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Queer stories about love, loneliness, the surreal, and the self

The stories in Tell Me feature queer men of various ages reckoning with loneliness, selfishness, and the struggle for self-discovery and identity. In “The Vanisher,” a young bisexual man struggling with his own desire to be seen receives a bandana that allows him to become invisible. In “Retreat,” a widower travels to an artists’ colony to seek an audience with his recently deceased husband. And in “We Are Rendered Silent,” people lose their ability to speak when a man they love dies. Through Baumann’s inventive employment of the strange and surreal, these stories set out to explore the bizarre and often confounding experience of navigating modern-day queerness. With his unique voice and magnificent imagination, Baumann fully immerses readers in the queer experience.
 

A visionary and profound new collection from innovative author Elizabeth Crane

Throughout her body of work, Elizabeth Crane’s literary vision has always been singular and innovative, twisting form and bending reality into new universes. Her latest collection, That May Not Mean What You Think, explores themes of aging and youth, gender and discrimination, and sex and love. In “Training Module,” Crane takes the structure and protocol of workplace harassment prevention training and turns it on its head; “The Box” tells the story of a woman trying to recover from divorce with the help of a literal unicorn; and “The Youngs” follows a group of teenagers experiencing loss for the first time, clinging to the belief that they’ll live forever. Across these delightfully weird and disarmingly truthful stories, American culture is refracted through humor and heart, asking readers to consider their complicity and to imagine new possibilities of participating in a better future.
 

These powerful stories limn the complexities and dilemmas of life in Kansas, a state at “the center of the center of America,” as a billboard in one story announces. Andrew Malan Milward explores the less visible aspects of the Kansas experience—where its agrarian past comes into conflict with the harsh present reality of drugs, fundamentalism, and corporatism, relegating its agrarian identity to museums and amusement parks.

Presented in a triptych, the stories in Milward's debut collection range across a varied terrain, from tumbledown rural barns to modern urban hospitals, revealing the secrets contained therein.

Graffiti-covered industrial concrete ruins are all that remain today to remind us of the lives, adventures, and human relationships that once animated Bauer, Utah. Located just south of Tooele, across the Oquirrh Mountains west of the Salt Lake Valley, Bauer was abandoned in 1979 and declared a toxic waste site. The Book of Bauer: Stories from a Forgotten Town brings it back to life, evoking mid-twentieth century family and community in that company town as seen through the eyes of an observant adolescent boy.

Presenting a dramatic snapshot of life in Bauer in narrative autobiographical form, the book recalls the fate of hundreds of derelict mining towns throughout the mountain and sagebrush West. With vivid prose and intimate observation, The Book of Bauer offers an unparalleled memoir of small-town life in Utah and the Great Basin.

Winner of the Humanities in Translation Prize

The Book of Mating is a masterfully translated collection of stories in which Indonesian women explore the full spectrum of mating: marital, sexual, and spiritual; forced and free; transcendent, ruinous, and mundane. Laksmi Pamuntjak portrays both the constraints and opportunities facing women caught between the enduring restrictions of local norms and hierarchies and the tantalizing promises of globalized modern life, between internalized myths and social realities.

An experimental melding of Pamuntjak’s creative, journalistic, and activist work, these stories read as urgent dispatches from the Indonesian archipelago and diaspora—and as universal narratives of women’s lived experiences. Annie Tucker’s nuanced translation takes us from the prison island of Buru and the Bogor Botanical Gardens to Paris’s Left Bank, offering a polyphonic testament to the universal fight for women’s autonomy over their bodies and their lives.

A portrait of one of Britain's foremost documentary photographers—and her long career as a Soviet agent. 

Why did you get yourself into this, Edith? Was it all worth it? 

