78 books match the query 'Fascism & Totalitarianism' and 21 start with t

cover of The Clash of Moral Nations: Cultural Politics in Pilsudski’s Poland, 1926–1935

The Clash of Moral Nations

Cultural Politics in Pilsudski’s Poland, 1926–1935

Eva Plach

Ohio University Press, 2006

The May 1926 coup d’état in Poland inaugurated what has become known as the period of sanacja or “cleansing.” The event has been explored in terms of the impact that it had on state structures and political styles. But for both supporters and opponents of the post-May regime, the sanacja was a catalyst for debate about Polish national identity, about citizenship and responsibility to the nation, and about postwar sexual morality and modern gender identities. The Clash of Moral Nations is a study of the political culture of interwar Poland, as reflected in and by the coup. Eva Plach shifts the focus from strictly political contexts and examines instead the sanacja’s open-ended and malleable language of purification, rebirth, and moral regeneration. In tracking the diverse appropriations and manipulations of the sanacja concept, Plach relies on a wide variety of texts, including the press of the period, the personal and professional papers of notable interwar women activists, and the official records of pro-sanacja organizations, such as the Women’s Union for Citizenship Work. The Clash of Moral Nations introduces an important cultural and gendered dimension to understandings of national and political identity in interwar Poland.
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cover of The Crisis of German Ideology: Intellectual Origins of the Third Reich

The Crisis of German Ideology

Intellectual Origins of the Third Reich

George L. Mosse

University of Wisconsin Press, 2021

This new edition revisits the renowned historian George L. Mosse’s landmark work exploring the ideological foundations of Nazism in Germany. First published in 1964, this volume was among the first to examine the intellectual origins of the Third Reich. Mosse introduced readers to what is known as the völkisch ideal—the belief that the German people were united through a transcendental essence. This mindset led to the exclusion of Jews and other groups, eventually allowing Nazi leaders to take their beliefs to catastrophic extremes. The critical introduction by Steven E. Aschheim, the author of Beyond the Border: The German-Jewish Legacy Abroad and many other books, brings Mosse’s work into the present moment.
 
George L. Mosse (1918–99) was a legendary scholar, teacher, and mentor. A refugee from Nazi Germany, in 1955 he joined the Department of History at the University of Wisconsin–Madison, where he was both influential and popular. Mosse was an early leader in the study of modern European cultural and intellectual history, fascism, and the history of sexuality and masculinity. Over his career he authored more than two dozen books.
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cover of The Culture of Japanese Fascism

The Culture of Japanese Fascism

Alan Tansman, ed.

Duke University Press, 2009

This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan.

Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms.

Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza

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cover of The End of Victory Culture: Cold War America and the Disillusioning of a Generation

The End of Victory Culture

Cold War America and the Disillusioning of a Generation

Thomas M. Engelhardt

University of Massachusetts Press, 2007

In a substantial new afterword to his classic account of the collapse of American triumphalism in the wake of World War II, Tom Engelhardt carries that story into the twenty-first century. He explores how, in the aftermath of September 11, 2001, the younger George Bush headed for the Wild West (Osama bin Laden, “Wanted, Dead or Alive”); how his administration brought “victory culture” roaring back as part of its Global War on Terror and its rush to invade Saddam Husseins's Iraq; and how, from its “Mission Accomplished” moment on, its various stories of triumph crashed and burned in that land.

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cover of The Enemy of the New Man: Homosexuality in Fascist Italy

The Enemy of the New Man

Homosexuality in Fascist Italy

Lorenzo Benadusi

University of Wisconsin Press, 2012

In this first in-depth historical study of homosexuality in Fascist Italy, Lorenzo Benadusi brings to light immensely important archival documents regarding the sexual politics of the Italian Fascist regime; he adds new insights to the study of the complex relationships of masculinity, sexuality, and Fascism; he explores the connections between new Fascist values and preexisting Italian traditional and Roman Catholic views on morality; he documents both the Fascist regime’s denial of the existence of homosexuality in Italy and its clandestine strategies and motivations for repressing and imprisoning homosexuals; he uncovers the ways that accusations of homosexuality (whether true or false) were used against political and personal enemies; and above all, he shows how homosexuality was deemed the enemy of the Fascist “New Man,” an ideal of a virile warrior and dominating husband vigorously devoted to the “political” function of producing children for the Fascist state.
    Benadusi investigates the regulation and regimentation of gender in Fascist Italy, and the extent to which, in uneasy concert with the Catholic Church, the regime engaged in the cultural and legal engineering of masculinity and femininity. He cites a wealth of unpublished documents, official speeches, letters, coerced confessions, private letters and diaries, legal documents, and government memos to reveal and analyze how the orders issued by the regime attempted to protect the “integrity of the Italian race.” For the first time, documents from the Vatican archives illuminate how the Catholic Church dealt with issues related to homosexuality during the Fascist period in Italy.

