91 books match the query 'Desire' and 18 start with t

cover of Technology and Desire: The Transgressive Art of Moving Images

Technology and Desire

The Transgressive Art of Moving Images

Edited by Rania Gaafar and Martin Schulz

Intellect Books, 2014

The spectral realm at the boundaries of images incessantly reveals a desire to see beyond the visible and its medium: screens, frames, public displays, and projection sites in an art context. The impact of new media on art and film has influenced the material histories and performances (be they in theory or practice) of images across the disciplines. Digital technologies have not only shaped post-cinematic media cultures and visual epistemologies, but they are behind a growing shift towards a new realism in theory, art, film, and in the art of the moving image in particular. Technology and Desire examines the performative ontologies of moving images across the genealogies of media and their aesthetic agency in contemporary media and video art, CGI, painting, video games, and installations. Drawing on cultural studies, media and film theory as well as art history to provide exemplary evidence of this shift, this book has as its central theme the question of whether images are predicated upon transgressing the boundaries of their framing—and whether in the course of their existence they develop a life of their own.

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cover of Territory of Desire: Representing the Valley of Kashmir

Territory of Desire

Representing the Valley of Kashmir

Ananya Jahanara Kabir

University of Minnesota Press, 2009

Moves beyond traditional analysis to understand the conflict over Kashmir

A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news. Taking a unique multidisciplinary approach, Territory of Desire asks how, and why, Kashmir came to be so intensely desired within Indian, Pakistani, and Kashmiri nationalistic imaginations. Literary historian Ananya Jahanara Kabir finds an answer to this question in the Valley of Kashmir’s repeated portrayal as a “special” place and the missing piece of Pakistan and India.

Analyzing the conversion of natural beauty into collective desire—through photography, literature, cinema, art, and souvenir production—Kabir exposes the links between colonialism, modernity, and conflict within the postcolonial nation. Representations of Kashmir as a space of desire emerge in contemporary film, colonial “taming” of the valley through nineteenth-century colonialist travelogues, the fetishization of traditional Kashmiri handicrafts like papier maché, and Pandit and Muslim religious revivalisms in the region. Linking a violent modernity to the fantasies of nationhood, Kabir proposes nonmilitaristic ways in which such desire may be overcome. In doing so she offers an innovative approach to complex and protracted conflict and, ultimately, its resolution.
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cover of The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade

The Cactus Hunters

Desire and Extinction in the Illicit Succulent Trade

Jared D. Margulies

University of Minnesota Press, 2023

An exploration of the explosive illegal trade in succulents and the passion that drives it

Cacti and succulents are phenomenally popular worldwide among plant enthusiasts, despite being among the world’s most threatened species. The fervor driving the illegal trade in succulents might also be driving some species to extinction. Delving into the strange world of succulent collecting, The Cactus Hunters takes us to the heart of this conundrum: the mystery of how and why ardent lovers of these plants engage in their illicit trade. This is a world of alluring desires, where collectors and conservationists alike are animated by passions that at times exceed the limits of law. 

 

What inspires the desire for a plant? What kind of satisfaction does it promise? The answer, Jared D. Margulies suspects, might be traced through the roots and workings of the illegal succulent trade—an exploration that traverses the fields of botany and criminology, political ecology and human geography, and psychoanalysis. His globe-spanning inquiry leads Margulies from a spectacular series of succulent heists on a small island off the coast of Mexico to California law enforcement agents infiltrating a smuggling ring in South Korea, from scientists racing to discover new and rare species before poachers find them to a notorious Czech “cacto-explorer” who helped turn a landlocked European country into the epicenter of the illegal succulent trade. 

 

A heady blend of international intrigue, social theory, botanical lore, and ecological study, The Cactus Hunters offers complex insight into species extinction, conservation, and more-than-human care.

