28167 books match the query 'History' and 6372 start with t

cover of The Art of Memory

The Art of Memory

Frances A. Yates

University of Chicago Press, 1974

One of Modern Library's 100 Best Nonfiction Books of the Twentieth Century!
 
How did people remember essential information before the invention of the printed page? In 1966 Frances Yates revealed the answer, which, ironically had been forgotten for centuries: A system of mnemonics that has become known as the memory palace. In this system, people deliberately associated details they wanted to remember with specific locations in a landscape or building in their mind, thus making them easier to recall. As people even today have discovered, this technique, which at first may seem complicated, turns out to be astonishingly effective, enabling practitioners to recall vast amounts of information without external aids.

In The Art of Memory Yates traces this technique of memorization from its treatment by Greek orators through its Gothic transformations in the Middle Ages to the occult forms it took in the Renaissance, and finally to its use in the seventeenth century. This book, the first to relate the art of memory to the history of culture as a whole, was revolutionary when it first appeared and continues to mesmerize readers with its lucid and revelatory insights.
 
A work of profound, groundbreaking scholarship, The Art of Memory is also remarkably engaging and readable, full of fascinating details and useful information for anyone, scholar or not, who is interested in how our memory works, how we made it work in the past, and how we might still use those insights today.
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cover of The Art of Military Coercion: Why the West's Military Superiority Scarcely Matters

The Art of Military Coercion

Why the West's Military Superiority Scarcely Matters

Rob de Wijk

Amsterdam University Press, 2014

The United States spends more on its military than the rest of the world combined. And Western nations in general spend far more than developing nations around the globe. Yet when Western nations have found themselves in conflicts in recent decades, their performance has been mixed at best. In his fully updated new edition of The Art of Military Coercion, Rob de Wijk presents a theory on the use of force. He argues that the key is a failure to use force decisively, to properly understand the dynamics of conflict and balance means and ends. Without that ability, superiority of dollars, numbers, and weaponry won't necessarily translate to victory.
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cover of The Art of Occupation: Crime and Governance in American-Controlled Germany, 1944–1949

The Art of Occupation

Crime and Governance in American-Controlled Germany, 1944–1949

Thomas J. Kehoe

Ohio University Press, 2019

The literature describing social conditions during the post–World War II Allied occupation of Germany has been divided between seemingly irreconcilable assertions of prolonged criminal chaos and narratives of strict martial rule that precluded crime. In The Art of Occupation, Thomas J. Kehoe takes a different view on this history, addressing this divergence through an extensive, interdisciplinary analysis of the interaction between military government and social order.

Focusing on the American Zone and using previously unexamined American and German military reports, court records, and case files, Kehoe assesses crime rates and the psychology surrounding criminality. He thereby offers the first comprehensive exploration of criminality, policing, and both German and American fears around the realities of conquest and potential resistance, social and societal integrity, national futures, and a looming threat from communism in an emergent Cold War. The Art of Occupation is the fullest study of crime and governance during the five years from the first Allied incursions into Germany from the West in September 1944 through the end of the military occupation in 1949. It is an important contribution to American and German social, military, and police histories, as well as historical criminology.

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cover of The Art of Preaching: A Theological and Practical Primer

The Art of Preaching

A Theological and Practical Primer

Daniel Cardo

Catholic University of America Press, 2021

The growing awareness of the importance of preaching is a sign of our times. In the past decades, conscious that a renewal of preaching is essential for a renewed evangelization, many seminaries have implemented homiletic courses. However, there is still a real limitation of good and systematic resources in order to learn the theological depth and practical elements of the art of preaching. The Art of Preaching: A Theological and Practical Primer aims to fill that gap. It explores the theological understanding of the homily, lessons from classical and contemporary rhetoric, the relevance of preaching for the life of the Church, highlighting recent teachings of the Magisterium, and it presents the incarnation as the foundation for preaching, understood as an essential aspect of the priestly life and mission. This primer also offers a simple and effective method for the preparation and delivery of homilies, illustrating this by the example of brilliant preachers and exploring the idea of preaching as locus theologicus, i.e., the privileged place for the exercise of theology today. It is in deepening in the value and importance of preaching that theology can be renewed as a living and essential part of the daily life of priests. Seeing the homily not as a burden but as an occasion to fulfill the priestly identity will offer the opportunity to embrace the preparation for preaching as a key for unity among the many tasks and demands of pastoral life. In the homily prayer, study, and work come together. The Art of Preaching will also provide a selection of homilies from the great preachers of the Church, organized chronologically, with brief introductions and commentaries that highlight what those homilies teach us for our preaching today. Only learning from the best preachers can we hope to preach effectively in our times.
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cover of The Art of Prestige: The Formative Years at Knopf, 1915-1929

The Art of Prestige

The Formative Years at Knopf, 1915-1929

Amy Clements

University of Massachusetts Press, 2014

In the American book trade, Alfred A. Knopf, Inc., and its inimitable logo featuring a borzoi wolfhound have come to signify the pinnacle of prestigious publishing. Launched in 1915 by a dynamic twenty-two-year-old and his refined fiancée, Blanche Wolf, the firm soon developed a reputation for excellence, quickly overcoming outsider status to forge a unique identity that has endured well past its founders' lifetimes.

Capturing the little-known early history of Knopf, The Art of Prestige explores the origins of the company's rise to success during the Jazz Age, when Alfred and Blanche established themselves as literary impresarios on both sides of the Atlantic. Drawing on key archival documents from all phases of the publishing process, Amy Root Clements reconstructs the turning points and rhetorical exchanges that made Knopf's initial books noteworthy, from the acquisitions process to design, consumer marketing, and bookselling.

