862 books match the query 'Social History' and 182 start with t

cover of Table Talk: Building Democracy One Meal at a Time

Table Talk

Building Democracy One Meal at a Time

Janet A. Flammang

University of Illinois Press, 2016

The civic virtues of a seat at the table

Etiquette books insist that we never discuss politics during a meal. In Table Talk, Janet A. Flammang offers a polite rebuttal, presenting vivid firsthand accounts of people's lives at the table to show how mealtimes can teach us the conversational give-and-take foundational to democracy. Delving into the ground rules about listening, sharing, and respect that we obey when we break bread, Flammang shows how conversations and table activities represent occasions for developing our civil selves. If there are cultural differences over practices--who should speak, what behavior is acceptable, what topics are off limits, how to resolve conflict--our exposure to the making, enforcement, and breaking of these rules offers a daily dose of political awareness and growth. Political table talk provides a forum to practice the conversational skills upon which civil society depends. It also ignites the feelings of respect, trust, and empathy that undergird the idea of a common good that is fundamental to the democratic process.

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cover of Taking Books to the World: American Publishers and the Cultural Cold War

Taking Books to the World

American Publishers and the Cultural Cold War

Amanda Laugesen

University of Massachusetts Press, 2017

Franklin Publications, or Franklin Book Programs, was started in 1952 as a form of cultural diplomacy. Until it folded in the 1970s, Franklin translated, printed, and distributed American books around the world, with offices in Egypt, Indonesia, Iran, Nigeria, Afghanistan, and Pakistan. Although it was a private firm, Franklin received funding from the United States Information Agency. This was an ambitious and idealistic postwar effort that ultimately became the victim of shifting politics.

In Taking Books to the World, Amanda Laugesen tells the story of this purposeful enterprise, demonstrating the mix of goodwill and political drive behind its efforts to create modern book industries in developing countries. Examining the project through a clarifying lens, she reveals the ways Franklin's work aligned with cultural currents, exposing the imperial beliefs, charitable hopes, and intellectual reasoning behind this global experiment.
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cover of Taking Drugs in the Sun King’s Reign

Taking Drugs in the Sun King’s Reign

E. C. Spary

University of Chicago Press, 2027

The first full-length history of drugs during the first French Empire.

Taking Drugs in the Sun King’s Reign is the story of how the French came to know and consume new non-European plants between 1660 and 1730, a period during which many exotic substances—like coffee, tea, cinchona bark, chocolate, and ipecacuanha—became everyday commodities. E. C. Spary treats the trajectories of these drugs as fragile complexes, made and remade by every exchange. Her book addresses well-known cases, but also drugs that never became popular in France, such as betel. 

Taking Drugs is divided into three parts. The first offers a rich depiction of the world of drug-taking and drug-selling in Paris and Versailles at the outset of Louis XIV’s personal reign. The second explores features of monarchical power which explain the “drugs rush” of this period. Finally, the third offers an in-depth look at how priorities for the capture of exotic plant drugs changed within the royal naval administration. It asks how, under the conditions of early modern empires, information about drugs could be made or made trustworthy, who made it, and how it traveled. Spary shows how, over time, drugs transitioned from being natural bodies imbued with mysterious virtues to becoming calculable, replicable sources of profit. Her approach allows for new insights into how political and economic power transformed between the reigns of Louis XIV and his successor, Louis XV.

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cover of Tales of Forgotten Chicago

Tales of Forgotten Chicago

Richard C. Lindberg

Southern Illinois University Press, 2020

Hidden gems from Chicago’s past

Tales of Forgotten Chicago contains twenty-one fascinating, little-known stories about a great city and its people. Richard C. Lindberg has dug deeply to reveal lost historical events and hidden gems from Chicago’s past.  

Spanning the Civil War through the 1960s, the volume showcases forgotten crimes, punishments, and consequences: poisoned soup that nearly killed three hundred leading citizens, politicians, and business and religious leaders; a woman in showbiz and her street-thug husband whose checkered lives inspired a 1955 James Cagney movie; and the first police woman in Chicago, hired as a result of the senseless killing of a young factory girl in a racially tinged case of the 1880s.

Also included are tales of industry and invention, such as America’s first automobile race, the haunting of a wealthy Gilded Age manufacturer’s mansion, and the identity of the telephone’s rightful inventor. Chapters on the history of early city landmarks spotlight the fight to save Lakefront Park and how “Lucky” Charlie Weeghman’s north side baseball park became Wrigley Field. Other chapters explore civic, cultural, and political happenings: the great Railroad Fairs of 1948 and 1949; Richard J. Daley’s revival of the St. Patrick’s Day parade; political disrupter Lar “America First” Daly; and the founding of the Special Olympics in Chicago by Anne Burke and others. Finally, some are just wonderful tales, such asa  touching story about the sinking of Chicago's beloved Christmas tree ship.

Engrossing and imaginative, this collection opens new windows into the past of the Windy City.
 
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cover of Taste of the Nation: The New Deal Search for America's Food

Taste of the Nation

The New Deal Search for America's Food

Camille Bégin

University of Illinois Press, 2016

During the Depression, the Federal Writers' Project (FWP) dispatched scribes to sample the fare at group eating events like church dinners, political barbecues, and clambakes. Its America Eats project sought nothing less than to sample, and report upon, the tremendous range of foods eaten across the United States.
 
Camille Begin shapes a cultural and sensory history of New Deal-era eating from the FWP archives. From "ravioli, the diminutive derbies of pastries, the crowns stuffed with a well-seasoned paste" to barbeque seasoning that integrated "salt, black pepper, dried red chili powder, garlic, oregano, cumin seed, and cayenne pepper" while "tomatoes, green chili peppers, onions, and olive oil made up the sauce", Begin describes in mouth-watering detail how Americans tasted their food. They did so in ways that varied, and varied widely, depending on race, ethnicity, class, and region. Begin explores how likes and dislikes, cravings and disgust operated within local sensory economies that she culls from the FWP’s vivid descriptions, visual cues, culinary expectations, recipes and accounts of restaurant meals. She illustrates how nostalgia, prescriptive gender ideals, and racial stereotypes shaped how the FWP was able to frame regional food cultures as "American."
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cover of Teamsters Metropolis

Teamsters Metropolis

Ryan Patrick Murphy

University of Michigan Press, 2025

In the 1950s, the International Brotherhood of Teamsters empowered poor immigrants who had grown up in the crowded blocks of the central city to move upward and outward to comfortable suburbs. It delivered unprecedented benefits to workers—especially to those in retail, services, and light manufacturing—locking in hourly pay that bought the patio furniture sets, the pontoon boats, and the station wagons that defined the consumer culture of the decade. Yet suburban comfort came with strict, new institutions that defined the middle-class culture of the era: the nuclear family, heterosexual monogamy, the husband breadwinner, and the dependent wife. Many workers yearned for the pleasures they left behind in the core of the industrial city, even as poor people, people of color, and queer people were locked out of the suburbs.

