111 books match the query 'Personal narratives, American' and 15 start with t

cover of The Anti-Warrior: A Memoir

The Anti-Warrior

A Memoir

Milt Felsen

University of Iowa Press, 1989

In 1937 thirty-six nervous young men dressed in ill-fitting blue suits, wearing berets, and carrying identical black valises, were given tickets for an American Export Lines ship. They were told to conduct themselves as ordinary tourists, to be "inconspicuous." They were volunteers for the Abraham Lincoln Brigade, traveling the French underground to join in the fight against Franco. Among them was Milt Felsen, a young New Yorker and radical antiwar activist on the University of Iowa campus who had decided that fascism had to be opposed. Some of these young men never made it to their destination. But Milt Felsen did, beginning a march across the Pyrenees which was only the first of his many battles and adventures.

Told with uncommon wit and verve, this memoir of war and resistance is a stirring account of Felsen's involvement in two decades of battle. Surprisingly, this is a spirited and even funny book, infused with Felsen's unbeatable personality. After the Spanish Civil War, Felsen helped form the O.S.S. in World War II. Taken prisoner of war, he escaped in his inimitable style during a 1,200-mile prisoner-of-war march and drove out of Nazi Germany in a Mercedes-Benz. He returned to the United States more convinced than ever of war's insanity and its extreme human cost.

Most of us are only spectators of the world's larger events. Milt Felsen knew the excitement and despair of being a participant. While most war books abound in details of what happened, this one also delves into why. Felsen's straightforward account is refreshingly frank and doesn't pretend to be more than it is—his own lived version of war and common truths.

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cover of The Black Citizen-Soldiers of Kansas, 1864-1901

The Black Citizen-Soldiers of Kansas, 1864-1901

Roger D. Cunningham

University of Missouri Press, 2008

Whether slaves or free men, African Americans were generally excluded from military service until Emancipation. Many Americans know the story of the United States Colored Troops, who broke racial barriers in Civil War combat, and of the “buffalo soldiers,” who served in the West after that conflict, but African Americans also served in segregated militia units in twenty-three states. This book tells the story of that experience in Kansas.

Roger Cunningham examines a lost history to show that, in addition to black regulars, hundreds of other black militiamen and volunteers from the Sunflower State provided military service from the Civil War until the dawn of the twentieth century. He tells how African Americans initially filled segregated companies hurriedly organized to defend the state from the threat of Confederate invasion, with some units ordered into battle around Kansas City. Then after the state constitution was amended to admit blacks into the Kansas National Guard, but its generals still refused to integrate, blacks served in reserve militia and independent companies and in all-black regiments that were raised for the Spanish-American and Philippine wars.

Cunningham has researched service records, African American newspapers, and official correspondence to give voice to these citizen-soldiers. He shares stories of real people like William D. Matthews, a captain in the First Kansas Colored Infantry who was refused a commission when his regiment was mustered into the Union army; Charles Grinsted, who commanded the first black militia company after the Civil War; and other unsung heroes.

More than a military history, Cunningham’s account records the quest of black men, many of them former slaves, for inclusion in American society. Many came from the bottom of the socioeconomic order and found that as militiamen they could gain respect within their communities. And by marching in public ceremonies and organizing fund-raising activities to compensate for lack of financial support from the state, they also strengthened the ties that bound African American communities together.

The Black Citizen-Soldiers of Kansas, 1864–1901 broadens the story of these volunteers beyond the buffalo soldiers, telling how they served their state and country in both peace and war. It opens a new chapter in history both for the state and for African Americans throughout the United States.
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cover of The Bridges of Vietnam: From the Journals of a U.S. Marine Intelligence Officer

The Bridges of Vietnam

From the Journals of a U.S. Marine Intelligence Officer

Fred L. Edwards Jr.

University of North Texas Press, 2000

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cover of The Compensations of War: The Diary of an Ambulance Driver during the Great War

The Compensations of War

The Diary of an Ambulance Driver during the Great War

By Guy Emerson Bowerman

University of Texas Press, 1983

In 1917, shortly after the United States’ declaration of war on Germany, Guy Emerson Bowerman, Jr., enlisted in the American army’s ambulance service. Like other young ambulance drivers—Hemingway, Dos Passos, Cummings, Cowley—Bowerman longed to “see the show.” He was glad to learn that the ambulance units were leaving for France right away.