Lasting cornerstones of the young firm include alliances with pivotal figures in the world of graphic arts and book production and with European publishers who brought numerous Nobel Prize winners to the Borzoi list during the company's first fifteen years. Other featured luminaries include the American authors Willa Cather, Dashiell Hammett, and Langston Hughes. The Art of Prestige also examines Alfred Knopf's ancestry, up-bringing, and formal education at Columbia, as well as his apprenticeships with Frank Nelson Doubleday and Mitchell Kennerley—factors that would influence his business decisions for years to come.

The result is a portrait of innovative branding that seamlessly merged book production with book promotion in a literary landscape that was ripe for transformation.
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cover of The Art of Professing in Bourbon Mexico: Crowned-Nun Portraits and Reform in the Convent

The Art of Professing in Bourbon Mexico

Crowned-Nun Portraits and Reform in the Convent

By James M. Córdova

University of Texas Press, 2014

In the eighteenth century, New Spaniards (colonial Mexicans) so lauded their nuns that they developed a local tradition of visually opulent portraits, called monjas coronadas or “crowned nuns,” that picture their subjects in regal trappings at the moment of their religious profession and in death. This study identifies these portraits as markers of a vibrant and changing society that fused together indigenous and Euro-Christian traditions and ritual practices to construct a new and complex religious identity that was unique to New Spain.

To discover why crowned-nun portraits, and especially the profession portrait, were in such demand in New Spain, this book offers a pioneering interpretation of these works as significant visual contributions to a local counter-colonial discourse. James M. Córdova demonstrates that the portraits were a response to the Spanish crown’s project to modify and modernize colonial society—a series of reforms instituted by the Bourbon monarchs that threatened many nuns’ religious identities in New Spain. His analysis of the portraits’ rhetorical devices, which visually combined Euro-Christian and Mesoamerican notions of the sacred, shows how they promoted local religious and cultural values as well as client-patron relations, all of which were under scrutiny by the colonial Church. Combining visual evidence from images of the “crowned nun” with a discussion of the nuns’ actual roles in society, Córdova reveals that nuns found their greatest agency as Christ’s brides, a title through which they could, and did, challenge the Church’s authority when they found it intolerable.

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cover of The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle

The Art of Protest

Culture and Activism from the Civil Rights Movement to the Streets of Seattle

T.V. Reed

University of Minnesota Press, 2005

Imagine the civil rights movement without freedom songs and the politics of women's movements without poetry. Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.
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cover of The Art of Remembering: Essays on African American Art and History

The Art of Remembering

Essays on African American Art and History

Gwendolyn DuBois Shaw

Duke University Press, 2024

In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.
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cover of The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590

The Art of Renaissance Venice

Architecture, Sculpture, and Painting, 1460-1590

Norbert Huse and Wolfgang Wolters

University of Chicago Press, 1990

In the first contemporary single-volume survey of the three arts of Venice—painting, sculpture, and architecture—Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship.

"The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys."—David Ekserdjian, Times Literary Supplement

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cover of The Art of Return: The Sixties and Contemporary Culture

The Art of Return

The Sixties and Contemporary Culture

James Meyer

University of Chicago Press, 2019

More than any other decade, the sixties capture our collective cultural imagination. And while many Americans can immediately imagine the sound of Martin Luther King Jr. declaring “I have a dream!” or envision hippies placing flowers in gun barrels, the revolutionary sixties resonates around the world: China’s communist government inaugurated a new cultural era, African nations won independence from colonial rule, and students across Europe took to the streets, calling for an end to capitalism, imperialism, and the Vietnam War.

In this innovative work, James Meyer turns to art criticism, theory, memoir, and fiction to examine the fascination with the long sixties and contemporary expressions of these cultural memories across the globe. Meyer draws on a diverse range of cultural objects that reimagine this revolutionary era stretching from the 1950s to the 1970s, including reenactments of civil rights, antiwar, and feminist marches, paintings, sculptures, photographs, novels, and films. Many of these works were created by artists and writers born during the long Sixties who were driven to understand a monumental era that they missed. These cases show us that the past becomes significant only in relation to our present, and our remembered history never perfectly replicates time past. This, Meyer argues, is precisely what makes our contemporary attachment to the past so important: it provides us a critical opportunity to examine our own relationship to history, memory, and nostalgia.
 
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cover of The Art of Solidarity: Visual and Performative Politics in Cold War Latin America

The Art of Solidarity

Visual and Performative Politics in Cold War Latin America

Edited by Jessica Stites Mor and Maria del Carmen Suescun Pozas

University of Texas Press, 2018

The Cold War claimed many lives and inflicted tremendous psychological pain throughout the Americas. The extreme polarization that resulted from pitting capitalism against communism held most of the creative and productive energy of the twentieth century captive. Many artists responded to Cold War struggles by engaging in activist art practice, using creative expression to mobilize social change. The Art of Solidarity examines how these creative practices in the arts and culture contributed to transnational solidarity campaigns that connected people across the Americas from the early twentieth century through the Cold War and its immediate aftermath.

