28250 books match the query 'history' and 6388 start with t

cover of Tropical Freedom: Climate, Settler Colonialism, and Black Exclusion in the Age of Emancipation

Tropical Freedom

Climate, Settler Colonialism, and Black Exclusion in the Age of Emancipation

Ikuko Asaka

Duke University Press, 2017

In Tropical Freedom Ikuko Asaka engages in a hemispheric examination of the intersection of emancipation and settler colonialism in North America. Asaka shows how from the late eighteenth century through Reconstruction, emancipation efforts in the United States and present-day Canada were accompanied by attempts to relocate freed blacks to tropical regions, as black bodies were deemed to be more physiologically compatible with tropical climates. This logic conceived of freedom as a racially segregated condition based upon geography and climate. Regardless of whether freed people became tenant farmers in Sierra Leone or plantation laborers throughout the Caribbean, their relocation would provide whites with a monopoly over the benefits of settling indigenous land in temperate zones throughout North America. At the same time, black activists and intellectuals contested these geographic-based controls by developing alternative discourses on race and the environment. By tracing these negotiations of the transnational racialization of freedom, Asaka demonstrates the importance of considering settler colonialism and black freedom together while complicating the prevailing frames through which the intertwined histories of British and U.S. emancipation and colonialism have been understood.
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cover of Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture

Tropical Multiculturalism

A Comparative History of Race in Brazilian Cinema and Culture

Robert Stam

Duke University Press, 1997

Tropical Multiculturalism provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. Focusing on representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples in the rich tradition of Brazilian fictional feature film, Robert Stam puts Brazilian culture at the center of a wide-ranging analysis of race, representation, history, and film. Drawing parallels between the histories of colonialism, slavery, and immigration in Brazil and the United States, he also contends that questions of ethnic and racial representations are best viewed within the larger context of a comparative analysis of racially plural societies.
Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles’s never-released Brazilian film It’s All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil’s greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"—the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.
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cover of Tropical Pioneers: Human Agency and Ecological Change in the Highlands of Sri Lanka, 1800–1900

Tropical Pioneers

Human Agency and Ecological Change in the Highlands of Sri Lanka, 1800–1900

James L. A. Webb Jr.

Ohio University Press, 2002

In 1800, the highlands of Sri Lanka had some of the most biologically diverse primary tropical rainforest ecosystems in the world. By 1900, only a few craggy corners and mountain caps had been spared the fire stick. Highland villagers, through the extension of slash-and-burn agriculture, and British managers, through the creation of plantations—first of coffee, then cinchona, and finally tea—had removed virtually the entire primary forest cover.

Tropical Pioneers documents the conversion of a tropical rainforest biome and the collision between what previously had been more discrete ecological zones within South Asia. The ecological impacts were transformational. Author James L. A. Webb, Jr., demonstrates that profound ecological disruption occurred in the central highlands of Sri Lanka during the nineteenth century and suggests that the theme of ecological crisis brought about by the integration of tropical ecological zones during precolonial and colonial periods alike is an important one for historians to investigate elsewhere.

Tropical Pioneers is based on extensive research in the National Archives of Sri Lanka, the National Agricultural Library at Gannaruwa, the Library of the Royal Asiatic Society-Ceylon Branch, the Royal Botanic Gardens at Kew, the Public Record Office of the United Kingdom, and the British Library.

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cover of Tropical Riffs: Latin America and the Politics of Jazz

Tropical Riffs

Latin America and the Politics of Jazz

Jason Borge

Duke University Press, 2018

In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals—who often understood jazz to stem from social conditions similar to their own—the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea.
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cover of Tropical Travels: Brazilian Popular Performance, Transnational Encounters, and the Construction of Race

Tropical Travels

Brazilian Popular Performance, Transnational Encounters, and the Construction of Race

By Lisa Shaw

University of Texas Press, 2018

Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, “racial” identity in Brazil. Tropical Travels fruitfully examines how perceptions of “race” were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period.

Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of “race” and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.

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cover of Tropical Visions in an Age of Empire

Tropical Visions in an Age of Empire

Edited by Felix Driver and Luciana Martins

University of Chicago Press, 2005

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries.

Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.
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cover of Tropical Zion: General Trujillo, FDR, and the Jews of Sosúa

Tropical Zion

General Trujillo, FDR, and the Jews of Sosúa

Allen Wells

Duke University Press, 2009

Seven hundred and fifty Jewish refugees fled Nazi Germany and founded the agricultural settlement of Sosúa in the Dominican Republic, then ruled by one of Latin America’s most repressive dictators, General Rafael Trujillo. In Tropical Zion, Allen Wells, a distinguished historian and the son of a Sosúa settler, tells the compelling story of General Trujillo, Franklin Delano Roosevelt, and those fortunate pioneers who founded a successful employee-owned dairy cooperative on the north shore of the island.

Why did a dictator admit these desperate refugees when so few nations would accept those fleeing fascism? Eager to mollify international critics after his army had massacred 15,000 unarmed Haitians, Trujillo sent representatives to Évian, France, in July, 1938 for a conference on refugees from Nazism. Proposed by FDR to deflect criticism from his administration’s restrictive immigration policies, the Évian Conference proved an abject failure. The Dominican Republic was the only nation that agreed to open its doors. Obsessed with stemming the tide of Haitian migration across his nation’s border, the opportunistic Trujillo sought to “whiten” the Dominican populace, welcoming Jewish refugees who were themselves subject to racist scorn in Europe.

The Roosevelt administration sanctioned the Sosúa colony. Since the United States did not accept Jewish refugees in significant numbers, it encouraged Latin America to do so. That prodding, paired with FDR’s overriding preoccupation with fighting fascism, strengthened U.S. relations with Latin American dictatorships for decades to come. Meanwhile, as Jewish organizations worked to get Jews out of Europe, discussions about the fate of worldwide Jewry exposed fault lines between Zionists and Non-Zionists. Throughout his discussion of these broad dynamics, Wells weaves vivid narratives about the founding of Sosúa, the original settlers and their families, and the life of the unconventional beach-front colony.