For seventeen months, until the armistice of November 1918, Bowerman kept an almost daily diary of the war. To read his words today is to live the war with an immediacy and vividness of detail that is astonishing.

Only twenty when he enlisted, Bowerman was an idealistic, if snobbish, young man who exulted that his section was made up mostly of young “Yalies” like himself. But he expected the war to change him, and it did. In the end he writes that he and his compatriots scarcely remember a world at peace. "The old life was gone forever. . ."

Guy Bowerman’s unit was attached to a French infantry division stationed near Verdun. Sent to halt the German drive to Paris in 1918, the division participated in the decisive counterattack of July and tracked the routed Germans through Belgium. Then, “unwarned,” Bowerman and his comrades were “plunged into … a life of peace.” Into this life, he writes, they walked “bewildered,” like “men fearing ambush.”

This remarkable chronicle of one young man’s rite of passage is destined to become a classic in the literature of the Great War.

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cover of The Day I Fired Alan Ladd and Other World War II Adventures

The Day I Fired Alan Ladd and Other World War II Adventures

A. E. Hotchner

University of Missouri Press, 2002

"To perform heroically in a perilous situation is one thing, but I found that, in my case, the real difficulty was in getting myself into a spot where heroism was possible. Nobody on latrine duty ever got the Medal of Honor."

This delightful memoir of A. E. Hotchner’s World War II experiences explores a different side of the troubled war years. Hotchner, who grew up in St. Louis, was a rookie lawyer fresh out of Washington University Law School when the United States declared war. Like many others of his generation, he aspired to serve his country. He tried to enlist in the navy, first as a pilot and then as a deck officer, but he was rejected for faulty depth perception and flat feet, respectively. Drafted as a lowly GI into the air force branch of the army, he was accepted to bombardier school. But on the eve of his departure, he was ordered to write and perform in an air force musical comedy instead. He eventually went to Officer Candidate School and was assigned to the Anti-Submarine Command as a lieutenant adjutant, but just before his squadron’s departure for North Africa he was detached and, despite knowing nothing about moviemaking, ordered to make a film that glorified the Anti-Submarine Command’s role in combating U-boats.
All through his four-year military career, despite his efforts to get into combat, fate and the military bureaucracy thwarted him. The author skillfully recounts the events of those years, describing the encounters he had with many unforgettable characters, including a footsore and sentimental Clark Gable and an inept Alan Ladd—best known as the star of Shane. Ladd, then a GI, did such a poor job reading the narration for Hotchner’s film Atlantic Mission that Hotchner had to fire him. The author also describes his encounters with other well-known people, notably Tennessee Williams, with whom he attended a playwriting class at Washington University, and a wistful, vulnerable Dorothy Parker.
Although much of Hotchner’s memoir is lighthearted, it also provides a unique look at the impact of the war on everyday life in the United States. Hotchner’s fast-paced prose makes this memoir an insightful pleasure to read.
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cover of The Eighteen-Year-Old Replacement: Facing Combat in Patton's Third Army

The Eighteen-Year-Old Replacement

Facing Combat in Patton's Third Army

R. Richard Kingsbury

University of Missouri Press, 2008

When the United States entered the Second World War, eighteen-year-old enlistees were routinely assigned temporary duties and not sent into battle until they turned nineteen. But as the fighting dragged on, America was eventually forced to draft younger men into combat to replace wounded troops—and following the Battle of the Bulge, more than 300,000 eighteen-year-olds were sent as replacements to the army’s decimated divisions.

In The Eighteen-Year-Old Replacement, Richard Kingsbury brings an often-overlooked perspective to the annals of World War II. Torn from an ordinary teenager’s life in the Midwest, young Dick was drafted six weeks after D-Day and rushed with other eighteen-year-olds to the Siegfried Line to bolster Patton’s 94th Infantry Division. His reminiscence provides a moving, diarylike account of what he endured both physically and emotionally—and tells how he went from boyhood to manhood almost overnight.