This collection of original essays is divided into four chronological sections: cultural and artistic production in the pre–Cold War era that set the stage for transnational solidarity organizing; early artistic responses to the rise of Cold War polarization and state repression; the centrality of cultural and artistic production in social movements of solidarity; and solidarity activism beyond movements. Essay topics range widely across regions and social groups, from the work of lesbian activists in Mexico City in the late 1970s and 1980s, to the exchanges and transmissions of folk-music practices from Cuba to the United States, to the uses of Chilean arpilleras to oppose and protest the military dictatorship. While previous studies have focused on politically engaged artists or examined how artist communities have created solidarity movements, this book is one of the first to merge both perspectives.

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cover of The Art of Surrender: Decomposing Sovereignty at Conflict's End

The Art of Surrender

Decomposing Sovereignty at Conflict's End

Robin Wagner-Pacifici

University of Chicago Press, 2005

How do we know when a war ends? For many, the resolution of a conflict comes not with the last traces of smoke left on the battlefield, but with the formal ceremonies of surrender: possession and repossession, the signing of treaties, and the pomp and circumstance that mark them. Historically, most conflicts have ended with such rituals. But, as Robin Wagner-Pacifici reveals in The Art of Surrender, they should not be seen as merely a matter of giving up. They also offer ways of holding back and signal early fault lines that give rise to later undoings and conflicts.

The Art of Surrender explores these ritual concessions as acts of warfare, performances of submission, demonstrations of power, and representations of shifting, unstable worlds. Wagner-Pacifici analyzes three significant military surrenders in the history of warfare—the Thirty Years' War of the seventeenth century, the American Civil War, and World War II—through the use of period documents and forms, maps, literature, witness accounts, photographs, and paintings that were left as proof of victory and defeat. In her analyses of such archival material and iconic works of art, she considers the limits of sovereignty at conflict's end, showing how the ways we concede loss can be as important as the ways we claim victory.
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cover of The Art of Terrestrial Diagrams in Early China

The Art of Terrestrial Diagrams in Early China

Michelle H. Wang

University of Chicago Press, 2023

A study of early Chinese maps using interdisciplinary methods. 

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heavily from the history of cartography, this book offers an alternative perspective by mobilizing methods from art history, archaeology, material culture, religion, and philosophy. It examines the diversity of forms and functions in early Chinese ditu to argue that these pictures did not simply represent natural topography and built environments, but rather made and remade worlds for the living and the dead. Wang explores the multifaceted and multifunctional diagrammatic tradition of rendering space in early China.
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cover of The Art of Transition: Latin American Culture and Neoliberal Crisis

The Art of Transition

Latin American Culture and Neoliberal Crisis

Francine Masiello

Duke University Press, 2001

The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm.
Masiello views representation as both a political and artistic device, concerned with the tensions between truth and lies, experience and language, and intellectuals and the marginal subjects they study and claim to defend. These often contentious negotiations, she argues, are most provocatively displayed through the spectacle of difference, which constantly crosses the literary stage, the market, and the North/South divide. While forcefully defending the ability of literature and art to advance ethical positions and to foster a critical view of neoliberalism, Masiello especially shows how issues of gender and sexuality function as integrating threads throughout this cultural project. Through discussions of visual art as well as literary work by prominent novelists and poets, Masiello sketches a broad landscape of vivid intellectual debate in the Southern Cone of Latin America.
The Art of Transition will interest Latin Americanists,literary and political theorists, art critics and historians, and those involved with the study of postmodernism and globalization.
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cover of The Art of Vision: Ekphrasis in Medieval Literature and Culture

The Art of Vision

Ekphrasis in Medieval Literature and Culture

Edited by Ethan Knapp, Andrew James Johnston, and Margitta Rouse

The Ohio State University Press, 2015

One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text–image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English.
 
The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text–image relationships, which have normally focused on a single country, language, or even manuscript.
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cover of The Art of Visual Exegesis: Rhetoric, Texts, Images

The Art of Visual Exegesis

Rhetoric, Texts, Images

Vernon K. Robbins

SBL Press, 2017

A critical study for those interested in the intersection of art and biblical interpretation

With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.

Features

  • Resources for understanding the relation of texts to artistic paintings and images
  • Tools for integrating multiple approaches both to biblical and artistic interpretation
  • Sixty images and fifteen illustrations
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    cover of The Art of War in Western World

    The Art of War in Western World

    Archer Jones

    University of Illinois Press, 1987

    The magnum opus of one of America's most respected military historians, The Art of War in the Western World has earned its place as the standard work on how the three major operational components of war--tactics, logistics, and strategy--have evolved and changed over time. This monumental work encompasses 2,500 years of military history, from infantry combat in ancient Greece through the dissolution of the Roman Empire to the Thirty Years' War and from the Napoleonic campaigns through World War II, which Jones sees as the culmination of modern warfare, to the Israeli-Egyptian War of 1973.
     