 

 

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cover of The Cultural Dialectics of Knowledge and Desire

The Cultural Dialectics of Knowledge and Desire

Charles W. Nuckolls

University of Wisconsin Press, 1996

Why is culture a problem that can never be solved? Charles W. Nuckolls poses this question to his readers, and offers a genuinely synthetic approach to culture that is both cognitive and psychoanalytic. He develops a theory of cultural dialectics based on the concept of paradox, in which he shows how ambivalence and conflicts, and the desire to resolve them, are at the heart of all cultural knowledge systems.
    Nuckolls combines and synthesizes the ideas of Max Weber and Sigmund Freud—major influences in the cognitive and psychoanalytic paradigms—and develops the concept basic to both: the dialectic. He recovers the legacy of Gregory Bateson, who provided the foundation for a theory of paradox in culture. With his integrated theory, Nuckolls explains the conflicts of knowledge and desire in a South Asian knowledge system, in particular the religious mythology and divinatory system of the Jalaris, a Telugu-speaking fishing caste on the southeastern coast of India.
    This provocative book allows us to rethink the relationship between the currently competing discourses in psychological and cultural anthropology, and at the same time offers a general synthetic theory of cultural dynamics.

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cover of The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti

The Demon and the Damozel

Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti

Suzanne M. Waldman

Ohio University Press, 2008

Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti offers a new reading of these eminent Victorian siblings’ literature and visual arts. Suzanne M. Waldman views well-known poems and artworks such as Christina Rossetti’s Goblin Market and Dante Gabriel Rossetti’s The Blessed Damozel and Venus Verticordia in new ways that expose their authors’ savvy anticipation of concepts that would come to be known as narcissism, fetishism, and the symbolic and imaginary orders, among many others. Waldman makes a strong case for the particular psychoanalytic importance of the Rossettis by looking at how the two Rossetti siblings’ own psyches were divided by conflicts between the period’s religious scruples and its taste for gothic sensationalism. The Demon and the Damozel is a close and contextualized reading of their writings and artwork that displays, for the first time, continuity between the medieval cosmologies these Pre-Raphaelites drew upon and the psychoanalytic theories they looked ahead to—and locates the intricate patterns of proto-psychoanalytic understanding in the rich tapestry of Pre-Raphaelite aestheticism.
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cover of The Desire of Psychoanalysis: Exercises in Lacanian Thinking

The Desire of Psychoanalysis

Exercises in Lacanian Thinking

Gabriel Tupinambá; With a foreword by Slavoj Žižek

Northwestern University Press, 2021

The Desire of Psychoanalysis proposes that recognizing how certain theoretical and institutional problems in Lacanian psychoanalysis are grounded in the historical conditions of Lacan’s own thinking might allow us to overcome these impasses. In order to accomplish this, Gabriel Tupinambá analyzes the socioeconomic practices that underlie the current institutional existence of the Lacanian community—its political position as well as its institutional history—in relation to theoretical production.

By focusing on the underlying dynamic that binds clinical practice, theoretical work, and institutional security in Lacanian psychoanalysis today, Tupinambá is able to locate sites for conceptual innovation that have been ignored by the discipline, such as the understanding of the role of money in clinical practice, the place of analysands in the transformation of psychoanalytic theory, and ideological dead-ends that have become common sense in the Lacanian field. The Desire of Psychoanalysis thus suggests ways of opening up psychoanalysis to new concepts and clinical practices and calls for a transformation of how psychoanalysis is understood as an institution.

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cover of The Fate of Rural Hell: Asceticism and Desire in Buddhist Thailand

The Fate of Rural Hell

Asceticism and Desire in Buddhist Thailand

Benedict Anderson

Seagull Books, 2012

In 1975, when political scientist Benedict Anderson reached Wat Phai Rong Wua, a massive temple complex in rural Thailand conceived by Buddhist monk Luang Phor Khom, he felt he had wandered into a demented Disneyland. One of the world’s most bizarre tourist attractions, Wat Phai Rong Wua was designed as a cautionary museum of sorts; its gruesome statues depict violent and torturous scenes that showcase what hell may be like. Over the next few decades, Anderson, who is best known for his work, Imagined Communities, found himself transfixed by this unusual amalgamation of objects, returning several times to see attractions like the largest metal-cast Buddha figure in the world and the Palace of a Hundred Spires. The concrete statuaries and perverse art in Luang Phor’s personal museum of hell included, “side by side, an upright human skeleton in a glass cabinet and a life-size replica of Michelangelo’s gigantic nude David, wearing fashionable red underpants from the top of which poked part of a swollen, un-Florentine penis,” alongside dozens of statues of evildoers being ferociously punished in their afterlife.
 