In prose that is both succinct and evocative, Kingsbury recounts his experiences as a rifleman during the final bloody battles in Germany, giving readers a real feel for what combat was like for a raw recruit. He recalls his first night in a foxhole on the front line and the “unbelievable luxury” of sleeping in a barn’s hayloft. He relives freezing cold at the Bulge, which permanently damaged his legs, and the pounding of enemy artillery during Patton’s breakthrough of the German West Wall, which affected his hearing for life.

More poignantly, Kingsbury shares his anxieties over killing—as well as the distinct possibility of being killed as Wehrmacht tanks mercilessly blasted individual foxholes at Bannholz Woods. He vividly recalls Patton’s attack on Ludwigshafen, on the west bank of the Rhine, where he took a German bullet in his chest—and where three of the six newly arrived eighteen-year-olds were killed.

Interspersed with the accounts of battle are letters between Dick and Mary Jo, his sweetheart back home, capturing the blossoming of romance that transcended both distance and bloodshed. His book casts a new light on war—and courtship—in an era when boys were rushed from the home front to the front lines. By showing how crucial the contribution of these young men was to the war effort, this book gives the eighteen-year-old replacements the recognition they have long deserved.

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cover of The Final Mission: A Boy, a Pilot, and a World at War

The Final Mission

A Boy, a Pilot, and a World at War

Elizabeth Hoban and Lt. Col. Henry Supchak

Westholme Publishing, 2012

The Inspiring True Story of a World War II Bomber Pilot Who Saved an Austrian Village—and the Incredible Search Across a Lifetime to Repay That Debt

In July 1944, Lt. Henry Supchak was flying his second-to-last mission over Germany when his B-17 bomber, Priority Gal, was hit by antiaircraft fire, disabling two engines and wounding him in the thigh. He attempted to reach neutral Switzerland, but was forced instead to order his eight crewmen to bail out over Austria. As Supchak prepared to abandon his aircraft he saw that it was on a collision course with an Alpine village. He instinctively got back into his seat, adjusted the controls, and barely escaped before the plane exploded at the base of a mountain. He parachuted into a pasture where a shepherd boy and his aunt stared in disbelief at this “man who fell from the sky.” Almost immediately, German infantry surrounded the pilot and took him away to solitary confinement. Although slightly burned by the exploding aircraft, the boy managed to find out where the wounded pilot was being held and snuck food and water to him before Supchak and his crew were taken away to a notorious prison camp for the rest of the war.

Liberated by Patton’s Third Army in April 1945, Supchak remained in the air force after World War II and even advised Gregory Peck during the filming of Twelve O’Clock High. But he carried deep scars from his war experience. Plagued by flashbacks, Supchak attempted to find closure. Opening up to his family and others about his aircombat missions and internment failed to rid him of the nagging dreams as he had hoped. But an inspired quest to find his former crew members before they all passed away put the pilot on a path of peace. A world away, an Austrian entrepreneur was searching for Supchak, the enemy pilot he had seen fall from the sky as a boy and whom he had never forgotten. Despite incredible odds, the pilot and the boy were able to meet again at the spot where Priority Gal had gone down, in a magical, miraculous reunion of closure. Beautifully written with honesty and emotion, The Final Mission: A Boy, a Pilot, and a World at War is a gripping and uplifting story of forgiveness, reconciliation, and healing from the devastation of war.

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cover of The Last Deployment: How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq

The Last Deployment

How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq

Bronson Lemer

University of Wisconsin Press, 2011

In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.

            The Last Deployment is a moving, provocative chronicle of one soldier’s struggle to reconcile military brotherhood with self-acceptance. Lemer captures the absurd nuances of a soldier’s daily life: growing a mustache to disguise his fear, wearing pantyhose to battle sand fleas, and exchanging barbs with Iraqis while driving through Baghdad. But most strikingly, he describes the poignant reality faced by gay servicemen and servicewomen, who must mask their identities while serving a country that disowns them. Often funny, sometimes anguished, The Last Deployment paints a deeply personal portrait of war in the twenty-first century.

 
InSight Out Book Club selection
 
Bronson Lemer named one of Instinct magazine’s Leading Men 2011
 
QPB Book Club selection

Finalist, Minnesota Book Awards

Finalist, Over the Rainbow Selection, American Library Association

Amazon Top Ten 10 Gay & Lesbian Books of 2011
 
 
 
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cover of The Other Side of Grief: The Home Front and the Aftermath in American Narratives of the Vietnam War

The Other Side of Grief

The Home Front and the Aftermath in American Narratives of the Vietnam War

Maureen Ryan

University of Massachusetts Press, 2008

The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's The Other Side of Grief examines the often overlooked narratives—novels, short stories, memoirs, and films—that document the war's impact on the home front. 