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cover of Tropicopolitans: Colonialism and Agency, 1688–1804

Tropicopolitans

Colonialism and Agency, 1688–1804

Srinivas Aravamudan

Duke University Press, 1999

In Tropicopolitans Srinivas Aravamudan reconstructs the colonial imagination of the eighteenth century. By exploring representations of peoples and cultures subjected to colonial discourse, he makes a case for the agency—or the capacity to resist domination—of those oppressed. Aravamudan’s analysis of texts that accompanied European commercial and imperial expansion from the Glorious Revolution through the French Revolution reveals the development of anticolonial consciousness prior to the nineteenth century.
“Tropicalization” is the central metaphor of this analysis, a term that incorporates both the construction of various dynamic tropes by which the colonized are viewed and the site of the study, primarily the tropics. Tropicopolitans, then, are those people who bear and resist the representations of colonialist discourse. In readings that expose new relationships between literary representation and colonialism in the eighteenth century, Aravamudan considers such texts as Behn’s Oroonoko, Defoe’s Robinson Crusoe and Captain Singleton, Addison’s Cato, and Swift’s Gulliver’s Travels and The Drapier’s Letters. He extends his argument to include analyses of Johnson’s Rasselas, Beckford’s Vathek, Montagu’s travel letters, Equiano’s autobiography, Burke’s political and aesthetic writings, and Abbé de Raynal’s Histoire des deux Indes. Offering a radical approach to literary history, this study provides new mechanisms for understanding the development of anticolonial agency.
Introducing eighteenth-century studies to a postcolonial hermeneutics, Tropicopolitans will interest scholars engaged in postcolonial studies, eighteenth-century literature, and literary theory.


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cover of Troubadour on the Road to Gold: William B. Lorton's 1849 Journal to California

Troubadour on the Road to Gold

William B. Lorton's 1849 Journal to California

Edited by LeRoy Johnson and Jean Johnson, Foreword by Richard Saunders

University of Utah Press, 2020

During the California Gold Rush, many of the miners and merchants who hoped to strike it rich in California left behind letters and journals that provide valuable insights into one of the great migrations in American history. Of all the journals and diaries left behind, William B. Lorton's is perhaps the most informative and complete. Although known to historians for decades, Lorton’s journal has never been published. In this volume, LeRoy and Jean Johnson bring Lorton’s writings to life with meticulous research and commentary that broadens the context of his narrative.

Lorton’s work is revealing and entertaining. It captures glimpses of a growing Salt Lake City, the hardships of Death Valley, and the extraordinary and mundane aspects of daily life on the road to gold. With resilience and a droll sense of humor, Lorton shares accounts 
of life-threatening stampedes, dangerous hailstorms, mysteriously moving rocks, and slithering sidewinders. The inclusion of images, maps, and the editors’ detailed notes make this a volume that will entertain and inform.
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cover of Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism, and Hybridity in China and Its Others

Troubadours, Trumpeters, Troubled Makers

Lyricism, Nationalism, and Hybridity in China and Its Others

Gregory B. Lee

Duke University Press, 1996

How have the lyrics of poets and songwriters, traditionally voices of protest against domination and exploitation in Chinese society, responded to the forces of cultural imperialism and nationalistic ideology that have accompanied the modernization of Chinese society in the last half of this century. Gregory B. Lee suggests that the response can be seen in a proliferation of hybrid lyric forms and cultures—from both within China and beyond—and that China’s "culture of lyricism" contributes in powerful, significant, and often resistant ways to the nation’s sense of itself and its encounter with modernity.
Lee’s broad definition of lyric includes the work of poets, amateur versifiers, and all manner of popular songwriters, and his inclusive sense of nation refers to all Chinese communities regardless of geographic location. Whether examining the globalized consumption of satellite-broadcast pop music or the heroic efforts of little-known poets on the margins of the Chinese diaspora, he finds a questioning and contesting of both the Orientalist construction of a mythic monolithic China invented by the West and the Chinese obsession with ideas of authenticity and purity of nationhood. Lee explores the lyrical transgression of these ideological boundaries in China, in the Chinese communities of America and Britain, and in other marginalized communities, before using the examples of Hong Kong and other non-nationalistic sites to discuss the creative possibilities of hybrid cultures and societies.
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cover of Trouble in Censorville: The Far Right's Assault on Public Education and the Teachers Who are Fighting Back

Trouble in Censorville

The Far Right's Assault on Public Education and the Teachers Who are Fighting Back

Nadine M. Kalin and Rebekah Modrak

Disobedience Press, 2024

From Florida, whose “Don’t Say Gay” law prohibits K-12 instruction on gender identity and sexual orientation, to Texas, which is shuttering libraries in schools, America is in the middle of a far-right war on public education.
 
Now, for the first time, K-12 educators from across the nation give readers a teacher’s-eye view of the radical right crusade to take down public education, coordinated by well-funded, well-connected far-right political interests. Christian nationalists hell-bent on erasing the line between church and state, white supremacists opposed to a curriculum that teaches the enduring effects of anti-Black racism, political action committees, such as Moms for Liberty, calling for the banning of novels featuring LGBTQ+ people, and profiteers eager to divert taxpayer dollars into private schools are mounting a relentless attack on teachers, the students they serve, and the commitment to public education that is a cornerstone of democracy. “It’s a phenomenal, unprecedented moment that we’re in,” says a librarian, recently retired from her Texas school. “It’s surprising how many people don’t know what’s going on. I talk to reporters who have no idea. And they’re reporters.”
 
In Trouble in Censorville, public school teachers from states as far-flung as Florida, Texas, Kentucky, New Jersey, Tennessee, Wisconsin, and Washington describe, in their own words, being threatened, stalked, doxxed, ostracized, smeared as “pedophiles" and "Marxists," placed on leave, and fired for teaching historical truth and racial justice, supporting LGBTQ+ students and, in one case, for wearing "insufficiently" feminine attire. Their stories bring readers face-to-face with the human cost of these attacks, which range from social isolation to pent-up anger over institutional betrayal to the terrible toll on teachers’ mental and physical health.
 
And yet, teachers are fighting back. They’re mobilizing colleagues, parents, and community members who share their faith in the freedom to read, the freedom to think critically, the freedom to challenge small-minded provincialism. Their stories of frontline resistance, collected here, provide a battle plan for confronting censorship, rallying support, and mobilizing a grassroots defense of public schools.
 
Their gripping testimonials are enhanced by a timeline that situates today’s far-right war on public education in the context of American history, moving briskly from Reconstruction to the anti-left and anti-gay fearmongering of the McCarthy era to the Black Lives Matter movement to the Trump presidency.
 
Terrifying, infuriating, and inspiring, Trouble in Censorville sounds the alarm for a democracy on fire.
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cover of Trouble the Water

Trouble the Water

Melvin Dixon

University of Alabama Press, 1989

A haunting and poetic journey of memory, identity, and reconciliation in the heart of the Black South.

Winner of the Excellence in Minority Fiction Award

Trouble the Water moves among finely woven layers of time and place as it takes on a new and controversial theme in contemporary black writing, the search for family reconciliation. Twenty years after running away from home in Pee Dee, North Carolina, Jordan Henry believed he had found success, as a young college professor of history, a married man, and a resident of New England, whose colonial past he knew so well. When Jordan finds his career stymied by local prejudices, his world crumbles. Word of his grandmother's death reaches him, and he returns home to claim the ambiguous legacy of her farmland and face the consequences of his long absence.

