74 books match the query 'Kenya' and 8 start with t

cover of The Amboseli Elephants: A Long-Term Perspective on a Long-Lived Mammal

The Amboseli Elephants

A Long-Term Perspective on a Long-Lived Mammal

Edited by Cynthia J. Moss, Harvey Croze, and Phyllis C. Lee

University of Chicago Press, 2011

Elephants have fascinated humans for millennia. Aristotle wrote of them with awe; Hannibal used them in warfare; and John Donne called the elephant “Nature’s greatest masterpiece. . . . The only harmless great thing.” Their ivory has been sought after and treasured in most cultures, and they have delighted zoo and circus audiences worldwide for centuries. But it wasn’t until the second half of the twentieth century that people started to take an interest in elephants in the wild, and some of the most important studies of these intelligent giants have been conducted at Amboseli National Park in Kenya.

            
The Amboseli Elephants is the long-awaited summation of what’s been learned from the Amboseli Elephant Research Project (AERP)—the longest continuously running elephant research project in the world. Cynthia J. Moss and Harvey Croze, the founders of the AERP, and Phyllis C. Lee, who has been closely involved with the project since 1982, compile more than three decades of uninterrupted study of over 2,500 individual elephants, from newborn calves to adult bulls to old matriarchs in their 60s. Chapters explore such topics as elephant ecosystems, genetics, communication, social behavior, and reproduction, as well as exciting new developments from the study of elephant minds and cognition. The book closes with a view to the future, making important arguments for the ethical treatment of elephants and suggestions to aid in their conservation.

            
The most comprehensive account of elephants in their natural environment to date, The Amboseli Elephants will be an invaluable resource for scientists, conservationists, and anyone interested in the lives and loves of these extraordinary creatures.        

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cover of The Boy Is Gone: Conversations with a Mau Mau General

The Boy Is Gone

Conversations with a Mau Mau General

Laura Lee P. Huttenbach

Ohio University Press, 2015

A story with the power to change how people view the last years of colonialism in East Africa, The Boy Is Gone portrays the struggle for Kenyan independence in the words of a freedom fighter whose life spanned the twentieth century’s most dramatic transformations. Born into an impoverished farm family in the Meru Highlands, Japhlet Thambu grew up wearing goatskins and lived to stand before his community dressed for business in a pressed suit, crisp tie, and freshly polished shoes. For most of the last four decades, however, he dressed for work in the primary school classroom and on his lush tea farm.

The General, as he came to be called from his leadership of the Mau Mau uprising sixty years ago, narrates his life story in conversation with Laura Lee Huttenbach, a young American who met him while backpacking in Kenya in 2006. A gifted storyteller with a keen appreciation for language and a sense of responsibility as a repository of his people’s history, the General talks of his childhood in the voice of a young boy, his fight against the British in the voice of a soldier, and his long life in the voice of shrewd elder. While his life experiences are his alone, his story adds immeasurably to the long history of decolonization as it played out across Africa, Asia, and the Americas.

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cover of The Combing of History

The Combing of History

David William Cohen

University of Chicago Press, 1994

How is historical knowledge produced? And how do silence and forgetting figure in the knowledge we call history? Taking us through time and across the globe, David William Cohen's exploration of these questions exposes the circumstantial nature of history. His investigation uncovers the conventions and paradigms that govern historical knowledge and historical texts and reveals the economic, social, and political forces at play in the production of history.

Drawing from a wide range of examples, including African legal proceedings, German and American museum exhibits, Native American commemorations, public and academic debates, and scholarly research, David William Cohen explores the "walls and passageways" between academic and non-academic productions of history.
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cover of The Comforts of Home: Prostitution in Colonial Nairobi

The Comforts of Home

Prostitution in Colonial Nairobi

Luise White

University of Chicago Press, 1990

"This history is . . . the first fully-fleshed story of African Nairobi in all of its complexity which foregrounds African experiences. Given the overwhelming white dominance in the written sources, it is a remarkable achievement."—Claire Robertson, International Journal of African Historical Studies

"White's book . . . takes a unique approach to a largely unexplored aspect of African History. It enhances our understanding of African social history, political economy, and gender studies. It is a book that deserves to be widely read."—Elizabeth Schmidt, American Historical Review
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cover of The Edge of Islam: Power, Personhood, and Ethnoreligious Boundaries on the Kenya Coast

