81 books match the query 'Creation' and 16 start with t

cover of The Babylonian Genesis: The Story of the Creation

The Babylonian Genesis

The Story of the Creation

Alexander Heidel

University of Chicago Press, 1963

The origins of Judeo-Christian creation accounts: An complete, authoritative translation of all the extant cuneiform tablets of Babylonian creation stories

The Babylonian Genesis offers, in one compact, accessible volume, a complete translation of all the published cuneiform tablets of the various Babylonian creation stories, of both the Semitic Babylonian and the Sumerian material. Each creation account is preceded by a brief introduction from renowned scholar and translator Alexander Heidel dealing with the age and provenance of the tablets, the aim and purpose of the story, and everything else that a reader of any level  of knowledge needs to understand these stories in their context. Also included is a translation and discussion of two Babylonian creation versions written in Greek. The final chapter presents a detailed examination of the Babylonian creation accounts in their relation to our Old Testament literature.
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cover of The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music

The Beat Cop

Chicago's Chief O'Neill and the Creation of Irish Music

Michael O'Malley

University of Chicago Press, 2022

The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief.

Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music.

Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.

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cover of The Creation of Dangerous Violent Criminals

The Creation of Dangerous Violent Criminals

Lonnie H. Athens

University of Illinois Press, 1992

Lonnie Athens examines a problem that has long baffled experts and lay people alike: How does a person become a dangerous violent criminal? He explains how those who commit brutal crimes begin as relatively benign individuals who undergo lengthy, at times tortuous. development leading them to malevolence. The process that Athens labels "violentization" encompasses four stages: brutalization, belligerency, violent performance, and virulency. Athens uses vivid first-person accounts gleaned from in-depth interviews with nascent and hardened violent criminals to back up his theory, producing a book that will appeal to a wide variety of readers interested in criminal justice, law, and sociology.
 
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cover of The Creation of Jazz: Music, Race, and Culture in Urban America

The Creation of Jazz

Music, Race, and Culture in Urban America

Burton W. Peretti

University of Illinois Press, 1992

The story of jazz is more than a history of the music. The racial and cultural dynamics of American cities created the music, life, and business that was jazz. 

Burton W. Peretti's classic study charts the life of jazz culture from its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans to the eve of bebop and World War II. As Perett shows, jazz was the epic story of players who transitioned from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. Finally, jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. 

Drawing on archives and the firsthand testimony of more than seventy musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz offers a comprehensive analysis of the role of early jazz in American social history.

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cover of The Creation of Scientific Effects: Heinrich Hertz and Electric Waves

The Creation of Scientific Effects

Heinrich Hertz and Electric Waves

Jed Z. Buchwald

University of Chicago Press, 1994

This book is an attempt to reconstitute the tacit knowledge—the shared, unwritten assumptions, values, and understandings—that shapes the work of science. Jed Z. Buchwald uses as his focus the social and intellectual world of nineteenth-century German physics.

Drawing on the lab notes, published papers, and unpublished manuscripts of Heinrich Hertz, Buchwald recreates Hertz's 1887 invention of a device that produced electromagnetic waves in wires. The invention itself was serendipitous and the device was quickly transformed, but Hertz's early experiments led to major innovations in electrodynamics. Buchwald explores the difficulty Hertz had in reconciling the theories of other physicists, including Hermann von Helmholtz and James Clerk Maxwell, and he considers the complex and often problematic connections between theory and experiment.

In this first detailed scientific biography of Hertz and his scientific community, Buchwald demonstrates that tacit knowledge can be recovered so that we can begin to identify the unspoken rules that govern scientific practice.
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cover of The Creation of an Ethnic Identity: Being Swedish American in the Augustana Synod, 1860-1917

The Creation of an Ethnic Identity

Being Swedish American in the Augustana Synod, 1860-1917

Dag Blanck

Southern Illinois University Press, 2006

Analyzing the development of a Swedish American identity

The Creation of an Ethnic Identity: Being Swedish American in the Augustana Synod, 1860–1917 analyzes how Swedish American identity was constructed, maintained, and changed in the late nineteenth and early twentieth centuries. The Augustana Synod, the largest religious-based organization created by Swedish immigrants in the United States, played an important role in establishing what it meant to be Swedish American.

In this study, author Dag Blanck poses three fundamental questions: How did an ethnic identity develop in the Augustana Synod? What was that identity? Why was an ethnic identity formed? Based on primary sources formerly unknown or neglected, The Creation of an Ethnic Identity examines the Lutheran Augustana Synod, Augustana College, and the Augustana Book Concern to provide insights into how ethnic identity is constructed within a major religious body, a central educational institution, and a major publishing house.

Starting from the concept of ethnicity as something created or invented, Blanck goes on to explore how it was possible for a white European immigrant group like the Swedes to use its ethnicity as a tool of integration into American society. The nature of their ethnicity, says Blanck, was both determined by their cultural origins and also the values and nature of American society as they perceived it. Becoming Swedish American was also a way of becoming American.

The volume, which is augmented by illustrations, integrates the most critical scholarship on immigration and ethnicity over the past half century and provides a strong argument about how ethnicity is shaped over time within an immigrant group.

