88 books match the query 'Translation' and 28 start with t
Siegfried Kreuzer
SBL Press, 2015
This volume presents English and German papers that give an overview on important stages, developments, and problems of the Septuagint and the research related to it. Four sections deal with the cultural and theological background and beginnings of the Septuagint, the Old Greek and recensions of the text, the Septuagint and New Testament quotations, and a discussion of Papyrus 967 and Codex Vaticanus.
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Henry A. Myers
West Virginia University Press, 2013
The Kaiserchronik (c.1152–1165) is the first verse chronicle to have been written in a language other than Latin. This story recounts the exploits of the Roman, Byzantine, Carolingian, and Holy Roman kings and rulers, from the establishment of Rome to the start of the Second Crusade. As an early example of popular history, it was written for a non-monastic audience who would have preferred to read, or may only have been able to read, in German. As a rhymed chronicle, its combined use of the styles of language found within a vernacular epic and a factual treaty was a German innovation. The Book of Emperors is the first complete translation of the Kaiserchronik from Middle High German to English. It is a rich resource not only for medieval German scholars and students, but also for those working in early cultural studies. It brings together an understanding of the conception of kingship in the German Middle Ages, from the relationship between emperor and king, to the moral, theological, and legal foundations of claims and legitimacy and the medieval epistemological approaches to historiography. This translation includes a substantial introduction that discusses the historical and philological context of the work, as well as the themes of power and kingship. Each chapter begins with a brief introduction that distinguishes historical truths from the epic fiction found within the original text.
Deborah Mauskopf Agnellus of Ravenna
Catholic University of America Press, 2004
Sarianna Metso
SBL Press, 2019
An authoritative critical edition
The discovery and translation of the Dead Sea Scrolls transformed our understanding of the life and history of ancient Jewish communities when both rabbinic Judaism and early Christianity were emerging. As part of this rich discovery, the Community Rule serves to illuminate the religious beliefs and practices as well as the organizational rules of the group behind the Dead Sea Scrolls. However, there is no single, unified text of the Community Rule; rather, multiple manuscripts of the Community Rule show considerable variation and highlight the work of ancient Jewish scribes and their intentional literary development of the text. In this volume, Sarianna Metso brings together the surviving evidence in a new edition that presents a critically established Hebrew text with an introduction and an English translation.
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Paolo Liudprand of Cremona
Catholic University of America Press, 2007
Edited by John Biguenet and Rainer Schulte
University of Chicago Press, 1989
A. H, Coxon
Parmenides Publishing, 2009
Piergiorgio Di Giminiani
Rutgers University Press, 2026
Edited by Hans Dieter Betz
University of Chicago Press, 1992

Edited by Jan W. Herlinger
University of Chicago Press, 1985
Andrew S. Keener
University of Alabama Press, 2025
Explores the profound influence of multilingual dictionaries, dialogues, and grammars on English Renaissance playwrights
In Theaters of Translation, Andrew S. Keener offers a fascinating account of the ways that plays by Thomas Kyd, Mary Sidney Herbert, Ben Jonson, and their fellow English contemporaries were shaped by and part of a multilingual Europe where dictionaries, grammars, and language-learning materials circulated widely. He proposes a fresh, multilingual approach to English Renaissance drama that challenges the histories of early modern European languages as sites of national and linguistic cohesion.
Covering the period between 1570 and 1640, when England’s drama and the English language itself were evolving, Keener uses the term “cosmopolitan vernaculars” to examine how nonclassical European languages modeled transnational forms of belonging for playgoers, readers, and authors in Renaissance England. Combining recent contributions to cosmopolitan theory and transnational studies of early modern literature and culture, Keener highlights both the ways in which cosmopolitanism manifests through Europe’s vernacular languages—in print and performance—and the ways languages themselves can exhibit cosmopolitanism for those who encounter them on the page or on the stage.
Theaters of Translation opens up new transnational interpretations of English Renaissance plays and casts fresh light on historical anecdotes, such as Jonson inscribing a copy of Pietro Aretino’s scandalous Italian dialogues or Shakespeare’s First Folio being advertised for sale in Germany before its London publication. It offers much of interest to readers and scholars of Renaissance Europe, early modern drama, and the development of national European languages.