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    cover of The Art of Witnessing: Documentary Literature, Film and Theater in Eastern Europe and the Baltics

    The Art of Witnessing

    Documentary Literature, Film and Theater in Eastern Europe and the Baltics

    Johanna Lindbladh

    Central European University Press, 2026

    Russia’s full-scale invasion of Ukraine has reinforced the dynamics of decolonization that had already gained traction after the political transformations post-1991. Especially, Ukrainian artists have been creating works that address these traumatizing as well as transformative experiences of the war by keeping records and analyzing the ongoing events at the same time. All over the region, documentary art has become a tool to counter-act the media wars waged. The book reflects on documentary approaches proving to be an interdisciplinary and collaborative artistic tool in politically charged times. This volume discusses documentary film, theater, and literature from the 1960s to the 2020s in Belarus, Russia, Ukraine, and the Baltic states with a focus on contemporary practices. Methodologically innovative case studies address contemporary “witness art”—for example verbatim theater and spoken word poetry. The contributions expand on the political, medial, and aesthetic developments that shaped Soviet attitudes towards documentary arts. The essays outline how these concepts still influence contemporary practices, but also present new developments in documentary aesthetics in the region.
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    cover of The Art of the Jewish Family: A History of Women in Early New York in Five Objects

    The Art of the Jewish Family

    A History of Women in Early New York in Five Objects

    Laura Arnold Leibman

    Bard Graduate Center, 2020

    In The Art of the Jewish Family, Laura Arnold Leibman examines five objects owned by a diverse group of Jewish women who all lived in New York in the years between 1750 and 1850: a letter from impoverished Hannah Louzada seeking assistance; a set of silver cups owned by Reyna Levy Moses; an ivory miniature owned by Sarah Brandon Moses, who was born enslaved and became one of the wealthiest Jewish women in New York; a book created by Sarah Ann Hays Mordecai; and a family silhouette owned by Rebbetzin Jane Symons Isaacs. These objects offer intimate and tangible views into the lives of Jewish American women from a range of statuses, beliefs, and lifestyles—both rich and poor, Sephardi and Ashkenazi, slaves and slaveowners.

    Each chapter creates a biography of a single woman through an object, offering a new methodology that looks past texts alone to material culture in order to further understand early Jewish American women’s lives and restore their agency as creators of Jewish identity. While much of the available history was written by men, the objects that Leibman studies were made for and by Jewish women. Speaking to American Jewish life, women’s studies, and American history, The Art of the Jewish Family sheds new light on the lives and values of these women, while also revealing the social and religious structures that led to Jewish women being erased from historical archives.

    The Art of the Jewish Family was the winner of three 2020 National Jewish Book Awards: the Celebrate 350 Award for American Jewish Studies, the Gerrard and Ella Berman Memorial Award for History, and the Barbara Dobkin Award for Women's Studies. 
     
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    cover of The Art of the Macchia and the Risorgimento: Representing Culture and Nationalism in Nineteenth-Century Italy

    The Art of the Macchia and the Risorgimento

    Representing Culture and Nationalism in Nineteenth-Century Italy

    Albert Boime

    University of Chicago Press, 1993

    During the 1860s and '70s, more than a decade before the development of French Impressionism, Italy produced a group of avant-garde artists whose fervently nationalist paintings anticipated some of Impressionism's theoretical concerns. These artists were called "Macchiaioli" because they based their technique on a quickly rendered macchia, or sketch.

    In the first extended sociopolitical interpretation in English of this important group, Albert Boime places the Macchiaioli in the cultural context of the Risorgimento—the political movement that unified Italy, freed from foreign rule, under a secular, constitutional government. Anglo-American art criticism has generally neglected these painters (probably because of their overt political affiliation and nationalist expression), but Boime shows that these artists, while deeply political, nevertheless created aesthetically superior work.

    Boime's study departs from previous research on the Macchiaioli by systematically investigating the group's writings, sources, and patronage in relation to the Risogimento. The book also examines both contemporary and later critical responses, revealing how French art criticism has obscured the achievements of Macchiaioli art. Richly illustrated, The Art of the Macchia and the Risorgimento will appeal to anyone interested in nineteenth-century European art or the history of Italy.
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    cover of The Art of the Network: Strategic Interaction and Patronage in Renaissance Florence

    The Art of the Network

    Strategic Interaction and Patronage in Renaissance Florence

    Paul D. McLean

    Duke University Press, 2007

    Writing letters to powerful people to win their favor and garner rewards such as political office, tax relief, and recommendations was an institution in Renaissance Florence; the practice was an important tool for those seeking social mobility, security, and recognition by others. In this detailed study of political and social patronage in fifteenth-century Florence, Paul D. McLean shows that patronage was much more than a pursuit of specific rewards. It was also a pursuit of relationships and of a self defined in relation to others. To become independent in Renaissance Florence, one first had to become connected. With The Art of the Network, McLean fills a gap in sociological scholarship by tracing the historical antecedents of networking and examining the concept of self that accompanies it. His analysis of patronage opens into a critique of contemporary theories about social networks and social capital, and an exploration of the sociological meaning of “culture.”

    McLean scrutinized thousands of letters to and from Renaissance Florentines. He describes the social protocols the letters reveal, paying particular attention to the means by which Florentines crafted credible presentations of themselves. The letters, McLean contends, testify to the development not only of new forms of self-presentation but also of a new kind of self to be presented: an emergent, “modern” conception of self as an autonomous agent. They also bring to the fore the importance that their writers attached to concepts of honor, and the ways that they perceived themselves in relation to the Florentine state.

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    cover of The Art of the Roman Jurists: An American Perspective

    The Art of the Roman Jurists

    An American Perspective

    Essays by Bruce W. Frier Edited by Thomas A.J. McGinn Introduction by Paul J. du Plessis

    University of Michigan Press, 2027

    The Art of the Roman Jurists offers a clear, detailed, and thorough account of the relationship between Roman law and society from 100 BCE to 235 CE and traces the rise of the group of legal experts known as jurists. While prominent in the first century BCE, they consolidated their position in the first years of the Principate. But it is only in the second century, starting in the reign of Antoninus Pius (138–161), that, in author Bruce W. Frier’s view, they most emphatically come into their own. The collection reveals how the jurists can evince an awareness of the impact their holdings portend for the social and economic reality. Frier's method is anchored in the ancient sources, extending far beyond the legal evidence, offering a perspective on Roman jurisprudence as it was lived. This collection of published and unpublished articles from Frier examines crucial aspects of his methodology and looks to the future of the study of Roman law.