Teamsters Metropolis argues that the union achieved unprecedented organizing success in the immediate postwar period precisely because its members defied bourgeois cultural standards. They wore overly flamboyant clothes, instigated jarringly violent confrontations, used aliases, extorted money, flouted the law, and often blended friendship, sex, and love in a way that challenged the boundaries of heteronormativity. Perhaps no one exemplified this freedom more than Jimmy Hoffa, who delivered better pay and worker conditions to marginal workers while also using coercive tactics, embezzling money, and colluding with the Mafia. Rather than impeding the union’s growth, unruly organizing, illicit business techniques, and dissident cultural practices appealed to prospective members and offered an opportunity to circumvent some of the suburban regulations, helping the International Brotherhood of Teamsters become the largest U.S. union of the mid-twentieth century.
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cover of Technologies of the Self: A Seminar with Michel Foucault

Technologies of the Self

A Seminar with Michel Foucault

Luther H. Martin

University of Massachusetts Press, 1988

Shortly before his death in 1984, Michel Foucault spoke of an idea for a new book on “technologies of the self.” He described it as “composed of different papers about the self. . . . about the role of reading and writing in constituting the self. . . . and so on.” The book Foucault envisioned was based on a faculty seminar on “Technologies of the Self,” originally presented at the University of Vermont in the fall of 1982. This volume is a partial record of that seminar. 

In many ways, Foucault's project on the self was the logical conclusion to his historical inquiry over twenty-five years into insanity, deviancy, criminality, and sexuality. Because Foucault died before he completed the revisions of his seminar presentations, this volume includes a careful transcription instead...as a prolegomenon to that unfinished task.

Foucault was a French philosopher, historian of ideas, social theorist, philologist and literary critic.

This volume was edited by Luther H. Martin, Huck Gutman, and Patrick H. Hutton.

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cover of Technology, Pessimism, and Postmodernism

Technology, Pessimism, and Postmodernism

Yaron Ezrahi

University of Massachusetts Press, 1995

This collection of essays from international scholars across various disciplines addresses the compelling theme of technological pessimism—the conviction that technology has simultaneously given humanity the means to achieve unlimited progress while simultaneously providing the tools for self-destruction and the degradation of our most cherished values.

Edited by Yaron Ezrahi, Everett Mendelsohn, and Howard P. Segal, this intellectually rigorous anthology examines the paradoxes and contradictions inherent in contemporary technological society through a postmodern lens. The contributors explore how technology shapes human experience, culture, and social structures in the late twentieth century, questioning the foundational narratives of technological progress and enlightenment that have dominated Western thought.

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cover of Terrible Swift Sword: The Legacy of John Brown

Terrible Swift Sword

The Legacy of John Brown

Peggy A. Russo

Ohio University Press, 2005

More than two centuries after his birth and almost a century and a half after his death, the legendary life and legacy of John Brown go marching on. Variously deemed martyr, madman, monster, terrorist, and saint, he remains one of the most controversial figures in America’s history. Brown’s actions in Kansas and in Harpers Ferry, West Virginia, were major catalysts for the American Civil War, and continue today to evoke praise or condemnation.

Through the prisms of history, literature, psychology, criminal justice, oral history, African American studies, political science, film studies, and anthropology, Terrible Swift Sword offers insights not only into John Brown’s controversial character and motives but also into the nature of a troubled society before, during, and after the Civil War. The contributors discuss reasons why Brown’s contemporaries supported him, analyze Brown’s behavior and his depiction in literature, and examine the iconography and mythology surrounding him.

The interdisciplinary focus brought by editors Peggy A. Russo and Paul Finkelman makes this collection unique. Terrible Swift Sword: The Legacy of John Brown will appeal to a broad audience of readers interested in this turbulent moment in American history.

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cover of The 1933 Chicago World's Fair: A Century of Progress

The 1933 Chicago World's Fair

A Century of Progress

Cheryl R. Ganz

University of Illinois Press, 2012

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism.

But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape.

In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.

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cover of The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More!

The Accordion in the Americas

Klezmer, Polka, Tango, Zydeco, and More!

Edited by Helena Simonett

University of Illinois Press, 2012

An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable "one-man-orchestra" capable of producing melody, harmony, and bass all at once. Imported from Europe into the Americas, the accordion with its distinctive sound became a part of the aural landscape for millions of people but proved to be divisive: while the accordion formed an integral part of working-class musical expression, bourgeois commentators often derided it as vulgar and tasteless.

This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia and the Dominican Republic, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.

Contributors are María Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.

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cover of The Afro-Bolivian Spanish Determiner Phrase: A Microparametric Account

The Afro-Bolivian Spanish Determiner Phrase

A Microparametric Account

Sandro Sessarego

The Ohio State University Press, 2014

In this important new study, Sandro Sessarego provides a syntactic description of the Afro-Bolivian Spanish determiner phrase. Afro-Bolivian Spanish is one of the many Afro-Hispanic dialects spoken across Latin America and, from a theoretical point of view, is rich in constructions that would be considered ungrammatical in standard Spanish. Yet these constructions form the core grammar of these less-prestigious, but equally efficient, syntactic systems. Because of the wide variety of their usages, Sessarego’s study of these contact varieties is particularly valuable in developing and refining theories of syntactic microvariation.
 
This dialect presents phenomena that offer a real challenge to current linguistic theory. The Afro-Bolivian Spanish Determiner Phrase elaborates on the importance of enhancing a stronger dialogue between formal generative theory and sociolinguistic methodology, in line with recent work in the field of minimalist syntax. Sessarego’s study combines sociolinguistic techniques of data collection with generative models of data analysis to obtain more fine-grained, empirically testable generalizations.
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cover of The Age of Noise in Britain: Hearing Modernity

The Age of Noise in Britain

Hearing Modernity

James G Mansell

University of Illinois Press, 2017

Sound transformed British life in the "age of noise" between 1914 and 1945. The sonic maelstrom of mechanized society bred anger and anxiety and even led observers to forecast the end of civilization. The noise was, as James G. Mansell shows, modernity itself, expressed in aural form, with immense implications for the construction of the self. Tracing the ideas, feelings, and representations prompted by life in early twentieth century Britain, Mansell examines how and why sound shaped the self. He works at the crux of cultural and intellectual history, analyzing the meanings that were attached to different types of sound, who created these typologies and why, and how these meanings connected to debates about modernity. From traffic noise to air raids, everyday sounds elicited new ways of thinking about being modern. Each individual negotiated his or her own subjective meanings through hopes or fears for sound. As Mansell considers the different ways Britons heard their world, he reveals why we must take sound into account in our studies of cultural and social history.
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cover of The American Essay in the American Century

The American Essay in the American Century

Ned Stuckey-French

University of Missouri Press, 2011

In modern culture, the essay is often considered an old-fashioned, unoriginal form of literary styling. The word essay brings to mind the uninspired five-paragraph theme taught in schools around the country or the antiquated, Edwardian meanderings of English gentlemen rattling on about art and old books. These connotations exist despite the fact that Americans have been reading and enjoying personal essays in popular magazines for decades, engaging with a multitude of ideas through this short-form means of expression.
 
