165 books match the query 'Resistance' and 29 start with t

cover of Teaching with Tension: Race, Resistance, and Reality in the Classroom

Teaching with Tension

Race, Resistance, and Reality in the Classroom

Edited by Philathia Bolton, Cassander L. Smith, and Lee Bebout

Northwestern University Press, 2019

Teaching with Tension is a collection of seventeen original essays that address the extent to which attitudes about race, impacted by the current political moment in the United States, have produced pedagogical challenges for professors in the humanities. As a flashpoint, this current political moment is defined by the visibility of the country's first black president, the election of his successor, whose presidency has been associated with an increased visibility of the alt-right, and the emergence of the neoliberal university. Together these social currents shape the tensions with which we teach.

Drawing together personal reflection, pedagogical strategies, and critical theory, Teaching with Tension offers concrete examinations that will foster student learning. The essays are organized into three thematic sections: "Teaching in Times and Places of Struggle" examines the dynamics of teaching race during the current moment, marked by neoconservative politics and twenty-first century freedom struggles. "Teaching in the Neoliberal University" focuses on how pressures and exigencies of neoliberalism (such as individualism, customer-service models of education, and online courses) impact the way in which race is taught and conceptualized in college classes. The final section, "Teaching How to Read Race and (Counter)Narratives," homes in on direct strategies used to historicize race in classrooms comprised of millennials who grapple with race neutral ideologies. Taken together, these sections and their constitutive essays offer rich and fruitful insight into the complex dynamics of contemporary race and ethnic studies education.
 
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cover of The Aesthetics of Resistance, Volume I: A Novel, Volume 1

The Aesthetics of Resistance, Volume I

A Novel, Volume 1

Peter Weiss

Duke University Press, 2005

A major literary event, the publication of this masterly translation makes one of the towering works of twentieth-century German literature available to English-speaking readers for the first time. The three-volume novel The Aesthetics of Resistance is the crowning achievement of Peter Weiss, the internationally renowned dramatist best known for his play Marat/Sade. The first volume, presented here, was initially published in Germany in 1975; the third and final volume appeared in 1981, just six months before Weiss’s death.

Spanning the period from the late 1930s to World War II, this historical novel dramatizes antifascist resistance and the rise and fall of proletarian political parties in Europe. Living in Berlin in 1937, the unnamed narrator and his peers—sixteen- and seventeen-year-old working-class students—seek ways to express their hatred for the Nazi regime. They meet in museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss’s novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

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cover of The Aesthetics of Resistance, Volume II: A Novel, Volume 2

The Aesthetics of Resistance, Volume II

A Novel, Volume 2

Peter Weiss

Duke University Press, 2020

A major literary event, the publication of the second volume of Peter Weiss's three-volume novel The Aesthetics of Resistance makes one of the towering works of twentieth-century German literature available to English-speaking readers for the first time. The crowning achievement of Peter Weiss, the internationally renowned writer best known for his play Marat/Sade, The Aesthetics of Resistance spans the period from the late 1930s to World War II, dramatizing antifascist resistance and the rise and fall of proletarian political parties in Europe.

Volume II, initially published in 1978, opens with the unnamed narrator  in Paris after having retreated from the front lines of the Spanish Civil War. From there, he moves on to Stockholm, where he works in a factory, becomes involved with the Communist Party, and meets Bertolt Brecht. Featuring the narrator's extended meditations on paintings, sculpture, and literature, the novel teems with characters, almost all of whom are based on historical figures. Throughout, the narrator explores the affinity between political resistance and art—the connection at the heart of Weiss's novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.
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cover of The Aesthetics of Resistance, Volume III: A Novel, Volume 3

The Aesthetics of Resistance, Volume III

A Novel, Volume 3

Peter Weiss

Duke University Press, 2025

A major literary event, the publication of the final volume of Peter Weiss’s three-volume novel The Aesthetics of Resistance makes one of the towering works of twentieth-century German literature available to English-speaking readers for the first time. Weiss’s crowning achievement, The Aesthetics of Resistance spans the period from the late 1930s to the end of World War II, dramatizing antifascist resistance and the rise and fall of proletarian political parties in Europe.

