3064 books match the query 'Social conditions' and 510 start with t

cover of Tunnel Kids

Tunnel Kids

Lawrence J. Taylor and Maeve Hickey

University of Arizona Press, 2001

Winner of the Southwest Book Award!

Beneath the streets of the U.S.-Mexico border, children are coming of age. They have come from all over Mexico to find shelter and adventure in the drainage tunnels that connect the twin cities of Nogales, Sonora, and Nogales, Arizona. This book opens up the world of the tunnel kids and tells how in this murky underworld of struggling immigrants, drug dealers, and thieves, these kids have carved out a place of their own. Two parallel tunnels— each fourteen feet wide and several miles long— drain the summer rains from Mexico to the United States. Here and in the crumbling colonias you'll meet the tunnel kids: streetwise El Boston, a six-year veteran of the tunnels; his little pal Jesús; Jesús' girlfriend, La Flor, and her six-month-old baby; wild Negra; poetic Guanatos; moody Romel and his beautiful girlfriend, La Fanta. They form an extended family of some two dozen young people who live hard-edged lives and answer to no one in El Barrio Libre— the free barrio.

Lawrence Taylor and Maeve Hickey met these kids at Mi Nueva Casa, the safe house built to draw the youths out of the tunnels and into a more normal life. The authors spent two summers with tunnel kids as they roamed all over Nogales and beyond in their struggle to survive. In the course of their adventures the kids described their lives, talking about what might tempt them to leave the tunnels— and what kept them there. Hickey's stunning portraits provide a heart-stopping counterpoint to Taylor's incisive prose. Story and photos together open a window into the life of the tunnel kids—a world like that of many homeless children, precarious and adaptive, albeit unique to the border. Where most people might see just another gang of doped-up, violent children, Taylor and Hickey discover displaced and sometimes heroic young people whose stories add a human dimension to the world of the U.S.-Mexico border.
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cover of Turkey Reframed: Constituting Neoliberal Hegemony

Turkey Reframed

Constituting Neoliberal Hegemony

Baris Ozden

Pluto Press, 2013

Turkey Reframed documents the first decade of the 2000s, a period of radical change in Turkish society and politics, which has been marked by the major economic crisis of 2001 and the coming to power of ex-Islamist cadres organised under the Justice and Development Party (AKP).

The contributors analyse this period of radical change, with its continuities and breaks, and its main actor, the AKP, in relation to the creation of a neoliberal hegemony in post-1980 Turkey. They look at the conflictual, turbulent and painful history of neoliberal hegemony and the contested stabilisation strategy of the AKP government.

Turkey Reframed is a cutting-edge guide for students, scholars and other interested readers who want to understand this period in Turkey’s recent history and its social tensions.

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cover of Turn Out the Lights: Chronicles of Texas during the 80s and 90s

Turn Out the Lights

Chronicles of Texas during the 80s and 90s

By Gary Cartwright

University of Texas Press, 2000

Whether the subject is Jack Ruby, Willie Nelson, or his own leukemia-stricken son Mark, when it comes to looking at the world through another person's eyes, nobody does it better than Gary Cartwright. For over twenty-five years, readers of Texas Monthly have relied on Cartwright to tell the stories behind the headlines with pull-no-punches honesty and wry humor. His reporting has told us not just what's happened over three decades in Texas, but, more importantly, what we've become as a result.

This book collects seventeen of Cartwright's best Texas Monthly articles from the 1980s and 1990s, along with a new essay, "My Most Unforgettable Year," about the lasting legacy of the Kennedy assassination. He ranges widely in these pieces, from the reasons for his return to Texas after a New Mexican exile to profiles of Kris Kristofferson and Willie Nelson. Along the way, he strolls through San Antonio's historic King William District; attends a Dallas Cowboys old-timers reunion and the Holyfield vs. Foreman fight; visits the front lines of Texas' new range wars; gets inside the heads of murderers, gamblers, and revolutionaries; and debunks Viagra miracles, psychic surgery, and Kennedy conspiracy theories. In Cartwright's words, these pieces all record "the renewal of my Texas-ness, a rediscovery of Texas after returning home."

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cover of Turning South Again: Re-Thinking Modernism/Re-Reading Booker T.

Turning South Again

Re-Thinking Modernism/Re-Reading Booker T.

Houston A. Baker Jr.

Duke University Press, 2001

In Turning South Again the distinguished and award-winning essayist, poet, and scholar of African American literature Houston A. Baker, Jr. offers a revisionist account of the struggle for black modernism in the United States. With a take on the work of Booker T. Washington and the Tuskegee Institute surprisingly different from that in his earlier book Modernism and the Harlem Renaissance, Baker combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions—particularly that of incarceration—have always been at the center of the African American experience.
From the holds of slave ships to the peonage of Reconstruction to the contemporary prison system, incarceration has largely defined black life in the United States. Even Washington’s school at Tuskegee, Baker explains, housed and regulated black bodies no longer directly controlled by slave owners. He further implicates Washington by claiming that in enacting his ideas about racial “uplift,” Washington engaged in “mulatto modernism,” a compromised attempt at full citizenship. Combining autobiographical prose, literary criticism, psychoanalytic writing, and, occasionally, blues lyrics and poetry, Baker meditates on the consequences of mulatto modernism for the project of black modernism, which he defines as the achievement of mobile, life-enhancing participation in the public sphere and economic solvency for the majority of African Americans. By including a section about growing up in the South, as well as his recent return to assume a professorship at Duke, Baker contributes further to one of the book’s central concerns: a call to centralize the South in American cultural studies.
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cover of Twentieth-Century Texas: A Social and Cultural History

Twentieth-Century Texas

A Social and Cultural History

John W. Storey

University of North Texas Press, 2008

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cover of Twilight of Torment: II. Heritage

Twilight of Torment

II. Heritage

Léonora Miano

Seagull Books, 2023

A searing novel exploring the construction of masculinity in sub-Saharan Africa.
 