In The Fate of Rural Hell, Anderson unravels the intrigue of this strange setting, endeavoring to discover what compels so many Thai visitors to travel to this popular spectacle and what order, if any, inspired its creation. At the same time, he notes in Wat Phai Rong Wua the unexpected effects of the gradual advance of capitalism into the far reaches of rural Asia.
 
Both a one-of-a-kind travelogue and a penetrating look at the community that sustains it, The Fate of Rural Hell is sure to intrigue and inspire conversation as much as Wat Phai Rong Wua itself.
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cover of The Fate of Rural Hell: Asceticism and Desire in Buddhist Thailand, New Edition

The Fate of Rural Hell

Asceticism and Desire in Buddhist Thailand, New Edition

Benedict Anderson

Seagull Books, 2016

A new edition of Benedict Anderson's masterpiece of political and social interpretation, which asks what a rural Thai “hell temple” reveals about Buddhism and modern life.

In 1975, political scientist Benedict Anderson encountered Wat Phai Rong Wua, a vast temple complex conceived by the monk Luang Phor Khom. Built as a cautionary museum, it uses striking tableaux, hell scenes, didactic statues, and eclectic displays, to imagine karmic consequence and to draw steady flows of Thai visitors.
Returning to the temple over several decades, Anderson treats the site as a travelogue, an ethnographic puzzle, and a social commentary. He asks what kinds of piety, hierarchy, and desire are staged there, and what local community sustains it. The temple also becomes his lens on how capitalism and rural change reshape religious practice in Thailand.

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cover of The Genesis of Desire

The Genesis of Desire

Jean-Michel Oughourlian

Michigan State University Press, 2010

We seem to be abandoning the codes that told previous generations who they should love. But now that many of us are free to choose whoever we want, nothing is less certain. The proliferation of divorces and separations reveal a dynamic we would rather not see: others sometimes reject us as passionately as we are attracted to them.
     Our desire makes us sick. The throes of rivalry are at the heart of our attraction to one another. This is the central thesis of Jean-Michel Oughourlian's The Genesis of Desire, where the war of the sexes is finally given a scientific explanation. The discovery of mirror neurons corroborates his ideas, clarifying the phenomena of empathy and the mechanisms of violent reciprocity.
     How can a couple be saved when they have declared war on one another? By helping them realize that desire originates not in the self but in the other. There are strategies that can help, which Dr. Oughourlian has prescribed successfully to his patients. This work, alternating between case studies and more theoretical statements, convincingly defends the possibility that breakups need not be permanent.

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cover of The Government of Desire: A Genealogy of the Liberal Subject

The Government of Desire

A Genealogy of the Liberal Subject

Miguel de Beistegui

University of Chicago Press, 2018

Liberalism, Miguel de Beistegui argues in The Government of Desire, is best described as a technique of government directed towards the self, with desire as its central mechanism.  Whether as economic interest, sexual drive, or the basic longing for recognition, desire is accepted as a core component of our modern self-identities, and something we ought to cultivate. But this has not been true in all times and all places. For centuries, as far back as late antiquity and early Christianity, philosophers believed that desire was an impulse that needed to be suppressed in order for the good life, whether personal or collective, ethical or political, to flourish.  Though we now take it for granted, desire as a constitutive dimension of human nature and a positive force required a radical transformation, which coincided with the emergence of liberalism.
 