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cover of The Eugenic Fortress: The Transylvanian Saxon Experiment in Interwar Romania

The Eugenic Fortress

The Transylvanian Saxon Experiment in Interwar Romania

Tudor Georgescu

Central European University Press, 2016

The ever growing library on the history of eugenics and fascism focuses largely on nation states, while this monograph asks why an ethnic minority, the Transylvanian Saxons, turned to eugenics as a means of self-empowerment in interwar Romania. The Eugenic Fortress investigates and unpacks the eugenic movement that emerged in the early twentieth century, and focuses on its conceptual and methodological evolution during the interwar period. Further on, the book analyzes the gradual process of politicisation and radicalisation at the hands of a second generation of Saxon eugenicists in conjunction with the rise of an equally indigenous fascist movement. The Saxon case study offers valuable insights into why an ethnic minority would seek to re-entrench itself behind the race-hygienic walls of a 'eugenic fortress', as well as the influence host and home nations had upon its design. Georgescu's work is ground breaking in the sense that the history of this uprooted community is usually handled with sensitivity and serious (and critical) research into Transylvanian Saxon involvement with Nazism has been energetically resisted.
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cover of The Fascist Revolution: Toward a General Theory of Fascism

The Fascist Revolution

Toward a General Theory of Fascism

George L. Mosse, with a critical introduction by Roger Griffin

University of Wisconsin Press, 2021

The Fascist Revolution is the culmination of George L. Mosse's groundbreaking work on fascism. Originally published posthumously in 1999, the volume covers a broad spectrum of topics related to cultural interpretations of fascism from its origins through the twentieth century. In a series of magisterial turns, Mosse examines fascism's role in the French Revolution, its relationship with nationalism and racism, its use by intellectuals to foment insurrection, and more as a means to define and understand it as a popular phenomenon on its own terms. This new edition features a critical introduction by Roger Griffin, professor emeritus of modern history at Oxford Brookes University, contextualizing Mosse's research as fascism makes a global resurgence.
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cover of The Global Police State

The Global Police State

William I Robinson

Pluto Press, 2020

"Karl Marx aspired to a world in which our animal needs would be satisfied and our human needs could be addressed. It is a realistic possibility now, as William Robinson outlines—or the alternative that is taking shape before our eyes: a 'global police state' controlled by narrowly concentrated capital with 'surplus humanity' left to survive somehow on its own. The choice is in our hands."
—Noam Chomsky, author of Who Rules the World?
 
As the world becomes ever more unequal, people become ever more “disposable.” Today, governments systematically exclude sections of their populations from society through heavy-handed policing. But it doesn't always go to plan.
 
William I. Robinson exposes the nature and dynamics of this out-of-control system, arguing for the urgency of creating a movement capable of overthrowing it. The global police state uses a variety of ingenious methods of control, including mass incarceration, police violence, US-led wars, the persecution of immigrants and refugees, and the repression of environmental activists.
 
He writes in his Introduction, “I offer a ‘big picture” of the emerging global police state in a short book that is eminently readable. The pages to follow may startle many readers and make them angry. I trust the work will serve as a warning of the dystopic future that is upon us. More importantly, by exposing the nature and dynamic of this out-of-control system, I hope it will contribute to the struggles to bring about an alternative future based on human freedom and liberation.”
 
Movements have emerged to combat the increasing militarization, surveillance and social cleansing; however, many of them appeal to a moral sense of social justice rather than addressing its root: global capitalism.
 
Using shocking data which reveals how far capitalism has become a system of repression, Robinson argues that the emerging megacities of the world are becoming the battlegrounds where the excluded and the oppressed face off against the global police state.     

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cover of The Know-Nothing Campaign Against Higher Learning

The Know-Nothing Campaign Against Higher Learning

James Chandler

Prickly Paradigm Press, 2026

Irony and satire in the contemporary American moment.

