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Grounded in direct, systematic observation by neutral observers, Talking with the Children of God is a unique study of the radical religious movement now known as The Family International. The book draws on extraordinarily candid interviews with the group's leaders and administrative staff. In revealing new information about the organization's history, beliefs, and use of prophecy, Gordon Shepherd and Gary Shepherd offer a highly detailed case study that is both an antidote to sensationalized coverage of the group and a means for understanding the transformational practices of new religious movements in general.

One of the most controversial groups emerging from the Jesus People movement of the 1960s, the Family originally was known as The Children of God. Under leader David Berg, members proclaimed an apocalyptic "Endtime," shunned secular occupations, lived communally, and adopted unusual sexual practices that led to abuse scandals in the 1970s and 1980s. Following Berg's death in 1994, the organization began to dramatically alter its evangelization efforts and decision-making processes.

Talking with the Children of God builds a picture of a complex organization with ten thousand core members worldwide, including details on the lives, careers, and responsibilities of the second generation and their efforts to defend their faith. The authors summarize the Family's history and beliefs as well as its controversial past. In particular, they analyze the organization's use of prophecy--or channeled revelations from Jesus and other spiritual beings--for making decisions and setting policy, revealing how this essentially democratic process works and how it shapes Family life and culture.

These remarkable insights are the result of sixteen years of surveys and field observations conducted in Family member homes in sixteen countries, plus four days of face-to-face interviews with Family leaders and organizational staff. The volume also includes condensed transcripts of the interviews with analysis by Shepherd and Shepherd.

Within forty-eight hours after birth, the heel of every baby in the United States has been pricked and the blood sent for compulsory screening to detect or rule out a large number of disorders. Newborn screening is expanding rapidly, fueled by the prospect of saving lives. Yet many lives are also changed by it in ways not yet recognized.

Testing Baby is the first book to draw on parents’ experiences with newborn screening in order to examine its far-reaching sociological consequences. Rachel Grob’s cautionary tale also explores the powerful ways that parents’ narratives have shaped this emotionally charged policy arena. Newborn screening occurs almost always without parents’ consent and often without their knowledge or understanding, yet it has the power to alter such things as family dynamics at the household level, the context of parenting, the way we manage disease identity, and how parents’ interests are understood and solicited in policy debates.

Stéphane Mallarmé (1842–98) was a French Symbolist poet, theorist, and teacher whose ideas and legendary salons set the stage for twentieth-century experimentation in poetry, music, theater and art. A canonical figure in the legacy of modernism, Mallarmé was also a lifelong champion of the book as both a literary endeavor and a carefully crafted material object.

In The Book as Instrument, Anna Sigrídur Arnar explores how this object functioned for Mallarmé and his artistic circle, arguing that the book became a strategic site for encouraging a modern public to actively partake in the creative act, an idea that informed later twentieth-century developments such as conceptual and performance art. Arnar demonstrates that Mallarmé was invested in creating radically empowering reading experiences, and the diverse modalities he proposed for both reading and looking anticipate interactive media prevalent in today’s culture. In describing the world of books, visual culture, and mass media of the late nineteenth century, Arnar touches upon an array of themes that continues to preoccupy us in our own moment, including speculations on the future of the book. Enhanced by gorgeous illustrations, The Book as Instrument is sure to fascinate anyone interested in the ever-vibrant experiment between word and image that makes the page and the multi-sensory pleasures of reading.

In February 1956 the president of IBM, Thomas Watson Jr., hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM’s corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed—a story told in full for the first time in John Harwood’s The Interface—remade IBM in a way that would also transform the relationships between design, computer science, and corporate culture.

IBM’s program assembled a cast of leading figures in American design: Noyes, Charles Eames, Paul Rand, George Nelson, and Edgar Kaufmann Jr. The Interface offers a detailed account of the key role these designers played in shaping both the computer and the multinational corporation. Harwood describes a surprising inverse effect: the influence of computer and corporation on the theory and practice of design. Here we see how, in the period stretching from the “invention” of the computer during World War II to the appearance of the personal computer in the mid-1970s, disciplines once well outside the realm of architectural design—information and management theory, cybernetics, ergonomics, computer science—became integral aspects of design.

As the first critical history of the industrial design of the computer, of Eliot Noyes’s career, and of some of the most important work of the Office of Charles and Ray Eames, The Interface supplies a crucial chapter in the story of architecture and design in postwar America—and an invaluable perspective on the computer and corporate cultures of today.

In our time, we require a religion, ethics, and politics adequate to confront the global crises we face. In our scientific era of “progress,” we might expect to look with confidence to the “scientific” disciplines of political science, sociology, and economics to solve the problems of our civilization. We might also look to the older disciplines of religion and ethics to determine our values and to tell us what we ought to do. But the sad truth is that the dominant paradigms, methods, and conclusions of the social sciences and humanities are inadequate to this task. We need a new “politics of compassion and transformation.”

Featuring an impressive roster of scholars, The Terminal Classic presents the most recent data and interpretations pertaining to this perplexing period of cultural transformation in the Maya lowlands. Although the research reveals clear interregional patterns, the contributors resist a single overarching explanation. Rather, this volume's diverse and nuanced interpretations provide a new, more properly grounded beginning for continued debate on the nature of lowland Terminal Classic Maya civilization.

The Transformation of the Christian Right chronicles and analyzes the remarkable changes that have occurred in the Christian Right from its emergence in the late 1970s to the present. It documents the rapid turnover of Christian-Right organizations and explains the forces driving that kaleidoscopic change. Moen also traces the strategic shift of the movement’s leaders, away from lobbying the Congress and toward mobilizing conservative activists in the grass roots; he demonstrates the substitution of liberal language (with its emphasis on “equality, rights, and freedom”) for moralistic language (with its focus on “right and wrong”). Much has been written about the Christian Right’s impact on politics but little about how years of political activism have shaped and influenced the Christian Right. Moen addresses that neglected side of the issue.