By critically exploring Foucault’s claim that Western civilization is a civilization of desire, de Beistegui crafts a provocative and original genealogy of this shift in thinking. He shows how the relationship between identity, desire, and government has been harnessed and transformed in the modern world, shaping our relations with others and ourselves, and establishing desire as an essential driving force for the constitution of a new and better social order. But is it? The Government of Desire argues that this is precisely what a contemporary politics of resistance must seek to overcome. By questioning the supposed universality of a politics based on recognition and the economic satisfaction of desire, de Beistegui raises the crucial question of how we can manage to be less governed today, and explores contemporary forms of counter-conduct.

​Drawing on a host of thinkers from philosophy, political theory, and psychoanalysis, and concluding with a call for a sovereign and anarchic form of desire, The Government of Desire is a groundbreaking account of our freedom and unfreedom, of what makes us both governed and ungovernable.
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cover of The Light of Desire: La Luz del Deseo

The Light of Desire

La Luz del Deseo

Marjorie Agosín

Swan Isle Press, 2009

Marjorie Agosín’s intensely personal long poem The Light of Desire is both a secular and sacred meditation on love and its meanings in the land of Israel. Following the tradition of the Song of Songs and the secular poetry of Sepharad, the beloved in The Light of Desire is both physical and metaphorical. The lovers’ bodies are the paths, the geography, leading not only from desire to sensual pleasure, but to memory and illumination. The light on the pink stones of Jerusalem, the sunlight of Galilee, from hills to the sea, the fragrant air and “mantle of stars,” all become one in this tender, rhapsodic expression of longing and desire. This is not unrequited love, but rather a reciprocal passion that brings exquisite pleasure, pain, a sense of fragility, and the hope and belief in that which is eternal.

The poem was written over a four-year span in Jerusalem’s Mishkenot Sha’ananim neighborhood, overlooking the wall of the Second Temple, and these hallowed surroundings imbued Agosín’s poetic voice. Lori Marie Carlson’s sensitive translation maintains the spirit of the original Spanish in this bilingual edition.

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cover of The Logic of Desire: Aquinas on Emotion

The Logic of Desire

Aquinas on Emotion

Nicholas E. Lombardo, O.P.

Catholic University of America Press, 2011

Focusing on the Summa theologiae, Nicholas Lombardo contributes to the recovery, reconstruction, and critique of Aquinas's account of emotion in dialogue with both the Thomist tradition and contemporary analytic philosophy
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cover of The Making of an Artist: Desire, Courage, and Commitment

The Making of an Artist

Desire, Courage, and Commitment

Kristin G. Congdon

Intellect Books, 2018

What drives an artist to create? And are there common traits that successful artists possess? In The Making of an Artist, Kristin G. Congdon draws on her years of studying and teaching art at all levels—from universities to correctional settings—to identify three traits that are regularly found in successful artists: desire, courage, and commitment. In this collection Congdon explores each of those traits, as well as giving ethnographic case studies of six visual artists from diverse backgrounds and locations whose practices embody them. Marrying the work of biography, journalism, sociology, and psychology, the book opens up the often mysterious process of making art, showing us how those characteristics play into it, as well as how other factors, such as trauma, madness, class, and gender, affect the ways that people approach the creative process.

​Powerfully insightful and fully accessible, The Making of an Artist will be an invaluable resource for practicing artists, those just setting out on artistic careers, and art teachers alike.
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cover of The Path of Desire: Living Tantra in Northeast India

The Path of Desire

Living Tantra in Northeast India

Hugh B. Urban

University of Chicago Press, 2024

A provocative study of contemporary Tantra as a dynamic living tradition.
 
Tantra, one of the most important religious currents in South Asia, is often misrepresented as little more than ritualized sex. Through a mixture of ethnography and history, Hugh B. Urban reveals a dynamic living tradition behind the sensationalist stories. Urban shows that Tantric desire goes beyond the erotic, encompassing such quotidian experiences as childbearing and healing. He traces these holistic desires through a series of unique practices: institutional Tantra centered on gurus and esoteric rituals; public Tantra marked by performance and festival; folk Tantra focused on magic and personal well-being; and popular Tantra imagined in fiction, film, and digital media. The result is a provocative new description of Hindu Tantra that challenges us to approach religion as something always entwined with politics and culture, thoroughly entangled with ordinary needs and desires.
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cover of The Philosopher Fish: Sturgeon, Caviar, and the Geography of Desire

The Philosopher Fish

Sturgeon, Caviar, and the Geography of Desire

Richard Adams Carey

Brandeis University Press, 2024

An updated new edition of Richard Adams Carey’s illuminating journey across the globe to uncover the secrets of the sturgeon.
 