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    cover of The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People

    The Artemisia Files

    Artemisia Gentileschi for Feminists and Other Thinking People

    Edited by Mieke Bal

    University of Chicago Press, 2005

    One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art.

    In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation—her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence—the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her.

    The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art.

    “Over the last generation Artemisia has been transformed from a talented curiosity . . . into a standard bearer of early feminist consciousness. This book offers a fascinating glimpse into the critical frame of mind underlying this transformation.”—Keith Christiansen, Jayne Wrightsman Curator of Italian Painting, The MetropolitanMuseum of Art

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    cover of The Articles of Confederation: An Interpretation of the Social-Constitutional History of the American Revolution, 1774-1781

    The Articles of Confederation

    An Interpretation of the Social-Constitutional History of the American Revolution, 1774-1781

    Merrill Jensen

    University of Wisconsin Press, 1959

    "Here is a book which deals with clashes between economic and political factors in the American Revolution as realistically as if its author were dealing with a presidential election."—Social Studies

    "An admirable analysis.  It presents, in succinct form, the results of a generation of study of this chapter of our history and summarizes fairly the conclusions of that study."—Henry Steele Commager, New York Times Book Review
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    cover of The Artificial Ear: Cochlear Implants and the Culture of Deafness

    The Artificial Ear

    Cochlear Implants and the Culture of Deafness

    Blume, Stuart

    Rutgers University Press, 2009

    When it was first developed, the cochlear implant was hailed as a "miracle cure" for deafness. That relatively few deaf adults seemed to want it was puzzling. The technology was then modified for use with deaf children, 90 percent of whom have hearing parents. Then, controversy struck as the Deaf community overwhelmingly protested the use of the device and procedure. For them, the cochlear implant was not viewed in the context of medical progress and advances in the physiology of hearing, but instead represented the historic oppression of deaf people and of sign languages.

    Part ethnography and part historical study, The Artificial Ear is based on interviews with researchers who were pivotal in the early development and implementation of the new technology. Through an analysis of the scientific and clinical literature, Stuart Blume reconstructs the history of artificial hearing from its conceptual origins in the 1930s, to the first attempt at cochlear implantation in Paris in the 1950s, and to the widespread clinical application of the "bionic ear" since the 1980s.

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    cover of The Artillery Service in the War of the Rebellion, 1861–65

    The Artillery Service in the War of the Rebellion, 1861–65

    John C. Tidball

    Westholme Publishing, 2011

    A Rediscovered History That Will Become Essential Reading for Civil War Studies

    The Artillery Service in the War of the Rebellion, 1861–65, is a comprehensive overview and analysis of the U.S. Army’s field artillery service in the Civil War’s principal battles, written by John C. Tidball, a distinguished artilleryman of the era. The overview, which appeared in the Journal of the Military Service Institution from 1891 to 1893, and nearly impossible to find today, examines the Army of the Potomac, including the battles of Fair Oaks, Gaines’s Mill, Mechanicsville, Malvern Hill, Antietam, Fredericksburg, Chancellorsville, and Gettysburg; the Army of the Tennessee, including the battles of Stones River and Chickamauga, and the Army of the Ohio’s battle of Shiloh. Tidball, a decorated Civil War veteran and superintendent of artillery instruction for the army, expertly presents the war through an artilleryman’s eyes in explaining the organization, equipping, and manning of the artillery service. His analysis highlights how the improper use of artillery, tying batteries down to relatively small infantry commands that diluted their firepower, seriously undermined the army’s effectiveness until reforms produced independent artillery commands that could properly mass artillery fire in battle.

    The Artillery Service in the War of the Rebellion, edited by historian Lawrence M. Kaplan and presented here in one volume for the first time, includes additional material from an unpublished paper Tidball wrote in 1905 which contains further insights into the artillery service, as well as a general overview of the Petersburg campaign. A major new discovery in Civil War scholarship, The Artillery Service in the War of the Rebellion contains essential information that will change earlier historical interpretations of key battles and will be essential reading for all those interested in the war or contemplating writing about it.

    [more]
    cover of The Artist in American Society: The Formative Years

    The Artist in American Society

    The Formative Years

    Neil Harris

    University of Chicago Press, 1982

    What was the place of the artist in a new society? How would he thrive where monarchy, aristocracy, and an established church—those traditional patrons of painting, sculpture, and architecture—were repudiated so vigorously? Neil Harris examines the relationships between American cultural values and American society during the formative years of American art and explores how conceptions of the artist's social role changed during those years.
    [more]
    cover of The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth Century Novel

    The Artistic Censoring of Sexuality

    Fantasy and Judgment in the Twentieth Century Novel

    Susan Mooney

    The Ohio State University Press, 2008

    Through the twentieth century, from colonial Ireland to the United States, and from Franco's Spain to late Soviet Russia, to include sexuality in a novel signaled social progressiveness and artistic innovation, but also transgression. Certain novelists—such as James Joyce, Vladimir Nabokov, Luis Martín-Santos, and Viktor Erofeev—radicalized the content of the novel by incorporating sexual thoughts, situations, and fantasies and thus portraying repressed areas of social, cultural, political, and mental life.