The second Trump administration has committed itself to upending the knowledge systems and deliberative institutions that have been essential to modern democracy, with the American university—site of scientific research and liberal education—a primary target.  In The Know-Nothing Campaign Against Higher Learning, literary and film critic James Chandler spotlights an American tradition of such hostility to intellectual life, especially the nativist movement of the 1850s that persecuted Catholic immigrants from Ireland and Germany. Ironically, Steve Bannon, the self-proclaimed “Know-Nothing vulgarian” who long ago recruited candidate Trump to his anti-intellectual crusade, is himself the great-grandson of an Irish immigrant who would have faced Know-Nothing backlash in that era.

Such dark ironies define our moment, Chandler argues, and they call out not only for intellectual critique but also for satire. Yet in the midst of the MAGA campaign’s calamitous effects on American public discourse, even satire must confront the “kayfabe” practices imported by Trump from professional wrestling, which mix illusion and reality to turn political life into a “spectacle without thought.” Drawing widely on cultural critics from Jonathan Swift and Alexis de Tocqueville to Roland Barthes, Chandler’s pamphlet offers an elegant and bracing account of the MAGA campaign against higher learning and its transformative effects on criticism and democracy itself.

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cover of The Military and Politics in Postauthoritarian Chile

The Military and Politics in Postauthoritarian Chile

Gregory Weeks

University of Alabama Press, 2003

"The Military and Politics in Post-Authoritarian Chile should be read by everyone concerned with the relation between democracy and the armed forces. It is a well-researched, well-written volume that should prove both interesting and useful to scholars and students alike." —Perspectives on Politics

Why have political leaders of developing and authoritarian nations run into so many obstacles as they attempt to establish civilian supremacy over armed forces in the democratization of their countries? This is the question Gregory Weeks poses in his study of Chile from 1990 onward. He explains how the Chilean military has maintained a high level of political influence in the tumultuous aftermath of dictatorial rule by Army General Augusto Pinochet, thus confounding a smooth transition to civilian authority.

Even after the reins of power were officially handed over in 1990, Pinochet continued as commander in chief of the army until 1998, when he took a lifetime seat in the Senate and led the military’s efforts to retain its legal and constitutional prerogatives while limiting civilian oversight of military affairs. This assertion of guardianship by the military has produced a political tug-of-war between it and civilian authorities the two contenders for political primacy in Chile. In addition to recounting the historical background of this situation, Weeks’s study examines where conflict between these two contenders has been most productive and accord has been highest. His findings suggest that formal contacts, conducted through formal institutions, have been the most conducive to civil supremacy and, therefore, the consolidation of democracy.

Based on interviews, government documents, military journals, newspapers, and other archival sources, The Military and Politics in Postauthoritarian Chile describes how presidents, military officers, members of Congress, and judges have interacted since the end of the military regime. With implications for conflict resolution studies, this book will be valuable for Chileanists and policymakers and analysts of Latin American regimes, as well as academic libraries, military historians, social scientists, and students and scholars of Latin American history and politics.

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cover of The Perils of Populism

The Perils of Populism

Sarah Tobias

Rutgers University Press, 2022

From Donald Trump in the U.S. to Jair Bolsonaro in Brazil, Viktor Orbán in Hungary, and Narendra Modi in India, right-wing populist leaders have taken power in many parts of the world. While each country’s populist movement is distinct, they are united by several key features, including the presence of a boastful strongman leader and the scapegoating of vulnerable populations, especially immigrants, people of color, LGBTQ people, and women.
 
The Perils of Populism shows how a feminist lens can help diagnose the factors behind the global rise of right-wing populism and teach us how to resist the threat it presents to democracy. Featuring interdisciplinary essays about politics in the United States, the Middle East, Europe, and India from a variety of acclaimed theorists and activists, the volume contributes to a rapidly expanding literature on gender and the far right. Together, these chapters offer a truly intersectional analysis of the problem, addressing everything from how populism has thrived in a “post-truth” era to the ways it appeals to working-class voters looking for an alternative to neoliberalism. Yet the authors also find reasons to be hopeful, as they showcase forms of grassroots feminist activism that challenge right-wing populism by advocating for racial and economic justice.
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cover of The Personality of Power: A Theory of Fascism for Anti-fascist Life

