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Winner of the Global Humanities Prize

A classic of modern Provençal literature, Jóusè d’Arbaud’s 1926 masterpiece “The Beast of Vacarés” (also known as “The Beast of Vaccarès”) is a haunting parable. Set during the fifteenth century, the tale is narrated by a solitary bull herder—known as a gardian—who stumbles upon a starving creature that is half man, half goat. Terrified, the gardian is nonetheless drawn to the eloquent Beast, a dying demigod who laments the loss of his glorious past even as he wields power over the animals around him. Torn between pity and fear, unable to understand his experiences and afraid he will be condemned for heresy, the gardian records his encounters in a journal, hoping that one day readers will make sense of what he cannot.

Set in the vast, lonely landscape of the Camargue delta, where the Rhône meets the Mediterranean, The Beast seamlessly melds fantasy with naturalistic detail about the region’s flora and fauna. Three additional stories—“The Caraco,” “Pèire Guilhem’s Remorse,” and “The Longline”—explore the lives of twentieth-century gardians in the region. Each man succumbs to fears and social pressure, tragically losing what he most loves.

The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture—now in paperback

The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales.

Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian.

Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century.

The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

The magical and mundane twist together in this collection of surreal stories

In this collection of stories set in an uncanny American suburbia and haunted by a lurking unease, the peculiar feeling of ephemeral youth finds its voice. The stories in The Gods in Small Doses depict childhood through a funhouse mirror, as a time of myth and damage, of tenderness and terror. Anything—except what should happen—can happen next.

A retired witch traps a goat-killing feral child, a girl becomes obsessed with the regenerative properties of her younger brother’s body, Armageddon is fought between the forces of good (those who like to go to bed early) and evil (those who prefer to stay up late), a supernatural orphan insinuates his way into an all-American family, the god Poseidon wrecks a high-school house party, and the women of a fabulated island city all mysteriously disappear overnight. In these fast, comic, and troubling tales, sweetness and violence vie to become synonymous.

This is a universe of both realism and surrealism, of magic and the mundane, where strong but deeply flawed characters fight to exert control over things—time, death, themselves—that can’t be controlled. Dreamlike moments of body horror, catastrophe, and absurdity challenge the reader to embrace the taboo and to expect—always—the unexpected. Bell’s stories offer a twisted, unique, and utterly fascinating take on what it means to “grow up,” and all of the questions that the notion inspires.

For two hundred years the subject of myth—its origin, function, and significance—has been addressed again and again, first by theologians and philosophers and then by anthropologists, sociologists, and psychologists. From the outset the topic has sparked intense debate, with differing opinions expressed on everything from issues of epistemology and methodology to the meaning of “myth” itself. In this collection of essays, Robert A. Segal surveys the contours of this ongoing discussion, comparing and evaluating the leading theories of myth. 

Among the theorists discussed are Edward Tylor, William Robertson Smith, James Frazer, Jane Harrison, S. H. Hooke, Mircea Eliade, Rudolf Bultmann, Hans Jonas, Sigmund Freud, C. G. Jung, Joseph Campbell, Claude Lévi-Strauss, and Hans Blumenberg. Author and editor of numerous books and articles in the fields of theories of myth and theories of religion, Segal has developed a reputation as a preeminent proponent of a social-scientific approach to the study of both. The essays in this book represent some of the best of his writing on myth over the past ten years.

Haunting tales from Georgia—where history lingers in every shadow.

Petrifying the Peach State, hosts of haints have beset the state of Georgia throughout its storied history. In Thirteen Georgia Ghosts and Jeffrey, best-selling folklorist Kathryn Tucker Windham, along with her trusty spectral companion Jeffrey, introduce thirteen of Georgia’s most famous ghost stories.

Windham won hearts across the nation in her regular radio broadcasts and many public appearances. The South’s most prolific raconteur of revenants, Windham, giving new meaning to the phrase “ghost-writer,” does more than tell ghost stories—she captures the true spirit of the place.

Evoking Georgia’s colonial era, “The Eternal Dinner Party” explains why the sounds of an elegant dinner soirée still waft from the grove of Savannah’s Bonaventure estate. At the onset of the Revolution, the Tattnall family abandoned Bonaventure and slipped away to England. Young Josiah Tattnall eventually returned to fight in the Revolution, restored Bonaventure, and later became Georgia’s governor. One holiday eve, when the mansion was bedecked with magnolia and holly and crowded with visitors, a fire too large to control swept through the old house. Tattnall, exhibiting his cool head and impeccable manners, ordered the massive dinner table carried out to the garden where he enjoined his holiday revelers to continue their stately meal. The melancholy strains of Tattnall’s dinner guests still echo through Bonaventure’s ancient oaks on moonlight nights.

In “The Ghost of Andersonville,” Windham takes visitors near the woebegone Confederate prisoner-of-war camp. A plaque there still recounts the tale of Swiss immigrant and Confederate captain Henry Wirz. Convicted—many thought wrongly—of war crimes, Wirz’s restless ghost still perambulates the highways of south Georgia. Writing for the Georgia Historical Commission, Miss Bessie Lewis quips in her preface to this beloved collection, “Who should be better able to tell of happenings long past than the ghosts of those who had a part in them?”

A perennial favorite, this commemorative edition restores Thirteen Georgia Ghosts and Jeffrey to the ghastly grandeur of its original 1973 edition.

A deluxe, commemorative edition of famed southern author and folklorist Kathryn Tucker Windham’s introduction to Mississippi’s thirteen most famous haunted houses and ghostly visitations.

For as long as Mississippi has existed (and then some), flocks of phantoms have haunted the mortal inhabitants of the Magnolia State. In Thirteen Mississippi Ghosts and Jeffrey, best-selling folklorist Kathryn Tucker Windham, along with her trusty spectral companion Jeffrey, introduces thirteen of the state’s most famous ghost stories.

Although stories about Mississippi’s spirits seemingly outnumber the ghosts themselves, Windham observes that “Southern ghost tales are disappearing because people no longer sit around on the porch on summer nights and tell stories. The old folks who grew up with these stories are dying now, and the stories are dying with them.”

Fortunately for us, Windham was a writer dedicated to preserving these tales in print. The veteran author spent many years tracking down these stories and chronicling the best ones. From the ghost of Mrs. McEwen still wearing her beloved cameo pin and keeping a watchful eye over Featherston Place, her home in Holly Springs, where, she swore, she would stay forever, to the ghostly visage fixed permanently on the bedroom window pane of Catherine McGehee, who searched the horizon ardently for her unrequited love to come to her as promised at Cold Spring Plantation in Pinckneyville, Windham’s stories cover the breadth and depth of Mississippi—at times more moonlight than magnolia.

An enduring classic, this commemorative edition restores Thirteen Mississippi Ghosts and Jeffrey to the ghastly grandeur of its original 1974 edition.