In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their “American War” to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war. 

The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.

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cover of The Phantom Vietnam War: An F-4 Pilot's Combat over Laos

The Phantom Vietnam War

An F-4 Pilot's Combat over Laos

David R. Honodel

University of North Texas Press, 2018

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cover of The Weekly War: How the Saturday Evening Post Reported World War I

The Weekly War

How the Saturday Evening Post Reported World War I

Chris Dubbs

University of North Texas Press, 2023

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cover of The World Wars Through the Female Gaze

The World Wars Through the Female Gaze

Jean Gallagher

Southern Illinois University Press, 1998

For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.

In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.

The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.

Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.

Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.

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cover of Thunder Below!: The USS *Barb* Revolutionizes Submarine Warfare in World War II

Thunder Below!

The USS *Barb* Revolutionizes Submarine Warfare in World War II

Admiral Eugene B. Fluckey

University of Illinois Press, 1992

The thunderous roar of exploding depth charges was a familiar and comforting sound to the crew members of the USS Barb, who frequently found themselves somewhere between enemy fire and Davy Jones's locker.
 
Under the leadership of her fearless skipper, Captain Gene Fluckey, the Barb sank the greatest tonnage of any American sub in World War II. At the same time, the Barb did far more than merely sink ships-she changed forever the way submarines stalk and kill their prey.
 
This is a gripping adventure chock-full of "you-are-there" moments. Fluckey has drawn on logs, reports, letters, interviews, and a recently discovered illegal diary kept by one of his torpedomen. And in a fascinating twist, he uses archival documents from the Japanese Navy to give its version of events.
 
The unique story of the Barb begins with its men, who had the confidence to become unbeatable. Each team helped develop innovative ideas, new tactics, and new strategies. All strove for personal excellence, and success became contagious. Instead of lying in wait under the waves, the USS Barb pursued enemy ships on the surface, attacking in the swift and precise style of torpedo boats. She was the first sub to use rocket missiles and to creep up on enemy convoys at night, joining the flank escort line from astern, darting in and out as she sank ships up the column.
Surface-cruising, diving only to escape, "Luckey Fluckey" relentlessly patrolled the Pacific, driving his boat and crew to their limits. There can be no greater contrast to modern warfare's long-distance, videogame style of battle than the exploits of the captain and crew of the USS Barb, where they sub, out of ammunition, actually rammed an enemy ship until it sank.
 
Thunder Below! is a first-rate, true-life, inspirational story of the courage and heroism of ordinary men under fire.

A Main Selection of the Military Book Club. Winner of the Rear Admiral Samuel Eliot Morison Award for Naval Literature given by the Naval Order of the United States, New York Commandery.
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cover of Time in the Barrel: A Marine's Account of the Battle for Con Thien

Time in the Barrel

A Marine's Account of the Battle for Con Thien

James P. Coan

University of Alabama Press, 2019

A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War.

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”

For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.

The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

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cover of True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc

True Faith and Allegiance

An American Paratrooper and the 1972 Battle for An Loc

Mike McDermott

University of Alabama Press, 2012

True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc is an intimate and compelling account of the most brutal infantry warfare and is also a critique of the mishandling of America’s departure from Indochina. An unintended consequence of Washington’s stampede to get out of Indochina was an upsurge in combat on a scale not seen before in Vietnam, peaking with the Easter Offensive of 1972.

The battle for An Loc, a key component in the North Vietnamese attempt to overwhelm the South, swept Mike McDermott, then the senior advisor to an elite South Vietnamese paratrooper battalion, into some of the most horrific close-quarters fighting of the war. His in-the-trenches account is augmented by detailed descriptions of a user’s perspective on the parachute resupply, tactical airpower, and B-52 strikes that allowed the An Loc garrison to survive.

True Faith and Allegiance is a riveting recounting of the prism through which a Vietnam veteran views the war as he continues to live with the aftereffects of life-altering experiences in the service of his country.
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