51 books match the query 'Women immigrants' and 8 start with t

cover of The Coffin Tree

The Coffin Tree

Wendy Law-Yone

Northwestern University Press, 2003

Wendy Law-Yone opens her first novel with the phrase of a survivor, "Living things prefer to go on living." A young woman and her older half-brother are expelled from their home in Burma by a savage political coup. Sent to elusive safety in America, the motherless siblings find themselves engulfed by the indifference, hypocrisy, and cruelty of an American society unable to deal with difference. Her brother's death drives the unnamed narrator into the seclusion of a mental hospital, where memories of her childhood and the strength it ingrained in her are enough to heal her heart and return her to the outside world.
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cover of The Fifth Sun

The Fifth Sun

Mary Helen Lagasse

Northwestern University Press, 2004

Winner of the 3rd Annual Miguel Mármol Prize from Curbstone Press, Mary Helen Lagasse's The Fifth Sun is an inspiring story of an immigrant who struggles valiantly for a better life for herself and her family. A young Mexican woman, Mercedes, leaves her village to work as a housemaid in New Orleans. This fast-paced novel takes us through her adventures in New Orleans, her marriage, her struggle to raise her children, her deportation, and her attempt to re-cross the river and be reunited with her children.

 
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cover of The Labor of Care: Filipina Migrants and Transnational Families in the Digital Age

The Labor of Care

Filipina Migrants and Transnational Families in the Digital Age

Valerie Francisco-Menchavez

University of Illinois Press, 2018

For generations, migration moved in one direction at a time: migrants to host countries, and money to families left behind. The Labor of Care argues that globalization has changed all that. Valerie Francisco-Menchavez spent five years alongside a group of working migrant mothers. Drawing on interviews and up-close collaboration with these women, Francisco-Menchavez looks at the sacrifices, emotional and material consequences, and recasting of roles that emerge from family separation. She pays particular attention to how technologies like Facebook, Skype, and recorded video open up transformative ways of bridging distances while still supporting traditional family dynamics. As she shows, migrants also build communities of care in their host countries. These chosen families provide an essential form of mutual support. What emerges is a fascinating portrait of today's transnational family—sundered, yet inexorably linked over the distances by timeless emotions and new forms of intimacy.
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cover of The Resilient Self: Gender, Immigration, and Taiwanese Americans

The Resilient Self

Gender, Immigration, and Taiwanese Americans

Gu, Chien-Juh

Rutgers University Press, 2017

The Resilient Self explores how international migration re-shapes women’s senses of themselves. Chien-Juh Gu uses life-history interviews and ethnographic observations to illustrate how immigration creates gendered work and family contexts for middle-class Taiwanese American women, who, in turn, negotiate and resist the social and psychological effects of the processes of immigration and settlement. 

Most of the women immigrated as dependents when their U.S.-educated husbands found professional jobs upon graduation. Constrained by their dependent visas, these women could not work outside of the home during the initial phase of their settlement. The significant contrast of their lives before and after immigration—changing from successful professionals to foreign housewives—generated feelings of boredom, loneliness, and depression. Mourning their lost careers and lacking fulfillment in homemaking, these highly educated immigrant women were forced to redefine the meaning of work and housework, which in time shaped their perceptions of themselves and others in the family, at work, and in the larger community.  
 
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cover of The Traffic in Women's Work: East European Migration and the Making of Europe

The Traffic in Women's Work

East European Migration and the Making of Europe

Anca Parvulescu

University of Chicago Press, 2014

“Welcome to the European family!” When East European countries joined the European Union under this banner after 1989, they agreed to the free movement of goods, services, capital, and persons. In this book, Anca Parvulescu analyzes an important niche in this imagined European kinship: the traffic in women, or the circulation of East European women in West Europe in marriage and as domestic servants, nannies, personal attendants, and entertainers. Analyzing film, national policies, and an impressive range of work by theorists from Giorgio Agamben to Judith Butler, she develops a critical lens through which to think about the transnational continuum of “women’s work.”
 
