for traveling Wright fans to find nearby structures and a new key indicates whether a site is open to the public.
Publishing for Wright’s sesquicentennial, this new edition will be a trusted companion for anyone embarking on their own journeys through the wonder and genius of Frank Lloyd Wright.

Over the past decade, there has been a significant revival of interest in the architecture and designs of Frank Lloyd Wright (1867-1959). From Barnsdall Park in Los Angeles to the Zimmerman house in New Hampshire, from Florida Southern College to Taliesin in Wisconsin, with Fallingwater in between, Frank Lloyd Wright buildings open to the public receive thousands of visitors each year, and there is a thriving commerce in reproductions of Wright's furniture and fabric designs. Among the many books available on Frank Lloyd Wright, William Allin Storrer's classic—now fully revised and updated—remains the only authoritative guide to all of Wright's built work.

This edition includes a number of new features. It provides information on Frank Lloyd Wright buildings discovered since the first edition. It features full-color photographs to highlight those buildings that remain essentially as they were first built. To facilitate its use as a convenient field guide, this durable flexibound edition gives full addresses with each entry, as well as GPS coordinates, and offers maps giving the shortest route to each building. Preserving the chronological order of past editions, the catalog allows readers to trace the progression of Frank Lloyd Wright's built designs from the early Prairie school works to the last building constructed to Wright's specifications on the original site—the Aime and Norman Lykes residence.

The Architecture of Frank Lloyd Wright will be indispensable for anyone fascinated with Wright's unique architectural genius.

The Brummer Collection of Medieval Art in the Duke University Museum of Art is one of the finest to be found in any American university museum. It is remarkable for its breadth and the variety of objects represented, with works varying in scale from monumental stone pieces to small-scale objects in wood, ivory, or metal, and ranging from the seventh to eighth centuries through the sixteenth century. This fine catalog makes available for the first time this rich but little-known collection.
Five studies by leading art scholars focus on key works in the collection and contribute to a new understanding of the origins of many of the pieces. Two introductory essays comment on the character of the collection as a whole, its acquisition by Duke University, and its conservation. Finally, the catalog section discusses the more important pieces in the collection and is followed by a checklist of entries and smaller photographs of all other objects.

Contributors. Ilene H. Forsyth, Jean M. French, Dorothy F. Glass, Dieter Kimpel, Jill Meredith, Linda S. Roundhill

Sequencing the ceramics in Guatemala’s Holmul region has the potential to answer important questions in Maya archaeology. The Holmul region, located in northeastern Guatemala between the central Peten lowlands to the west and the Belize River Valley to the east, encompasses roughly ten square kilometers and contains at least seven major archaeological sites, including two large ceremonial and administrative centers, Holmul and Cival.

The Ceramic Sequence of the Holmul Region, Guatemala illustrates the archaeological ceramics of these prehistoric Maya sites in a study that provides a theoretical starting point for answering questions related to mid- and high-level issues of archaeological method and theory in the Maya area and larger Mesoamerica. The researchers’ ceramic sequence, which uses the method of type:variety-mode classification, spans approximately 1,600 years and encompasses nine ceramic complexes and one sub-complex. The highly illustrated book is formatted as a catalog of the types of ceramics in a chronological framework.

The authors undertook this study with three objectives: to create a temporal-spatial framework for archaeological sites in the politically important Holmul region, to relate this framework to other Maya sites, and to use type:variety-mode data to address specific questions of ancient Maya social practice and process during each ceramic complex.

Specific questions addressed in this volume include the adoption of pottery as early as 800 BC at the sites of Holmul and Cival during the Middle Preclassic period, the creation of the first orange polychrome pottery, the ideological and political influence from sites in Mexico during the Early Classic period, and the demographic and political collapse of lowland Maya polities between AD 800 and AD 830.

The foundation of the American Academy in Rome dates back more than one hundred years to the early decades of the last century. Over the years, the Academy has acquired a study collection of material goods from antiquity, including coins, statues and figurines, lamps, stucco and other architectural fragments, jewelry, and inscriptions. While most are Roman in origin, some pieces are Greek or Etruscan. Some were gifts, others come from long-ago excavations, a few were bought. The Collection of Antiquities of the American Academy in Rome, the latest addition to the Supplements to the Memoirs of the American Academy in Rome series, focuses on highlights of the collection. Sections of the work are written by area specialists, with introductory material contributed by volume editors Larissa Bonfante and Helen Nagy, both of whom have published widely in archaeology and art history.