After beating his girlfriend and leaving her for dead on the street, Amok retraces his steps. Frightened by his act, which reproduces the violence of his father, he hopes to save the woman. But it is too late when he arrives at the scene; two women are already carrying the injured woman. Overwhelmed and not daring to reveal himself, he decides to find his father in order to learn how to rid himself of the dark force that he believes runs through the men of his lineage. He embarks on a journey that will be, more than anything, an inner one, forcing him to understand his story and choose a healthier way of being in the world. This second volume of Twilight of Torment is both intimate and political. Through the story of a man and his family, we discover an African bourgeoisie and its many social wanderings in a contemporary Africa whose future seems nebulous.
 
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cover of Twilight of Torment: Melancholy

Twilight of Torment

Melancholy

Léonora Miano

Seagull Books, 2022

A haunting, multivocal novel full of stories of the lives of women of African descent.
 
Four women speak. They speak to the same man, who is not there. He is the son of the first, the great-yet-impossible love of the second, the platonic companion of the third, the older brother of the last. Speaking to him in his absence, it is to themselves that these women turn, examining their own stories to make sense of their journey, from twilight to twilight, through a mysterious stormy night in the middle of the dry season.
 
Together, the voices in Twilight of Torment: Melancholy, the first volume of a two-volume novel, perform a powerful and sometimes discordant jazz-inspired chorus about issues such as femininity, sexuality, self-love, and the intrusion of history into the intimate lives of people of African descent. Blackness confronts African-ness, love is sometimes discovered in the arms of another woman, the African renaissance tries to establish itself on the rubble of self-esteem damaged by history. Each of these women, with her own language and rhythm, ultimately represents a specific aspect of the tormented history of Africans in today’s world, and at the end of the night, they will each arrive at a dawn of hope.
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cover of Two Vermonts: Geography and Identity, 1865-1910

Two Vermonts

Geography and Identity, 1865-1910

Paul Searls

University of New Hampshire Press, 2006

Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested.

Searls divides nineteenth-century Vermonters into conceptually “uphill,” or rural/parochial, and “downhill,” or urban/cosmopolitan, elements. These two groups, he says, negotiated modernity in distinct and contrary ways. The dissonance between their opposing tactical approaches to progress and change belied the pastoral ideal that contemporary urban Americans had come to associate with the romantic notion of “Vermont.” Downhill Vermonters, espousing a vision of a mutually reinforcing relationship between tradition and progress, unilaterally endeavored to foster the pastoral ideal as a means of stimulating economic development. The hostile uphill resistance to this strategy engendered intense social conflict over issues including education, religion, and prohibition in the late nineteenth and early twentieth centuries. The story of Vermont's vigorous nineteenth-century quest for a unified identity bears witness to the stirring and convoluted forging of today's “Vermont.” 

Searls's engaging exploration of this period of Vermont's history advances our understanding of the political, economic, and cultural transformation of all of rural America as industrial capitalism and modernity revolutionized the United States between 1865 and 1910. By the late Progressive Era, Vermont's reputation was rooted in the national yearning to keep society civil, personal, and meaningful in a world growing more informal, bureaucratic, and difficult to navigate. The fundamental ideological differences among Vermont communities are indicative of how elusive and frustrating efforts to balance progress and tradition were in the context of effectively negotiating capitalist transformation in contemporary America.

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cover of Two-Buck Chuck & The Marlboro Man: The New Old West

Two-Buck Chuck & The Marlboro Man

The New Old West

Frank Bergon

University of Nevada Press, 2019

Frank Bergon’s astonishing portrayals of people in California’s San Joaquin Valley reveal a country where the culture of a vanishing West lives on in many twenty-first-century Westerners, despite the radical technological transformations around them. All are immigrants, migrants, their children, or their grandchildren whose lives intertwine with the author’s, including several races and ethnicities: Chicanos, Mexicans, African Americans, Italians, Asians, Native Americans, Scots-Irish descendants of Steinbeck’s Okies, and Basques of the author’s own heritage.

Bergon presents a powerful array of rural and small-town Westerners who often see themselves as part of a region and a way of life most Americans aren’t aware of or don’t understand, their voices unheard, their stories untold. In these essays, Westerners from the diverse heritage of the San Joaquin Valley include California’s legendary Fred Franzia, the maker of the world’s best-selling Charles Shaw wines dubbed “Two-Buck Chuck,” and Darrell Winfield, a Dust Bowl migrant and lifelong working cowboy who for more than thirty years reigned as the iconic Marlboro Man. Their voices help us understand the complexities of today’s rural West, where Old West values intersect with New West realities. This is the West (and America today)—a region in conflict with itself.
 
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cover of Two-Spirit People: Native American Gender Identity, Sexuality, and Spirituality

Two-Spirit People

Native American Gender Identity, Sexuality, and Spirituality

Edited by Sue-Ellen Jacobs; Wesley Thomas; and Sabine Lang

University of Illinois Press, 1997

This landmark book combines the voices of Native Americans and non-Indians, anthropologists and others, in an exploration of gender and sexuality issues as they relate to lesbian, gay, transgendered, and other "marked" Native Americans. Focusing on the concept of two-spirit people--individuals not necessarily gay or lesbian, transvestite or bisexual, but whose behaviors or beliefs may sometimes be interpreted by others as uncharacteristic of their sex--this book is the first to provide an intimate look at how many two-spirit people feel about themselves, how other Native Americans treat them, and how anthropologists and other scholars interpret them and their cultures.

1997 Winner of the Ruth Benedict Prize for an edited book given by the Society of Lesbian and Gay Anthropologists.
 
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