Volume III, initially published in 1981, teems with characters, many of whom are based on historical figures. It commences in May of 1940, as the narrator’s parents flee Nazi forces in Eastern Europe and reunite with their son in Sweden. While in Stockholm, the narrator and other Communist activists living in exile struggle to build structures in the German underground. The story then follows Communist resistance fighter Charlotte Bischoff as she is smuggled to Bremen on a freighter. In Berlin, she contacts the narrator’s friends and joins the Red Orchestra resistance group. Soon, the Gestapo cracks the underground group’s code, arrests a number of its members, and takes them to Plötzensee Prison, where most of them are executed. Featuring the narrator’s meditations on paintings, sculpture, and literature throughout, The Aesthetics of Resistance demonstrates the affinity between political resistance and art. Ultimately, Weiss argues that we must look to art for new models of political action and social understanding.
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cover of The Autobiography of Citizenship: Assimilation and Resistance in U.S. Education

The Autobiography of Citizenship

Assimilation and Resistance in U.S. Education

Cooper, Tova

Rutgers University Press, 0

At the turn of the twentieth century, the United States was faced with a new and radically mixed population, one that included freed African Americans, former reservation Indians, and a burgeoning immigrant population.  In The Autobiography of Citizenship, Tova Cooper looks at how educators tried to impose unity on this divergent population, and how the new citizens in turn often resisted these efforts, reshaping mainstream U.S. culture and embracing their own view of what it means to be an American. 

The Autobiography of Citizenship traces how citizenship education programs began popping up all over the country, influenced by the progressive approach to hands-on learning popularized by John Dewey and his followers. Cooper offers an insightful account of these programs, enlivened with compelling readings of archival materials such as photos of students in the process of learning; autobiographical writing by both teachers and new citizens; and memoirs, photos, poems, and novels by authors such as W.E.B. Du Bois, Jane Addams, Charles Reznikoff, and Emma Goldman. Indeed, Cooper provides the first comparative, inside look at these citizenship programs, revealing that they varied wildly: at one end, assimilationist boarding schools required American Indian children to transform their dress, language, and beliefs, while at the other end the libertarian Modern School encouraged immigrant children to frolic naked in the countryside and learn about the world by walking, hiking, and following their whims. 

Here then is an engaging portrait of what it was like to be, and become, a U.S. citizen one hundred years ago, showing that what it means to be “American” is never static.
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cover of The Black Pack: Comedy, Race, and Resistance

The Black Pack

Comedy, Race, and Resistance

Artel Great

Rutgers University Press, 2025

The Black Pack: Comedy, Race & Resistance is the first book to chronicle the untold history behind the iconic collaborations between a legendary group of comedians—Eddie Murphy, Paul Mooney, Keenen Ivory Wayans, Robert Townsend, and Arsenio Hall—who joined forces as the “Black Pack” in the late 1980s to create a series of socially-charged comedies that revolutionized popular culture and transformed American comedy. 

Working together as writers, directors, producers, actors, and consultants, the Black Pack created some of the most provocative and enduring Black films and television shows of the twentieth century, including classic productions like In Living Color, Coming to America, Hollywood Shuffle, and The Arsenio Hall Show. The Black Pack collective was armed with a signature comedic style which combined politically-Black satire with edgy social humor that entertained millions, shattered box-office records, and slyly critiqued America’s racial condition. Amid escalating social tensions in the 1980s, the Black Pack’s comedic output transformed anger into art, wielding the cloak of humor as a rebellious tool to confront unjust business practices in Hollywood and challenge racial narratives embedded in American culture. Their work empowered unapologetically Black voices and expanded creative possibilities for Black artists in the entertainment industry.

In The Black Pack, Artel Great delivers the most comprehensive analysis of this groundbreaking comedy collective, uncovering how the group’s socially and politically-charged humor defied systemic barriers to achieve unprecedented commercial success and establish a cultural legacy that continues to inspire media creators today and across new generations.
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cover of The Common Camp: Architecture of Power and Resistance in Israel–Palestine

The Common Camp

Architecture of Power and Resistance in Israel–Palestine

Irit Katz

University of Minnesota Press, 2022

Seeing the camp as a persistent political instrument in Israel–Palestine and beyond

The Common Camp underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel–Palestine and the dramatic changes it has experienced during the past century, this book explores the region’s extensive networks of camps and their existence as both a tool of colonial power and a makeshift space of resistance. 

