84 books match the query 'Century' and 15 start with t

cover of Tarpleywick: A Century of Iowa Farming

Tarpleywick

A Century of Iowa Farming

Henry C. Taylor

University of Iowa Press, 0

 (Tarpleywick description) “When Tarpley Early Taylor came of age on August 2, 1858, his father gave him a horse, a saddle, and a bridle and wished him well…His first independent move was to go on horseback to Louisiana, Missouri, to visit his maternal grandparents, the Zumwalts. He stayed with them for some time, probably through the winter…We do not know what he did from the spring of 1859 to the spring of 1860 except that he had been earning money and saving it. We do know that he had returned to Van Buren County by Juy 24, 1860, because on that date he paid $800 for sixty acres of land a mile south of his father’s house…This was the beginning of Tarpleywick.” Born in Iowa in 1873, he was 96 years old when he died in May 1969. Taylor received his undergraduate training from Drake University and Iowa State University, his M.S. degree from Iowa State, and his Ph.D. degree from the University of Wisconsin. He was the first professor of agricultural economics in a land grant institution, the author of the first American textbook dealing with the principles of agricultural economics, the organizer and first Chief of the Bureau of Agricultural Economics in the USDA, and the first Managing Director of the Farm Foundation.

[more]
cover of Texas Lithographs: A Century of History in Images

Texas Lithographs

A Century of History in Images

Ron Tyler

University of Texas Press, 2023

2024 Ewell L. Newman Book Award, American Historical Print Collectors Society
2024 Kate Broocks Bates Award for Historical Research, Texas State Historical Association​
2024 TCU Texas Book Prize, Friends of the TCU Library and the TCU Press
2024 Kempner Family Book Prize—Nonfiction,The Philosophical Society of Texas

A stunning and comprehensive collection of lithographs from 1818 to 1900 Texas.

Westward expansion in the United States was deeply intertwined with the technological revolutions of the nineteenth century, from telegraphy to railroads. Among the most important of these, if often forgotten, was the lithograph. Before photography became a dominant medium, lithography—and later, chromolithography—enabled inexpensive reproduction of color illustrations, transforming journalism and marketing and nurturing, for the first time, a global visual culture. One of the great subjects of the lithography boom was an emerging Euro-American colony in the Americas: Texas.

The most complete collection of its kind—and quite possibly the most complete visual record of nineteenth-century Texas, period—Texas Lithographs is a gateway to the history of the Lone Star State in its most formative period. Ron Tyler assembles works from 1818 to 1900, many created by outsiders and newcomers promoting investment and settlement in Texas. Whether they depict the early French colony of Champ d’Asile, the Republic of Texas, and the war with Mexico, or urban growth, frontier exploration, and the key figures of a nascent Euro-American empire, the images collected here reflect an Eden of opportunity—a fairy-tale dream that remains foundational to Texans’ sense of self and to the world’s sense of Texas.

[more]
cover of Texas Takes Wing: A Century of Flight in the Lone Star State

Texas Takes Wing

A Century of Flight in the Lone Star State

By Barbara Ganson

University of Texas Press, 2014

This book celebrates the aviators, astronauts, airline executives, and other innovators who have made Texas an influential world leader in the aerospace industry over the past century.

Tracing the hundred-year history of aviation in Texas, aviator and historian Barbara Ganson brings to life the colorful personalities that shaped the phenomenally successful development of this industry in the state. Weaving stories and profiles of aviators, designers, manufacturers, and those in related services, Texas Takes Wing covers the major trends that propelled Texas to the forefront of the field. Covering institutions from San Antonio’s Randolph Air Force Base (the West Point of this branch of service) to Brownsville’s airport with its Pan American Airlines instrument flight school (which served as an international gateway to Latin America as early as the 1920s) to Houston’s Johnson Space Center, home of Mission Control for the U.S. space program, the book provides an exhilarating timeline and engaging history of dozens of unsung pioneers as well as their more widely celebrated peers.

Drawn from personal interviews as well as major archives and the collections of several commercial airlines, including American, Southwest, Braniff, Pan American Airways, and Continental, this sweeping history captures the story of powered flight in Texas since 1910. With its generally favorable flying weather, flat terrain, and wide open spaces, Texas has more airports than any other state and is often considered one of America’s most aviation-friendly places. Texas Takes Wing also explores the men and women who made the region pivotal in military training, aircraft manufacturing during wartime, general aviation, and air servicing of the agricultural industry. The result is a soaring history that will delight aviators and passengers alike.