To defend the essay—that misunderstood staple of first-year composition courses—Ned Stuckey-French has written The American Essay in the American Century. This book uncovers the buried history of the American personal essay and reveals how it played a significant role in twentieth-century cultural history.
 
In the early 1900s, writers and critics debated the “death of the essay,” claiming it was too traditional to survive the era’s growing commercialism, labeling it a bastion of British upper-class conventions. Yet in that period, the essay blossomed into a cultural force as a new group of writers composed essays that responded to the concerns of America’s expanding cosmopolitan readership. These essays would spark the “magazine revolution,” giving a fresh voice to the ascendant middle class of the young century.
 
With extensive research and a cultural context, Stuckey-French describes the many reasons essays grew in appeal and importance for Americans. He also explores the rise of E. B. White, considered by many the greatest American essayist of the first half of the twentieth century whose prowess was overshadowed by his success in other fields of writing. White’s work introduced a new voice, creating an American essay that melded seriousness and political resolve with humor and self-deprecation. This book is one of the first to consider and reflect on the contributions of E. B. White to the personal essay tradition and American culture more generally.
 
The American Essay in the American Century is a compelling, highly readable book that illuminates the history of a secretly beloved literary genre. A work that will appeal to fiction readers, scholars, and students alike, this book offers fundamental insight into modern American literary history and the intersections of literature, culture, and class through the personal essay. This thoroughly researched volume dismisses, once and for all, the “death of the essay,” proving that the essay will remain relevant for a very long time to come.
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cover of The American Newsroom: A History, 1920-1960

The American Newsroom

A History, 1920-1960

Will Mari

University of Missouri Press, 2023

The story of the American newsroom is that of modern American journalism. In this holistic history, Will Mari tells that story from the 1920s through the 1960s, a time of great change and controversy in the field, one in which journalism was produced in “news factories” by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. During this time, the newsroom was more than a physical place—it symbolically represented all that was good and bad in journalism, from the shift from blue- to white-collar work to the flexing of journalism’s power as a watchdog on government and an advocate for social reform. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom: A History, 1920–1960 uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.
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cover of The Archaeology of Institutional Life

The Archaeology of Institutional Life

Edited by April M. Beisaw and James G. Gibb

University of Alabama Press, 2008

A landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms
 
Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation.
 
A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.
 
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cover of The Artist in American Society: The Formative Years

The Artist in American Society

The Formative Years

Neil Harris

University of Chicago Press, 1982

What was the place of the artist in a new society? How would he thrive where monarchy, aristocracy, and an established church—those traditional patrons of painting, sculpture, and architecture—were repudiated so vigorously? Neil Harris examines the relationships between American cultural values and American society during the formative years of American art and explores how conceptions of the artist's social role changed during those years.
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cover of The Balkans: Mission Possible

The Balkans

Mission Possible

Maria Todorova

Central European University Press, 2026

In this incisive book, Maria Todorova revisits the region she famously theorized, asking not only what has changed in the past thirty years but whether the conceptual tools used to understand the Balkans still make sense. Treating the Balkans as a historically contingent and ultimately transient construct, Todorova traces their rise, transformations, and anticipated exhaustion, while confronting long-standing silences—especially around race. She then turns a critical eye to Balkan studies itself, examining its institutionalization and the allure, limits, and misapplications of post- and decolonial frameworks. The final section shifts scale dramatically, using brief biographies to reveal how individuals are shaped—and distorted—by scholarly and political frames. Subtle, unsparing, and deeply reflective, this book reopens the epistemological question of the Balkans at a moment when easy paradigms have become impossible to sustain.
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cover of The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century

The Biopolitics of Feeling

Race, Sex, and Science in the Nineteenth Century

Kyla Schuller

Duke University Press, 2018

In The Biopolitics of Feeling Kyla Schuller unearths the forgotten, multiethnic sciences of impressibility—the capacity to be transformed by one's environment and experiences—to uncover how biopower developed in the United States. Schuller challenges prevalent interpretations of biopower and literary cultures to reveal how biopower emerged within the discourses and practices of sentimentalism. Through analyses of evolutionary theories, gynecological sciences, abolitionist poetry and other literary texts, feminist tracts, child welfare reforms, and black uplift movements, Schuller excavates a vast apparatus that regulated the capacity of sensory and emotional feeling in an attempt to shape the evolution of the national population. Her historical and theoretical work exposes the overlooked role of sex difference in population management and the optimization of life, illuminating how models of binary sex function as one of the key mechanisms of racializing power. Schuller thereby overturns long-accepted frameworks of the nature of race and sex difference, offers key corrective insights to modern debates surrounding the equation of racism with determinism and the liberatory potential of ideas about the plasticity of the body, and reframes contemporary notions of sentiment, affect, sexuality, evolution, and heredity.
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cover of The Birth of American Tourism: New York, the Hudson Valley, and American Culture, 1790-1835

The Birth of American Tourism

New York, the Hudson Valley, and American Culture, 1790-1835

Richard H. Gassan

University of Massachusetts Press, 2008

Today the idea of traveling within the United States for leisure purposes is so commonplace it is hard to imagine a time when tourism was not a staple of our cultural life. Yet as Richard H. Gassan persuasively demonstrates, at the beginning of the nineteenth century travel for leisure was strictly an aristocratic luxury beyond the means of ordinary Americans. It wasn't until the second decade of the century that the first middle-class tourists began to follow the lead of the well-to-do, making trips up the Hudson River valley north of New York City, and in a few cases beyond. At first just a trickle, by 1830 the tide of tourism had become a flood, a cultural change that signaled a profound societal shift as the United States stepped onto the road that would eventually lead to a modern consumer society.

