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A timely exploration of the political uses of language and rhetoric

Camille Desmoulins, a journalist writing under the Montagnard regime of 1793-94, remarked that France’s government had replaced “the language of democracy” with “the cold poison of fear, which paralyzed thought in the bottom of people’s souls, and prevented it from pouring forth at the tribunal, or in writing.” How this happened, how the Reign of Terror reached even into the realms of thought and language, is the subject of Caroline Weber’s book, a revealing look into the paradoxical embargo on free expression that underpinned the Robespierrists’s self-proclaimed “despotism of liberty” during the French Revolution.

Weber examines Jean-Jacques Rousseau’s and the Robespierrists’s articulation of a series of initiatives designed to curtail and control the dissemination of alternative political and philosophical messages in the republic. Here Weber underscores the internal contradictions and limitations of an enterprise that promised universal freedom while oppressing particularism, and that railed against the very language that it was compelled to adopt as a principal political tool. The book then focuses on two eloquent contemporary critics of this phenomenon, Desmoulins and the Marquis de Sade, the infamous libertine author. Weber demonstrates how Desmoulins reconfigured the Montagnard regime’s rhetoric to conjure up a political system based on tolerance, not terror, and how Sade deftly parodied the Robespierrists’s brutality and hypocrisy, proposing a republic based on the ruthless elimination of dissident voices and on the unabashed celebration of despotism and bloodshed.A balanced account of how the “discourse of totality” actually restricted particular freedoms in the wake of the French Revolution, this book provides a highly original—and timely—exposition of the political uses of rhetoric and of the links between language and power.

Terror and History brings together historians and leading scholars from around the world to examine, document, and reflect on the political and historical category of terror. Breaking with the traditional format of academic journals, the issue delivers short, sharp pieces of political and personal analysis rather than footnoted, monographic articles. Ranging from Guatemala to Palestine, interrogating notions of homeland, and unpacking the myths of the Irish Republican Army, the Red Army Faction, and Sendero Luminoso, the contributors to Terror and History revise our notions of terror and terrorism. The issue also includes a critique of the new war movies like Saving Private Ryan, Pearl Harbor, and Black Hawk Down. In an interview, Mike Davis discusses his book-in-progress Heroes from Hell, delving into the revolutionary terror that gripped most of Europe after the French Revolution.

Contributors. Joel Beinin, Lisa Brock, Horace Campbell, Duane J. Corpis, Belinda Davis, Allen Feldman, Ian Christopher Fletcher, Van Gosse, Joy James, J. Angus Johnston, Amy Kaplan, Thomas Miller Klubock, R. J. Lambrose, Jesse Lemisch, Deborah Levenson, Walter Benn Michaels, Donnacha Ó Beacháin, Deborah Poole, Vijay Prashad, David Prochaska, Gerardo Rénique, Cedric J. Robinson, Nikhil Pal Singh, Stephanie J. Smith, Akinyele O. Umoja, Verónica Valdivia Ortiz de Zárate, Jon Wiener, Marilyn B. Young, Joseba Zulaika

Today's global politics demands a new look at the concept of territory. From so-called deterritorialized terrorist organizations such as al-Qaeda to U.S.-led overthrows of existing regimes in the Middle East, the relationship between territory and sovereignty is under siege. Unfolding an updated understanding of the concept of territory, Stuart Elden shows how the contemporary "war on terror" is part of a widespread challenge to the connection between the state and its territory.

Although the importance of territory has been disputed under globalization, territorial relations have not come to an abrupt end. Rather, Elden argues, the territory/sovereignty relation is being reconfigured. Traditional geopolitical analysis is transformed into a critical device for interrogating hegemonic geopolitics after the Cold War, and is employed in the service of reconsidering discourses of danger that include "failed states," disconnection, and terrorist networks.

Looking anew at the "war on terror"; the development and application of U.S. policy; the construction and demonization of rogue states; events in Lebanon, Somalia, and Pakistan; and the wars continuing in Afghanistan and Iraq, Terror and Territory demonstrates how a critical geographical analysis, informed by political theory and history, can offer an urgently needed perspective on world events.

For more than twenty years now, Blair Kamin of the Chicago Tribune has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin’s writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world’s tallest skyscraper.

Assessing ordinary commercial structures as well as head-turning designs by some of the world’s leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation’s crumbling infrastructure.