Jordan's estranged father also returns to Pee Dee on a quest of his own restoring his good name in a community which blames him for Chloe Henry's death in childbirth. Chloe was Jordan's mother and his grandmother's only child. Unresolved hostility in the family and in the community breaks out, making Jordan the unsuspecting pawn in a plot of revenge against his father. Jordan may be the only one who can free his family from the past and the equally troubled present.

Trouble the Water gains resonance from its unflinching confrontation with dualities common in the Afro-American experience: reality and myth, folklore and sophistication, North and South, rural and cosmopolitan. While sacrificing none of its complexities for the sake of simplicity, it has the relentless movement of a fairy tale that reaches deep into the unconscious roots of behavior. It is intensely lyrical and dense in realism. Trouble the Water is magical in the way it reveals the Afro-American psyche and symbolizes fundamental truths about American life.

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cover of Troubled Ground: A Tale of Murder, Lynching, and Reckoning in the New South

Troubled Ground

A Tale of Murder, Lynching, and Reckoning in the New South

Claude A. Clegg III

University of Illinois Press, 2010

In Troubled Ground, Claude A. Clegg III revisits a violent episode in his hometown's history that made national headlines in the early twentieth century but disappeared from public consciousness over the decades. Moving swiftly between memory and history, between the personal and the political, Clegg offers insights into southern history, mob violence, and the formation of American race ideology while coming to terms on a personal level with the violence of the past. Three black men were killed in front of a crowd of thousands in Salisbury, North Carolina, in 1906, following the ax murder of a local white family for whom the men had worked. One of the lynchers was prosecuted for his role in the execution, the first conviction of its kind in North Carolina and one of the earliest in the country. Yet Clegg, an academic historian who grew up in Salisbury, had never heard of the case until 2002 and could not find anyone else familiar with the case. In this book, Clegg mines newspaper accounts and government records and links the victims of the 1906 case to a double-lynching in 1902, suggesting a complex history of lynching in the area while revealing the determination of the city to rid its history of a shameful and shocking chapter. The result is a multi-layered, deeply personal exploration of lynching and lynching prosecutions in the United States.
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cover of Troubled Lovers in History: A Sequence of Poems

Troubled Lovers in History

A Sequence of Poems

Albert Goldbarth

The Ohio State University Press, 1999

Troubled Lovers in History demonstrates an exhilarating range: from the briefest of lyrics to rich and multipartite narrative adventures in exotic realms; from a comic monologue spoken in immigrant “Yinglish” to a soulful elegy set in San Antonio’s Pearl Beer brewery plant; from Martian invaders, through polar explorers, to all of us busy inflicting “words with edges” on those we love.

Goldbarth sets his unflinching study of individual hope and grief against the backdrop of history: the travels of Marco Polo; Bertha and Wilhelm Rontgen’s discovery of X-rays; an 1800 battle “twixt Dragon Sam, the great Exhaler of Gouts of Amazing Flame . . . and Liquid Dan, the Living Geyser.”

From the night stars to the little starring parts we all play every day, Troubled Lovers in History takes us into the text of our dreams and despairs, as witnessed by the writer whom Joyce Carol Oates called “a poet of remarkable gifts—a dazzling virtuoso who can break your heart.”

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cover of Troubled Minds: Shaping Modern Mental Care in Central and Eastern Europe, 1780–1930

Troubled Minds

Shaping Modern Mental Care in Central and Eastern Europe, 1780–1930

Eva Hajdinová

Central European University Press, 2027

This volume offers a supra-regional view of how psychiatry developed in Central and Eastern Europe during the long nineteenth century. Case studies from the German lands, the Habsburg monarchy, and the Russian Empire show that the field did not follow a single linear story of medical progress. Instead, it grew through circulation of ideas, local adaptation, and often ongoing negotiation among institutions and actors. The chapters trace psychiatry’s Enlightenment roots in debates on the soul and passions, then follow its legal and institutional consolidation under absolutist and later constitutional regimes. They also examine changing diagnostic and therapeutic practices and the everyday encounters they produced among doctors, patients, clergy, and administrators. Rejecting a core–periphery model, the book presents these regions as sites of conceptual innovation and institutional experimentation. By pairing local specificities with transnational connections, it helps rethink psychiatry’s history as culturally, politically, and socially deeply embedded in nineteenth-century Europe.
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cover of Troubled Times: The Boston Courthouse Bombing of 1976

Troubled Times

The Boston Courthouse Bombing of 1976

Kevin Galvin

Brandeis University Press, 2026

Interweaves the stories of a revolutionary and a bombing victim to explore the roots and unintended consequences of political violence.

1976. The Vietnam War had ended, but radical political groups still operated clandestinely throughout the United States. Nowhere was the threat of civil unrest greater than in Boston. Racial tensions had been building since a federal judge ordered the desegregation of the Boston Public Schools, and civic leaders were counting on the pageantry of the nation’s Bicentennial to boost both tourism and investment. In April, the Sam Melville-Jonathan Jackson Unit, prison reformers schooled in Marxism and angered by US interventions abroad, bombed the Suffolk County Courthouse, injuring twenty-two people. The site of the blast marked the spot where the lives of two men intersected: a mill town kid who’d been radicalized in Vietnam and prison, and an immigrant waiting in line because he needed to renew a cab license.

Fifty years after the bombing shook the city, Troubled Times tells the story of lives changed by political violence at a time when the American experiment is again in crisis.

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cover of Troubled Trails: The Meeker Affair and the Expulsion of Utes from Colorado

Troubled Trails

The Meeker Affair and the Expulsion of Utes from Colorado

Robert Silbernagel

University of Utah Press, 2011

When U.S. Cavalry troops rode onto the Ute Indian Reservation in northwestern Colorado on September 29, 1879, they triggered a chain of events that cost the Utes their homeland: a deadly battle at Milk Creek, the killing of all men at the Indian agency headed by Nathan Meeker, and the taking of three women and two children who were held hostage for 23 days. The Utes didn’t seek a fight with the whites, most of whom they viewed as friends. However, powerful whites in Colorado wanted the Utes expelled. The Meeker affair was an opportunity to achieve that.

In Troubled Trails, Robert Silbernagel casts new light on the story of the Meeker Affair. Using details from historical interview transcripts and newspaper articles, he reveals the personalities of the major characters—both Indian and non-Indian. He tells the story from many perspectives, including that of Indian Agent Nathan Meeker; the U.S. military; Nicaagat, a leader of the White River Utes; and Josephine Meeker, Nathan Meeker’s daughter, who was held hostage by the Utes. Silbernagel took great pains to tell a complete story, even following on horseback the trail taken by the Utes. As a result, his book paints a multifaceted picture of what took place and, most importantly, his portrayal brings the Ute side of the story into focus.
 

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cover of Troubled Water: A Journey Around the Black Sea

Troubled Water

A Journey Around the Black Sea

Jens Mühling

Haus Publishing, 2022

 A history of the countries bordering the Black Sea told through the stories of the people who live there.
 