According to Gassan, the origins of American tourism in the Hudson Valley can be traced to a confluence of historical accidents, including the proximity of the region to the most rapidly growing financial and population center in the country, with its expanding middle class, and the remarkable beauty of the valley itself. But other developments also played a role, from the proliferation of hotels to accommodate tourists, to the construction of an efficient transportation network to get them to their destinations, to the creation of a set of cultural attractions that invested their experience with meaning. In the works of Washington Irving and James Fenimore Cooper and the paintings of Thomas Cole and others of the Hudson River School, travelers in the region encountered the nation's first literary and artistic movements. Tourism thus did more than provide an escape from the routines of everyday urban life; it also helped Americans of the early republic shape a sense of national identity.
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cover of The Black Chicago Renaissance

The Black Chicago Renaissance

Edited by Darlene Clark Hine and John McCluskey Jr.

University of Illinois Press, 2012

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression.
 
Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940.
 
Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
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cover of The Black Panthers: A Story of Race, War, and Courage—the 761st Tank Battalion in World War II

The Black Panthers

A Story of Race, War, and Courage—the 761st Tank Battalion in World War II

Gina M. DiNicolo

Westholme Publishing, 2014

In a Segregated Military, the African American Armored Unit That Helped Patton Check the German Advance, Close the Rhine Ring, and Spearhead a New Postwar Army
Known primarily for being the first African American armored unit to see combat in World War II and as future baseball star Jackie Robinson’s onetime outfit, the 761st Tank Battalion was forged in a devil’s cauldron of heat and prejudice at Camp Claiborne, Louisiana. Here, most viewed the tankers as tokens in a racial experiment, rather than as fellow American soldiers who would actually be deployed to fight a common enemy. Led by a small cadre of white and black officers, the 761st trained to the pinnacle of its craft. The Black Panthers, as they soon were called, proved their battle prowess against other units bound for combat on the parched Texas training fields. For this, they earned a coveted assignment to fight under General George S. Patton and go head-to-head with the best of Hitler’s arsenal. Moving to the front in November 1944, trial by fire soon shook the unit to its core. Ambushed by a veteran German force, the 761st suffered heavy casualties in the confusion as they cut their way out of the trap. But the men rallied to overcome self-doubt and vindicate their losses. Quickly battle hardened, the tankers saw intense combat through November and when Germany launched its last-ditch offensive through the Ardennes in December, the 761st fought side-by-side with Patton’s Third Army. Moving swiftly, the unit helped check the German advance, cut resupply routes to the forces surrounding beleaguered Bastogne, and drove the enemy back, recapturing towns crucial to the final defeat of Germany.
In The Black Panthers: A Story of Race, War, and Courage—the 761st Tank Battalion in World War II, historian Gina M. DiNicolo tells the full and unvarnished history of this important American fighting force. Relying on extensive archival research, including documents that had not been consulted in previous accounts, and interviews with surviving soldiers and family members, the author describes the unit’s training, deployment, combat, and individuals, such as Sgt. Ruben Rivers, one of only seven African American men awarded the Medal of Honor for World War II heroism. The professionalism, dedication, and courage of the 761st and other non-white units made clear that the strength of the American army in the future lay with integration—one of the enduring accomplishments of these servicemen.
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cover of The Black Presence in the Era of the American Revolution

The Black Presence in the Era of the American Revolution

Sidney Kaplan and Emma Nogrady Kaplan

University of Massachusetts Press, 1989

This carefully researched history details the military, political, economic, and cultural experience of black people during the era of the American Revolution. Beginning with Crispus Attucks, the first man killed in the Revolutionary action, the authors recount a series of fascinating personal histories. The text is highlighted by excerpts form letters, journals, newspaper articles, and other documents, as well as by poems, broadsides, and passages from magazines of the day.

The book is a revised and expanded edition of the authors' classic catalog that accompanied a pioneering exhibition mounted in 1973 by the National Portrait Gallery.
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cover of The Black Worker: Race, Labor, and Civil Rights Since Emancipation

The Black Worker

Race, Labor, and Civil Rights Since Emancipation

Edited by Eric Arnesen

University of Illinois Press, 2006

Long before the modern civil rights movement of the 1950s and 1960s made a frontal assault on the reigning segregationist order, African American workers had to struggle against both their employers and fellow white workers. Because their efforts to secure their workplace rights pitted them against the broader structures of racial oppression, their activism constituted nothing less than a form of civil rights struggle.

Uniting the latest scholarship on race, labor, and civil rights, The Black Worker aims to establish the richness of the African American working-class experience, and the indisputable role of black workers in shaping the politics and history of labor and race in the United States.

To capture the complexity of African Americans’ experiences in the workplace, this reader examines workers engaged in a wide array of jobs, including sharecropping, coal mining, domestic service, longshoring, automobile manufacturing, tobacco processing, railroading, prostitution, lumbering, and municipal employment. The essays’ subjects include black migration, strikebreaking, black conservatism, gender, and the multiple forms of employment discrimination in the South and North. Other contributions deal explicitly with state policy and black workers during the transition from slavery to freedom, World Wars I and II, and the 1960s.

The variety of challenges made by these workers, both quiet and overt, served as clear reminders to the supporters of white supremacy that, despite their best efforts through violence, fraud, and the law, as long as they insisted on racial inequality, the “race question” would never be fully resolved.

Contributors: Eric Arnesen, Beth Tompkins Bates, Cynthia M. Blair, Tera W. Hunter, William Powell Jones, Brian Kelly, Robert Korstad, Nelson Lichtenstein, Joseph A. McCartin, Steven A. Reich, Leslie A. Schwalm, Nan Elizabeth Woodruff

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cover of The Borders Within: Encounters Between Mexico and the U.S.

The Borders Within

Encounters Between Mexico and the U.S.

Douglas Monroy

University of Arizona Press, 2008

Throughout its history, the nation that is now called the United States has been inextricably entwined with the nation now called Mexico. Indeed, their indigenous peoples interacted long before borders of any kind were established. Today, though, the border between the two nations is so prominent that it is front-page news in both countries.

Douglas Monroy, a noted Mexican American historian, has for many years pondered the historical and cultural intertwinings of the two nations. Here, in beautifully crafted essays, he reflects on some of the many ways in which the citizens of the two countries have misunderstood each other.

Putting himself— and his own quest for understanding—directly into his work, he contemplates the missions of California; the differences between “liberal” and “traditional” societies; the meanings of words like Mexican, Chicano, and Latino; and even the significance of avocados and bathing suits. In thought-provoking chapters, he considers why Native Americans didn’t embrace Catholicism, why NAFTA isn’t working the way it was supposed to, and why Mexicans and their neighbors to the north tell themselves different versions of the same historical events.