Examining various forms of camps devised by and for Zionist settlers, Palestinian refugees, asylum seekers, and other groups, Irit Katz demonstrates how the camp serves as a common thread in shaping lands and lives of subjects from across the political spectrum. Analyzing the architectural and political evolution of the camp as a modern instrument engaged by colonial and national powers (as well as those opposing them), Katz offers a unique perspective on the dynamics of Israel–Palestine, highlighting how spatial transience has become permanent in the ongoing story of this contested territory. 

The Common Camp presents a novel approach to the concept of the camp, detailing its varied history as an apparatus used for population containment and territorial expansion as well as a space of everyday life and subversive political action. Bringing together a broad range of historical and ethnographic materials within the context of this singular yet versatile entity, the book locates the camp at the core of modern societies and how they change and transform. 

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cover of The Contradictions of Neoliberal Agri-Food: Corporations, Resistance, and Disasters in Japan

The Contradictions of Neoliberal Agri-Food

Corporations, Resistance, and Disasters in Japan

Kae Sekine

West Virginia University Press, 2016

Employing original fieldwork, historical analysis, and sociological theory, Sekine and Bonanno probe how Japan’s food and agriculture sectors have been shaped by the global push toward privatization and corporate power, known in the social science literature as neoliberalism. They also examine related changes that have occurred after the triple disaster of March 2011 (the earthquake, tsunami, and meltdown of the Fukushima Daiichi nuclear reactor), noting that reconstruction policy has favored deregulation and the reduction of social welfare.
 
Sekine and Bonanno stress the incompatibility of the requirements of neoliberalism with the structural and cultural conditions of Japanese agri-food. Local farmers’ and fishermen’s emphasis on community collective management of natural resources, they argue, clashes with neoliberalism’s focus on individualism and competitiveness. The authors conclude by pointing out the resulting fundamental contradiction: The lack of recognition of this incompatibility allows the continuous implementation of market solutions to problems that originate in these very market mechanisms.
 
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cover of The Cuban Cure: Reason and Resistance in Global Science

The Cuban Cure

Reason and Resistance in Global Science

S. M. Reid-Henry

University of Chicago Press, 2010

After Fidel Castro came to power in 1959, his second declaration, after socialism, was that Cuba would become a leader in international science. In biotechnology he would be proven right and, today, Cuba counts a meningitis B vaccine and cutting-edge cancer therapies to its name. But how did this politically and geographically isolated country make such impressive advances? Drawing on a unique ethnography, and blending the insights of anthropology, sociology, and geography, The Cuban Cure shows how Cuba came to compete with U. S. pharmaceutical giants—despite a trade embargo and crippling national debt.

            In uncovering what is distinct about Cuban biomedical science, S. M. Reid-Henry examines the forms of resistance that biotechnology research in Cuba presents to the globalization of western models of scientific culture and practice. He illustrates the epistemic, social, and ideological clashes that take place when two cultures of research meet, and how such interactions develop as political and economic circumstances change. Through a novel argument about the intersection of socioeconomic systems and the nature of innovation, The Cuban Cure presents an illuminating study of politics and science in the context of globalization.

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cover of The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru

The Fabric of Resistance

Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru

Di Hu

University of Alabama Press, 2022

Textiles as sites of power, production, and rebellion in the early modern Andes.

The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru documents the impact of Spanish colonial institutions of labor on identity and social cohesion in Peru. Through archaeological and historical lines of evidence, Di Hu examines the long-term social conditions that enabled the large-scale rebellions in the late Spanish colonial period in Peru. Hu argues that ordinary people from different backgrounds pushed back against the top-down identity categories imposed by the Spanish colonial government and in the process created a cosmopolitan social landscape that later facilitated broader rebellion.

Hu’s case study is Pomacocha, the site of an important Spanish colonial hacienda (agricultural estate) and obraje (textile workshop). At its height, the latter had more than one hundred working families and sold textiles all over the Andes. Through analysis of this site, Hu explores three main long-term causes of rebellions against Spanish oppression. First, the Spanish colonial economy provided motivation and the social spaces for intercaste (indigenous, African, and mestizo) mixing at textile workshops. Second, new hybrid cultural practices and political solidarity arose there that facilitated the creation of new rebellious identities. Third, the maturation in the eighteenth century of popular folklore that reflected the harsh nature of Spanish labor institutions helped workers from diverse backgrounds gain a systemic understanding of exploitation.