Fringing the Black Sea is a diverse array of countries, some centuries old and others emerging only after the collapse of the Soviet Union. Jens Mühling travels through this region, telling the stories of the people he meets along the way in order to paint a picture of the mix of cultures found here and to understand the present against a history stretching back to the arrival of Ancient Greek settlers and beyond.

A fluent Russian speaker with a knack for gaining the trust of those he meets, Mühling brings together a cast of characters as diverse as the stories he hears, all of whom are willing to tell him their complex, contradictory, and often fantastical tales full of grief and legend. He meets descendants of the so-called Pontic Greeks, whom Stalin deported to Central Asia and who have now returned; Circassians who fled to Syria a century ago and whose great-great-grandchildren have returned to Abkhazia; and members of ethnic minorities like the Georgian Mingrelians or Bulgarian Muslims, expelled to Turkey in the summer of 1989. Mühling captures the region’s uneasy alliance of tradition and modernity and the diverse humanity of those who live there.
 
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cover of Troublemakers: Chicago Freedom Struggles through the Lens of Art Shay

Troublemakers

Chicago Freedom Struggles through the Lens of Art Shay

Erik S. Gellman

University of Chicago Press, 2019

What does democracy look like? And when should we cause trouble to pursue it?
Troublemakers fuses photography and history to demonstrate how racial and economic inequality gave rise to a decades-long struggle for justice in one American city.
In dialogue with 275 of Art Shay’s photographs, Erik S. Gellman takes a new look at major developments in postwar US history: the Second Great Migration, “white flight,” and neighborhood and street conflicts, as well as shifting party politics and the growth of the carceral state. The result is a visual and written history that complicates—and even upends—the morality tales and popular memory of postwar freedom struggles.
Shay himself was a “troublemaker,” seeking to unsettle society by illuminating truths that many middle-class, white, media, political, and businesspeople pretended did not exist. Shay served as a navigator in the US Army Air Forces during World War II, then took a position as a writer for Life Magazine. But soon after his 1948 move to Chicago, he decided to become a freelance photographer. Shay wandered the city photographing whatever caught his eye—and much did. His lens captured everything from private moments of rebellion to era-defining public movements, as he sought to understand the creative and destructive energies that propelled freedom struggles in the Windy City.
Shay illuminated the pain and ecstasy that sprung up from the streets of Chicago, while Gellman reveals their collective impact on the urban fabric and on our national narrative. This collaboration offers a fresh and timely look at how social conflict can shape a city—and may even inspire us to make trouble today.
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cover of Troublesome Border, Revised Edition

Troublesome Border, Revised Edition

Oscar J. Martínez

University of Arizona Press, 2006

“U.S. residents are largely unaware that Mexicans also view their northern border with concern, and at times even alarm. Border communities, such as Ciudad Juárez and Tijuana, have long been subjected to heavy criticism from Mexico City and other interior areas for their close ties to the United States, a country viewed with apprehension and suspicion by the Mexican citizenry.”

Oscar Martínez’s words may come as a surprise to those who associate the U.S. southern border with banditry, racial strife, illegal migration, drug smuggling, and official corruption—all attributed to Mexico. In Troublesome Border, now revised to reflect the dramatic changes over the last two decades, a distinguished scholar and long-time resident of the border area addresses these and other problems that have caused increasing concern to federal governments on both sides of the border.

This second edition of Troublesome Border has been updated and revised to cover dramatic developments since the book’s first publication in 1988 that have once again transformed the region in fundamental ways. Martinez includes new information on migration and drugs, including the extraordinary rise of violence traced largely to the rampant illegal drug trade; the devastating effects of U.S. Border Patrol “blockades” that have resulted in thousands of deaths; and the impact of the North American Free Trade Agreement (NAFTA).
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cover of Troubling Freedom: Antigua and the Aftermath of British Emancipation

Troubling Freedom

Antigua and the Aftermath of British Emancipation

Natasha Lightfoot

Duke University Press, 2016

In 1834 Antigua became the only British colony in the Caribbean to move directly from slavery to full emancipation. Immediate freedom, however, did not live up to its promise, as it did not guarantee any level of stability or autonomy, and the implementation of new forms of coercion and control made it, in many ways, indistinguishable from slavery. In Troubling Freedom Natasha Lightfoot tells the story of how Antigua's newly freed black working people struggled to realize freedom in their everyday lives, prior to and in the decades following emancipation. She presents freedpeople's efforts to form an efficient workforce, acquire property, secure housing, worship, and build independent communities in response to elite prescriptions for acceptable behavior and oppression. Despite its continued efforts, Antigua's black population failed to convince whites that its members were worthy of full economic and political inclusion. By highlighting the diverse ways freedpeople defined and created freedom through quotidian acts of survival and occasional uprisings, Lightfoot complicates conceptions of freedom and the general narrative that landlessness was the primary constraint for newly emancipated slaves in the Caribbean.
 
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cover of Trouillot Remixed: The Michel-Rolph Trouillot Reader

Trouillot Remixed

The Michel-Rolph Trouillot Reader

Michel-Rolph Trouillot. Edited by Yarimar Bonilla, Greg Beckett, and Mayanthi L. Fernando

Duke University Press, 2021

This collection of writings from Haitian anthropologist Michel-Rolph Trouillot includes his most famous, lesser known, and hard to find writings that demonstrate his enduring importance to Caribbean studies, anthropology, history, postcolonial studies, and politically engaged scholarship more broadly.
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cover of Trucks: Recent Works by John Himmelfarb

Trucks

Recent Works by John Himmelfarb

John Himmelfarb

The Artist Book Foundation, 2014

With sculpture, paintings, prints, and drawings, award-winning artist John Himmelfarb explores the iconic American truck. An in-depth consideration of the vehicles that are intrinsically and culturally significant to the American landscape, Trucks: Recent Works by John Himmelfarb showcases the artist's diverse and lighthearted approach, adeptly shifting between mediums, style, and message during his decade-long contemplation of trucks and their specific functions. Under his skillful hands, the utilitarian vehicles of commerce and construction become unique and provocative art forms.

In 2005 and 2006, the truck as narrative becomes center stage for Himmelfarb's work. With his seamless, animated traverse of multiple mediums, viewers cannot help but smile as they appreciate the common truck through unique perspectives. In 2007, another tectonic change occurs in Himmelfarb's pursuit of his theme: as a result of a three-month residency at the John Michael Kohler Arts Center's Arts/Industry program, he begins his first meaningful foray into three-dimensional works.