In his own thoughtful way, Monroy is an explorer. Rather than trying to conquer new lands, however, his goal is to gain new insights. He wants to comprehend two cultures that are bound to each other without fully recognizing their bonds. Along with Monroy, readers will discover that borders, when we stop and really think about it, are drawn more deeply in our minds than on any maps.
[more]
cover of The Bourgeois Virtues: Ethics for an Age of Commerce

The Bourgeois Virtues

Ethics for an Age of Commerce

Deirdre Nansen McCloskey

University of Chicago Press, 2006

For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s The Bourgeois Virtues, a magnum opus that offers a radical view: capitalism is good for us.

McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations.

High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.
[more]
cover of The British Soldier in America: A Social History of Military Life in the Revolutionary Period

The British Soldier in America

A Social History of Military Life in the Revolutionary Period

By Sylvia R. Frey

University of Texas Press, 1981

In her investigation of the social history of the common British soldier in the era of the American Revolution, Sylvia Frey has extensively surveyed recruiting records, contemporary training manuals, statutes, and memoirs in an attempt to provide insight into the soldier's "life and mind." In the process she has discovered more about the common soldier than anyone thought possible: his social origins and occupational background, his size, age, and general physical condition, his personal economics and daily existence. Her findings dispel the traditional assumption that the army was made up largely of criminals and social misfits.

Special attention is given to soldiering as an occupation. Focusing on two of the major campaigns of the war—the Northern Campaign which culminated at Saratoga and the Southern Campaign which ended at Yorktown—Frey describes the human face of war, with particular emphasis on the physical and psychic strains of campaigning in the eighteenth century.

Perhaps the most important part of the work is the analysis of the moral and material factors which induced men to accept the high risks of soldiering. Frey rejects the traditional assumption that soldiers were motivated to fight exclusively by fear and force and argues instead that the primary motivation to battle was generated by regimental esprit, which in the eighteenth century substituted for patriotism. After analyzing the sources of esprit, she concludes that it was the sustaining force for morale in a long and discouraging war.

This book is a contribution to our understanding of the eighteenth century and should appeal not only to military historians but also to social and economic historians and to those interested in the history of medicine.

[more]
cover of The Burdens of Disease: Epidemics and Human Response in Western History

The Burdens of Disease

Epidemics and Human Response in Western History

J.N. Hays

Rutgers University Press, 2009

A review of the original edition of The Burdens of Disease that appeared in ISIS stated, "Hays has written a remarkable book. He too has a message: That epidemics are primarily dependent on poverty and that the West has consistently refused to accept this." This revised edition confirms the book's timely value and provides a sweeping approach to the history of disease.

In this updated volume, with revisions and additions to the original content, including the evolution of drug-resistant diseases and expanded coverage of HIV/AIDS, along with recent data on mortality figures and other relevant statistics, J. N. Hays chronicles perceptions and responses to plague and pestilence over two thousand years of western history. Disease is framed as a multidimensional construct, situated at the intersection of history, politics, culture, and medicine, and rooted in mentalities and social relations as much as in biological conditions of pathology. This revised edition of The Burdens of Disease also studies the victims of epidemics, paying close attention to the relationships among poverty, power, and disease.

[more]
cover of The Cinematic ImagiNation: Indian Popular Films as Social History

The Cinematic ImagiNation

Indian Popular Films as Social History

Virdi, Jyotika

Rutgers University Press, 2003

 "This book makes an important contribution to the field of Asian film criticism, Indian film history, cultural studies, and gender studies. The Cinematic ImagiNation provides readers with valuable insight into the relationships between nation-building, gender, sexuality, the family, and popular cinema, using post-Independence India as a case study."
--Gina Marchetti, author of Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction

India produces more films than any other country in the world, and these works are avidly consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dominant medium configures the "nation" in post-Independence Hindi cinema. She scrutinizes approximately thirty films that have appeared since 1950 and demonstrates how concepts of the nation form the center of this cinema's moral universe. As a kind of storytelling, Indian cinema provides a fascinating account of social history and cultural politics, with the family deployed as a symbol of the nation. Virdi demonstrates how the portrayal of the nation as a mythical community in Hindi films collapses under the weight of its own contradictions--irreconcilable differences that encompass gender, sexuality, family, class, and religious communities. Through these film narratives, the author traces transactions among the various constituencies that struggle, accommodate, coexist uneasily, or reconstitute each other over time, and, in the process, reveal the topography of postcolonial culture.
[more]
cover of The City That Ate Itself: Butte, Montana and Its Expanding Berkeley Pit

The City That Ate Itself

Butte, Montana and Its Expanding Berkeley Pit

Brian James Leech

University of Nevada Press, 2018

Winner of the Mining History Association Clark Spence Award for the Best Book in Mining History, 2017-2018

Brian James Leech provides a social and environmental history of Butte, Montana’s Berkeley Pit, an open-pit mine which operated from 1955 to 1982. Using oral history interviews and archival finds, The City That Ate Itself explores the lived experience of open-pit copper mining at Butte’s infamous Berkeley Pit. Because an open-pit mine has to expand outward in order for workers to extract ore, its effects dramatically changed the lives of workers and residents. Although the Berkeley Pit gave consumers easier access to copper, its impact on workers and community members was more mixed, if not detrimental.
 
The pit’s creeping boundaries became even more of a problem. As open-pit mining nibbled away at ethnic communities, neighbors faced new industrial hazards, widespread relocation, and disrupted social ties. Residents variously responded to the pit with celebration, protest, negotiation, and resignation. Even after its closure, the pit still looms over Butte. Now a large toxic lake at the center of a federal environmental cleanup, the Berkeley Pit continues to affect Butte’s search for a postindustrial future.
[more]
cover of The Civil War Letters of Colonel Charles F. Johnson, Invalid Corps

The Civil War Letters of Colonel Charles F. Johnson, Invalid Corps

Fred Pelka

University of Massachusetts Press, 2004

Organized in May 1863 to meet the Union Army's growing manpower needs, the Invalid Corps—later renamed the Veteran Reserve Corps—was a unique military unit. With more than twenty-four regiments of troops, nearly all of them men disabled by illness or combat wounds, it was at one point twice as large as the entire pre-war United States Army. During four years of service its troops enforced the draft, guarded prisoners and vital outposts, protected rail lines and supply depots, and served as military police in cities all across the country. Members of the Corps escorted President Lincoln's body home to Illinois, and after the war its officers formed the nucleus of the new Freedman's Bureau. 