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cover of The Elusive Empire: Kazan and the Creation of Russia, 1552–1671

The Elusive Empire

Kazan and the Creation of Russia, 1552–1671

Matthew P. Romaniello

University of Wisconsin Press, 2012

In 1552, Muscovite Russia conquered the city of Kazan on the Volga River. It was the first Orthodox Christian victory against Islam since the fall of Constantinople, a turning point that, over the next four years, would complete Moscow’s control over the river. This conquest provided a direct trade route with the Middle East and would transform Muscovy into a global power. As Matthew Romaniello shows, however, learning to manage the conquered lands and peoples would take decades.
    Russia did not succeed in empire-building because of its strength, leadership, or even the weakness of its neighbors, Romaniello contends; it succeeded by managing its failures. Faced with the difficulty of assimilating culturally and religiously alien peoples across thousands of miles, the Russian state was forced to compromise in ways that, for a time, permitted local elites of diverse backgrounds to share in governance and to preserve a measure of autonomy. Conscious manipulation of political and religious language proved more vital than sheer military might. For early modern Russia, empire was still elusive—an aspiration to political, economic, and military control challenged by continuing resistance, mismanagement, and tenuous influence over vast expanses of territory.

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cover of The Indiscrete Image: Infinitude and Creation of the Human

The Indiscrete Image

Infinitude and Creation of the Human

Thomas A. Carlson

University of Chicago Press, 2008

Humanity’s creative capacity has never been more unsettling than it is at our current moment, when it has ushered us into new technological worlds that challenge the very definition of “the human.” Those anxious to safeguard the human against techno-scientific threats often appeal to religious traditions to protect the place and dignity of the human. But how well do we understand both theological tradition and today’s technological culture? In The Indiscrete Image, Thomas A. Carlson challenges our common ideas about both, arguing instead that it may be humanity’s final lack of definition that first enables, and calls for, human creativity and its correlates—including technology, tradition, and their inextricable interplay within religious existence.
Framed in response to Martin Heidegger’s influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture—and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol’s closure nor an icon’s transcendence, but the “indiscrete image” whose love makes possible—by keeping open—both the human and its world.
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cover of The New Gods

The New Gods

E. M. Cioran

University of Chicago Press, 1974

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays.
 
Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.

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cover of The Presence of God and Union with God: Creation, Divine Indwelling Through Grace, Incarnation and the Blessed Vision According to Saint Thomas Aquinas

The Presence of God and Union with God

Creation, Divine Indwelling Through Grace, Incarnation and the Blessed Vision According to Saint Thomas Aquinas

Gilles Emery, OP

Catholic University of America Press, 2027

How can one discover or recover the sense of God’s presence, of living union with God? The Bible speaks to us from beginning to end of God’s presence as Creator and Savior: a presence received, a presence loved, a presence for whose fullness we intensely hope. The liturgy of the Church celebrates God present in Christ and in his Spirit who unite us to the Father. Christian existence is lived in faith by the light of this loving presence of the God who has created us, who has saved us, and who calls us to return to him. This book seeks to ponder God’s presence in its length, depth, and breadth: the presence of God in all his creatures, his presence of indwelling through grace, his presence radiating in the Son’s Incarnation, his presence in the gift of the Holy Spirit, and finally his presence in the blessed vision whereby we shall be united immediately to him. The reader is invited to take a “theological journey” in the school of Saint Thomas Aquinas, a journey in five chapters, which constitute as many stages. The first chapter offers a reflection on the relation that all creatures, including human persons, have with the creating God. The second chapter considers God’s presence in grace: the three divine persons come to abide in the just whom they make their temple. The third chapter is consecrated to Christ Jesus: “In him the whole plenitude of the divinity dwells bodily” (Col 2:9). The fourth chapter turns to the Holy Spirit, considering his presence and the gift of grace. And finally, the fifth and closing chapter deals with the consummation of Christian hope: the union with God in the blessed vision.
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cover of The Streets of San Francisco: Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972

The Streets of San Francisco

Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972

Christopher Lowen Agee

University of Chicago Press, 2014

During the Sixties the nation turned its eyes to San Francisco as the city's police force clashed with movements for free speech, civil rights, and sexual liberation. These conflicts on the street forced Americans to reconsider the role of the police officer in a democracy. In The Streets of San Francisco Christopher Lowen Agee explores the surprising and influential ways in which San Francisco liberals answered that question, ultimately turning to the police as partners, and reshaping understandings of crime, policing, and democracy.