The Edge of Islam

Power, Personhood, and Ethnoreligious Boundaries on the Kenya Coast

Janet McIntosh

Duke University Press, 2009

In this theoretically rich exploration of ethnic and religious tensions, Janet McIntosh demonstrates how the relationship between two ethnic groups in the bustling Kenyan town of Malindi is reflected in and shaped by the different ways the two groups relate to Islam. While Swahili and Giriama peoples are historically interdependent, today Giriama find themselves literally and metaphorically on the margins, peering in at a Swahili life of greater social and economic privilege. Giriama are frustrated to find their ethnic identity disparaged and their versions of Islam sometimes rejected by Swahili.

The Edge of Islam explores themes as wide-ranging as spirit possession, divination, healing rituals, madness, symbolic pollution, ideologies of money, linguistic code-switching, and syncretism and its alternatives. McIntosh shows how the differing versions of Islam practiced by Swahili and Giriama, and their differing understandings of personhood, have figured in the growing divisions between the two groups. Her ethnographic analysis helps to explain why Giriama view Islam, a supposedly universal religion, as belonging more deeply to certain ethnic groups than to others; why Giriama use Islam in their rituals despite the fact that so many do not consider the religion their own; and how Giriama appropriations of Islam subtly reinforce a distance between the religion and themselves. The Edge of Islam advances understanding of ethnic essentialism, religious plurality, spirit possession, local conceptions of personhood, and the many meanings of “Islam” across cultures.

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cover of The Mau Mau War in Perspective: Eastern African Studies

The Mau Mau War in Perspective

Eastern African Studies

Frank Furedi

Ohio University Press, 1989

The book breaks new ground in following the story of the participants of the rural movement during the decade after the defeat of the Mau Mau. New archival sources and interviews provide exciting material on the mechanics of the sociology of decolonization and on the containment of rural radicalism in Kenya. For the first time an account of decolonization in Kenya based on primary sources is offered to the reader.

The Mau Mau was militarily crushed in the mid-fifties, but the struggle for land rights was only contained in the post independence era of Kenya. Kikuyu squatters on European estates who formed the backbone of this movement are the main subject of this book.

Furedi’s account considers how the radicalization of rural protest in the so-called White Highlands led to the Mau Mau explosion and how it was sustained during the subsequent fifteen years.

The book establishes a focus for discussion of these critical events through exploring the relationship between rural resistance and decolonization. The author argues that the main issue facing post-colonial policies in Kenya was to resolve the problems raised by the Mau Mau revolt.

Written from an interdisciplinary perspective, with a special emphasis on historical and political sociology, this book is aimed at students of African politics and political sociologists interested in rural revolution and revolt.

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cover of The Risks of Knowledge: Investigations into the Death of the Hon. Minister John Robert Ouko in Kenya, 1990

The Risks of Knowledge

Investigations into the Death of the Hon. Minister John Robert Ouko in Kenya, 1990

David William Cohen

Ohio University Press, 2004

In February 1990 assailants murdered Kenya’s distinguished Minister of Foreign Affairs and International Cooperation, Robert Ouko. The horror of the attack, the images of his mutilated and burned corpse, the evidence of a notorious cover-up, and the revelations of the pressures, conflicts, and fears he faced in his last weeks have engaged Kenya’s publics for years. The Risks of Knowledge minutely examines the multiple and unfinished investigations into the crime.

Among the probes was an extensive 1990 inquiry organized by a New Scotland Yard team invited to Kenya by the government, as well as an open public commission of inquiry appointed by President Daniel arap Moi. The commission ran for seventeen months in 1990-91 before the president shut it down. International and Kenyan unrest over Ouko’s brutal death brought increasing attention to corruption and violence associated with the Moi government, leading in late 1991 to multiparty politics and in December 2002 to the elections that ended the Moi era.

This powerfully argued book raises important issues about the production of knowledge and the politics of memory that will interest a large interdisciplinary audience.

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cover of The Street Is My Pulpit: Hip Hop and Christianity in Kenya

The Street Is My Pulpit

Hip Hop and Christianity in Kenya

Mwenda Ntarangwi

University of Illinois Press, 2016

To some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise.

Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.

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