Parvulescu revisits Claude Lévi-Strauss’s concept of kinship and its rearticulation by second-wave feminists, particularly Gayle Rubin, to show that kinship has traditionally been anchored in the traffic in women. Reading recent cinematic texts that help frame this, she reveals that in contemporary Europe, East European migrant women are exchanged to engage in labor customarily performed by wives within the institution of marriage. Tracing a pattern of what she calls Americanization, Parvulescu argues that these women thereby become responsible for the labor of reproduction. A fascinating cultural study as much about the consequences of the enlargement of the European Union as women’s mobility, The Traffic in Women’s Work questions the foundations of the notion of Europe today.
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cover of The Violence of Protection: Policing, Immigration Law, and Asian American Women

The Violence of Protection

Policing, Immigration Law, and Asian American Women

Lee Ann S. Wang

Duke University Press, 2026

Celebrated as a feminist victory upon its passage as part of the Clinton Crime Bill, the Violence Against Women Act (VAWA) is a landmark piece of legislation that provides protections for survivors of gender and sexual violence. However, as Lee Ann S. Wang shows in The Violence of Protection, VAWA primarily funds law enforcement efforts to rescue women, and in doing so, creates conditions of racial violence against survivors from communities who are already policed, surveilled, and face immigration enforcement. Through ethnographic fieldwork with legal and social advocates serving Asian American survivors of gender and sexual violence in the San Francisco Bay Area, Wang shows how these advocates grapple with laws which require survivors to cooperate with policing in order to receive protection. Engaging in methodologies of feminist refusal, theories of racial assemblage, and abolition feminisms, The Violence of Protection theorizes the victim as a legal subject and exposes the racial violence enacted when State-provided legal safeguards are leveraged to expand punishment against survivors, their communities, and others.
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cover of Thirsty: A Novel

Thirsty

A Novel

Kristin Bair O’Keeffe

Ohio University Press, 2009

It is 1883, and all of Klara Bozic’s girlish dreams have come crashing down as she arrives in Thirsty, a gritty steel town carved into the slopes above the Monongahela River just outside of Pittsburgh. She has made a heartbreaking discovery. Her new husband Drago is as abusive as the father she left behind in Croatia.

In Kristin Bair O’Keeffe’s debut novel, Klara’s life unfolds over forty years as she struggles to find her place in a new country where her survival depends on the friends who nurture her: gutsy, funny Katherine Zupanovic, who isn‘t afraid of Drago’s fist; BenJo, the only black man in Thirsty to have his own shop; and strangely enough, Old Man Rupert, the town drunk.

Thirsty follows a chain of unlikely events that keep Klara’s spirit aloft: a flock of angelic butterflies descends on Thirsty; Klara gives birth to her first child in Old Man Rupert’s pumpkin patch; and BenJo gives her a talking bird. When Klara’s daughter marries a man even more brutal than Drago, Klara is forced to act. If she doesn’t finally break the cycle of violence in her family, her granddaughters will one day walk the same road, broken and bruised. As the threads that hold her family together fray and come undone, Klara has to decide if she has the courage to carve out a peaceful spot in the world for herself and her girls.

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cover of Transnational Desires: Brazilian Erotic Dancers in New York

Transnational Desires

Brazilian Erotic Dancers in New York

Suzana Maia

Vanderbilt University Press, 2012

Migrant sex workers are commonly cast as victims, moved by desperation to flee poverty and hopelessness in their home country. The Brazilian erotic dancers Suzana Maia presents in Transnational Desires, however, are women from the Brazilian middle classsome of them welleducated professionalswho migrated to the United States not just to better themselves economically but also to realize their personal dreams.

Their motivation to migrate and to work as erotic dancers can also be understood in the context of a representational system, inaugurated in colonial times, that emphasizes the exoticism of Brazilian womentheir bodies, their skin tone, their sexuality. These stereotypes are the props that Brazilian women use to construct their performances in Manhattan and Queens gentlemen's bars and the language through which they negotiate their relationships to society at large.

Transnational Desires focuses on the lives of nine Brazilian dancers with whom the author, herself a middleclass Brazilian, developed close relationships over the years. Maia examines their social relations both in the bar scene and with family, friends, and lovers outside. She shows that for these women erotic dancing is part of a life trajectory that involves negotiating their social position and life prospects in a fundamentally transnational social universe.

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