This volume brings together some 143 letters written by Colonel Charles F. Johnson, an officer who served with the 18th Veteran Reserve Corps after sustaining debilitating wounds during the Seven Days' Battles in June 1862. Edited with an introduction by Fred Pelka, the letters describe the day-to-day circumstances of “The Cripple Brigade,” as it was derisively called, as well as guerrilla warfare in Missouri, combat in Virginia, and barracks life in Washington, D.C. Johnson was a keen observer of his nation at war, and his correspondence with his wife Mary is by turns literate and comic, objective and personal. 

In his introduction and annotations, Pelka provides a detailed history of the Invalid Corps and explores the experience of disability in nineteenth-century America. He looks at how the nation responded to the sudden appearance of tens of thousands of newly disabled young men, and traces how members of the Invalid Corps fought not only to restore the Union but also to retain their dignity as Americans and as human beings.

[more]
cover of The Commonwealth of Empire: A History of the Burma Corporation and the Bawdwin Mining Complex in British Colonial Burma

The Commonwealth of Empire

A History of the Burma Corporation and the Bawdwin Mining Complex in British Colonial Burma

David Baillargeon

University of Nevada Press, 2026

The Commonwealth of Empire explores the overlooked history of the Bawdwin mining complex in Burma's Northern Shan States, focusing on its development during the British colonial period. Drawing on global and imperial history, author David Baillargeon showcases how industrial-scale mining transformed Bawdwin into a hub of commerce and migration, especially under the Burma Corporation in the early twentieth century. By the 1920s, Bawdwin had become one of the largest industrial sites in the world, staffed by a multinational workforce from South, Southeast, and East Asia, and managed by foreign engineers from the United States and Australia. Known as the “Commonwealth of Namtu” for its diverse workforce, the site exemplifies how colonial and corporate interests overlapped, and how such commercial spaces were shaped, contested, and reimagined locally. In telling the stories of the diverse agents and workers who developed the site and made it their home, The Commonwealth of Empire uncovers how and why a space like Bawdwin has been forgotten over time, interrogating its marginalization in national and regional histories and linking such forgetting to the nature of Britain's colonial project.

Baillargeon argues that recovering such forgotten histories requires moving beyond nation-based frameworks and embracing methods that illuminate the global forces behind colonial enterprises. In doing so, the book offers opportunities to decolonize histories and spaces of occupation that fit uneasily into existing frameworks of empire and nation.

[more]
cover of The Construction of Homosexuality

The Construction of Homosexuality

David F. Greenberg

University of Chicago Press, 1990

"At various times, homosexuality has been considered the noblest of loves, a horrible sin, a psychological condition or grounds for torture and execution. David F. Greenberg's careful, encyclopedic and important new book argues that homosexuality is only deviant because society has constructed, or defined, it as deviant. The book takes us over vast terrains of example and detail in the history of homosexuality."—Nicholas B. Dirks, New York Times Book Review
[more]
cover of The Correspondence of W.E.B. Du Bois, Volume I: Selections, 1877–1934

The Correspondence of W.E.B. Du Bois, Volume I

Selections, 1877–1934

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for Black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

[more]
cover of The Correspondence of W.E.B. Du Bois, Volume II: Selections, 1934–1944

The Correspondence of W.E.B. Du Bois, Volume II

Selections, 1934–1944

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review. 

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

[more]
cover of The Correspondence of W.E.B. Du Bois, Volume III: Selections, 1944–1963

The Correspondence of W.E.B. Du Bois, Volume III

Selections, 1944–1963

W.E.B. Du Bois

University of Massachusetts Press, 1997

Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868–1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world. 

The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review. 

Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.

[more]
cover of The Cult of Creativity: A Surprisingly Recent History

The Cult of Creativity

A Surprisingly Recent History

Samuel W. Franklin

University of Chicago Press, 2023

A history of how, in the mid-twentieth century, we came to believe in the concept of creativity. Named a best book of 2023 by the New Yorker and a notable book of 2023 by Behavioral Scientist.  

Creativity is one of American society’s signature values, but the idea that there is such a thing as “creativity”—and that it can be cultivated—is surprisingly recent, entering our everyday speech in the 1950s. As Samuel W. Franklin reveals, postwar Americans created creativity, through campaigns to define and harness the power of the individual to meet the demands of American capitalism and life under the Cold War. Creativity was championed by a cluster of professionals—psychologists, engineers, and advertising people—as a cure for the conformity and alienation they feared was stifling American ingenuity. It was touted as a force of individualism and the human spirit, a new middle-class aspiration that suited the needs of corporate America and the spirit of anticommunism.
 
Amid increasingly rigid systems, creativity took on an air of romance; it was a more democratic quality than genius, but more rarified than mere intelligence. The term eluded clear definition, allowing all sorts of people and institutions to claim it as a solution to their problems, from corporate dullness to urban decline. Today, when creativity is constantly sought after, quantified, and maximized, Franklin’s eye-opening history of the concept helps us to see what it really is, and whom it really serves.
 
[more]
cover of The Cult of Health and Beauty in Germany: A Social History, 1890-1930

The Cult of Health and Beauty in Germany

A Social History, 1890-1930

Michael Hau

University of Chicago Press, 2003

From the 1890s to the 1930s, a growing number of Germans began to scrutinize and discipline their bodies in a utopian search for perfect health and beauty. Some became vegetarians, nudists, or bodybuilders, while others turned to alternative medicine or eugenics. In The Cult of Health and Beauty in Germany, Michael Hau demonstrates why so many men and women were drawn to these life reform movements and examines their tremendous impact on German society and medicine.

Hau argues that the obsession with personal health and fitness was often rooted in anxieties over professional and economic success, as well as fears that modern industrialized civilization was causing Germany and its people to degenerate. He also examines how different social groups gave different meanings to the same hygienic practices and aesthetic ideals. What results is a penetrating look at class formation in pre-Nazi Germany that will interest historians of Europe and medicine and scholars of culture and gender.
[more]
cover of The Cultural Life of the Automobile: Roads to Modernity

The Cultural Life of the Automobile

Roads to Modernity

By Guillermo Giucci

University of Texas Press, 2012

From its invention in Europe at the end of the nineteenth century, the automobile crisscrossed the world, completely took over the cities, and became a feature of daily life. Considered basic to the American lifestyle, the car reflected individualism, pragmatism, comfort, and above all modernity. In Latin America, it served as a symbol of distinction, similar to jewelry or fine clothing. In The Cultural Life of the Automobile, Guillermo Giucci focuses on the automobile as an instrument of social change through its “kinetic modernity” and as an embodiment of the tremendous social impact of technology on cultural life.