This study provides a fresh archaeological and historical perspectives on the largest and most cosmopolitan indigenous-led rebellions of the Americas. Hu interweaves analyses of society at multiple scales including fine-grained perspectives of social networks, demography, and intimate details of material life in the textile workshop. She examines a wide range of data sources including artifacts, food remains, architectural plans, account books, censuses, court documents, contracts, maps, and land title disputes.
 

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cover of The Failed Individual: Amid Exclusion, Resistance, and the Pleasure of Non-Conformity

The Failed Individual

Amid Exclusion, Resistance, and the Pleasure of Non-Conformity

Edited by Katharina Motyl and Regina Schober

Campus Verlag, 2017

The freedom of the individual to aim high is a deeply rooted part of the American ethos but we rarely acknowledge its flip side: failure. If people are responsible for their individual successes, is the same true of their failures? The Failed Individual brings together a variety of disciplinary approaches to explore how people fail in the United States and the West at large, whether economically, politically, socially, culturally, or physically. How do we understand individual failure, especially in the context of the zero-sum game of international capitalism? And what new spaces of resistance, or even pleasure, might failure open up for people and society?
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cover of The Heart as a Drum: Continuance and Resistance in American Indian Poetry

The Heart as a Drum

Continuance and Resistance in American Indian Poetry

Robin Riley Fast

University of Michigan Press, 2000

The Heart as a Drum celebrates poetry by a range of contemporary Native American writers, illuminating the poets' shared commitments and distinctive approaches to political resistance and cultural survival. The poetry reflects an awareness of the divisions and conflicts inherited from colonization and a commitment to traditional beliefs about the relatedness of all beings. This double perception engenders poetry that emphasizes resistance and continuance and poetry that makes creative and unique use of language. The book elucidates these aspects of the work through cultural and historical readings of poetry written by both urban- and reservation-identified Indians from varied geographic and tribal origins.
 
The book's focus is on the major themes in contemporary Native American literature: community and audience, the meanings of place and history, spiritual experiences, the nature of language, and the roles and varieties of storytelling. The poets whose works are discussed include Sherman Alexie, Joy Harjo, Maurice Kenny, Simon J. Ortiz, Wendy Rose, Elizabeth Woody, and Ray Young Bear.
 
The first critical book dedicated to contemporary Native American poetry, The Heart as a Drum will be useful to students, teachers, and critics of American Indian cultures and literatures, and to all readers of contemporary American poetry.
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cover of The Jackson County War: Reconstruction and Resistance in Post–Civil War Florida

The Jackson County War

Reconstruction and Resistance in Post–Civil War Florida

Daniel R. Weinfeld

University of Alabama Press, 2023

Offers original conclusions explaining why Jackson County became the bloodiest region in Reconstruction Florida

From early 1869 through the end of 1871, citizens of Jackson County, Florida, slaughtered their neighbors by the score. The nearly three year frenzy of bloodshed became known as the Jackson County War. The killings, close to one hundred and by some estimates twice that number, brought Jackson County the notoriety of being the most violent county in Florida during the Reconstruction era.  Daniel R. Weinfeld has made a thorough investigation of contemporary accounts. He adds an assessment of recently discovered information, and presents a critical evaluation of the standard secondary sources.

The Jackson County War focuses on the role of the Freedmen’s Bureau, the emergence of white “Regulators,” and the development of African American political consciousness and leadership. It follows the community’s descent after the Civil War into disorder punctuated by furious outbursts of violence until the county settled into uneasy stability seven years later. The Jackson County War emerges as an emblem of all that could and did go wrong in the uneasy years after Appomattox and that left a residue of hatred and fear that endured for generations.

