72 books match the query 'Survival' and 13 start with t

cover of Tazmamart: 18 Years in Morocco's Secret Prison

Tazmamart

18 Years in Morocco's Secret Prison

Aziz BineBine

Haus Publishing, 2021

A memoir from a political prisoner in Morocco's notorious Tazmamart prison.

On July 10, 1971, during birthday celebrations for King Hassan II of Morocco, attendant officers and cadets opened fire on visiting dignitaries. A young officer, Aziz BineBine, arrived late and witnessed the ensuing massacre without firing a single shot, yet he would spend the next two decades in a political prison hidden in the Atlas Mountains—Tazmamart. Conditions in this now-infamous prison were nightmarish. The dark, underground cells, too small for standing up in, exposed prisoners to extreme weather, overflowing sewage, and disease-ridden rats. Forgetting life outside his cell—his past, his family, his friends—and clinging to God, BineBine resolved to survive. Tazmamart: 18 Years in Morocco’s Secret Prison is a memorial to BineBine and his fellow inmates’ sacrifice. This searing tale of endurance offers an unfiltered depiction of the agonizing life of a political prisoner.
 
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cover of The Aesthetics of Survival: A Composer's View of Twentieth-Century Music

The Aesthetics of Survival

A Composer's View of Twentieth-Century Music

George Rochberg

University of Michigan Press, 2005

A revised paperback edition of composer George Rochberg's landmark essays

"Rochberg presents the rare spectacle of a composer who has made his peace with tradition while maintaining a strikingly individual profile. . . . [H]e succeeds in transforming the sublime concepts of traditional music into contemporary language."
---Washington Post

"An indispensable book for anyone who wishes to understand the sad and curious fate of music in the twentieth century."
---Atlantic Monthly

"The writings of George Rochberg stand as a pinnacle from which our past and future can be viewed."
---Kansas City Star


As a composer, George Rochberg has played a leading role in bringing about a transformation of contemporary music through a reassessment of its relation to tonality, melody, and harmony. In The Aesthetics of Survival, the author addresses the legacy of modernism in music and its related effect on the cultural milieu, particularly its overemphasis on the abstract, rationalist thinking embraced by contemporary science, technology, and philosophy. Rochberg argues for the renewal of holistic values in order to ensure the survival of music as a humanly expressive art.

A renowned composer, thinker, and teacher, George Rochberg has been honored with innumerable awards, including, most recently, an Alfred I. du Pont Award for Outstanding Conductors and Composers, and an André and Clara Mertens Contemporary Composer Award. He lives in Pennsylvania.
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cover of The Comic Mask in the Commedia dell'Arte: Actor Training, Improvisation, and the Poetics of Survival

The Comic Mask in the Commedia dell'Arte

Actor Training, Improvisation, and the Poetics of Survival

Antonio Fava

Northwestern University Press, 2007

Winner, 2007 University & College Designers Association Design Award

Nobody says Shakespeare is dead, Antonio Fava tells us, but Commedia, they say, is dead. Why? Because clearly, he goes on, we have Shakespeare's texts, but nobody knows what to do with the improvisation that is the basis of the Commedia dell'Arte, despite massive documentation. This book by Fava, one of the few living master teachers of Commedia dell'Arte, is the first aesthetic and methodological study of the traditional Italian theater form--the first to describe, in a precise and practical way, what Commedia is and what it should be.

The mask--as object, symbol, character, theatrical practice, even spectacle itself--is the central metaphor around which Fava builds his discussion of structure, themes, characters, and methods. Drawing on twenty years of research conducted through his work as performer, director, mask maker, and scholar, he offers extensive practical, philosophical, and technical guidelines to performing the stock characters of Commedia, observing its structure, extracting its poetics, exploring its themes, and using the mask. A densely layered text combining historical fact, personal experience, philosophical speculation, and passionate opinion, and including copious illustrations--period drawings, prints, and color photographs of leather Commedia masks made by Fava himself--The Comic Mask in the Commedia dell'Arte is a rich work of singular insight into one of the world's most venerable forms of theater.
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cover of The Compassionate Court?: Support, Surveillance, and Survival in Prostitution Diversion Programs

The Compassionate Court?