[more]
cover of The 1933 Chicago World's Fair: A Century of Progress

The 1933 Chicago World's Fair

A Century of Progress

Cheryl R. Ganz

University of Illinois Press, 2012

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism.

But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape.

In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.

[more]
cover of The American Essay in the American Century

The American Essay in the American Century

Ned Stuckey-French

University of Missouri Press, 2011

In modern culture, the essay is often considered an old-fashioned, unoriginal form of literary styling. The word essay brings to mind the uninspired five-paragraph theme taught in schools around the country or the antiquated, Edwardian meanderings of English gentlemen rattling on about art and old books. These connotations exist despite the fact that Americans have been reading and enjoying personal essays in popular magazines for decades, engaging with a multitude of ideas through this short-form means of expression.
 
To defend the essay—that misunderstood staple of first-year composition courses—Ned Stuckey-French has written The American Essay in the American Century. This book uncovers the buried history of the American personal essay and reveals how it played a significant role in twentieth-century cultural history.
 
In the early 1900s, writers and critics debated the “death of the essay,” claiming it was too traditional to survive the era’s growing commercialism, labeling it a bastion of British upper-class conventions. Yet in that period, the essay blossomed into a cultural force as a new group of writers composed essays that responded to the concerns of America’s expanding cosmopolitan readership. These essays would spark the “magazine revolution,” giving a fresh voice to the ascendant middle class of the young century.
 
With extensive research and a cultural context, Stuckey-French describes the many reasons essays grew in appeal and importance for Americans. He also explores the rise of E. B. White, considered by many the greatest American essayist of the first half of the twentieth century whose prowess was overshadowed by his success in other fields of writing. White’s work introduced a new voice, creating an American essay that melded seriousness and political resolve with humor and self-deprecation. This book is one of the first to consider and reflect on the contributions of E. B. White to the personal essay tradition and American culture more generally.
 
The American Essay in the American Century is a compelling, highly readable book that illuminates the history of a secretly beloved literary genre. A work that will appeal to fiction readers, scholars, and students alike, this book offers fundamental insight into modern American literary history and the intersections of literature, culture, and class through the personal essay. This thoroughly researched volume dismisses, once and for all, the “death of the essay,” proving that the essay will remain relevant for a very long time to come.
[more]
cover of The Antiquities Act: A Century of American Archaeology, Historic Preservation, and Nature Conservation

The Antiquities Act

A Century of American Archaeology, Historic Preservation, and Nature Conservation

Edited by David Harmon, Frances P. McManamon, and Dwight T. Pitcaithley

University of Arizona Press, 2006

Winner of the State of New Mexico’s Heritage Preservation Award in the category of Heritage Publication

Enacted in 1906, the Antiquities Act is one of the most important pieces of conservation legislation in American history and has had a far-reaching influence on the preservation of our nation’s cultural and natural heritage. Thanks to the foresight of thirteen presidents, parks as diverse as Acadia, Grand Canyon, and Olympic National Park, along with historic and archaeological sites such as Thomas Edison’s Laboratory and the Gila Cliff Dwellings, have been preserved for posterity.

A century after its passage, this book presents a definitive assessment of the Antiquities Act and its legacy, addressing the importance and breadth of the act—as well as the controversy it has engendered. Authored by professionals intimately involved with safeguarding the nation’s archaeological, historic, and natural heritage, it describes the applications of the act and assesses its place in our country’s future. With a scope as far-reaching as the resources the act embraces, this book offers an unparalleled opportunity for today’s stewards to reflect on the act’s historic accomplishments, to remind fellow professionals and the general public of its continuing importance, and to look ahead to its continuing implementation in the twenty-first century.