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cover of The Khmer Rouge Tribunal: Power, Politics, and Resistance in Transitional Justice

The Khmer Rouge Tribunal

Power, Politics, and Resistance in Transitional Justice

Julie Bernath

University of Wisconsin Press, 2023

From 1975 to 1979, while Cambodia was ruled by the brutal Communist Party of Kampuchea (Khmer Rouge) regime, torture, starvation, rape, and forced labor contributed to the death of at least a fifth of the country’s population. Despite the severity of these abuses, civil war and international interference prevented investigation until 2004, when protracted negotiations between the Cambodian government and the United Nations resulted in the establishment of the Extraordinary Chambers in the Courts of Cambodia (ECCC), or Khmer Rouge tribunal. The resulting trials have been well scrutinized, with many scholars seeking to weigh the results of the tribunal against the extent of the offenses. 

Here, Julie Bernath takes a different tack, deliberately decentering the trials in an effort to understand the ECCC in its particular context—and, by extension, the degree to which notions of transitional justice generally must be understood in particular social, cultural, and political contexts. She focuses on “sites of resistance” to the ECCC, including not only members of the elite political class but also citizens who do not, for a variety of tangled reasons, participate in the tribunal—and even resistance from victims of the regime and participants in the trials. Bernath demonstrates that the ECCC both shapes and is shaped by long-term contestation over Cambodia’s social, economic, and political transformations, and thereby argues that transitional justice must be understood locally rather than as a homogenous good that can be implanted by international actors.
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cover of The New Civil Rights Movement Reader: Resistance, Resilience, and Justice

The New Civil Rights Movement Reader

Resistance, Resilience, and Justice

Edited by Traci Parker and Marcia Walker-McWilliams

University of Massachusetts Press, 2023

In the United States, the fight to secure full civil rights for African American people has endured for centuries. The movement has included many voices, among them, working people, charismatic activists, musicians and artists, the LGBTQIA community, veterans, suburbanites, and elected officials. Moving from the labor struggles of the 1930s to the sit-ins and boycotts of midcentury, and the Black Lives Matter protests of today, this expansive volume brings together first-person accounts, political documents and speeches, and historical photographs from each region of the country.

Designed for use in courses and engaging for general readers, this new compilation is the most diverse, most inclusive, and most comprehensive resource available for teaching and learning about the civil rights movement. With chronological and geographical depth, The New Civil Rights Movement Reader addresses a range of key topics, including youth activism, regional and local freedom struggles, voting rights, economic inequality, gender, sexuality, and culture, and the movement’s global reach.

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cover of The Penobscot Dance of Resistance: Tradition in the History of a People

The Penobscot Dance of Resistance

Tradition in the History of a People

Pauleena MacDougall

University of New Hampshire Press, 2004

Although historians predicted the demise of the Penobscot Indians early in the nineteenth century, the tribe is thriving at the opening of the twenty-first century. Having by the early 1800s been rendered all but invisible to the dominant culture, the Penobscots, by selectively adapting to changing circumstances, won back land and visibility. The vital importance of employing elements of cultural resistance as a survival mechanism has, until now, been underestimated. In a larger context, Dance of Resistance demonstrates how an examination of the history of one Indian nation provides a window on the complex interaction of cultural systems in America.

MacDougall demonstrates that Penobscot legend, linguistics, dance, and oral tradition became foundations of resistance against assimilation into the dominant culture. She thoughtfully and accessibly reconstructs from published, archival, and oral sources the tribe's metaphorical and triumphant Dance of Resistance—founded on spiritual power, reverence for homeland, and commitment to self-determination—from colonial times to the present. A decade of political activism culminated in the precedent-setting 1980 Maine Indian Land Claims settlement. Today the Penobscots run small industries, manage their natural resources, and provide health services, K through 8 education, and social services to the poor and elderly of their community.

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cover of The Philosophy of Antonio Negri, Volume One: Resistance in Practice

The Philosophy of Antonio Negri, Volume One

Resistance in Practice

Edited by Timothy S. Murphy

Pluto Press, 2005

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cover of The Politics of Diversity: Immigration, Resistance, and Change in Monterey Park, California

The Politics of Diversity

Immigration, Resistance, and Change in Monterey Park, California

John Horton

Temple University Press, 1995

Advertised in Asia as "The Chinese Beverly Hills," this small city minutes east of downtown Los Angeles, became by the late 1970s a regional springboard for a new type of Chinese immigration—suburban and middle class with a diversified and globally-oriented economy. Freed from the isolation of old Chinatowns, new immigrants now confronted resistance from more established Anglo, Asian American, and Latino neighbors, whose opposition took the form of interconnected "English Only" and slow-growth movements.