Support, Surveillance, and Survival in Prostitution Diversion Programs

Corey S. Shdaimah, Chrysanthi S. Leon, and Shelly A. Wiechelt

Temple University Press, 2023

Laws subject people who perform sex work to arrest and prosecution.  The Compassionate Court? assesses two prostitution diversion programs (PDPs) that offer to “rehabilitate” people arrested for street-based sex work as an alternative to incarceration. However, as the authors show, these PDPs often fail to provide sustainable alternatives to their mandated clients. Participants are subjected to constant surveillance and obligations, which creates a paradox of responsibility in conflict with the system’s logic of rescue. Moreover, as the participants often face shame and re-traumatization as a price for services, poverty and other social problems, such as structural oppression, remain in place.
 
The authors of The Compassionate Court? provide case studies of such programs and draw upon interviews and observations conducted over a decade to reveal how participants and professionals perceive court-affiliated PDPs, clients, and staff. Considering the motivations, vision, and goals of these programs as well as their limitations—the inequity and disempowerment of their participants—the authors also present their own changing perspectives on prostitution courts, diversion programs, and criminalization of sex work.
 
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cover of The Future of Survival

The Future of Survival

Kevin B. Lee

Diaphanes, 2025

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cover of The Grind: Black Women and Survival in the Inner City

The Grind

Black Women and Survival in the Inner City

McCurn, Alexis S

Rutgers University Press, 2018

Few scholars have explored the collective experiences of women living in the inner city and the innovative strategies they develop to navigate daily life in this setting. The Grind illustrates the lived experiences of poor African American women and the creative strategies they develop to manage these events and survive in a community commonly exposed to violence.
 
Alexis S. McCurn draws on nearly two years of naturalistic field research among adolescents and adults in Oakland, California to provide an ethnographic account of how black women accomplish the routine tasks necessary for basic survival in poor inner-city neighborhoods and how the intersections of race, gender, and class shape how black women interact with others in public. This book makes the case that the daily consequences of racialized poverty in the lives of African Americans cannot be fully understood without accounting for the personal and collective experiences of poor black women. 
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cover of The Inferno: A Story of Terror and Survival in Chile

The Inferno

A Story of Terror and Survival in Chile

Luz Arce; Translated by Stacey Alba Skar

University of Wisconsin Press, 2004

    As a member of Salvador Allende’s Personal Guards (GAP), Luz Arce worked with leaders of the Socialist Party during the Popular Unity Government from 1971 to1973. In the months following the coup, Arce served as a militant with others from the Left who opposed the military junta led by Augusto Pinochet, which controlled the country from 1973 to1990. Along with thousands of others in Chile, Arce was detained and tortured by Chile’s military intelligence service, the DINA, in their attempt to eliminate alternative voices and ideologies in the country. Arce’s testimonial offers the harrowing story of the abuse she suffered and witnessed as a survivor of detention camps, such as the infamous Villa Grimaldi.
    But when faced with threats made to her family, including her young son, and with the possibility that she could be murdered as thousands of others had been, Arce began to collaborate with the Chilean military in their repression of national resistance groups and outlawed political parties. Her testimonial thus also offers a unique perspective from within the repressive structures as she tells of her work as a DINA agent whose identifications even lead to the capture of some of her former friends and compañeros. 
    During Chile’s return to democracy in the early 1990s, Arce experienced two fundamental changes in her life that led to the writing of her story. The first was a deep spiritual renewal through her contacts with the Catholic Church whose Vicariate of Solidarity had fought for human rights in the country during the dictatorship. The second was her decision to participate within the legal system to identify and bring to justice those members of the military who were responsible for the crimes committed from 1973 to1990. Luz Arce’s book invites readers to rethink the definition of testimonial narrative in Latin America through the unique perspective of a survivor-witness-confessor.

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cover of The News at the Ends of the Earth: The Print Culture of Polar Exploration

The News at the Ends of the Earth

The Print Culture of Polar Exploration

Hester Blum

Duke University Press, 2019

From Sir John Franklin's doomed 1845 search for the Northwest Passage to early twentieth-century sprints to the South Pole, polar expeditions produced an extravagant archive of documents that are as varied as they are engaging. As the polar ice sheets melt, fragments of this archive are newly emergent. In The News at the Ends of the Earth Hester Blum examines the rich, offbeat collection of printed ephemera created by polar explorers. Ranging from ship newspapers and messages left in bottles to menus and playbills, polar writing reveals the seamen wrestling with questions of time, space, community, and the environment. Whether chronicling weather patterns or satirically reporting on penguin mischief, this writing provided expedition members with a set of practices to help them survive the perpetual darkness and harshness of polar winters. The extreme climates these explorers experienced is continuous with climate change today. Polar exploration writing, Blum contends, offers strategies for confronting and reckoning with the extreme environment of the present.
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cover of The Politics of Survival