Born and raised in a liberal Jewish family in Vienna, Edith Tudor-Hart’s legacy is defined by her pioneering social photography and her pivotal role in the recruitment of Kim Philby as a Soviet agent. Arrested for her involvement with socialist groups, Edith immigrated to England in 1933 to escape political and religious persecution. There, her photography came to reflect her socialist ideals, and her clandestine work for the Soviet Union meant she would spend the rest of her life under the suspicion and close surveillance of MI5. 

The Darkrooms of Edith Tudor-Hart is the culmination of Peter Stephan Jungk’s enduring fascination with his cousin’s life. His vivid portrait reveals a woman whose life was shrouded in secrecy and whom—in his confession to MI5 a decade before Edith’s death—the Soviet spy Anthony Blunt called ‘the grandmother of us all.’ 

Covering the period from the first government survey of the treacherous Limekiln Crossing to the completion of the Livingstone Channel, The Detroit River tells the story of the industrial transformation of the city’s most important waterway.

The magical and mundane twist together in this collection of surreal stories

In this collection of stories set in an uncanny American suburbia and haunted by a lurking unease, the peculiar feeling of ephemeral youth finds its voice. The stories in The Gods in Small Doses depict childhood through a funhouse mirror, as a time of myth and damage, of tenderness and terror. Anything—except what should happen—can happen next.

A retired witch traps a goat-killing feral child, a girl becomes obsessed with the regenerative properties of her younger brother’s body, Armageddon is fought between the forces of good (those who like to go to bed early) and evil (those who prefer to stay up late), a supernatural orphan insinuates his way into an all-American family, the god Poseidon wrecks a high-school house party, and the women of a fabulated island city all mysteriously disappear overnight. In these fast, comic, and troubling tales, sweetness and violence vie to become synonymous.

This is a universe of both realism and surrealism, of magic and the mundane, where strong but deeply flawed characters fight to exert control over things—time, death, themselves—that can’t be controlled. Dreamlike moments of body horror, catastrophe, and absurdity challenge the reader to embrace the taboo and to expect—always—the unexpected. Bell’s stories offer a twisted, unique, and utterly fascinating take on what it means to “grow up,” and all of the questions that the notion inspires.

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

The Harlan Renaissance invites readers into what might be an unfamiliar Appalachia: one studded by large and vibrant Black communities, where families took the pulse of the nation through magazines like Jet and Ebony and through the news that traveled within Black churches, schools, and restaurants. Difficult choices for the future were made as parents considered the unpredictable nature of Appalachia’s economic realities alongside the unpredictable nature of a national movement toward civil rights.

Unfolding through layers of sociological insight and oral history, The Harlan Renaissance centers the sympathetic perspectives and critical eye of a master narrator of Black life.

Lex rex—Latin for “the law is king”—expresses a foundational principle of human liberty: that the law, rather than the will of any individual ruler, is the ultimate governmental authority. This principle was at the heart of the American Revolution and remains essential to the functioning and endurance of America today. For 250 years, the United States has been tested by political conflict, social change, and institutional challenges, yet the rule of law has remained central to the nation’s constitutional order.

Asa Hutchinson’s distinguished career—as a former US attorney, member of the US House of Representatives, administrator of the Drug Enforcement Administration, under secretary of Homeland Security, and governor of Arkansas—offers a unique perspective from which to examine the lasting significance of lex rex in contemporary America.

Drawing on Hutchinson’s work at the intersection of law, politics, and public service, The Lex Rex Effect explores how the principles of law, justice, and constitutional government underpin democracy. Through personal stories and thoughtful analysis, Hutchinson considers the forces that sustain our democracy and argues for the perennial importance of a system in which the law—not an autocrat’s whim—reigns supreme in the land.