In The Politics of Diversity, a multiethnic team of researches employ ethnography, interviewing, and exit polls to capture the process of change as newcomers and established residents come to terms with the meaning of diversity and identity in their everyday lives. The result is an engaging grass-roots account of immigration and change: the decline of the loyal old-boy Anglo network; the rise of women, minorities, and immigrants in the political scene; and a transformation of ethnic and American identities.

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cover of The Power of Huacas: Change and Resistance in the Andean World of Colonial Peru

The Power of Huacas

Change and Resistance in the Andean World of Colonial Peru

By Claudia Brosseder

University of Texas Press, 2014

Based on extensive archival research, The Power of Huacas is the first book to take account of the reciprocal effects of religious colonization as they impacted Andean populations and, simultaneously, dramatically changed the culture and beliefs of Spanish Christians.

Winner, Award for Excellence in the Study of Religion in the category of Historical Studies, American Academy of Religion, 2015

The role of the religious specialist in Andean cultures of the sixteenth, seventeenth, and eighteenth centuries was a complicated one, balanced between local traditions and the culture of the Spanish. In The Power of Huacas, Claudia Brosseder reconstructs the dynamic interaction between religious specialists and the colonial world that unfolded around them, considering how the discourse about religion shifted on both sides of the Spanish and Andean relationship in complex and unexpected ways. In The Power of Huacas, Brosseder examines evidence of transcultural exchange through religious history, anthropology, and cultural studies. Taking Andean religious specialists—or hechizeros (sorcerers) in colonial Spanish terminology—as a starting point, she considers the different ways in which Andeans and Spaniards thought about key cultural and religious concepts. Unlike previous studies, this important book fully outlines both sides of the colonial relationship; Brosseder uses extensive archival research in Bolivia, Chile, Ecuador, Peru, Spain, Italy, and the United States, as well as careful analysis of archaeological and art historical objects, to present the Andean religious worldview of the period on equal footing with that of the Spanish. Throughout the colonial period, she argues, Andean religious specialists retained their own unique logic, which encompassed specific ideas about holiness, nature, sickness, and social harmony. The Power of Huacas deepens our understanding of the complexities of assimilation, showing that, within the maelstrom of transcultural exchange in the Spanish Americas, European paradigms ultimately changed more than Andean ones.

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cover of The Resistance to Poetry

The Resistance to Poetry

James Longenbach

University of Chicago Press, 2005

Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning—metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them.

But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Glück, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it.

An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means—on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.

A graceful and skilled study, The Resistance to Poetry honors poetry by allowing it to be what it is. This book arrives at a critical moment—at a time when many people are trying to mold and market poetry into something it is not.
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cover of The Sound of Listening: Poetry as Refuge and Resistance

The Sound of Listening

Poetry as Refuge and Resistance

Philip Metres

University of Michigan Press, 2018

Philip Metres stakes a claim for the cultural work that poems can perform—from providing refuge to embodying resistance, from recovering silenced voices to building a more just world, in communities of solitude and solidarity. Gathering a decade of his writing on poetry, he widens our sense of poetry as a way of being in the world, proposing that poems can offer a permeability to marginalized voices and a shelter from the imperial noise and despair that can silence us. The Sound of Listening ranges between expansive surveys of the poetry of 9/11, Arab American poetry, documentary poetry, landscape poetry, installation poetry, and peace poetry; personal explorations of poets such as Adrienne Rich, Khalil Gibran, Lev Rubinstein, and Arseny Tarkovsky; and intimate dialogues with Randa Jarrar, Fady Joudah, and Micah Cavaleri, that illuminate Metres’s practice of listening in his 2015 work, Sand Opera.

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cover of The Uncoiling Python: South African Storytellers and Resistance

The Uncoiling Python

South African Storytellers and Resistance

Harold Scheub

Ohio University Press, 2010

There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival.

