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53 books match the query 'Film adaptations' and 4 start with t

cover of Take Two: Adapting the Contemporary American Novel to Film

Take Two

Adapting the Contemporary American Novel to Film

Barbara Tepa Lupack

University of Wisconsin Press, 1994

From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas.
    Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.
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cover of The Film Photonovel: A Cultural History of Forgotten Adaptations

The Film Photonovel

A Cultural History of Forgotten Adaptations

By Jan Baetens

University of Texas Press, 2019

Discarded by archivists and disregarded by scholars despite its cultural impact on post–World War II Europe, the film photonovel represents a unique crossroads. This hybrid medium presented popular films in a magazine format that joined film stills or set pictures with captions and dialogue balloons to re-create a cinematic story, producing a tremendously popular blend of cinema and text that supported more than two dozen weekly or monthly publications.

Illuminating a long-overlooked ‘lowbrow’ medium with a significant social impact, The Film Photonovel studies the history of the format as a hybrid of film novelizations, drawn novels, and nonfilm photonovels. While the field of adaptation studies has tended to focus on literary adaptations, this book explores how the juxtaposition of words and pictures functioned in this format and how page layout and photo cropping could affect reading. Finally, the book follows the film photonovel's brief history in Latin America and the United States. Adding an important dimension to the interactions between filmmakers and their audiences, this work fills a gap in the study of transnational movie culture.

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cover of To Love Is to Act: Les Misérables and Victor Hugo’s Vision for Leading Lives of Conscience

To Love Is to Act

Les Misérables and Victor Hugo’s Vision for Leading Lives of Conscience

Marva A. Barnett

Swan Isle Press, 2019

“To love is to act”— “Aimer, c’est agir.”  These words, which Victor Hugo wrote three days before he died, epitomize his life’s philosophy. His love of freedom, democracy, and all people—especially the poor and wretched—drove him not only to write his epic Les Misérables but also to follow his conscience. We have much to learn from Hugo, who battled for justice, lobbied against slavery and the death penalty, and fought for the rights of women and children. In a series of essays that interweave Hugo’s life with Les Misérables and point to the novel’s contemporary relevance, To Love Is to Act explores how Hugo reveals his guiding principles for life, including his belief in the redemptive power of love and forgiveness. Enriching the book are insights from artists who captured the novel’s heart in the famed musical, Les Mis creators Alain Boublil and Claude-Michel Schönberg,  producer of the musical Les Misérables Cameron Mackintosh, film director Tom Hooper, and award-winning actors who have portrayed Jean Valjean: Colm Wilkinson and Hugh Jackman. 
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cover of Tolstoy on Screen

Tolstoy on Screen

Edited by Lorna Fitzsimmons and Michael A. Denner

Northwestern University Press, 2015

Scholarship on screen adaptation has proliferated in recent years, but it has remained largely focused on English- and Romance-language authors. Tolstoy on Screen aims to correct this imbalance with a comprehensive examination of film and television adaptations of Tolstoy’s fiction. Spanning the silent era to the present day, these essays consider well-known as well as neglected works in light of contemporary adaptation and media theory. The book is organized to facilitate a comparative, cross-cultural understanding of the various practices employed in different eras and different countries to bring Tolstoy’s writing to the screen. International in scope and rigorous in analysis, the essays cast new light on Tolstoy’s work and media studies alike.

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