The Personality of Power

A Theory of Fascism for Anti-fascist Life

Brian Massumi

Duke University Press, 2025

“I am the Chosen One!” With this exclamation Donald Trump crowns the national exceptionalism his base upholds with a claim of personal exceptionalism. He leaves no doubt as to the emotional note: “I am your vengeance!” He personifies reaction for the masses. Except, in today’s microsegmented social media environment the “masses” no longer exist. Fascism’s cultural conditions have shifted. In The Personality of Power, Brian Massumi retheorizes the conditions of contemporary fascism through the prism of Trump’s persona. Older theories based on identification of the masses with a charismatic leader no longer hold. Rather, an affective regime of reaction agitates bodies and orients lives at the molecular level. Massumi examines this agitation in relation to race, gender, personhood, and conspiracy thinking. The Personality of Power is a political treatise on fascism and its precursor movements, coupled with a philosophical inquiry into becoming reactionary as a collective process. Massumi calls the very concept of the person into question, asking what collective personhood means concretely. Nothing less than an alternative political logic is needed, turned to the task of thinking collective individuation.
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cover of The Rhetoric of Fascism

The Rhetoric of Fascism

Edited by Nathan Crick

University of Alabama Press, 2022

Decoding the discourse: Rhetorical foundations of authoritarian power.

Fascism has resurfaced as one of the most pressing problems of our time. The rise of extremist parties and candidates in Europe, the United States, and around the globe has led even mainstream political commentators to begin using the term “fascism” to describe dangerous movements that have revived and repackaged many of the strategies long thought to have been relegated to the margins of political rhetoric. No longer just confined to the state regimes of the past, fascism thrives today as a globally self-augmenting, self-propagating rhetorical phenomenon with a variety of faces and expressions.

The Rhetoric of Fascism defines and interprets the common persuasive devices that characterize fascist discourse to understand the nature of its enduring appeal. By approaching fascism from a rhetorical perspective, this volume complements established political and sociological understandings of fascism as a movement or regime. A rhetorical approach studies fascism less as a party one joins than as a set of persuasive strategies one adopts. Fascism spreads precisely because it is not a coherent entity. Instead, it exists as a loosely bound and often contradictory collection of persuasive trajectories that have attained enough coherence to mobilize and channel the passions of a self-constituted mass of individuals.

Introductory chapters focus on general theories of fascism drawn from twentieth-century history and theory. Contributors investigate specific historical figures and their relationship to contemporary rhetorics, focusing on a specific rhetorical device that is characteristic of fascist rhetoric. A common thread throughout every chapter is that fascist devices are appealing because they speak to us in the familiar language of our culture. As we are seduced by one device at a time, we soon find ourselves part of a movement, a group, or a campaign that makes us act in ways we might never have imagined. This volume reveals that fascism may be closer to home than we think.

CONTRIBUTORS
Patrick D. Anderson / Rya Butterfield / Nathan Crick / Elizabeth R. Earle / Zac Gershberg / Stephen J. Hartnett / Marie-Odile N. Hobeika / Sean Illing / Jacob A. Miller / Fernando Ismael Quiñones Valdivia / Patricia Roberts-Miller / Raquel M. Robvais / Bradley A. Serber / Ryan Skinnell
 

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cover of The Second World War: A Marxist History

The Second World War

A Marxist History

Chris Bambery

Pluto Press, 2014

The Second World War casts a long shadow, portrayed as a necessary and paradigmatic war that defeated fascism. During recent wars in Iraq, Afghanistan and elsewhere, US presidents and British prime ministers have tried to claim they were following in the footsteps of Winston Churchill by standing up to dictators.

In The Second World War Chris Bambery tests this position in a thorough account of the war and tries to understand why it still dominates TV history channels and school history books.

Bambery argues that the conflict ultimately was about a division of the world between the great powers, as well as a rising of ordinary people against fascism. He offers a complex and radical analysis, that is unique when compared to many modern and conventional histories of the war.

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cover of The Symphony Concert in Nazi Germany

The Symphony Concert in Nazi Germany

Neil Gregor

University of Chicago Press, 2025

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era.

In the years after the Nazis came to power in January 1933 and throughout the Second World War, all aspects of life in Germany changed. Despite the social and political upheaval, gentile citizens continued to attend concerts. In this book, historian Neil Gregor surveys how the classical concert scene was impacted in Nazi Germany. Taking the perspective of the audience, rather than institutions or performers, Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge?

For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent—a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near seamless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany.
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cover of The Totalitarian Experience

The Totalitarian Experience

Tzvetan Todorov

Seagull Books, 2011

The fall of the Berlin Wall marked the beginning of the collapse of the Soviet Union, as well as many other communist totalitarian regimes around the world. But it would be naive to assume that this historic, symbolic event and its aftermath have completely rid the world of totalitarianism. Instead, we should ask, what is the totalitarian experience and how does it survive today?
 