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cover of True Country: Themes in the Fiction of Flannery O'Connor

True Country

Themes in the Fiction of Flannery O'Connor

Carter W. Martin

Vanderbilt University Press, 1969

Intended for a general audience as well as the scholar and student, this first full-length study of Flannery O'Connor's fiction available again in a paperback edition.
[more]
cover of True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc

True Faith and Allegiance

An American Paratrooper and the 1972 Battle for An Loc

Mike McDermott

University of Alabama Press, 2012

True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc is an intimate and compelling account of the most brutal infantry warfare and is also a critique of the mishandling of America’s departure from Indochina. An unintended consequence of Washington’s stampede to get out of Indochina was an upsurge in combat on a scale not seen before in Vietnam, peaking with the Easter Offensive of 1972.

The battle for An Loc, a key component in the North Vietnamese attempt to overwhelm the South, swept Mike McDermott, then the senior advisor to an elite South Vietnamese paratrooper battalion, into some of the most horrific close-quarters fighting of the war. His in-the-trenches account is augmented by detailed descriptions of a user’s perspective on the parachute resupply, tactical airpower, and B-52 strikes that allowed the An Loc garrison to survive.

True Faith and Allegiance is a riveting recounting of the prism through which a Vietnam veteran views the war as he continues to live with the aftereffects of life-altering experiences in the service of his country.
[more]
cover of True Grit: American Prints from 1900 to 1950

True Grit

American Prints from 1900 to 1950

Stephanie Schrader

J. Paul Getty Trust, The, 2019

An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and “gritty” modern city.
 
In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America.
 
True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
 
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center October 15, 2019, to January 19, 2020.
 
[more]
cover of True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay

True Names

Vergil and the Alexandrian Tradition of Etymological Wordplay

James J. O'Hara

University of Michigan Press, 2016

In True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay, James O’Hara presents a richly annotated, comprehensive collection of examples of etymological wordplay in Vergil’s Aeneid, Eclogues, and Georgics. An extensive introduction on the etymologizing of Vergil and his poetic forerunners places the poet in historical context and analyzes the form and style of his wordplay.

In this new edition, O’Hara offers more than one hundred new examples, and more than 250 new bibliographical items on etymologizing in Vergil and other ancient authors, especially the other Augustan poets. A substantial new Introduction reflects on the wide scholarly response to the first edition, and it discusses issues in scholarship on etymologizing from the last two decades.

[more]
cover of True Songs of Freedom: Uncle Tom’s Cabin in Russian Culture and Society

True Songs of Freedom

Uncle Tom’s Cabin in Russian Culture and Society

John MacKay

University of Wisconsin Press, 2013

Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel—one of the watershed works of world literature—actually received outside of the American context?
            True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country.
            John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos.
[more]
cover of True Stories: A Century of Literary Journalism

True Stories

A Century of Literary Journalism

Norman Sims

Northwestern University Press, 2007

Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal examples of the genre provide ample context and background for the study of this style of journalism.
[more]
cover of True Valor: Barney Clark and the Utah Artificial Heart

True Valor

Barney Clark and the Utah Artificial Heart

Don B. Olsen

University of Utah Press, 2015

On December 2, 1982, the fully mechanical Jarvik-7 heart was placed inside Barney Clark, culminating years of painstaking research and making medical history by successfully pumping Clark’s blood for 112 days. True Valor takes an in-depth look at this significant event by telling the story of the doctors and researchers involved, of Barney Clark, and of the evolution of the artificial heart before and after Clark’s transplant. Author Don Olsen is well positioned to tell this story, having worked on the artificial heart project under Dr. Willem Kolff, the man behind the Jarvik-7. His narrative conveys the concerns and emotions of those who were part of Clark’s story while offering the insights of one who knows that research does not happen overnight but takes time, resources, and the efforts of many people. Olsen’s account shares the human sides of this story along with the embedded politics and technical details of medical research in clear, readable language. 
[more]
cover of True and Untrue and Other Norse Tales

True and Untrue and Other Norse Tales

Sigrid Undset

University of Minnesota Press, 2013


A selection of Norwegian folktales chosen by Sigrid Undset, True and Untrue and Other Norse Tales is based on the classic folklore collected by Pieter Christian Asbjørnsen and Jørgen Moe. These wonderful stories tell of worlds similar to our own, worlds with love and hate, sorrow and joy, humor and pathos. Beginning with brothers named True and Untrue, the book takes readers through tales of princes and princesses, giants and trolls, husbands and wives, and a castle that is “East o’ the Sun and West o’ the Moon.” Strikingly illustrated by Frederick T. Chapman while under fire in Italy during the Second World War and with a remarkable foreword by Undset, True and Untrue and Other Norse Tales has a story for everyone.

[more]
cover of Truman and Korea: The Political Culture of the Early Cold War

Truman and Korea

The Political Culture of the Early Cold War

Paul G. Pierpaoli, Jr.

University of Missouri Press, 1999

Detailing for the first time the story of America's homefront during the Korean War, Truman and Korea fills an important gap in the historical scholarship of the postwar era. Paul Pierpaoli analyzes the political, economic, social, and international ramifications of America's first war of Soviet containment, never losing sight of the larger context of the cold war. He focuses on how and why the Truman administration undertook a bloody, inconclusive war on the Korean peninsula while permanently placing the nation on a war footing.

Truman and Korea illuminates the importance of the Korean conflict as a critical turning point in the cold war by examining both the immediate and the long-term domestic and foreign policy effects of the conflict. Pierpaoli addresses such important topics as presidential war powers and debates concerning the Defense Production Act; the inner workings of the many war mobilization agencies; the operations and politics of nationwide price and wage controls; questions concerning cold war tax policies and fiscal and monetary policies; and the evolution of national security policy.

Pierpaoli shows that President Truman's decision to intervene in the Korean War quickly became subsumed by larger cold war concerns. By the autumn of 1950 the Korean mobilization program had become the nation's de facto cold war preparedness program, which would come to span nearly forty years and eight presidential administrations. After 1950 the cold war not only continued to significantly shape political and ideological discourse in the United States but also began to reshape aggregate economic policy. By doing so, it altered the nation's industrial and economic contours, giving birth to the concept of an institutionalized "national security state," which in turn spawned the cold war military-industrial-scientific complex.

Based upon extensive research in the papers and official presidential files of Harry S. Truman, as well as many manuscript collections and records of wartime and government agencies, Truman and Korea offers a new perspective on the Korean War era and its inextricable ties to broader cold war decision making.

[more]
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Truman and Pendergast

Robert H. Ferrell

University of Missouri Press, 1999

No portion of the political career of Harry S. Truman was more fraught with drama than his relationship with Thomas J. Pendergast. In one of their earliest meetings, the two men were momentarily at odds after Truman, who was then presiding judge of Jackson County, gave a $400,000 road contract to a construction company in South Dakota, and Pendergast, the boss of Kansas City, wasn't very happy about it. He had someone else in mind for the contract. Their association thus had its disagreements, but their common interest in politics was enough to establish a long-lasting relationship.

