4030 books match the query 'Language Arts & Disciplines' and 760 start with t
Amanda E Hayes
West Virginia University Press, 2018
In exploring the ways that Appalachian people speak and write, Amanda E. Hayes raises the importance of knowing and respecting communication styles within a marginalized culture. Diving deep into the region’s historical roots—especially those of the Scotch-Irish and their influence on her own Appalachian Ohio—Hayes reveals a rhetoric with its own unique logic, utility, and poetry.
Hayes also considers the headwinds against Appalachian rhetoric, notably ideologies about poverty and the biases of the school system. She connects these to challenges that Appalachian students face in the classroom and pinpoints pedagogical and structural approaches for change.
Throughout, Hayes blends conventional scholarship with autobiography, storytelling, and language, illustrating Appalachian rhetoric’s validity as a means of creating and sharing knowledge.
Frederick J. Newmeyer
University of Chicago Press, 1986
S. Scott Graham
University of Chicago Press, 2015
Brett Ommen
University of Alabama Press, 2016
Megan Walsh
University of Iowa Press, 2017
Kyle Mattes and David P. Redlawsk
University of Chicago Press, 2015
Ali A. Mazrui and Alamin M. Mazrui
University of Chicago Press, 1998

Sandra D. Andrews
American Library Association, 2012

Adena Rosmarin
University of Minnesota Press, 1986
The Power of Genre was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Power of Genre is a radical and systematic rethinking of the relationship between literary genre and critical explanation. Adene Rosmarin shows how traditional theories of genre—whether called "historical," "intrinsic," or "theoretical"—are necessarily undone by their attempts to define genre representationally. Rather, Rosmarin argues, the opening premise of critical argument is always critical purpose or, as E. H. Gombrich has said, function, and the genre or "form" follows the reform. The goal is a relational model that works.
Rosemarin analyzes existing theories of genre — those of Hirsch, Crane, Frye, Todorov, Jauss, and Rader are given particular attention—before proposing her own. These analyses uncover the illogic that plagues even sophisticated attempts to treat genre as a preexistent entity. Rosmarin shows how defining genre pragmatically – as explicitly chosen or devised to serve explicitly critical purposes – solves this problem: a pragmatic theory of genre builds analysis of its metaphors and motives into its program, thereby eliminating theory's traditional need to deny the invented and rhetorical nature of its schemes. A pragmatic theory, however, must be tested not only by its internal cohesion but also by its power to enable practice, and Rosmarin chooses the dramatic monologue, an infamously problematic genre, and its recent relative, the mask lyric, as testing grounds. Both genres—variously exemplified by poems of Browning, Thennyson, Eliot, and Pound—are ex post facto critical constructs that, when defined as such, make closely reasoned sense not only of particular poems but also of their perplexed interpretive histories. Moreover, both genres dwell on the historicity, textuality, and redemptive imperfection of the speaking self. This generic obsession ties the poems to their reception and, finally, to the openended, processes of hermeneutic question-and-answer stressed in Rosmarin's framing theory.
Dorothy Stoltz
American Library Association, 2015

Joana Morêdo Pereira
Gallaudet University Press, 2026
The first of its kind, The Power of Signed Songs: Deaf Artists, Intercultural Reach, and the Politics of Music Making analyzes musical performances that were translated or created in signed languages. Written by an international team of Deaf community researchers, The Power of Signed Songs explores the politics of music making in the form of signed songs, an often controversial art form in Deaf communities.
While raising questions about culture, translation, and authorship, signed songs demonstrate forms of Deaf cultural resistance, defy traditional conceptions of music, and draw attention to language diversity and intersectionality within Deaf communities in varied European settings. Drawing on both signed music performances and field research, the authors highlight the unique contributions of signing musical artists from both the UK and Portugal. Signed songs and translations illustrate a wide range of creative performance strategies, linguistic word and sign play across languages, and sociolinguistic variation.
By analyzing how translated songs created by Deaf artists serve as cultural products, translations, and performance, The Power of Signed Songs provides a glimpse into how translations of music can be a form of both transnational and localized cultural resistance. Ultimately, Deaf-centered signed songs are not just artistic expressions but also political statements, challenging the idea that music belongs exclusively to the hearing world.
Edited by Christiane Donahue and Kelly Blewett
Dartmouth College Press, 2015