The Politics of Survival

Marc Abélès

Duke University Press, 2010

In this provocative analysis of global politics, the anthropologist Marc Abélès argues that the meaning and aims of political action have radically changed in the era of globalization. As dangers such as terrorism and global warming have moved to the fore of global consciousness, foreboding has replaced the belief that tomorrow will be better than today. Survival, outlasting the uncertainties and threats of a precarious future, has supplanted harmonious coexistence as the primary goal of politics. Abélès contends that this political reorientation has changed our priorities and modes of political action, and generated new debates and initiatives. The proliferation of supranational and transnational organizations—from the European Union to the World Trade Organization (WTO) to Oxfam—is the visible effect of this radical transformation in our relationship to the political realm. Areas of governance as diverse as the economy, the environment, and human rights have been partially taken over by such agencies. Non-governmental organizations in particular have become linked with the mindset of risk and uncertainty; they both reflect and help produce the politics of survival.

Abélès examines the new global politics, which assumes many forms and is enacted by diverse figures with varied sympathies: the officials at meetings of the WTO and the demonstrators outside them, celebrity activists, and online contributors to international charities. He makes an impassioned case that our accounts of globalization need to reckon with the preoccupations and affiliations now driving global politics. The Politics of Survival was first published in France in 2006. This English-language edition has been revised and includes a new preface.

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cover of The Professional Convict's Tale: The Survival of John O'Neill In and Out of Prison

The Professional Convict's Tale

The Survival of John O'Neill In and Out of Prison

Elmer H. Johnson

Southern Illinois University Press, 2007

Challenging the ideology of treatment in the prison world

The Professional Convict’s Tale: The Survival of John O’Neill In and Out of Prison offers a unique, inside view of life behind bars in the 1960s. Elmer H. Johnson, a criminologist who has specialized in prison life for half a century, gave Menard Penitentiary parolee John O’Neill a tape recorder and a set of questions designed to draw out his opinions and observations about the prison world.

This study frames O’Neill’s responses with Johnson’s analysis. O’Neill’s narrative guides readers through the world beyond the prison gate as he shares his strategies for survival and proposes alternatives to rebellion or submission. He discusses the fractionalization between the keepers and the kept and the effects that subterranean communication, threats of inmate predators, and prison riots can have on the psyche of both inmates and staff. 

O’Neill’s frustrations and the inadequate responses from the community to which he was paroled illustrate the social costs and impact of parole for the community and for the parolee. Although O’Neill recorded his comments more than forty years ago, they are still relevant today when thousands of convicts are being released from prison each year.  

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cover of The Purpose-Based Library: Finding Your Path to Survival, Success, and Growth

The Purpose-Based Library

Finding Your Path to Survival, Success, and Growth

John J. Huber

American Library Association, 2015

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cover of The Tree That Bends: Discourse, Power, and the Survival of Maskoki People

The Tree That Bends

Discourse, Power, and the Survival of Maskoki People

Patricia Riles Wickman

University of Alabama Press, 1999

A new paradigm for the interpretation of southeastern Native American and Spanish colonial history and a new way to view the development of the United States

In her compelling and controversial arguments, Wickman rejects the myths that erase Native Americans from Florida through the agency of Spaniards and diseases and make the area an empty frontier awaiting American expansion. Through research on both sides of the Atlantic and extensive oral history interviews among the Seminoles of Florida and Oklahoma, Wickman shatters current theories about the origins of the people encountered by the Spaniards and presents, for the first time ever, the Native American perspective. She describes the genesis of the groups known today as Creek, Seminole, and Miccosukee—the Maskoki peoples—and traces their common Mississippian heritage, affirming their claims to continuous habitation of the Southeast and Florida. Her work exposes the rhetoric of conquest and replaces it with the rhetoric of survival.


An important cross-disciplinary work, The Tree That Bends reveals the flexibility of the Maskoki people and the sociocultural mechanisms that allowed them to survive the pressures introduced at contact. Their world was capable of incorporating the New without destroying the Old, and their descendants not only survive today but also succeed as a discrete culture as a result.


 

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cover of Trap with a Green Fence: Survival in Treblinka

Trap with a Green Fence

Survival in Treblinka

Richard Glazar

Northwestern University Press, 1995

Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
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