In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

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cover of This Is Not For You: An Activist's Journey of Resistance and Resilience

This Is Not For You

An Activist's Journey of Resistance and Resilience

Richard Brown

Oregon State University Press, 2021

This Is Not For You tells the story of activist and photographer Richard Brown, a Black Portlander who has spent decades working to bridge the divide between police and the Black community. His memoir brings readers with him into the streets with fellow activists, into squad cars with the rank-and-file, and to regular meetings with mayors and police chiefs. There are very few people doing the kind of work Richard Brown has done. And that, as he sees it, is a big problem.

The book finds Brown approaching his eightieth birthday and reflecting on his life. As he recalls his childhood in 1940s Harlem, his radicalization in the newly desegregated Air Force, and his decades of activism in one of America’s whitest cities, he questions how much longer he’ll do this work, and he wonders who, if anyone, will take his place.

This is a book about how and why to become an engaged, activist citizen, and how activists can stay grounded, no matter how deeply they immerse themselves in the work. It also offers an intimate, firsthand look at policing: what policing is and could be, how civilians can have a say, and how police can and should be responsive to and inclusive of civilian voices. This Is Not For You speaks on every page about being Black in America: about Black pride; Black history, art, and culture; and the experience of resisting white supremacy. It also stands as a much-needed counternarrative to Portlandia, telling a different story about the city and who has shaped it.

Over fifty percent of royalties earned on this book will be donated to organizations working on behalf of Black Portlanders.
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cover of This Land Was Mexican Once: Histories of Resistance from Northern California

This Land Was Mexican Once

Histories of Resistance from Northern California

By Linda Heidenreich

University of Texas Press, 2007

The territory of Napa County, California, contains more than grapevines. The deepest roots belong to Wappo-speaking peoples, a group whose history has since been buried by the stories of Spanish colonizers, Californios (today's Latinos), African Americans, Chinese immigrants, and Euro Americans. Napa's history clearly is one of co-existence; yet, its schoolbooks tell a linear story that climaxes with the arrival of Euro Americans. In "This Land was Mexican Once," Linda Heidenreich excavates Napa's subaltern voices and histories to tell a complex, textured local history with important implications for the larger American West, as well.

Heidenreich is part of a new generation of scholars who are challenging not only the old, Euro-American depiction of California, but also the linear method of historical storytelling—a method that inevitably favors the last man writing. She first maps the overlapping histories that comprise Napa's past, then examines how the current version came to dominate—or even erase—earlier events. So while history, in Heidenreich's words, may be "the stuff of nation-building," it can also be "the stuff of resistance." Chapters are interspersed with "source breaks"—raw primary sources that speak for themselves and interrupt the linear, Euro-American telling of Napa's history. Such an inclusive approach inherently acknowledges the connections Napa's peoples have to the rest of the region, for the linear history that marginalizes minorities is not unique to Napa. Latinos, for instance, have populated the American West for centuries, and are still shaping its future. In the end, "This Land was Mexican Once" is more than the story of Napa, it is a multidimensional model for reflecting a multicultural past.

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cover of This Machine Breeds Fascists / Mašina Koja Hrani Fašiste: Thompson—the Rock Star, the Collapse of Political Will, and the Resistance to Radicalization in Croatia / Thompson, Poraz Politike i Otpor Radikalizaciji Hrvatske

This Machine Breeds Fascists / Mašina Koja Hrani Fašiste

Thompson—the Rock Star, the Collapse of Political Will, and the Resistance to Radicalization in Croatia / Thompson, Poraz Politike i Otpor Radikalizaciji Hrvatske

Barbara Matejcic and Hrvoje Šimicevic, with an introduction by Matea Gnjec and Brian Willems

Disobedience Press, 2027

In this pair of essays, award-winning journalists Hrvoje Šimičević and Barbara Matejčić expose the turn in Croatia’s political trends, showing how “moderate” pro-European governments have opened the floodgates for far-right radicalism and fascism to transition from the societal fringes into the mainstream. Šimičević weaves these histories around a chilling turning point: a Thompson concert in which hundreds of thousands chanted the Ustaše salute. Matejčić then reveals the civic response and defiant resistance to the politics of fear and escalating attacks against Serbians and other minorities. At the heart of these texts is a struggle over the meaning of Croatia itself: will it belong to the loudest voices or to all who live there?