Material culture—how certain objects generate a wide array of cultural responses—has been the focus of much scholarly discussion in recent years. The automobile wrought major changes and inspired images in language, literature, and popular culture. Focusing primarily on Latin America but also covering the United States, Europe, Asia, and Africa, Giucci examines how the automobile was variously adapted by different cultures and how its use shaped and changed social and economic relationships within them. At the same time, he shows how the “automobilization” of society became an essential support for the development of modern individualism, and the automobile its clearest material manifestation.

[more]
cover of The Culture and Sport of Skiing: From Antiquity to World War ll

The Culture and Sport of Skiing

From Antiquity to World War ll

E. John B. Allen

University of Massachusetts Press, 2007

A comprehensive history of skiing from its earliest origins to the outbreak of World War II, this book traces the transformation of what for centuries remained an exclusively utilitarian practice into the exhilarating modern sport we know today. E. John B. Allen places particular emphasis on the impact of culture on the development of skiing, from the influence of Norwegian nationalism to the role of the military in countries as far removed as Austria, India, and Japan. Although the focus is on Europe, Allen's analysis ranges all over the snow-covered world, from Algeria to China to Zakopane. He also discusses the participation of women and children in what for much of its history remained a male-dominated sport.

Of all the individuals who contributed to the modernization of skiing before World War II, Allen identifies three who were especially influential: Fridtjof Nansen of Norway, whose explorations on skis paradoxically inspired the idea of skiing as sport; Arnold Lunn of England, whose invention of downhill skiing and the slalom were foundations of the sport's globalization; and Hannes Schneider, whose teachings introduced both speed and safety into the sport.

Underscoring the extent to which ancient ways persisted despite modernization, the book ends with the Russo-Finnish War, a conflict in which the Finns, using equipment that would have been familiar a thousand years before, were able to maneuver in snow that had brought the mechanized Soviet army to a halt.

More than fifty images not only illustrate this rich history but provide further opportunity for analysis of its cultural significance.
[more]
cover of The Deaf History Reader

The Deaf History Reader

John Vickrey Van Cleve

Gallaudet University Press, 2007

The Deaf History Reader presents nine masterful chapters that bring together a remarkably vivid depiction of the varied Deaf experience in America. This collection features the finest scholarship from a noteworthy group of historians, including Reginald Boyd, Barry A. Crouch, Mary French, Brian H. Greenwald, Harlan Lane, Harry G. Lang, Kent R. Olney, Richard Pillard, Jill Hendricks Porco, Michael Reis, and volume editor John Vickrey Van Cleve.

The incisive articles collected here include an exploration of the genesis of the Deaf community and early evidence of the use of sign language; a comparison of a failed, oralist school for deaf students in Virginia to the success of the American School for the Deaf in Hartford, Connecticut; the development of Deaf consciousness among people who carried a dominant gene for deafness; a biographical sketch of Mary Ann Walworth Booth, an accomplished deaf woman who lived on the Western frontier; an account of Deaf agency in the Indiana Institution and the Evansville Day School; the early antecedents of mainstreaming deaf children despite the objections of their parents; a profile of Alexander Graham Bell that contrasts his support of eugenics to his defense of Deaf rights; the conflicting actions of supervisors of the Pennsylvania Society for the Advancement of the Deaf; and finally, the critical role played by deaf people in the Chicago Mission for the Deaf’s success in maintaining the Deaf community for more than five decades. The remarkably rich range of topics treated in The Deaf History Reader assure its future status as a standard resource for all Deaf scholars and students.

[more]
cover of The Deepest Sense: A Cultural History of Touch

The Deepest Sense

A Cultural History of Touch

Constance Victoria Classen

University of Illinois Press, 2012

 
From the softest caress to the harshest blow, touch lies at the heart of our experience of the world. Now, for the first time, this deepest of senses is the subject of an extensive historical exploration. The Deepest Sense: A Cultural History of Touch fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate and sensuous approach to history makes it possible to foreground the tactile foundations of Western culture--the ways in which feelings shaped society.
 
Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity.
 
Through poignant descriptions of the healing power of a medieval king's hand or the grueling conditions of a nineteenth-century prison, we find that history, far from being a dry and lifeless subject, touches us to the quick.
[more]
cover of The Defoliation of America: Agent Orange Chemicals, Citizens, and Protests

The Defoliation of America

Agent Orange Chemicals, Citizens, and Protests

Amy M. Hay

University of Alabama Press, 2022

Examines the domestic and international use of phenoxy herbicides by the United States in the mid-twentieth century.

In The Defoliation of America: Agent Orange Chemicals, Citizens, and Protests, Amy M. Hay profiles the attitudes, understandings, and motivations of grassroots activists who rose to fight the use of phenoxy herbicides, or Agent Orange chemicals as they are commonly known, in various aspects of American life during the post-WWII era. Hay focuses her analysis on citizen responses to illuminate how regulatory policies were understood, challenged, and negotiated, contributing to a growing body of research on chemical regulatory policies, risk society, and hazardous chemicals. This volume uncovers new understandings about the authority of the state and its obligation to society, the role of scientific authority and expertise, and the protests made by various groups of citizens.

First introduced in 1946, phenoxy herbicides mimic hormones in broadleaf plants, causing them to “grow to death” while grass, grains, and other monocots remain unaffected. By the 1950s, millions of pounds of these chemicals were produced annually for use in brush control, weed eradication, forest management, and other agricultural applications. Pockets of skepticism and resistance began to appear by the late 1950s, and the trend intensified after 1962 when Rachel Carson’s Silent Spring directed mainstream attention to the harm modern chemicals were causing in the natural world. It wasn’t until the Vietnam War, however, when nearly 19 million gallons of Agent Orange and related herbicides were sprayed to clear the canopy and destroy crops in Southeast Asia, that the long-term damage associated with this group of chemicals began to attract widespread attention and alarm.

Using a wide array of sources and an interdisciplinary approach, Hay contributes to the robust fields of chemical toxicity, regulation, environmental management, and public health. This study of the scientists, health and environmental activists, and veterans who fought US chemical regulatory policies and practices reveals the mechanisms, obligations, and constraints of state and scientific authority in mid-twentieth-century America. Hay also shows how these disparate and mostly forgotten citizen groups challenged the political consensus and contested government and industry narratives of chemical safety.
 