Edited by John Biguenet and Rainer Schulte
University of Chicago Press, 1992
Jasmina Lukic
Central European University Press, 2020
Therese Augst
The Ohio State University Press, 2012
Tragic Effects: Ethics and Tragedy in the Age of Translation confronts the peculiar fascination with Greek tragedy as it shapes the German intellectual tradition, with particular focus on the often controversial practice of translating the Greeks. Whereas the tradition of emulating classical ideals in German intellectual life has generally emerged from the impulse to identify with models, the challenge of translating the Greeks underscores the linguistic and historical discontinuities inherent in the recourse to ancient material and inscribes that experience of disruption as fundamental to modernity.
Friedrich Hölderlin’s translations are a case in point. Regarded in his own time as the work of a madman, his renditions of Sophoclean tragedy intensify dramatic effect with the unsettling experience of familiar language slipping its moorings. His attention to marking the distances between ancient source text and modern translation has granted his Oedipus and Antigone a distinct longevity as objects of discussion, adaptation, and even retranslation. Cited by Walter Benjamin, Martin Heidegger, Bertolt Brecht, and others, Hölderlin’s Sophocles project follows a path both marked by various contexts and tinged by persistent quandaries of untranslatability.
Tragedy has long functioned as a cornerstone for questions about ethical life. By placing emphasis on processes of translation and adaptation, however, Tragic Effects approaches the question of ethics from a perspective informed by recent discourse in translation studies. Reconstructing an ancient text in this context requires negotiating the difficult tension between comprehending the distant past and preserving its radical singularity.
Nalini Bhushan
University of Massachusetts Press, 2009
Alun Morton Thomas
SBL Press, 2026
Edited by Carlo Severi and William F. Hanks
HAU, 2015
Martin Kay
CSLI, 2015
Joshua M. Price
University of Arizona Press, 2023
Tullio Maranhão
University of Arizona Press, 2003
Maria Tymoczko
University of Massachusetts Press, 2002
Naoki Sakai
University of Minnesota Press, 1997
Elizabeth Marie Young
University of Chicago Press, 2015
Edited by Zuzana Štastná, Iryna Odrekhivska, and Stanislav Rubáš
Karolinum Press, 2026
Emily Apter, ed.
Duke University Press, 0
Contributors. Dina Al-Kassim, Emily Apter, Timothy Brennan, Elena Climent, Maryse Condé, Michael Eng, Renée Green, Rainer Ganahl, Sarah M. Hudgins, Michael North, Gayatri Chakravorty Spivak
Maria Tymoczko
University of Massachusetts Press, 2010
Melanie Metzger
Gallaudet University Press, 2007
The Third Volume in the Studies in Interpretation Series
This new volume focuses on scholarship over a refined spectrum of issues that confront interpreters internationally. Editors Melanie Metzger and Earl Fleetwood call upon researchers from the United States, Ireland, Australia, and the Philippines to share their findings in six chapters.
In the first chapter, Roberto R. Santiago and Lisa A. Frey Barrick reveal how interpreters deal with translating source language idioms into American Sign Language (ASL). In Chapter 2, Lorraine Neeson and Susan Foley-Cave review the particular demands for decision-making that face interpreters on several levels in a class on semantics and pragmatics. Liza B. Martinez explains in Chapter 3 the complicated, multilingual process of code switching by Filipino interpreters when voice-interpreting Filipino Sign Language.
Chapter 4 offers a deconstruction by Daniel Roush of the stereotype that Deaf ASL-users are direct or blunt, based on his analysis of two speech/social activities of requests and refusals. Jemina Napier investigates interpreting from the perspective of deaf consumers in Australia in Chapter 5 to explore their agenda for quality interpreting services. In the final chapter, Amy Frasu evaluates methods for incorporating visual aids into interpretations from spoken English to American Sign Language and the potential cognitive dissonance for deaf persons that could result.
Sonia E. Alvarez, Claudia de Lima Costa, Verónica Feliu, Rebecca J. Hester, Norma Klahn, and Millie Thayer, eds.
Duke University Press, 2014