A prominent cast of players—including Santiago Calatrava, Frank Gehry, Helmut Jahn, Daniel Libeskind, Barack Obama, Renzo Piano, and Donald Trump—fills the pages of this eye-opening look at the astounding and extraordinary ways that architecture mirrors our values—and shapes our everyday lives.

In December of 1937, the Japanese Imperial Army marched into China's capital city of Nanjing and launched six weeks of carnage that would become known as the Rape of Nanjing. In addition to the deaths of Chinese POWs and civilians, tens of thousands of women were raped, tortured, and killed by Japanese soldiers. In this traumatic environment, both native and foreign-born inhabitants of Nanjing struggled to carry on with their lives.

This volume collects the diaries and correspondence of Minnie Vautrin, a farmgirl from Illinois who had dedicated herself to the education of Chinese women at Ginling College in Nanjing. Faced with the impending Japanese attack, she turned the school into a sanctuary for ten thousand women and girls. Vautrin's firsthand accounts of daily life in Nanjing and the intensifying threat of Japanese invasion reveal the courage of the occupants under siege--Chinese nationals as well as Western missionaries, teachers, surgeons and business people--and the personal costs of violence in wartime.

Thanks to Vautrin's painstaking effort in keeping a day-to-day account, present-day readers are able to examine this episode of history at close range through her eyes. With detailed maps, photographs, and carefully researched in-depth annotations, Terror in Minnie Vautrin's Nanjing: Diaries and Correspondence, 1937-38 presents a comprehensive and detailed daily account of the events and of life during the horror-stricken days within the city walls and in particular on the Ginling campus. Through chronologically arranged diaries, letters, reports, documents, and telegrams, Vautrin bears witness to those terrible events and to the magnitude of trauma that the Nanjing Massacre exacted on the populace.

The key to democratization lies within the experience of the popular movements. Those who engaged in the popular struggle in Guatemala have a deep understanding of substantive democratic behavior, and the experience of Guatemala’s civil society should be the cornerstone for building a meaningful formal democracy.

In Terror in the Countryside Rachel May offers an in-depth examination of the relationship between political violence and civil society. Focusing on Guatemala, Professor May develops a theoretical scheme that calls into question the more conventional understandings of both violence and civil society.

By elaborating a cyclical model of violence, and suggesting a typology of rural (campesino) popular organizations, Terror in the Countryside provides both a history and an analysis of late-twentieth-century violence and of the role of campesino organizations during the worst years of conflict in Guatemala.

This history details the way ideologies, organizational structures, and mobilization strategies evolved in response to the climate of terror, emphasizing the courage and sacrifice of those who worked for justice and human rights.

This book argues that the peace accords can be considered only as a first step to eliminate a violence that has become deeply rooted in the political life of the country.

The events of September 11, 2001, have had a strong impact on theory and the humanities. They call for a new philosophy, as the old philosophy is inadequate to account for them. They also call for reflection on theory, philosophy, and the humanities in general. While the recent location and killing of Osama bin Laden, the leader of al-Qaeda, in Pakistan on May 2, 2011—almost ten years after he and his confederates carried out the 9/11 attacks—may have ended the “war on terror,” it has not ended the journey to understand what it means to be a theorist in the age of phobos nor the effort to create a new philosophy that measures up with life in the new millennium. It is in the spirit of hope—the hope that theory will help us to understand the age of terror—that the essays in this collection are presented.

How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.
 

Following the 9/11 attacks, approximately four million Americans have turned eighteen each year and more than fifty million children have been born. These members of the millennial and post-millennial generation have come of age in a moment marked by increased anxiety about terrorism, two protracted wars, and policies that have raised questions about the United States's role abroad and at home. Young people have not been shielded from the attacks or from the wars and policy debates that followed. Instead, they have been active participants—as potential military recruits and organizers for social justice amid anti-immigration policies, as students in schools learning about the attacks or readers of young adult literature about wars. 

The War of My Generation is the first essay collection to focus specifically on how the terrorist attacks and their aftermath have shaped these new generations of Americans. Drawing from a variety of disciplines, including anthropology, sociology, cultural studies, and literary studies, the essays cover a wide range of topics, from graphic war images in the classroom to computer games designed to promote military recruitment to emails from parents in the combat zone. The collection considers what cultural factors and products have shaped young people's experience of the 9/11 attacks, the wars that have followed, and their experiences as emerging citizen-subjects in that moment. Revealing how young people understand the War on Terror—and how adults understand the way young people think—The War of My Generation offers groundbreaking research on catastrophic events still fresh in our minds. 

 

It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media.

In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media.

From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.