[more]
cover of The Differentiation of Authority: The Medieval Turn toward Existence

The Differentiation of Authority

The Medieval Turn toward Existence

James Greenaway

Catholic University of America Press, 2012

In this study, James Greenaway explores the philosophical continuity between contemporary Western society and the Middle Ages. Allowing for genuinely modern innovations, he makes the claim that the medieval search for order remains fundamentally unbroken in our search for order today.
[more]
cover of The Domestic Herbal: Plants for the Home in the Seventeenth Century

The Domestic Herbal

Plants for the Home in the Seventeenth Century

Margaret Willes

Bodleian Library Publishing, 2020

In the seventeenth century most English households had gardens. These gardens were not merely ornamental; even the most elaborate and fashionable gardens had areas set aside for growing herbs, fruit, vegetables, and flowers for domestic use. Meanwhile, more modest households considered a functional garden to be a vital tool for the survival of the house and family. The seventeenth century was also a period of exciting introductions of plants from overseas, which could be used in all manner of recipes.

Using manuscript household manuals, recipe books, and printed herbals, The Domestic Herbal takes the reader on a tour of the productive garden and of the various parts of the house—kitchens and service rooms, living rooms and bedrooms—to show how these plants were used for cooking and brewing, medicines and cosmetics, in the making and care of clothes, and to keep rooms fresh, fragrant, and decorated. Recipes used by seventeenth-century households for preparations such as flower syrups, snail water, and wormwood ale are also included. A brief herbal gives descriptions of plants both familiar and less known to today’s readers, including the herbs used for common tasks like dyeing and brewing, and those that held a particular cultural importance in the seventeenth century. Featuring exquisite colored illustrations from John Gerard’s herbal book of 1597 as well as prints, archival material, and manuscripts, this book provides an intriguing and original focus on the domestic history of Stuart England.

[more]
cover of The ENGLISH COMMON READER: A Social History of the Mass Reading Public, 1800–1900, Second Edition

The ENGLISH COMMON READER

A Social History of the Mass Reading Public, 1800–1900, Second Edition

Richard D. Altick

The Ohio State University Press, 1998

[more]
cover of The Early Mubarak Years 1982–1988: The Non-Fiction Writing of Naguib Mahfouz, Volume III

The Early Mubarak Years 1982–1988

The Non-Fiction Writing of Naguib Mahfouz, Volume III

Naguib Mahfouz

Gingko, 2020

In these essays Naguib Mahfouz comments on Egyptian politics, the role of Parliament, and the institutional changes that took place in Egypt after Honsi Mubarak became President in 1981. 
[more]
cover of The Ecological City: Preserving and Restoring Urban Biodiversity

The Ecological City

Preserving and Restoring Urban Biodiversity

Rutherford H. Platt

University of Massachusetts Press, 1994

Interdisciplinary in content as well as approach, this collection of original essays takes a fresh look at the ecology of urban communities. Written by experts from a variety of professions—academic researchers, private and public program managers, and citizen activists—the book explores issues of geography, ecology, landscape architecture, urban forestry, law, and environmental education. Contributions include broad overviews of common problems a well as detailed case studies of specific programs. 

Although several contributors are natural scientists, the book focuses on matters of public policy and public-private collaboration. The aim is not only to assess the impact of increasing urbanization on biodiversity, but also to propose new ways of preserving and restoring the balance between the natural and the built environment through planning and design.

[more]
cover of The End of Eden: Agrarian Spaces and the Rise of the California Social Novel

The End of Eden

Agrarian Spaces and the Rise of the California Social Novel

Terry Beers

University of Nevada Press, 2018

The story of the Joad family’s journey from their ravaged farm in dustbowl Oklahoma to the storied paradise of California helped inform a nation about the brutality, poverty, and vicious competition among fellow immigrants desperate for work. But Steinbeck is only one successor to a rich and esteemed literary tradition in California. 

Drawing on history and cultural theory, The End of Eden traces the rise of the California social novel, its embrace of the agrarian dream, and its ambivalence about technology and the development it enables. It relies on various cultural conceptions of space, among them, the American Public Land Survey (the source of the “grid” allotments shaping homestead claims), Mexican-era diseños, and Native American traditions that defined a fluid relationship between human beings and the land.
 
This animation of four California social novels of the late eighteenth and early nineteenth centuries demonstrates how conflicts over space and place signify cultural conflict. It is deeply informed by the author’s understanding of historical land issues. The works include Joaquin Miller’s Unwritten History: Life Amongst the Modocs, Helen Hunt Jackson’s Ramona, Frank Norris’ The Octopus, and Mary Austin’s The Ford.

Miller’s Unwritten History: Life Amongst the Modocs and Jackson’s Ramona examine the tragic but inevitable consequences for native people of making space—inhabited already by Native American and Hispanic populations—safe for Americans who pursue the agrarian dream without regard to its effects upon those who claim prior tenure on the land. Norris’ The Octopus and Austin’s The Ford examine the murkier story of trying to preserve or to reclaim the agrarian dream when confronted by the unchecked materialist interests of American capitalism.

A wide-reaching interdisciplinary approach to various cultural conceptions of space, The End of Eden provides a crucial understanding of the conflicts depicted in social novels that lament the ways in which land is allocated and developed, the ways in which American agrarianism—and its promise of local, sustainable land use—is undermined, and how it applies to contemporary California. In an era where California confronts, yet again, the complicated patterns of land use: fracking, water use and water rights, coastal regulation and management, and agribusiness, this groundbreaking work provides an ever-relevant context.
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cover of The Exile Mission: The Polish Political Diaspora and Polish Americans, 1939–1956

The Exile Mission

The Polish Political Diaspora and Polish Americans, 1939–1956

Anna D. Jaroszynska-Kirchmann

Ohio University Press, 2009

At midcentury, two distinct Polish immigrant groups—those Polish Americans who were descendants of economic immigrants from the turn of the twentieth century and the Polish political refugees who chose exile after World War II and the communist takeover in Poland—faced an uneasy challenge to reconcile their concepts of responsibility toward the homeland.

The new arrivals did not consider themselves simply as immigrants, but rather as members of the special category of political refugees. They defined their identity within the framework of the exile mission, an unwritten set of beliefs, goals, and responsibilities, placing patriotic work for Poland at the center of Polish immigrant duties.

In The Exile Mission, an intriguing look at the interplay between the established Polish community and the refugee community, Anna Jaroszyńska–Kirchmann presents a tale of Polish Americans and Polish refugees who, like postwar Polish exile communities all over the world, worked out their own ways to implement the mission’s main goals. Between the outbreak of World War II and 1956, as Professor Jaroszyńska–Kirchmann demonstrates, the exile mission in its most intense form remained at the core of relationships between these two groups.

The Exile Mission is a compelling analysis of the vigorous debate about ethnic identity and immigrant responsibility toward the homeland. It is the first full–length examination of the construction and impact of the exile mission on the interactions between political refugees and established ethnic communities.

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