In 1934, after considering fourteen other men, Pendergast sponsored Truman for the Senate. Although Truman had often cooperated with Pendergast on patronage issues, he had never involved himself in the illegalities that would eventually destroy the Pendergast machine. In fact, Truman had no idea how deeply the Boss had engaged in corruption in his personal affairs, as well as in managing the government of Kansas City. When the Boss was sent to Leavenworth for tax evasion in 1939, Truman was astonished.

Despite Truman's honesty, his relationship with Pendergast almost caused his defeat during the Missouri senatorial primary in August 1940. The main challenger for Truman's Senate seat was the ambitious governor of Missouri, Lloyd C. Stark, who after destroying Truman's sponsor, the Pendergast machine, denounced Truman as "the Pendergast senator." Behind the governor was President Franklin D. Roosevelt, whom Stark turned against Truman. Roosevelt wanted Missouri's electoral votes in his forthcoming bid for a third term, and he believed that Stark could give them to him.

Because of the stigma of Truman's Pendergast connection, the 1940 Democratic primary was the tightest election in his entire political career. He won by fewer than eight thousand votes. In Truman and Pendergast, Robert H. Ferrell masterfully presents Truman's struggle to keep his Senate seat without the aid of Pendergast and despite Stark's enlistment of Roosevelt against him. Ferrell shows that Truman won the election in his typical fashion—going directly to the people, speaking honestly and like one of them.

[more]
cover of Truman and the Hiroshima Cult

Truman and the Hiroshima Cult

Robert P. Newman

Michigan State University Press, 1995

The United States dropped atomic bombs on Japan in 1945 to end World War II as quickly and with as few casualties as possible. That is the compelling and elegantly simple argument Newman puts forward in his new study of World War II's end, Truman and the Hiroshima Cult. According to Newman: (1) The U.S. Strategic Bombing Survey conclusions that Japan was ready to surrender without "the Bomb" are fraudulent; (2) America’s "unconditional surrender" doctrine did not significantly prolong the war; and (3) President Harry S. Truman’s decision to use atomic weapons on Japanese cities was not a "racist act," nor was it a calculated political maneuver to threaten Joseph Stalin’s Eastern hegemony. Simply stated, Newman argues that Truman made a sensible military decision. As commander in chief, he was concerned with ending a devastating and costly war as quickly as possible and with saving millions of lives. 
     Yet, Newman goes further in his discussion, seeking the reasons why so much hostility has been generated by what happened in the skies over Hiroshima and Nagasaki in early August, 1945. The source of discontent, he concludes, is a "cult" that has grown up in the United States since the 1960s. It was weaned on the disillusionment spawned by concerns about a military industrial complex, American duplicity and failure in the Vietnam War, and a mistrust of government following Watergate. The cult has a shrine, a holy day, a distinctive rhetoric of victimization, various items of scripture, and, in Japan, support from a powerful Marxist constituency. "As with other cults, it is ahistorical," Newman declares. "Its devotees elevate fugitive and unrepresentative events to cosmic status. And most of all, they believe." Newman’s analysis goes to the heart of the process by which scholars interpret historical events and raises disturbing issues about the way historians select and distort evidence about the past to suit special political agendas.

[more]
cover of Truman and the Steel Seizure Case: The Limits of Presidential Power

Truman and the Steel Seizure Case

The Limits of Presidential Power

Maeva Marcus

Duke University Press, 1994

Government seizure of the nation’s strikebound steel mills on 8 April 1952 stands as one of President Harry S Truman’s most controversial actions, representing an unprecedented use of presidential power. On 8 June 1952 the United States Supreme Court invalidated Truman’s order with its monumental decision in Youngstown Sheet and Tube Co. v. Sawyer. The history and significance of this case constitute the subject of Maeva Marcus’s meticulously researched, brilliantly analyzed, and authoritative study. From Truman’s initial assertion of "inherent" executive power under the Constitution to the High Court’s seven opinions, Marcus assesses the influence of the case on the doctrine of separation of powers and, specifically, the nature and practice of executive authority. First published in 1977 (Columbia University Press), and reissued here in paperback with a new foreword by Louis Fisher, this book remains the definitive account of the Steel Seizure incident and its political and legal ramifications.
[more]
cover of Truman in the White House: The Diary of Eben A. Ayers

Truman in the White House

The Diary of Eben A. Ayers

Edited & Commentaries by Robert H. Ferrell

University of Missouri Press, 1991

As assistant press secretary to President Harry S. Truman, Eben A. Ayers brought with him twenty-six years of experience as a newspaperman.  He knew when he had a good story and knew how to record it.  His private diary, which he kept unbeknownst to his associates, tells the inside story of the Truman White House clearly, colorfully, and with an acute sense of history.

[more]
cover of Truman, Franco's Spain, and the Cold War

Truman, Franco's Spain, and the Cold War

Wayne H Bowen

University of Missouri Press, 2017

Well-deployed primary sources and brisk writing by Wayne H. Bowen make this an excellent framework for understanding the evolution of U.S. policy toward Spain, and thus how a nation facing a global threat develops strategic relationships over time.

President Harry S. Truman harbored an abiding disdain for Spain and its government. During his presidency (1945–1953), the State Department and the Department of Defense lobbied Truman to form an alliance with Spain to leverage that nation’s geostrategic position, despite Francisco Franco’s authoritarian dictatorship. The eventual alliance between the two countries came only after years of argument for such a shift by nearly the entire U.S. diplomatic and military establishment. This delay increased the financial cost of the 1953 defense agreements with Spain, undermined U.S. planning for the defense of Europe, and caused dysfunction over foreign policy at the height of the Cold War.
[more]
cover of Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba

Trumpets in the Mountains

Theater and the Politics of National Culture in Cuba

Laurie A. Frederik

Duke University Press, 2012

Trumpets in the Mountains is a compelling ethnography about Cuban culture, artistic performance, and the shift in national identity after 1990, when the loss of Soviet subsidies plunged Cuba into a severe economic crisis. The state's response involved opening the economy to foreign capital and tourism, and promoting previously deprecated cultural practices as quintessentially Cuban. Such contradictions of Cuba's revolutionary ideals elicited an official preoccupation with how twenty-first-century cubanía, or Cubanness, was to be understood by its citizens and creatively interpreted by its artists. The rural campesino was re-envisioned as a key symbol of the future; the embodiment of socialist humility, cultural pureness, and educated refinement; potentially the Hombre Novísimo (even newer man) to replace the Hombre Nuevo (new man) of Cuban communist philosophy.

Campesinos inhabit some of the island's most isolated areas, including the mountainous regions in central and eastern Cuba where Laurie A. Frederik conducted research among rural communities and professional theater groups. Analyzing the ongoing dialogue of cultural officials, urban and rural artists, and campesinos, Frederik provides an on-the-ground account of how visions of the nation are developed, manipulated, dramatized, and maintained in public consciousness. She shows that cubanía is defined, and redefined, in the interactive movement between intellectual, political, and everyday worlds.