The Antiquities Act invites all who love America’s natural and cultural treasures not only to learn about the act’s rich legacy but also to envision its next hundred years.
[more]
cover of The Designer: Half a Century of Change in Image, Training, and Technique

The Designer

Half a Century of Change in Image, Training, and Technique

Rosemary Sassoon

Intellect Books, 2008

Design is one of the most rapidly changing fields in the art world, as professionals, students, and teachers must reckon with new technologies before the older versions have much time to collect dust. In The Designer, Rosemary Sassoon surveys fifty years of change in the world of design, evaluating the skills that have been lost, how new techniques affect everyday work, and how training methods prepare students for employment. This indispensable volume reveals how design is both an art and a skill—one with a rich past and momentous relevance for the future.
Along the way, Sassoon traces the fascinating trajectory of her own career, from its beginning at art school and an early apprenticeship to her work as an established professional, with advice for designers at every stage of their own development. Weaving together biography and career advice, theory and practice, The Designer provides a unique history of the art form and looks ahead to an age of ever-changing attitudes to drawing, aesthetics, and artistic practice.
 
[more]
cover of The Elaine Massacre and Arkansas: A Century of Atrocity and Resistance, 1819-1919

The Elaine Massacre and Arkansas

A Century of Atrocity and Resistance, 1819-1919

Guy Lancaster

Butler Center for Arkansas Studies, 2018

Although it occurred nearly a century ago, the Elaine Massacre of 1919 remains the subject of intense inquiry as historians try to answer a multitude of questions, such as why authorities in the Arkansas Delta used such overwhelming violence to put down a farmers’ union, exactly how many people were killed in the massacre, and how the event shaped the following century.

We cannot fully understand what happened at Elaine without examining the one hundred years leading up to the massacre. An analysis of the years from 1819, when Arkansas officially became an American territory, to 1919 provides the historical foundation for understanding one of the bloodiest manifestations of racial violence in U.S. history.
During the antebellum years, slaveholders grew paranoid about possible “insurrections,” and after the Civil War and Emancipation, these fears lingered and led to numerous atrocities long before Elaine. At the same time, African Americans—particularly fieldworkers—worked to organize themselves to resist oppression, setting the stage for the farmers’ union that was the target for mob and military wrath during the Elaine Massacre.

These essays provide the larger history necessary for understanding what happened at Elaine in 1919—and thus provide a window into the current state of Arkansas and the nation at large. Contributors include Richard Buckelew, Nancy Snell Griffith, Matthew Hild, Adrienne Jones, Kelly Houston Jones, Cherisse Jones-Branch, Brian K. Mitchell, William H. Pruden III, and Steven Teske.
[more]
cover of The Great American Transit Disaster: A Century of Austerity, Auto-Centric Planning, and White Flight

The Great American Transit Disaster

A Century of Austerity, Auto-Centric Planning, and White Flight

Nicholas Dagen Bloom

University of Chicago Press, 2023

A potent re-examination of America’s history of public disinvestment in mass transit.
 
Many a scholar and policy analyst has lamented American dependence on cars and the corresponding lack of federal investment in public transportation throughout the latter decades of the twentieth century. But as Nicholas Dagen Bloom shows in The Great American Transit Disaster, our transit networks are so bad for a very simple reason: we wanted it this way.
 
Focusing on Baltimore, Atlanta, Chicago, Detroit, Boston, and San Francisco, Bloom provides overwhelming evidence that transit disinvestment was a choice rather than destiny. He pinpoints three major factors that led to the decline of public transit in the United States: municipal austerity policies that denied most transit agencies the funding to sustain high-quality service; the encouragement of auto-centric planning; and white flight from dense city centers to far-flung suburbs. As Bloom makes clear, these local public policy decisions were not the product of a nefarious auto industry or any other grand conspiracy—all were widely supported by voters, who effectively shut out options for transit-friendly futures. With this book, Bloom seeks not only to dispel our accepted transit myths but hopefully to lay new tracks for today’s conversations about public transportation funding.
[more]
cover of The Great American Transit Disaster: A Century of Austerity, Auto-Centric Planning, and White Flight

The Great American Transit Disaster

A Century of Austerity, Auto-Centric Planning, and White Flight

Nicholas Dagen Bloom

University of Chicago Press, 2023

This is an auto-narrated audiobook edition of this book.

A potent re-examination of America’s history of public disinvestment in mass transit.
 
Many a scholar and policy analyst has lamented American dependence on cars and the corresponding lack of federal investment in public transportation throughout the latter decades of the twentieth century. But as Nicholas Dagen Bloom shows in The Great American Transit Disaster, our transit networks are so bad for a very simple reason: we wanted it this way.
 