David Halberstam
University of Illinois Press, 1979

Fred Schlipf
American Library Association, 2018
Edited by Debra Hawhee and Vessela Valiavitcharska
University of Alabama Press, 2022
Essays that show what a broad conception of rhetoric means and does in relation to practice
Rhetoric is the art of emphasis, in the ancient sense of bringing to light or obscuring in shadow, and it is both a practice and a theory about that practice. In recent decades, scholars of rhetoric have turned to approaches that braid together poetics, performance, and philosophy into a “practical art.” The Practice of Rhetoric: Poetics, Performance, Philosophy presents just such an account of rhetoric that presumes and incorporates theoretical approaches, offering a collection of principles assembled in the heat and trials of public practice. The essays gathered in this volume are inspired by the capacious conception of rhetoric put forth by historian of rhetoric Jeffrey Walker, who is perhaps best known for stressing rhetoric’s educational mission and its investments in both theory and practice.
The book extends that vision through the prisms of poetics, performance, and philosophy of argument. Poetics shows rhetoric’s meaning making in all its verbal possibilities and material manifestations, in contexts ranging from mouse-infested medieval fields to the threat of toxin-ridden streams in the twentieth century. Performance puts what is created into the heat of public life, tapping out the rhythms of Byzantine prose or using collage to visually depict the beliefs and convictions of Martin Luther King Jr. Philosophy of argument enacts the mutually constitutive relationship between rhetoric and dialectic, offering new insights on and contexts for old tools like stasis and disputation, while keeping the focus on usefulness and teachability.
Ranging across centuries and contexts, the essays collected here demonstrate the continued need to attend carefully to the cooperation of descriptive language and normative reality, conceptual vocabulary and material practice, public speech and moral self-shaping. This volume will rekindle long-standing conversations about the public, world-making practice of rhetoric, thereby enlivening anew its civic mission.
Edited by Peter Steiner
University of Texas Press, 1982
The Prague Linguistic Circle came into being on the afternoon of October 6, 1926, when five Czech and Russian linguists gathered to hear a lecture by a German colleague. From this international beginning, the interests of the group grew to first encompass language in all its functional heterogeneity and then finally all of culture, which the Circle conceived of as a structure of sign systems. Semiotics was thus the overarching discipline for the Prague School, serving to organize all phenomena shared and exchanged by a cultural community.
In recent years increasing attention has been paid to the importance of the Prague School, but writing about it has frequently been marred by misconceptions. The central aim of this volume is to correct those misconceptions and to present the diversity of interests within the Prague School—literary criticism, linguistics, theory of theater, folklore, and philosophy. These essays by Bogatyrëv, Jakobson, Karcevskij, Mukařovský, Rieger, Vodička, and Honzl are here translated into English for the first time. Some have a special historical value in illuminating critical stages of structuralist thinking; others reveal the timeliness of the School's contributions for the theoretical conflicts of our day. Each essay is accompanied by an informative introductory note, and the whole is followed by the editor's "Postscript," tracing the roots of structuralist aesthetics.
Juan Luis Cebrian, Translated by Brian Nienhaus
University of Michigan Press, 1990
John Perry
CSLI, 2000

Edited by Brian Agbayani and Sze-Wing Tang
CSLI, 1997

Edited by Ralph Negrine, Christina Holtz-Bacha, Paolo Mancini, Stylianos Papatha
Intellect Books, 1995
Edited by Miriam Butt and Wilhelm Geuder
CSLI, 1998
Edited by John T. Gage
Southern Illinois University Press, 2011
The Abbé Charles-Michel de l’Epée
Gallaudet University Press, 2024
George Archer
University of Iowa Press, 2024
Robert Hariman and John Louis Lucaites
University of Chicago Press, 2016
Bobbi L. Newman and Carolyn Martin
American Library Association, 2026
It often starts with a patron’s simple question. Librarians play a central role in helping people navigate information, evaluate sources, and find answers they can trust. That includes health information, something many people come to the library looking for every day. Maybe they need more information about a diagnosis, a medication, or something they came across online. Perhaps they’re helping a family member with a medical issue or trying to better understand their own health. These are everyday interactions in libraries. And this book is about helping you approach them with confidence, clarity, and a strong sense of your role. You do not need a medical background to provide excellent health information service — just the right frameworks, tools, and reassurance to apply your core skills in a health context. No matter your comfort level or prior experience, you will

Kate Hall and Kathy Parker
American Library Association, 2019
New public library directors quickly learn what seasoned directors already know: running a library means you’ve always got your hands full—balancing the needs of staff, patrons, facilities, library boards, and other stakeholders with professional responsibilities like community interactions, legal and financial requirements, and whole lot else that wasn’t exactly in the job description. Whether you are considering becoming a public library director, are brand new to the role, or have settled in but find yourself thinking “there’s got to be a better way,” authors Hall and Parker are here to help. This book walks you through the core components of getting up to speed and then provides templates, sample documents, checklists, and other resources that will make your job easier. Gleaned from their own decades of experience in library leadership positions, in this toolkit they
Christian Fuchs and Klaus Unterberger
University of Westminster Press, 2021
This book presents the collectively authored Public Service Media and Public Service Internet Manifesto and accompanying materials.The Internet and the media landscape are broken. The dominant commercial Internet platforms endanger democracy. They have created a communications landscape overwhelmed by surveillance, advertising, fake news, hate speech, conspiracy theories, and algorithmic politics. Commercial Internet platforms have harmed citizens, users, everyday life, and society. Democracy and digital democracy require Public Service Media. A democracy-enhancing Internet requires Public Service Media becoming Public Service Internet platforms – an Internet of the public, by the public, and for the public; an Internet that advances instead of threatens democracy and the public sphere. The Public Service Internet is based on Internet platforms operated by a variety of Public Service Media, taking the public service remit into the digital age. The Public Service Internet provides opportunities for public debate, participation, and the advancement of social cohesion.
Accompanying the Manifesto are materials that informed its creation: Christian Fuchs’ report of the results of the Public Service Media/Internet Survey, the written version of Graham Murdock’s online talk on public service media today, and a summary of an ecomitee.com discussion of the Manifesto’s foundations.
The Manifesto can be signed by visiting http://bit.ly/signPSManifesto