From the acclaimed eco-journalist Rick Carey comes a fascinating chronicle of a fast-disappearing fish—and of the people whose lives and livelihoods depend on it. Since the days of the Persian Empire, caviar has trumpeted status, wealth, prestige, and sex appeal. In this remarkable journey to caviar’s source, Carey immerses himself in the world of the sturgeon, the fish that lays these golden eggs. The sturgeon has a fascinating biological past—and a very uncertain future. Sturgeon populations worldwide have declined seventy percent in the last twenty years. Meanwhile, the beluga sturgeon, producer of the most coveted caviar, has climbed to number four on the World Wildlife Fund’s most-endangered species list. A high-stakes cocktail of business, crime, diplomacy, technology, and the dilemmas of conservation, The Philosopher Fish is the epic story of a 250-million-year-old fish struggling to survive.
 
This new edition includes new chapters bringing up to date the story of this elusive and mysterious fish, and the people involved with both preserving and exploiting it.
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cover of The Reification of Desire: Toward a Queer Marxism

The Reification of Desire

Toward a Queer Marxism

Kevin Floyd

University of Minnesota Press, 2009

The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies.

Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism.

Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.
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cover of The Sexual Life of English: Languages of Caste and Desire in Colonial India

The Sexual Life of English

Languages of Caste and Desire in Colonial India

Shefali Chandra

Duke University Press, 2012

In The Sexual Life of English, Shefali Chandra examines how English became an Indian language. She rejects the idea that English was fully formed before its life in India or that it was imposed from without. Rather, by drawing attention to sexuality and power, Chandra argues that the English language was produced through conflicts over caste, religion, and class. Sentiments and experiences of desire, respectability, conjugality, status, consumption, and fashion came together to create the Indian history of English. The language was shaped by the sexual experiences of Indians and by native attempts to discipline the normative sexual subject. Focusing on the years between 1850 and 1930, Chandra scrutinizes the English-education project as Indians gained the power to direct it themselves. She delves into the history of schools, the composition of the student bodies, and disagreements about curricula; the way that English-educated subjects wrote about English; and debates in English and Marathi popular culture. Chandra shows how concerns over linguistic change were popularly voiced in a sexual idiom, how English and the vernacular were separated through the vocabulary of sexual difference, and how the demand for matrimony naturalized the social location of the English language.
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cover of The Struggle for Hegemony in Pakistan: Fear, Desire and Revolutionary Horizons

The Struggle for Hegemony in Pakistan

Fear, Desire and Revolutionary Horizons

Aasim Sajjad-Akhtar

Pluto Press, 2022

'A major analysis of our world's political crisis' - Joel Wainwright

The collapse of neoliberal hegemony in the western world following the financial crash of 2007-8 and subsequent rise of right-wing authoritarian personalities has been described as a crisis of 'the political' in western societies. But the crisis must be seen as global, rather than focusing on the west alone.

Pakistan is experiencing rapid financialization and rapacious capture of natural resources, overseen by the country's military establishment and state bureaucracy. Under their watch, trading and manufacturing interests, property developers and a plethora of mafias have monopolized the provision of basic needs like housing, water and food, whilst also feeding conspicuous consumption by a captive middle-class.

Aasim Sajjad-Akhtar explores neoliberal Pakistan, looking at digital technology in enhancing mass surveillance, commodification and atomization, as well as resistance to the state and capital. Presenting a new interpretation of our global political-economic moment, he argues for an emancipatory political horizon embodied by the 'classless' subject.
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