    In The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel, Susan Mooney extensively examines four modernist and postmodernist novels that prompted in their day harsh external censorship because of their sexual content—Ulysses, Lolita, Time of Silence, and Russian Beauty. She shows how motifs of censorship, with all its restrictions, pressures, rules, judgments, and forms of negation, became artistically embedded in the novels' plots, characters, settings, tropes, and themes. These novels contest censorship's status quo and critically explore its processes and power. This study reveals the impact of censorship on literary creation, particularly in relation to the twentieth century's growing interest in sexuality and its discourses.
    [more]
    cover of The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany

    The Arts of Democratization

    Styling Political Sensibilities in Postwar West Germany

    Jennifer M. Kapczynski and Caroline A. Kita, Editors

    University of Michigan Press, 2022

    Scholars of democracy long looked to the Federal Republic of Germany as a notable “success story,” a model for how to transition from a violent, authoritarian regime to a peaceable nation of rights. Although this account has been contested since its inception, the narrative has proved resilient—and it is no surprise that the current moment of crisis that Western democracies are experiencing has provoked new interest in how democracies come to be. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany casts a fresh look at the early years of this fledgling democracy and draws attention to the broad range of ways democracy and the democratic subject were conceived and rendered at this time.

    These essays highlight the contradictory and competing impulses that ran through the project to democratize postwar society and cast a critical eye toward the internal biases that shaped the model of Western democracy. In so doing, the contributions probe critical questions that we continue to grapple with today. How did postwar thinkers understand what it meant to be democratic? Did they conceive of democratic subjectivity in terms of acts of participation, a set of beliefs or principles, or perhaps in terms of particular feelings or emotions? How did the work to define democracy and its subjects deploy notions of nation, race and gender or sexuality? As this book demonstrates, the case of West Germany offers compelling ways to think more broadly about the emergence of democracy. The Arts of Democratization offers lessons that resonate with the current moment as we consider what interventions may be necessary to resuscitate democracy today.

     
    [more]
    cover of The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan

    The Arts of the Microbial World

    Fermentation Science in Twentieth-Century Japan

    Victoria Lee

    University of Chicago Press, 2021

    The first in-depth study of Japanese fermentation science in the twentieth century.

    The Arts of the Microbial World explores the significance of fermentation phenomena, both as life processes and as technologies, in Japanese scientific culture. Victoria Lee’s careful study documents how Japanese scientists and skilled workers sought to use the microbe’s natural processes to create new products, from soy-sauce mold starters to MSG, vitamins to statins. In traditional brewing houses as well as in the food, fine chemical, and pharmaceutical industries across Japan, they showcased their ability to deal with the enormous sensitivity and variety of the microbial world. 

    Charting developments in fermentation science from the turn of the twentieth century, when Japan was an industrializing country on the periphery of the world economy, to 1980 when it had emerged as a global technological and economic power, Lee highlights the role of indigenous techniques in modern science as it took shape in Japan. In doing so, she reveals how knowledge of microbes lay at the heart of some of Japan’s most prominent technological breakthroughs in the global economy.

    At a moment when twenty-first-century developments in the fields of antibiotic resistance, the microbiome, and green chemistry suggest that the traditional eradication-based approach to the microbial world is unsustainable, twentieth-century Japanese microbiology provides a new, broader vantage for understanding and managing microbial interactions with society.
    [more]
    cover of The Arzberger Site: Hughes County, South Dakota

    The Arzberger Site

    Hughes County, South Dakota

    Albert C. Spaulding

    University of Michigan Press, 1956

    In this report, Albert C. Spaulding describes the 1939 archaeological excavations at the Arzberger site, in Hughes County, South Dakota, near the Missouri River. Spaulding and his team found the remains of more than forty houses, of which they excavated four. They also found a ditch and stockade; human burials; and artifacts, including pottery, shell, bone, and stone tools.
    [more]
    cover of The Ascent of Affect: Genealogy and Critique

    The Ascent of Affect

    Genealogy and Critique

    Ruth Leys

    University of Chicago Press, 2017

    In recent years, emotions have become a major, vibrant topic of research not merely in the biological and psychological sciences but throughout a wide swath of the humanities and social sciences as well. Yet, surprisingly, there is still no consensus on their basic nature or workings.
     
    Ruth Leys’s brilliant, much anticipated history, therefore, is a story of controversy and disagreement. The Ascent of Affect focuses on the post–World War II period, when interest in emotions as an object of study began to revive. Leys analyzes the ongoing debate over how to understand emotions, paying particular attention to the continual conflict between camps that argue for the intentionality or meaning of emotions but have trouble explaining their presence in non-human animals and those that argue for the universality of emotions but struggle when the question turns to meaning. Addressing the work of key figures from across the spectrum, considering the potentially misleading appeal of neuroscience for those working in the humanities, and bringing her story fully up to date by taking in the latest debates, Leys presents here the most thorough analysis available of how we have tried to think about how we feel.
     
    [more]
    cover of The Ascent of Chiefs: Cahokia and Mississippian Politics in Native North America

    The Ascent of Chiefs

    Cahokia and Mississippian Politics in Native North America

    Timothy R. Pauketat

    University of Alabama Press, 1994

    Provides a theoretical explanation of how prehistoric Cahokia became a stratified society
     
    Considering Cahokia in terms of class struggle, Pauketat claims that the political consolidation in this region of the Mississippi Valley happened quite suddenly, around A.D. 1000, after which the lords of Cahokia innovated strategies to preserve their power and ultimately emerged as divine chiefs. The new ideas and new data in this volume will invigorate the debate surrounding one of the most important developments in North American prehistory.
     
