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Among the many studies of aging and the aged, there is comparatively little material in which the aged speak for themselves. In this compelling study, Sharon Kaufman encourages just such expression, recording and presenting the voices of a number of old Americans. Her informants tell their life stories and relate their most personal feelings about becoming old. Each story is unique, and yet, presented together, they inevitable weave a clear pattern, one that clashes sharply with much current gerontological thought. With this book, Sharon Kaufman allows us to understand the experience of the aging by listening to the aged themselves.
          Kaufman, while maintaining objectivity, is able to draw an intimate portrait of her subjects. We come to know these people as individuals and we become involved with their lives. Through their words, we find that the aging process is not merely a period of sensory, functional, economic, and social decline. Old people continue to participate in society, and—more important—continue to interpret their participation in the social world. Through themes constructed from these stories, we can see how the old not only cope with losses, but how they create new meaning as they reformulate and build viable selves. Creating identity, Kaufman stresses, is a lifelong process.
          Sharon Kaufman's book will be of interest and value not only to students of gerontology and life span development, and to professionals in the field of aging, but to everyone who is concerned with the aging process itself. As Sharon Kaufman says, "If we can find the sources of meaning held by the elderly and see how individuals put it all together, we will go a long way toward appreciating the complexity of human aging and the ultimate reality of coming to terms with one's whole life."

In The Crisis of Meaning and the Life-World, Ľubica Učník examines the existential conflict that formed the focus of Edmund Husserl’s final work, which she argues is very much with us today: how to reconcile scientific rationality with the meaning of human existence. To investigate this conundrum, she places Husserl in dialogue with three of his most important successors: Martin Heidegger, Hannah Arendt, and Jan Patočka.

For Husserl, 1930s Europe was characterized by a growing irrationalism that threatened to undermine its legacy of rational inquiry. Technological advancement in the sciences, Husserl argued, had led science to forget its own foundations in the primary “life-world”: the world of lived experience. Renewing Husserl’s concerns in today’s context, Učník first provides an original and compelling reading of his oeuvre through the lens of the formalization of the sciences, then traces the unfolding of this problem through the work of Heidegger, Arendt, and Patočka.

Although many scholars have written on Arendt, none until now has connected her philosophical thought with that of Czech phenomenologist Jan Patočka. Učník provides invaluable access to the work of the latter, who remains understudied in the English language. She shows that together, these four thinkers offer new challenges to the way we approach key issues confronting us today, providing us with ways to reconsider truth, freedom, and human responsibility in the face of the postmodern critique of metanarratives and a growing philosophical interest in new forms of materialism.

A nuanced reconsideration of the Heart Sutra, one of the most celebrated and widely chanted texts in Mahayana Buddhism.

In The Heart Sutra: Revisiting Its Texts, History, and Meaning, Henry C. H. Shiu investigates the historical origins of the Heart Sutra, a significant Buddhist scripture. He compares the Sanskrit texts with their Chinese and Tibetan translations to analyse whether the Heart Sutra might be a Chinese apocryphon, through detailed linguistic examination. To achieve this goal, Shiu thoroughly examines the primary sources from which the scripture was extracted. He emphasises the necessity of reading the Heart Sutra in the larger context of the Perfection of Wisdom literature, which contains the essence of Mahayana Buddhist teaching. In this monograph, Shiu successfully transcends the boundaries between the Chinese, Indian, and Tibetan Buddhist traditions and provides a revisionist interpretation of the Heart Sutra.

When Emily Martin delivered the annual Lewis Henry Morgan Lectures at the University of Rochester in 1986, she took as her subject the meaning of money in China and the United States. Though the topic is of perennial interest—and never more so than in our era, when economic forecasts of China’s growing economy generate shallow news stories and public fear—the lectures were never edited for publication, so their rich analysis has been unavailable to anthropologists ever since.

With this book—the first volume in a collaboration between Hau Books and the University of Rochester—Martin’s lectures are brought back, fully edited and richly illustrated. A new introduction by Martin herself brings her analysis wholly up to date, while an afterword by Jane I. Guyer and Sidney Mintz discusses Martin’s work, influence, and legacy. The Meaning of Money in China and the United States will instantly assume its rightful place as a classic in the field, with Martin’s insights as germane and productive as they were nearly thirty years ago.

Sigurd F. Olson (1899-1982) was one of the greatest environmentalists of the twentieth century. A conservation activist and popular writer, Olson introduced a generation of readers to the importance of wilderness. He served as president of the Wilderness Society and the National Parks Association and as a consultant to the federal government on wilderness preservation and ecological problems. He earned many honors, including the highest possible from the Sierra Club, National Wildlife Federation, and Izaak Walton League.

Olson is perhaps best known, though, for his many books that express the wonder, awe, and peace he found in the wilderness, including the nature classics The Singing Wilderness, Listening Point, and Reflections from the North Country. While these books have greatly influenced subsequent environmentalist movements and writers such as Annie Dillard and Barry Lopez, a major portion of Olson’s wilderness writing-much of it originating as speeches-has been relatively inaccessible, scattered in a number of magazines and obscure books over a period of more than fifty years, or never published at all.

The Meaning of Wilderness gathers together the most important of Sigurd Olson’s articles and speeches, making them available for the first time. The book also contains an introduction and chapter-by-chapter commentary by Olson’s authorized biographer, David Backes, that help the reader discover the various facets of Olson’s wilderness philosophy and their development over time. A lively look at the evolution of one of environmentalism’s greatest figures, The Meaning of Wilderness will be essential reading for Olson fans, historians, and outdoors people around the country.

Making and experiencing stories, remembering and retelling them is something we all do. We tell stories over meals, at the water cooler, and to both friends and strangers. But how do stories work? What is it about telling and listening to stories that unites us? And, more importantly, how do we change them-and how do they change us?

In The Story Is True, author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners, and watchers who create and consume stories.

Jackson writes about his family and friends, acquaintances and experiences, focusing on more than a dozen personal stories. From oral histories, such as conversations the author had with poet Steven Spender, to public stories, such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival. Jackson also investigates how "words can kill" showing how diction can be an administrator of death, as in Nazi extermination camps. And finally, he considers the way lies come to resemble truth, showing how the stories we tell, whether true or not, resemble truth to the teller.

Ultimately, The Story Is True is about the place of stories-fiction or real-and the impact they have on the lives of each one of us.