Focusing on Baltimore, Atlanta, Chicago, Detroit, Boston, and San Francisco, Bloom provides overwhelming evidence that transit disinvestment was a choice rather than destiny. He pinpoints three major factors that led to the decline of public transit in the United States: municipal austerity policies that denied most transit agencies the funding to sustain high-quality service; the encouragement of auto-centric planning; and white flight from dense city centers to far-flung suburbs. As Bloom makes clear, these local public policy decisions were not the product of a nefarious auto industry or any other grand conspiracy—all were widely supported by voters, who effectively shut out options for transit-friendly futures. With this book, Bloom seeks not only to dispel our accepted transit myths but hopefully to lay new tracks for today’s conversations about public transportation funding.
[more]
cover of The Iowa Lakeside Laboratory: A Century of Discovering the Nature of Nature

The Iowa Lakeside Laboratory

A Century of Discovering the Nature of Nature

Michael J. Lannoo

University of Iowa Press, 2012

Imagine a place dedicated to the long-term study of nature in nature, a permanent biological field station, a teaching and research laboratory that promotes complete immersion in the natural world. Lakeside Laboratory, founded on the shore of Lake Okoboji in northwestern Iowa in 1909, is just such a place. In this remarkable and insightful book, Michael Lannoo sets the story of Lakeside Lab within the larger story of the primacy of fieldwork, the emergence of conservation biology, and the ability of field stations to address such growing problems as pollution, disease, habitat loss, invasive species, and climate change.
 
At the intersection of major ecosystems with distinct plant and animal communities and surrounded by what, ironically, may be the most intensely cultivated landscape on earth, Lakeside has a long history of rubber-boot biologists saturated in the spirit that grounds the new discipline of conservation biology, and Lannoo brings this history to life with his descriptions of the people and ideas that shaped it. Lakeside’s continuing commitment to bringing the laboratory to the field rather than bringing the field to the lab has supported a focus on mammalogy, ornithology, herpetology, ichthyology, invertebrate biology, parasitology, limnology, and algology, subjects rarely taught now on university campuses but crucial to the planet’s health.
 

Today’s huge array of environmental problems can best be solved by people who have learned about nature within nature at a place with a long history of research and observation, people who thoroughly understand and appreciate nature’s cogs and wheels. Lakeside Lab and biological research stations like it have never been more relevant to science and to society at large than they are today. Michael Lannoo convinces us that while Lakeside’s past is commendable, its future, grounded in ecological principles, will help shape a more sustainable society. 

[more]
cover of The Participant: A Century of Participation in Four Stories

The Participant

A Century of Participation in Four Stories

Christopher M. Kelty

University of Chicago Press, 2019

Participation is everywhere today. It has been formalized, measured, standardized, scaled up, network-enabled, and sent around the world. Platforms, algorithms, and software offer to make participation easier, but new technologies have had the opposite effect. We find ourselves suspicious of how participation extracts our data or monetizes our emotions, and the more procedural participation becomes, the more it seems to recede from our grasp.
 
In this book, Christopher M. Kelty traces four stories of participation across the twentieth century, showing how they are part of a much longer-term problem in relation to the individual and collective experience of representative democracy. Kelty argues that in the last century or so, the power of participation has dwindled; over time, it has been formatted in ways that cramp and dwarf it, even as the drive to participate has spread to nearly every kind of human endeavor, all around the world. The Participant is a historical ethnography of the concept of participation, investigating how the concept has evolved into the form it takes today. It is a book that asks, “Why do we participate?” And sometimes, “Why do we refuse?”
 
[more]
cover of The Texas Rangers: A Century of Frontier Defense

The Texas Rangers

A Century of Frontier Defense

By Walter Prescott Webb

University of Texas Press, 1996

Webb's classic history of the Texas Rangers has been popular ever since its first publication in 1935. This edition is a reproduction of the original Houghton Mifflin edition.

[more]
cover of Toward the End of the Century: Essays into Poetry

Toward the End of the Century

Essays into Poetry

Wayne Dodd

University of Iowa Press, 1992

[more]
cover of True Stories: A Century of Literary Journalism

True Stories

A Century of Literary Journalism

Norman Sims

Northwestern University Press, 2007

Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal examples of the genre provide ample context and background for the study of this style of journalism.
[more]