The Streets of San Francisco uncovers the seldom reported, street-level interactions between police officers and San Francisco residents and finds that police discretion was the defining feature of mid-century law enforcement. Postwar police officers enjoyed great autonomy when dealing with North Beach beats, African American gang leaders, gay and lesbian bar owners, Haight-Ashbury hippies, artists who created sexually explicit works, Chinese American entrepreneurs, and a wide range of other San Franciscans. Unexpectedly, this police independence grew into a source of both concern and inspiration for the thousands of young professionals streaming into the city's growing financial district. These young professionals ultimately used the issue of police discretion to forge a new cosmopolitan liberal coalition that incorporated both marginalized San Franciscans and rank-and-file police officers. The success of this model in San Francisco resulted in the rise of cosmopolitan liberal coalitions throughout the country, and today, liberal cities across America ground themselves in similar understandings of democracy, emphasizing both broad diversity and strong policing.
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cover of The Third Lens: Metaphor and the Creation of Modern Cell Biology

The Third Lens

Metaphor and the Creation of Modern Cell Biology

Andrew S. Reynolds

University of Chicago Press, 2018

Does science aim at providing an account of the world that is literally true or objectively true? Understanding the difference requires paying close attention to metaphor and its role in science. In The Third Lens, Andrew S. Reynolds argues that metaphors, like microscopes and other instruments, are a vital tool in the construction of scientific knowledge and explanations of how the world works. More than just rhetorical devices for conveying difficult ideas, metaphors provide the conceptual means with which scientists interpret and intervene in the world.

Reynolds here investigates the role of metaphors in the creation of scientific concepts, theories, and explanations, using cell theory as his primary case study. He explores the history of key metaphors that have informed the field and the experimental, philosophical, and social circumstances under which they have emerged, risen in popularity, and in some cases faded from view. How we think of cells—as chambers, organisms, or even machines—makes a difference to scientific practice. Consequently, an accurate picture of how scientific knowledge is made requires us to understand how the metaphors scientists use—and the social values that often surreptitiously accompany them—influence our understanding of the world, and, ultimately, of ourselves.

The influence of metaphor isn’t limited to how we think about cells or proteins: in some cases they can even lead to real material change in the very nature of the thing in question, as scientists use technology to alter the reality to fit the metaphor. Drawing out the implications of science’s reliance upon metaphor, The Third Lens will be of interest to anyone working in the areas of history and philosophy of science, science studies, cell and molecular biology, science education and communication, and metaphor in general.
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cover of The Turk in America: The Creation of an Enduring Prejudice

The Turk in America

The Creation of an Enduring Prejudice

Justin McCarthy

University of Utah Press, 2010

Utah Series in Middle East Studies

In The Turk in America, historian Justin McCarthy seeks to explain the historical basis for American prejudice towards Turks in the nineteenth and early twentieth centuries.  The volume focuses on fraudulent characterizations of Turks, mostly stemming from an antipathy in Europe and America toward non-Christians, and especially Muslims.  Spanning one hundred and fifty years, this history explores the misinformation largely responsible for the negative stereotypes of Turks during this period.

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cover of Time, Creation and the Continuum: Theories in Antiquity and the Early Middle Ages

Time, Creation and the Continuum

Theories in Antiquity and the Early Middle Ages

Richard Sorabji

University of Chicago Press, 2006

Richard Sorabji here takes time as his central theme, exploring fundamental questions about its nature: Is it real or an aspect of consciousness? Did it begin along with the universe? Can anything escape from it? Does it come in atomic chunks? In addressing these and myriad other issues, Sorabji engages in an illuminating discussion of early thought about time, ranging from Plato and Aristotle to Islamic, Christian, and Jewish medieval thinkers. Sorabji argues that the thought of these often negelected philosophers about the subject is, in many cases, more complete than that of their more recent counterparts.

“Splendid. . . . The canvas is vast, the picture animated, the painter nonpareil. . . . Sorabji’s work will encourage more adventurers to follow him to this fascinating new-found land.”—Jonathan Barnes, Times Literary Supplement

“One of the most important works in the history of metaphysics to appear in English for a considerable time. No one concerned with the problems with which it deals either as a historian of ideas or as a philosopher can afford to neglect it.”—Donald MacKinnon, Scottish Journal of Theology
 
“Unusually readable for such scholarly content, the book provides in rich and cogent terms a lively and well-balanced discussion of matters of concern to a wide academic audience.”—Choice

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cover of Travel Technologies for All: Social and business opportunities in the creation of inclusive mobility

Travel Technologies for All

Social and business opportunities in the creation of inclusive mobility

Simon Edwards

The Institution of Engineering and Technology, 2026

Information technology and ITS are endemic to transport service provision and key to the user experience. These technologies have great potential to create better, more user-friendly and inclusive transportation systems. However, there are accompanying risks; if technological innovations do not account for the needs of all users, people will be excluded. Gaps remain in uptake by some older adults and people with disabilities, who may face various challenges in engaging with travel technologies. This book focuses on approaches to developing transport technologies and systems that everyone can use, and the resulting social and business benefits.
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cover of Turin 1564-1680: Urban Design, Military Culture, and the Creation of the Absolutist Capital

Turin 1564-1680

Urban Design, Military Culture, and the Creation of the Absolutist Capital

Martha D. Pollak

University of Chicago Press, 1991

"The story of Turin's transformation is well told. . . . Pollak's account of the financial machinations of the Dukes in their efforts to acquire properties, and to pay for fortifications by taxing betterment on enclosed land, is one of the best parts of the book."—Simon Pepper, Times Literary Supplement
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