John J. Huber
American Library Association, 2015

Sarah Anne Murphy
American Library Association, 2013

Sara Laughlin
American Library Association, 2008
Martin Padgett
Rutgers University Press, 2027
This book demonstrates, in part through a history of emotions, how assumptions and prejudices about queer lives were challenged throughout the decade through the deceptively prosaic medium of television. Passion and disgust neatly outline the contours of the gay community’s press for equal rights at the dawn of the 1980s, just as fear and anxiety encapsulate the inchoate reactions to the emerging epidemic and the simultaneous explorations of privacy that were initiated by the onslaught of television as technology. While queer people anguished over their very survival and over the indifference of many to their situation, hope surfaced as a cause and potential treatments for HIV emerged and as the Supreme Court decided to make its first direct ruling on gay rights in a generation. When that latter hope was dashed by the Hardwick decision, the anger of gay rights advocates was trebled as they massed for the national March on Washington in homage to the 1963 March on Washington for Jobs and Freedom that lent its key political organizing and messaging tactics to it. With the realization that progress would then be slow and all-consuming, a desperation to change queer lives was enjoined by a determination to do so in the most visible ways possible, through television.
Robert L. Hilliard and Michael C. Keith. Foreword by Robert W. McChesney
Southern Illinois University Press, 2005
How has American radio—once a grassroots, community-based medium—become a generic service that primarily benefits owners and shareholders and prohibits its listeners from receiving diversity of opinions, ideas, and entertainment through local programming? In The Quieted Voice: The Rise and Demise of Localism in American Radio, Robert L. Hilliard and Michael C. Keith blame the government’s continual deregulation of radio and the corporate obsession with the bottom line in the wake of the far-reaching and controversial Telecommunications Act of 1996. Fighting for greater democratization of the airwaves, Hilliard and Keith call for a return to localism to save radio from rampant media conglomeration and ever-narrowing music playlists—and to save Americans from corporate and government control of public information.
The Quieted Voice details radio’s obligation to broadcast in the public’s interest. Hilliard and Keith trace the origins of the public trusteeship behind the medium and argue that local programming is essential to the fulfillment of this responsibility. From historical and critical perspectives, they examine the decline of community-centered programming and outline the efforts of media watchdog and special interest groups that have vigorously opposed the decline of democracy and diversity in American radio. They also evaluate the implications of continuing delocalization of the radio medium and survey the perspectives of leading media scholars and experts.
Ellen C. Carillo
Utah State University Press, 2025
Eleanor Wilner and Maurice Manning, editors
University of Michigan Press, 2013
The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of:

Megan M. McArdle
American Library Association, 2014

Megan McArdle
American Library Association, 2022
Neal Wyatt
American Library Association, 2018
Everyone’s favorite guide to fiction that’s thrilling, mysterious, suspenseful, thought-provoking, romantic, and just plain fun is back—and better than ever in this completely revamped and revised edition. A must for every readers’ advisory desk, this resource is also a useful tool for collection development librarians and students in LIS programs. Inside, RA experts Wyatt and Saricks
Both insightful and comprehensive, this matchless guidebook will help librarians become familiar with many different fiction genres, especially those they do not regularly read, and aid library staff in connecting readers to books they’re sure to love.

Joyce G. Saricks
American Library Association, 2009

Neal Wyatt
American Library Association, 2001
Francisca Goldsmith
American Library Association, 2017
The first edition of this readers' advisory represented a pioneering effort to provide help and encouragement to librarians diving into this exciting format, and since then the popularity of graphic novels has continued apace. Goldsmith has updated her guide to encompass a bounty of new titles, authors, and styles, ensuring its continued usefulness as a tool for both RA and collection development. Suitable for newbies and hardcore fans alike, this book
Spotlighting this expanding body of intellectual, aesthetic, and engaging literature, Goldsmith's guide will entertain as well as inform.

Jennifer S. Baker
American Library Association, 2014

Becky Siegel Spratford
American Library Association, 2012
Becky Siegel Spratford
American Library Association, 2021
Like the zombies, ghouls, and vampires which inhabit many of its books, the popularity of horror fiction is unstoppable. Even if you don’t happen to be a fan yourself, you won’t be “scared” to advise readers on finding their next great fright thanks to the astute guidance provided by horror expert Spratford in her updated guide. This definitive resource for library workers at any level of experience or familiarity with horror fiction

John Charles
American Library Association, 2012

Neal Wyatt
American Library Association, 2007

Vanessa Irvin Morris
American Library Association, 2011

Angela Carstensen
American Library Association, 2018

Jessica E. Moyer
American Library Association, 2010

Edited by Nancy Nelson and Robert C. Calfee
University of Chicago Press, 1998