    [more]
    cover of The Ashes of Babi Yar: The Massacre of Jews in Kyiv

    The Ashes of Babi Yar

    The Massacre of Jews in Kyiv

    Antonella Salomoni, Translated by Antony Shugaar

    University of Wisconsin Press, 2025

    On September 29 and 30, 1941, in one of the largest mass murders of the Holocaust, German troops massacred 33,771 Jews at the vast gorge located near Kyiv known as Babi Yar (Babij Jar). During and after the war, the territory was modified, redesigned, and converted in order to remove the physical signs of genocide, including the exhumation and incineration of thousands of bodies. In large part this erasure was the result of policies implemented by the Soviet regime, which refused to accept that there had been a “special war” against Jews. 

    Beginning with an explication of the mass murders and their aftermath, Antonella Salomoni examines the afterlife of a massacre whose physical remains were intentionally hidden. She focuses especially on how the arts—prose, poetry, music, architecture, and painting—shaped a collective narrative that, despite repression, played a crucial role in preserving the history and memory of the genocide.
    [more]
    cover of The Ashio Riot of 1907: A Social History of Mining in Japan

    The Ashio Riot of 1907

    A Social History of Mining in Japan

    Kazuo Nimura, ed.

    Duke University Press, 1997

    In The Ashio Riot of 1907, Nimura Kazuo explains why the workers at the Ashio copper mine—Japan’s largest mining concern and one of the largest such operations in the world—joined together for three days of rioting against the Furukawa Company in February 1907. Exploring an event in labor history unprecedented in the Japan of that time, Nimura uses this riot as a launching point to analyze the social, economic, and political structure of early industrial Japan. As such, The Ashio Riot of 1907 functions as a powerful critique of Japanese scholarly approaches to labor economics and social history.
    Arguing against the spontaneous resistance theory that has long dominated Japanese social history accounts, Nimura traces the laborers’ unrest prior to the riots as well as the development of the event itself. Drawing from such varied sources as governmental records, media reports, and secret legal documents relating to the riot, Nimura discusses the active role of the metal mining workers’ trade organization and the stance taken by mine labor bosses. He examines how technological development transformed labor-management relations and details the common characteristics of the laborers who were involved in the riot movement. In the course of this historical analysis, Nimura takes on some of the most influential critical perspectives on Japanese social and labor history. This translation of Nimura’s prize-winning study—originally published in Japan—contains a preface by Andrew Gordon and an introduction and prologue written especially for this edition.
    [more]
    cover of The Asian American Avant-Garde: Universalist Aspirations in Modernist Literature and Art

    The Asian American Avant-Garde

    Universalist Aspirations in Modernist Literature and Art

    Audrey Wu Clark

    Temple University Press, 2015

    The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art. Audrey Wu Clark traces a genealogy of counter-universalism in short fiction, poetry, novels, and art produced by writers and artists of Asian descent who were responding to their contemporary period of Asian exclusion in the United States, between the years 1882 and 1945.

    Believing in the promise of an inclusive America, these avant-gardists critiqued racism as well as institutionalized art. Clark examines racial outsiders including Isamu Noguchi, Dong Kingman and Yun Gee to show how they engaged with modernist ideas, particularly cubism. She draws comparisons between writers such as Sui Sin Far and Carlos Bulosan with modernist luminaries like Stein, Eliot, Pound, and Proust.  

    Acknowledging the anachronism of the term “Asian American” with respect to these avant-gardists, Clark attempts to reconstruct it. The Asian American Avant-Garde explores the ways in which these artists and writers responded to their racialization and the Orientalism that took place in modernist writing.

    [more]
    cover of The Asian Trade Revolution: The East India Companies and the Decline of the Caravan Trade

    The Asian Trade Revolution

    The East India Companies and the Decline of the Caravan Trade

    Niels Steensgaard

    University of Chicago Press, 1975

    In this work Neils Steensgaard combines an analytical economic approach with detailed historic scholarship to provide an imaginitive and important analysis of a central incident in modern world history. The event is the breaking of the Portuguese monopoly on Asian trade in the seventeenth century by English and Dutch mercantile interests. This change the author demonstrates, was not simply the triumph of the new powers over the old. Rather, the Dutch--English victory heralded a structural change in international trade: the triumph of entrepreneurial capitalism over the older economic mode of the "peddler-merchant."

    Professor Steensgaard's study is divided into two major parts. The first examines the economic and political structure of the seventeenth century institutions in the Near East, Portugal, England, and the Netherlands. The author demonstrates that the rise to preeminence of the English and Dutch East India Companies over the Portuguese "State of India" was the result of the superior economic and bureaucratic organization of the former. The eclipse of Portuguese power in general, the author argues, is best understood as an institutional failure–an inability to adapt to changing patterns and demands of economic life.

    The second part of Professor Steensgaard's study provides a detailed historical account of an important event in the fall of the Portuguese trading empire–the loss of the city of Hormuz in 1622. Hormuz, located at a strategic point at the entrance of the Persian Gulf, was a central port city on the Asian trade route. It fell to an English and Persian force. The author demonstrates why this event exemplifies the Portuguese institutional weaknesses that are discussed in the first part of the book.

