61 books match the query 'Dialogue' and 9 start with t
Lyudmila Parts
The Ohio State University Press, 2008
In The Chekhovian Intertext Lyudmila Parts explores contemporary Russian writers’ intertextual engagement with Chekhov and his myth. She offers a new interpretative framework to explain the role Chekhov and other classics play in constructing and maintaining Russian national identity and the reasons for the surge in the number of intertextual engagements with the classical authors during the cultural crisis in post-perestroika Russia.
The book highlights the intersection of three distinct concepts: cultural memory, cultural myth, and intertextuality. It is precisely their interrelation that explains how intertextuality came to function as a defense mechanism of culture, a reaction of cultural memory to the threat of its disintegration.
In addition to offering close readings of some of the most significant short stories by contemporary Russian authors and by Chekhov, as a theoretical case study the book sheds light on important processes in contemporary literature: it explores the function of intertextuality in the development of Russian literature, especially post-Soviet literature; it singles out the main themes in contemporary literature, and explains their ties to national cultural myths and to cultural memory. The Chekhovian Intertext may serve as a theoretical model and impetus for examinations of other national literatures from the point of view of the relationship between intertextuality and cultural memory.
Timothy J. Knab
University of Arizona Press, 2004
J. A. DiNoia, O.P.
Catholic University of America Press, 1992
Gayatri Chakravorty Spivak and Romila Thapar
Seagull Books, 2024
Edited by Tulio Maranhão
University of Chicago Press, 1990
Lawrence Schmidt
Northwestern University Press, 1995
Authored by Michael Mayerfeld Bell, edited by Ann Goetting
Temple University Press, 2011
The Strange Music of Social Life presents a dialogue on dialogic sociology, explored through the medium of music. Sociologist and composer Michael Mayerfeld Bell presents an argument that both sociology and classical music remain largely in the grip of a nineteenth-century totalizing ambition of prediction and control. He provides the refreshing approach of "strangency" to explain a sociology that tries to understand not only the regularities of social life but also the social conditions in which people do what we do not expect.
Nine important sociologists and musicians respond-often vigorously-to the conversation Bell initiates by raising pivotal questions. The Strange Music of Social Life concludes with Bell's reply to those responses and offers new insight into sociology and music sociology.
J. Augustine Di Noia
Catholic University of America Press, 2024
Adnane Mokrani
Michigan State University Press, 2022