Showing that everyday people offer the deepest, most relatable lessons in grace

Offering an intimate glimpse into the lives of individuals connected to one of the world’s foremost centers for cancer care and research, The Light That Endures reveals how ordinary people at Boston’s Dana-Farber Cancer Institute demonstrate extraordinary resilience in the face of life’s most challenging moments. Through eight captivating profiles, readers meet a world-renowned pediatric oncologist who rode on horseback at Eisenhower’s inauguration, delivered a secret message in Soviet-controlled Czechoslovakia, and hosted the future King of England; a florist-turned-nurse-turned-teacher whose life changed drastically after a chance encounter on a train; an administrator who has faced adversity his entire life, from a violent father, to confronting his own identity, to being held up at gunpoint; a teenage patient whose battle with cancer was just one of many challenges he has navigated; and a woman who, despite spending her life bringing comfort to others, wonders whether she’s been enough as she reflects after a terminal diagnosis.

These remarkable people, diverse in their backgrounds, share a common bond through cancer and Dana-Farber, that much is obvious. However, it is their quiet acts of grace and service—woven into both their professional paths and personal journeys—that more deeply unite them. Their stories reveal a deeper truth: despite hardship and loss, the arc of life bends toward goodness. Fractured childhoods, family estrangement, mental health strains, winding career paths, and the ever-present shadow of self-doubt are not just obstacles but catalysts. The individuals profiled have found hope and meaning in community and their work, shaping lives of purpose, service, and gratitude. More than a recounting of lives touched by cancer, The Light That Endures is a celebration of the profound impact of compassion and human connection. It captures the essence of Dana-Farber’s ethos, where a shared mission of care fosters an environment of empathy and hope.

A runaway circus lion haunts a small town where two lovers risk more than their respective marriages. A junket to Cuba and an ambassador’s dalliance with a niece hide dark secrets and political revolution. “I’ve always had a knife,” says the unstable stepson to his parents. Inventive, dark, and absurd, the stories in The Long Swim capture Terese Svoboda’s clear-eyed, wry angle on the world: a place of violence and uncertainty but also wild beauty, adventure, and love both lasting and ephemeral. Her characters strive for escape—through romance, travel, or more self-destructive pursuits—and collide with the constraints of family and home, their longing for freedom and autonomy often at odds with the desire for safety and harmony.

Cynical, irreverent, and formally daring, Svoboda’s stories in The Long Swim are a deft exploration of womanhood and humanity. Waves of provocation and wonder toss the reader and leave them wanting more.

Set in Sri Lanka and America, the ten short stories in this debut collection feature characters struggling to contend with the brutality of a decades-long civil war while also seeking security, love, and hope. The characters are students, accountants, soldiers, servants. They are immigrants and strivers. They are each forced to make sometimes comic, sometimes tragic, choices. What they share, despite what they've endured, is the sustaining power of human connection.

An excerpt from the book:

“All I want to know is when you are coming? When are you bringing my sons, my family?”

She watched as a gecko, tinier than normal, skittered across the far wall. It disappeared into a small crack. The room was very hot, and she hadn't turned on the ceiling fan so that the family could save a little money. She took a handkerchief from her nightstand and wiped the beads of sweat from her forehead and the back of her neck.

“I can't leave malli alone here. He's making progress but—”

“It will be for two years only. Then you can sponsor him.”

“The lawyer says it's not so easy.”

“He's a grown man. Let the government take him. The government did this to malli. Let the government pay the price for his care.”

Even though there was no chance that her brother Ranjith could hear her, Anoja dropped her voice. “Malli is all alone here. He has nobody but aiya and me.”

A collection of 56 flash fictions, micro-essays, and contemporary fables about the burden on women and families.

The Pillow Museum is a collection of 56 flash fictions, micro-essays, and contemporary fables set in various simulacra of our world. Claire Bateman’s gorgeous prose captures the imagination with closely observed details of people and places that are startlingly familiar yet unreal, where nothing can be taken for granted, including narrative logic: "It was snowing the night they had the fight about the glass piano whose music provided all the light in the house."

In an authoritative voice that offers no apologies or justifications, The Pillow Museum evokes a closely observed slipstream strangeness that refuses to take any moment or detail for granted—a fruitful, delirious disruption.