U ova dva eseja, nagrađivani novinari Hrvoje Šimičević i Barbara Matejčić opisuju političke promjene u Hrvatskoj, pokazujući kako su samozvane umjerene proeuropske vlade imale ključnu ulogu u pomicanju fašizma i krajnje desnog radikalizma s društvenih rubova u političku srednju struju. Šimičević plete povijest te pojave oko jezive prekretnice: Thompsonovog koncerta na kojem su stotine tisuća posjetitelja izvikivale ustaški pozdrav. Matejčić zatim prikazuje odgovor građana i prkosan otpor politici straha i eskalaciji napada na Srbe i druge manjine. U srži ovih tekstova leži borba za značenje Hrvatske: hoće li zemlja pripadati onima koji najglasnije viču ili svima koji u njoj žive?

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cover of Thou Shalt Forget: Indigenous sovereignty, resistance and the production of cultural oblivion in Canada

Thou Shalt Forget

Indigenous sovereignty, resistance and the production of cultural oblivion in Canada

Pierrot Ross-Tremblay

University of London Press, 2019

What is ‘cultural oblivion’ and ‘psychological colonialism’, and how are they affecting the capacity of Indigenous Peoples in Canada to actively resist systematic and territorial oppression by the state? Following a decade-long research project, this new book by Pierrot Ross-Tremblay examines the production of oblivion among his own community, the Essipiunnuat [or, ‘People of the Brook Shells River’] and the relationship between a colonial imperative to forget. The book illustrates how the ‘cultural oblivion’ of vulnerable minority communities is a critical human rights issue but also asks us to reflect upon both the role of the state and the local elite in creating and warping our perception and understanding of history.
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cover of Toward a Latina Feminism of the Americas: Repression and Resistance in Chicana and Mexicana Literature

Toward a Latina Feminism of the Americas

Repression and Resistance in Chicana and Mexicana Literature

By Anna Marie Sandoval

University of Texas Press, 2008

Weaving strands of Chicana and Mexicana subjectivities, Toward a Latina Feminism of the Americas explores political and theoretical agendas, particularly those that undermine the patriarchy, across a diverse range of Latina authors. Within this range, calls for a coalition are clear, but questions surrounding the process of these revolutionary dialogues provide important lines of inquiry. Examining the works of authors such as Sandra Cisneros, Laura Esquivel, Carmen Boullosa, and Helena María Viramontes, Anna Sandoval considers resistance to traditional cultural symbols and contemporary efforts to counteract negative representations of womanhood in literature and society.

Offering a new perspective on the oppositional nature of Latina writers, Sandoval emphasizes the ways in which national literatures have privileged male authors, whose viewpoint is generally distinct from that of women—a point of departure rarely acknowledged in postcolonial theory. Applying her observations to the disciplinary, historical, and spatial facets of literary production, Sandoval interrogates the boundaries of the Latina experience. Building on the dialogues begun with such works as Sonia Saldivar-Hull's Feminism on the Border and Ellen McCracken's New Latina Narrative, this is a concise yet ambitious comparative approach to the historical and cultural connections (as well as disparities) found in Chicana and Mexicana literature.

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cover of Toxic Loves, Impossible Futures: Feminist Living as Resistance

Toxic Loves, Impossible Futures

Feminist Living as Resistance

Irmgard Emmelhainz

Vanderbilt University Press, 2021

Toxic Loves, Impossible Futures is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge? Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more.

These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.
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cover of Translation as Resistance: Czech and Ukrainian Historical Perspectives

Translation as Resistance

Czech and Ukrainian Historical Perspectives

Edited by Zuzana Štastná, Iryna Odrekhivska, and Stanislav Rubáš

Karolinum Press, 2026

A groundbreaking scholarly account of translation as a form of resistance in Ukrainian and Czech history, from imperial oppression to Soviet censorship and beyond.

In cultures and communities under pressure, whether from a powerful neighbor or a hegemonic ideology, translation becomes a political act. Shaped by the constraints of the moment, both translations and their paratexts are subject to forces that compromise quality or restrict freedom of expression, even as translators seek to bring home the quality and expressive freedom of their originals. In Translation as Resistance, the role translation has played and continues to play in reframing language and power in Czech and Ukrainian cultures is presented and interrogated by Czech and Ukrainian translators.
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