This is the imposing question raised by acclaimed philosopher and writer Tzvetan Todorov in this compact, highly personal essay. Here, he recounts his own experiences with totalitarianism in his native Bulgaria and discusses the books he has written in the last twenty years that were devoted to examining such regimes, such as Voices from the Gulag, his influential analysis of Stalinist concentration camps. Through this retrospective investigation, Todorov offers a historical look at communism. He brings together and distills his extensive oeuvre to reveal the essence of totalitarian ideology, the characteristics of daily life under communism, and the irony of democratic messianism.
 
Bringing his thoughts and insights up to the present, Todorov explores how economic ultraliberalism may be considered just another form of totalitarianism. And his conclusion leads us to ask ourselves another challenging question: Are liberal democratic societies actually totalitarian experiences in disguise?
 
 “In this honed, finely calibrated essay, Todorov refutes the notion that good can be imposed by force. More efficient is to embody one’s values and demonstrate their worth. . . . This is a concise and eloquent defence of what makes us truly human.”—Age, on Torture and the War on Terror

 
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cover of They Thought They Were Free: The Germans, 1933-45

They Thought They Were Free

The Germans, 1933-45

Milton Mayer

University of Chicago Press, 1966

First published in 1955, They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis.

“What happened here was the gradual habituation of the people, little by little, to being governed by surprise; to receiving decisions deliberated in secret; to believing that the situation was so complicated that the government had to act on information which the people could not understand, or so dangerous that, even if the people could not understand it, it could not be released because of national security. And their sense of identification with Hitler, their trust in him, made it easier to widen this gap and reassured those who would otherwise have worried about it.”--from Chapter 13, “But Then It Was Too Late”
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cover of They Thought They Were Free: The Germans, 1933–45

They Thought They Were Free

The Germans, 1933–45

Milton Mayer

University of Chicago Press, 2017

The classic, chilling account of how fascism took over Germany—and of the constant danger of complacency

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”
 
That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest.
 
They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.
 
A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.
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cover of Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia

Thunder Cross

Fascist Antisemitism in Twentieth-Century Latvia

Paula A. Oppermann

University of Wisconsin Press, 2025

Founded in 1932, Thunder Cross (Pērkonkrusts) was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto—“Latvia for Latvians!”—echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, Thunder Cross never succeeded in seizing power. Nevertheless, Holocaust historian Paula A. Oppermann argues, its movement left an indelible mark on the country. The antisemitism at the core of Thunder Cross’s ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. 

Thunder Cross is the most comprehensive study of Latvia’s fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context.
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cover of Totalitarian Societies and Democratic Transition: Essays in Memory of Victor Zaslavsky

Totalitarian Societies and Democratic Transition

Essays in Memory of Victor Zaslavsky

Riccardo James Vargiu

Central European University Press, 2017

This book is a tribute to the memory of Victor Zaslavsky (1937–2009), sociologist, émigré from the Soviet Union, Canadian citizen, public intellectual, and keen observer of Eastern Europe. In seventeen essays leading European, American and Russian scholars discuss the theory and the history of totalitarian society with a comparative approach. They revisit and reassess what Zaslavsky considered the most important project in the latter part of his life: the analysis of Eastern European - especially Soviet societies and their difficult “transition” after the fall of communism in 1989–91. The variety of the contributions reflects the diversity of specialists in the volume, but also reveals Zaslavsky's gift: he surrounded himself with talented people from many different fields and disciplines. In line with Zaslavsky's work and scholarly method, the book promotes new theoretical and methodological approaches to the concept of totalitarianism for understanding Soviet and East European societies, and the study of fascist and communist regimes in general.
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Tyrants Writing Poetry

Albrecht Koschorke

Central European University Press, 2018

Why do tyrants - of all people - often have poetic aspirations? Where do terror and prose meet? This book contains nine case studies that compare the cultural history of totalitarian regimes. The essays focus not on the arts, literature or architecture but on the phenomenon that many of history's great despots considered themselves talented writers. By studying the artistic ambitions of Nero, Mussolini, Stalin, Hitler, Mao Zedong, Kim Il-sung, Gaddafi, Saddam Hussein, Saparmurat Niyazov and Radovan Karadzic, the authors explore the complicated relationship between poetry and political violence, and provide a fascinating look at the aesthetic dimensions of total power. The essays make an important contribution to a number of fields: the study of totalitarian regimes, cultural studies, and biographies of 20th century leaders. They underscore the frequent correlation between tyrannical governance and an excessive passion for language, and demonstrate that the combination of artistic and political charisma is often effective in the quest for absolute power.
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