[more]
cover of Trust Matters: Parsi Endowments in Mumbai and the Horoscope of a City

Trust Matters

Parsi Endowments in Mumbai and the Horoscope of a City

Leilah Vevaina

Duke University Press, 2023

Although numbering fewer than 60,000 in a city of more than 12 million people, Mumbai’s Parsi community is one of the largest private landowners in the city due to its network of public charitable trusts. In Trust Matters Leilah Vevaina explores the dynamics and consequences of this conjunction of religion and capital as well as the activities of giving, disputing, living, and dying it enables. As she shows, communal trusts are the legal infrastructure behind formal religious giving and ritual in urban India that influence communal life. Vevaina proposes the trusts as a horoscope of the city—a constellation of housing, temples, and other spaces providing possible futures. She explores the charitable trust as a technology of time, originating in the nineteenth century, one that structures intergenerational obligations for Mumbai’s Parsis, connecting past and present, the worldly and the sacred. By approaching Mumbai through the legal mechanism of the trust and the people who live within its bounds as well as those who challenge or support it, Vevaina offers a new pathway into exploring property, religion, and kinship in the urban global South.
[more]
cover of Trust in Texts: A Different History of Rhetoric

Trust in Texts

A Different History of Rhetoric

Susan Miller

Southern Illinois University Press, 2008

Trust in Texts: A Different History of Rhetoric challenges the accepted idea of a singular rhetorical tradition poorly maintained from the Athenian Golden Age until the present. Author Susan Miller argues that oratorical rhetoric is but one among many codes that guide the production of texts and proposes that emotion and trust are central to the motives and effects of rhetoric.

This groundbreaking volume makes a case for historical rhetoric as disbursed, formal and informal lessons in persuasion that are codified as crafts that mediate between what is known and unknown in particular rhetorical situations. Traditional, unified histories of rhetoric ignore the extensive historical interactions among discourses—including medicine, drama, lyric poetry, philosophy, oratory, and literary fiction—that have operated from antiquity across cultures that are historically and geographically joined.

Drawing not just on traditional rhetorical works, but also on texts from philosophy and literature, Miller expands the body of works to be considered in the study of rhetoric. As the first book-length study that calls into question the centrality of logos to rhetoric, Trust in Texts will change the way the history of rhetoric is viewed and taught and will be essential to scholars and students of communications, rhetoric, English, classics, and literary studies.

[more]
cover of Trustee for the Human Community: Ralph J. Bunche, the United Nations, and the Decolonization of Africa

Trustee for the Human Community

Ralph J. Bunche, the United Nations, and the Decolonization of Africa

Robert A. Hill

Ohio University Press, 2010

Ralph J. Bunche (1904–1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. In 1947 he was invited to join the permanent UN Secretariat as director of the new Trusteeship Department. In this position, Bunche played a key role in setting up the trusteeship system that provided important impetus for postwar decolonization ending European control of Africa as well as an international framework for the oversight of the decolonization process after the Second World War.

Trustee for the Human Community is the first volume to examine the totality of Bunche’s unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat and to illuminate it from the broader African American perspective.

These commissioned essays examine the full range of Ralph Bunche’s involvement in Africa. The scholars explore sensitive political issues, such as Bunche’s role in the Congo and his views on the struggle in South Africa. Trustee for the Human Community stands as a monument to the profoundly important role of one of the greatest Americans in one of the greatest political movements in the history of the twentieth century.

Contributors: David Anthony, Ralph A. Austen, Abena P. A. Busia, Neta C. Crawford, Robert R. Edgar, Charles P. Henry, Robert A. Hill, Edmond J. Keller, Martin Kilson, Georges Nzongola-Ntalaja, Jon Olver, Pearl T. Robinson, Elliott P. Skinner, Crawford Young

[more]
cover of Trusteeship in Change: Toward Tribal Autonomy in Resource Management

Trusteeship in Change

Toward Tribal Autonomy in Resource Management

Richmond L. Clow

University Press of Colorado, 2001

Trusteeship in Change explores the evolution of Indian Affairs policies and administrative practices regarding the management of trust lands from treaty days to contemporary partnerships. A dozen scholars from diverse fields - archaeology, economics, forestry, environmental studies, history, geography, political science, and more - review past policies and practices and introduce new ideas and approaches for the future.

This book also includes case studies focused on wildlife management, forest preservation, tribal hunting laws, and other specific concerns in management, preservation and utilization of Native American land. An excellent source for scholars in the fields of Native American and environmental studies, Trusteeship in Change is sure to spark debate and to be an important reference book for years to come.

[more]
cover of Truth Be Told: White Nostalgia and Antiracist Queer Resistance in “Post-Truth” America

Truth Be Told

White Nostalgia and Antiracist Queer Resistance in “Post-Truth” America

Laura Elliot Tetreault

The Ohio State University Press, 2025

In Truth Be Told, Laura Elliot Tetreault challenges the idea that the “post-truth” present is a novel crisis brought about by contemporary right-wing and digital media. Instead, the political control of “truth” has always been central to intersecting systems of oppression including white supremacy, colonialism, capitalism, and heteropatriarchy. Arguing that liberal counter-disinformation strategies based in a racialized ideal of civility are insufficient, the book advocates for centering the lived knowledge of oppressed communities to develop resistance and survival strategies for a disinformation environment.

Taking a critical disinformation studies approach, Tetreault analyzes post-truth political messaging in the US after 2016. Using racial rhetorical criticism combined with a queer lens, they focus on how contemporary antiracist, queer, and feminist activists used various forms of cultural production to work against disinformation and its circulation, enacting refusal and insisting on the validity of their own knowledges as a form of community care. Tetreault ultimately argues that it’s not just the truth that academics must advocate for; they must question whose truth and how that truth is mediated and circulated.
[more]
cover of Truth Machine: The Contentious History of DNA Fingerprinting

Truth Machine

The Contentious History of DNA Fingerprinting

Michael Lynch, Simon A. Cole, Ruth McNally, and Kathleen Jordan

University of Chicago Press, 2008

DNA profiling—commonly known as DNA fingerprinting—is often heralded as unassailable criminal evidence, a veritable “truth machine” that can overturn convictions based on eyewitness testimony, confessions, and other forms of forensic evidence. But DNA evidence is far from infallible. Truth Machine traces the controversial history of DNA fingerprinting by looking at court cases in the United States and United Kingdom beginning in the mid-1980s, when the practice was invented, and continuing until the present. Ultimately, Truth Machine presents compelling evidence of the obstacles and opportunities at the intersection of science, technology, sociology, and law.

