28164 books match the query 'History' and 6372 start with t
Charles O. Hucker
University of Michigan Press, 1971
Scott G. Beld
University of Michigan Press, 1991
Thomas H. Johnson
University of Utah Press, 2011
In 1969, Tom Wesaw was an 83-year-old Shoshone doctor and religious leader on the Wind River Reservation in Wyoming. He could no longer drive, which posed problems in making house calls. The arrival of young anthropologist Tom Johnson changed that. Johnson would drive Wesaw, and cook, pump water, and build fires for sweat lodges. In exchange, the elder Tom would show the younger Tom his work. The two were together so often that the people of Wind River began to refer to them affectionately by one name: Two Toms. By the light of the lamp Wesaw gave him, Johnson would write down what he learned. The Shoshone doctor wanted his student to share everything he saw and heard. Now, in Two Toms: Lessons from a Shoshone Doctor, he has.

Paul Searls
University of New Hampshire Press, 2006
Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested.
Searls divides nineteenth-century Vermonters into conceptually “uphill,” or rural/parochial, and “downhill,” or urban/cosmopolitan, elements. These two groups, he says, negotiated modernity in distinct and contrary ways. The dissonance between their opposing tactical approaches to progress and change belied the pastoral ideal that contemporary urban Americans had come to associate with the romantic notion of “Vermont.” Downhill Vermonters, espousing a vision of a mutually reinforcing relationship between tradition and progress, unilaterally endeavored to foster the pastoral ideal as a means of stimulating economic development. The hostile uphill resistance to this strategy engendered intense social conflict over issues including education, religion, and prohibition in the late nineteenth and early twentieth centuries. The story of Vermont's vigorous nineteenth-century quest for a unified identity bears witness to the stirring and convoluted forging of today's “Vermont.”
Searls's engaging exploration of this period of Vermont's history advances our understanding of the political, economic, and cultural transformation of all of rural America as industrial capitalism and modernity revolutionized the United States between 1865 and 1910. By the late Progressive Era, Vermont's reputation was rooted in the national yearning to keep society civil, personal, and meaningful in a world growing more informal, bureaucratic, and difficult to navigate. The fundamental ideological differences among Vermont communities are indicative of how elusive and frustrating efforts to balance progress and tradition were in the context of effectively negotiating capitalist transformation in contemporary America.
Evelyn Gibb
Oregon State University Press, 2000
Mary Hitchcock
University of Alaska Press, 2025
Two Women in the Klondike created a sensation when it was first published in 1899. The idea that two well-bred socialites could survive the dangers of the north thrilled nineteenth-century readers from San Francisco to New York.
When Mary Hitchcock heard about the discovery of gold in the Klondike in 1898, she left her privileged city life for the wilds of Alaska, planning to stake her own claims. She persuaded her friend Edith Van Buren to accompany her, and the two began preparations for "roughing it." The "necessities" that they brought up the Yukon River to Dawson City, Canada, included a portable bowling alley, an ice cream maker, a Great Dane named Ivan, and a full-size circus tent.
Hitchcock relates the struggles, surprises, and pleasures of traveling in the late nineteenth century in her trademark style. She describes in diary form the people she met and her impressions of rural Alaska and Dawson City. Invaluable for its detailed descriptions of manners, food, and personalities, Hitchcock's account of the Klondike Gold Rush is an outrageous adventure for general readers, armchair travelers, and anyone interested in the lives of American women in the late 1800s.
This new, abridged version includes a map of Hitchcock's northern travels and an introduction by Terrence Cole, professor of history at the University of Alaska Fairbanks.
Raymond de Sabanac and Simone Zanacchi
Iter Press, 2010
Joseph Powell
Catholic University of America Press, 2026
Arthur Sinclair
University of Alabama Press, 2003

Duane J. Corpis and Ian Christopher Fletcher, eds.
Duke University Press, 0
Contributors. Abolade Adeniji, John T. Chalcraft, Duane J. Corpis, Ian Christopher Fletcher, Yaël Simpson Fletcher, Matthew Guterl, Rafael M. Hernández, Vinay Lal, R. J. Lambrose, Mukoma wa Ngugi, Masao Nishikawa, Takamitsu Ono, Nalini Persaud, Alka Roy, Micol Seigel, Christine Skwiot, Karen Sotiropoulos, Ulrike Strasser, Vijaya Teelock, Heidi Tinsman, Jyotsna Uppal, Merry Wiesner-Hanks
Peggy King Anderson
Indiana Historical Society Press, 2018
Samuel L. Webb
University of Alabama Press, 1997
A challenge to the long-held view that the only important and influential politicians in post-Reconstruction Deep South states were Democrats.
In this insightful and exhaustively researched volume, Samuel L. Webb presents new evidence that, contrary to popular belief, voters in at least one Deep South state did not flee en masse from the Republican party after Reconstruction. As Webb demonstrates conclusively, the party gained strength among white voters in Upcountry areas of northern Alabama between 1896 and 1920. Not only did GOP presidential candidates win more than a dozen area counties but Republican congressional candidates made progress in Democratic strongholds, and local GOP officials gained control of several county courthouses.
Nor were these new Republicans simply the descendants of anti-Confederate families, as some historians have claimed. Rather, they were former independents, Greenbackers, and Populists, who, in keeping with the 1890s Populist movement, were reacting against what they perceived as the control of the Democratic party by "moneyed elites" and planter landlords. Webb also breaks with previous historical opinion by showing that ex-Populists in the Hill Country, who had been radical reformers during the 1890s, remained reform minded after 1900.
Webb's ground-breaking reassessment of Alabama state politics from Reconstruction to the 1920s describes a people whose political culture had strong roots in the democratic and egalitarian Jacksonian ideology that dominated north Alabama in the antebellum period. These people carried forward elements of Jacksonianism into the late 19th century, with its tenets continuing to influence them well into the early 20th century.
Jantinus Mulder
Amsterdam University Press, 2023
Jantinus Mulder
Amsterdam University Press, 2021
Jantinus Mulder
Amsterdam University Press, 2023
John Boardley
Bodleian Library Publishing, 2018
Adwoa A. Opoku-Agyemang
University of Michigan Press, 2024
Mario Torelli
University of Michigan Press, 1992
brier
University of Minnesota Press, 2025
Unveiling the avant-garde fusion of photography and modern graphic design
The concept Typophoto, the synthesis of photography and typography, was coined by renowned Bauhaus artist and theorist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Jessica D. Brier examines how Typophoto was embraced by early graphic designers—a group who ultimately reinvented photography as a tool of modern consumerism.
Typophoto embodied designers’ belief in photography as an efficient form of visual communication, merging the material and the visual by abstracting both typographic and photographic form and transmuting photography into graphic material through the halftone process. Uniquely situating 1920s advertising discourse alongside avant-garde theory and significant interwar photographic concepts, Brier positions Typophoto as an analytical framework for considering how photography—as process, image, material, and metaphor—was effectively reconceived through the professionalization of graphic design in Europe and the United States. This was particularly true in Germany, where the capitalist ethos driving the country’s economic recovery bolstered the belief that graphics could create ideal reader-consumers.
Tracing Typophoto from its inception through New Typography’s experiments with the medium, Brier demonstrates how photography was used as a tool for manipulating perception as it became a visual language of modern life.
Douglas Vickers
University of Michigan Press, 1995
Marvin Schwartz
University of Arkansas Press, 1991
Herman Hochstadt
National University of Singapore Press, 2020