SHERLOCK HOLMES DISAPPEARS, POLICE SUSPECT FAMED DETECTIVE IN KIDNAPPING AND MURDER reads a New York headline. So begins the fifth mystery in Larry Millett’s series.

A letter, written in a secret cipher he recognizes all too well, reveals that an old foe of Holmes—a murderer he once captured after an incredible duel of wits—is back, has kidnapped his previous victim’s widow, and is now impersonating Holmes himself. Holmes must once again match wits with a particularly cunning adversary, one whose hatred of Holmes has seemingly become the killer’s single greatest obsession.

Chasing the kidnapper from London to New York to Chicago, Holmes and Watson race to keep up. Every move Holmes makes is expected; every trap proves elusive. Only with the assistance of his American cohort, the saloonkeeper Shadwell Rafferty, can Holmes hope to settle the score once and for all—or be framed for the crime himself.

2023 50 Books | 50 Covers Award, The American Institute of Graphic Arts (AIGA)
2024 Honorable Mention, Design Awards, Graphis
2024 Finalist, Typography Competition, Communication Arts Magazine

A beautifully illustrated exploration of the Rob Roy Kelly American Wood Type Collection.

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly.

In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

As a major hunting tool and weapon, the bow changed human history around the world, and its diverse forms reflect the cultures that adopted it. Those variations can be seen in the Charles E. Grayson Archery Collection housed at the University of Missouri–Columbia Museum of Anthropology, one of the largest and most comprehensive assemblages of archery-related materials in the world. This handsome book offers a unique look at archery as it has been practiced through the ages.

            Drawing on a collection of more than five thousand bows, arrows, and associated paraphernalia, Traditional Archery from Six Continents presents color photographs and descriptions of some three hundred items—including quivers, thumb rings, and more—that represent traditional archery practices and customs from around the world. From the Chinese “monkey bow” to the English longbow, the artifacts are organized by region, taking in equipment from Asia, the Middle East, Africa, the Americas, and Europe used over the past five hundred years.

The book’s introduction provides an overview of traditional archery and its nomenclature, and chapter essays situate the items in their historical, cultural, and technological contexts. Plate descriptions note materials, construction methods, dimensions, and temporal and cultural affiliations. The sharp, detailed photographs will enable users to identify the geographic or cultural origins of other pieces by visual comparison. Additional illustrations show how archery equipment has been used in various settings such as hunting, warfare, and sport.

            These superb representations from a masterful collection constitute a complete introduction to worldwide archery and mark the first wide-ranging survey of European and non-European archery equipment. Traditional Archery from Six Continents will be the standard reference work in the study of archery, indispensable for students of material culture or general readers interested in the history of this timeless art. 

The Bodleian Library is home to one of the world’s largest and oldest collections of maps, with atlases, maps, and books on cartography dating back to the fourteenth century, including many that are among the most rare and historically significant.

Treasures from the Map Room publishes seventy-five extraordinary examples from this collection, housed in the Map Room at the newly renovated Weston Library. The maps reproduced in Treasures range from the fourteenth to the twenty-first century. Among them are the fourteenth-century Gough Map, the earliest road map of Great Britain that achieved a remarkable level of accuracy and detail for its time; fifteenth-century portolan charts intended for maritime navigation; the Selden Map of China, the earliest Chinese map to show shipping routes; and an important early map from the medieval Islamic Book of Curiosities. The book also includes a great many recent examples, including J. R. R. Tolkien’s map of Middle Earth and C. S. Lewis’s map of Narnia. Debbie Hall takes readers back in time to uncover the fascinating story of each treasure, from a map plotting outbreaks of cholera to a jigsaw map of India from the 1850s and silk escape maps carried by pilots flying missions over occupied Europe during World War II.

With lavish full-color photography and descriptions of each map’s provenance, purpose, and creation, Treasures from the Map Room is a beautiful and informative catalog of this remarkable collection.