[more]
cover of Truth and Beauty: Aesthetics and Motivations in Science

Truth and Beauty

Aesthetics and Motivations in Science

S. Chandrasekhar

University of Chicago Press, 1987

"What a splendid book! Reading it is a joy, and for me, at least, continuing reading it became compulsive. . . . Chandrasekhar is a distinguished astrophysicist and every one of the lectures bears the hallmark of all his work: precision, thoroughness, lucidity."—Sir Hermann Bondi, Nature

The late S. Chandrasekhar was best known for his discovery of the upper
limit to the mass of a white dwarf star, for which he received the Nobel
Prize in Physics in 1983. He was the author of many books, including
The Mathematical Theory of Black Holes and, most recently,
Newton's Principia for the Common Reader.

[more]
cover of Truth and Tales: Cultural Mobility and Medieval Media

Truth and Tales

Cultural Mobility and Medieval Media

Edited by Fiona Somerset and Nicholas Watson

The Ohio State University Press, 2015

In the medieval period, as in the media culture of the present, learned and popular forms of talk were intermingled everywhere. They were also highly mobile, circulating in speech, writing, and symbol, as performances as well as in material objects. The communication through and between different media we all negotiate in daily life did not develop from a previous separation of orality and writing, but from a communications network not unlike our own, if slower, and similarly shaped by disparities of access. Truth and Tales: Cultural Mobility and Medieval Media, edited by Fiona Somerset and Nicholas Watson, develops a variety of approaches to the labor of imaginatively reconstructing this network from its extant artifacts.
 
Truth and Tales includes fourteen essays by medieval literary scholars and historians. Some essays focus on written artifacts that convey high or popular learning in unexpected ways. Others address a social problem of concern to all, demonstrating the genres and media through which it was negotiated. Still others are centered on one or more texts, detailing their investments in popular as well as learned knowledge, in performance as well as writing. This collective archaeology of medieval media provides fresh insight for medieval scholars and media theorists alike.
[more]
cover of Truth and the Heretic: Crises of Knowledge in Medieval French Literature

Truth and the Heretic

Crises of Knowledge in Medieval French Literature

Karen Sullivan

University of Chicago Press, 2005

In the Middle Ages, the heretic, more than any other social or religious deviant, was experienced as an imaginary construct. Everyone believed heretics existed, but no one believed himself or herself to be a heretic, even if condemned as such by representatives of the Catholic Church. Those accused of heresy, meanwhile, maintained that they were the good Christians and their accusers were the false ones.

Exploring the figure of the heretic in Catholic writings of the twelfth and thirteenth centuries as well as the heretic's characterological counterpart in troubadour lyrics, Arthurian romance, and comic tales, Truth and the Heretic seeks to understand why French literature of the period celebrated the very characters who were so persecuted in society at large. Karen Sullivan proposes that such literature allowed medieval culture a means by which to express truths about heretics and the epistemological anxieties they aroused. 
The first book-length study of the figure of the heretic in medieval French literature, Truth and the Heretic explores the relation between orthodoxy and deviance, authority and innovation, and will fascinate historians of ideas and literature as well as scholars of religion, critical theory, and philosophy.
[more]
cover of Truth's Fool: Derek Freeman and the War over Cultural Anthropology

Truth's Fool

Derek Freeman and the War over Cultural Anthropology

Peter Hempenstall

University of Wisconsin Press, 2017

New Zealand anthropologist Derek Freeman ignited a ferocious controversy in 1983 when he denounced the research of Margaret Mead, a world-famous public intellectual who had died five years earlier. Freeman's claims caught the attention of popular media, converging with other vigorous cultural debates of the era. Many anthropologists, however, saw Freeman's strident refutation of Mead's best-selling Coming of Age in Samoa as the culmination of a forty-year vendetta. Others defended Freeman's critique, if not always his tone.

Truth's Fool documents an intellectual journey that was much larger and more encompassing than Freeman's attack on Mead's work. It peels back the prickly layers to reveal the man in all his complexity. Framing this story within anthropology's development in Britain and America, Peter Hempenstall recounts Freeman's mission to turn the discipline from its cultural-determinist leanings toward a view of human culture underpinned by biological and behavioral drivers. Truth's Fool engages the intellectual questions at the center of the Mead–Freeman debate and illuminates the dark spaces of personal, professional, and even national rivalries.
[more]
cover of Truth-Spots: How Places Make People Believe

Truth-Spots

How Places Make People Believe

Thomas F. Gieryn

University of Chicago Press, 2018

We may not realize it, but truth and place are inextricably linked. For ancient Greeks, temples and statues clustered on the side of Mount Parnassus affirmed their belief that predictions from the oracle at Delphi were accurate. The trust we have in Thoreau’s wisdom depends in part on how skillfully he made Walden Pond into a perfect place for discerning timeless truths about the universe. Courthouses and laboratories are designed and built to exacting specifications so that their architectural conditions legitimate the rendering of justice and discovery of natural fact. The on-site commemoration of the struggle for civil rights—Seneca, Selma, and Stonewall—reminds people of slow but significant political progress and of unfinished business. What do all these places have in common? Thomas F. Gieryn calls these locations “truth-spots,” places that lend credibility to beliefs and claims about natural and social reality, about the past and future, and about identity and the transcendent.

In Truth-Spots, Gieryn gives readers an elegant, rigorous rendering of the provenance of ideas, uncovering the geographic location where they are found or made, a spot built up with material stuff and endowed with cultural meaning and value. These kinds of places—including botanical gardens, naturalists’ field-sites, Henry Ford’s open-air historical museum, and churches and chapels along the pilgrimage way to Santiago de Compostela in Spain—would seem at first to have little in common. But each is a truth-spot, a place that makes people believe. Truth may well be the daughter of time, Gieryn argues, but it is also the son of place.
[more]
cover of Trying Biology: The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools

Trying Biology

The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools

Adam R. Shapiro

University of Chicago Press, 2013

In Trying Biology, Adam R. Shapiro convincingly dispels many conventional assumptions about the 1925 Scopes “monkey” trial. Most view it as an event driven primarily by a conflict between science and religion. Countering this, Shapiro shows the importance of timing: the Scopes trial occurred at a crucial moment in the history of biology textbook publishing, education reform in Tennessee, and progressive school reform across the country. He places the trial in this broad context—alongside American Protestant antievolution sentiment—and in doing so sheds new light on the trial and the historical relationship of science and religion in America.
           
For the first time we see how religious objections to evolution became a prevailing concern to the American textbook industry even before the Scopes trial began. Shapiro explores both the development of biology textbooks leading up to the trial and the ways in which the textbook industry created new books and presented them as “responses” to the trial. Today, the controversy continues over textbook warning labels, making Shapiro’s study—particularly as it plays out in one of America’s most famous trials—an original contribution to a timely discussion.
[more]