    [more]
    cover of The Assassination of Gaitán: Public Life and Urban Violence in Colombia

    The Assassination of Gaitán

    Public Life and Urban Violence in Colombia

    Herbert Braun

    University of Wisconsin Press, 1985

    Drawn in part from personal interviews with participants and witnesses, Herbert Braun’s analysis of the riot’s roots, its patterns and consequences, provides a dramatic account of this historic turning point and an illuminating look at the making of modern Colombia.

    Braun’s narrative begins in the year 1930 in Bogotá, Colombia, when a generation of Liberals and Conservatives came to power convinced they could kept he peace by being distant, dispassionate, and rational. One of these politicians, Jorge Eliécer Gaitán, was different. Seeking to bring about a society of merit, mass participation, and individualism, he exposed the private interests of the reigning politicians and engendered a passionate relationship with his followers. His assassination called forth urban crowds that sought to destroy every visible evidence of public authority of a society they felt no longer had the moral right to exist.

    This is a book about behavior in public: how the actors—the political elite, Gaitán, and the crowds—explained and conducted themselves in public, what they said and felt, and what they sought to preserve or destroy, is the evidence on which Braun draws to explain the conflicts contained in Colombian history. The author demonstrates that the political culture that was emerging through these tensions offered the hope of a peaceful transition to a more open, participatory, and democratic society.

    “Most Colombians regard Jorge Eliécer Gaitán as a pivotal figure in their nation’s history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun’s book is a tour de force.”—Jane M. Rausch, Hispanic American Historical Review

    [more]
    cover of The Assassination of Paris

    The Assassination of Paris

    Louis Chevalier

    University of Chicago Press, 1994

    Published to controversial acclaim in 1977, The Assassination of Paris describes the transformation of the Paris of Raymond Queneau and Henri Cartier-Bresson; of quartiers of carpenters and Communists and country folk from the Auvergne; of dance halls and corner cafes. Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux and their cadres of young technocratic elites sought to proclaim the glory of the new France by reinventing the capital in brutal visions of glass and steel. Chevalier sought to tell the world what was at stake, and who the villains were.

    He describes an almost continual parade of garish and grandiose plans: some, like the destruction of the glorious marketplace of les Halles for him the heart of the city, were realized; others, like the superhighway along the left bank of the Seine, were bitterly and successfully resisted.

    Almost twenty years later, we find it difficult to remember the city as it was. And while Paris looks to many much the way it always has, behind the carefully sandblasted stone and restored shop fronts is a city radically transformed—emptied of centuries of popular life; of entire neighborhoods and the communities they housed engineered out to desolate suburban slums. The battle over the soul and spirit of the city continues.

    This book is not entirely about the loss of physical places. Or a romance about a world that never really was. It is a cautionary tale filled with lessons for all who struggle to protect the human scale, the diversity, and the welcoming public life that are the threatened gifts of all great cities.
    [more]
    cover of The Assassination of Theo van Gogh: From Social Drama to Cultural Trauma

    The Assassination of Theo van Gogh

    From Social Drama to Cultural Trauma

    Ron Eyerman

    Duke University Press, 2008

    In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing.

    Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country’s treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995.

    [more]
    cover of The Assault on American Labor Law: Unions Before the Supreme Court, 1965–2025

    The Assault on American Labor Law

    Unions Before the Supreme Court, 1965–2025

    Roger C. Hartley

    University of Massachusetts Press, 2025

    Reviewing the dismantling of American labor law in more than 100 Supreme Court cases

    The National Labor Relations Act (NLRA), signed into law by Franklin Delano Roosevelt in 1935, guarantees the right of private sector employees to organize into trade unions, engage in collective bargaining, and take collective action such as strikes. Since its passage, the NLRA has functioned as the foundational statute of United States labor law. Opposed by conservatives and members of the Republican Party from the beginning, its provisions were largely upheld by the Supreme Court until the 1960s. In the latter part of the twentieth century and into the twenty-first, however, the Court began to erode the protections of the NLRA. While some cases have received widespread attention from commentators and scholars, such as Starbucks Corp. v. McKinney (2024), there have been numerous detrimental rulings that are little discussed. Taken as a whole, the Supreme Court’s efforts to undermine the NLRA appear sustained and systematic.

    In The Assault on American Labor Law, distinguished labor law professor Roger C. Hartley collects and carefully reviews every Supreme Court decision concerning the NLRA over the past sixty years. By examining approximately 100 cases, Hartley demonstrates that the Court has often operated more like a legislature than a judicial body, effectively amending the NLRA’s collectivist policy underpinnings in favor of the interests of individuals and businesses. These judicial decisions create staggering obstacles for American workers to collectively organize and force them to face globalization, deindustrialization, and technological change individually, without the negotiating leverage provided by union representation. While scholars have suggested individual reforms to re-establish the efficacy of the NLRA, Hartley’s thorough study illuminates how the current crisis in US labor law evolved—a comprehensive view that is necessary to help restore the rights of workers to unionize.

    [more]
    cover of The Assault on Progress: Technology and Time in American Literature

    The Assault on Progress

    Technology and Time in American Literature

    J. Adam Johns

    University of Alabama Press, 2008

    Winner of the Elizabeth Agee Prize for Best Manuscript in American Literature

    A belief in progress is a fundamental ethos in American history and culture. The Assault on Progress probes American literary works that challenge the prevailing notion of technology as a manifestation of progress. J. Adam Johns argues that the idea of technology-as-destiny has long been explored—and undercut—in American literary works and that literature remains a crucial site for ongoing debates in this area.
     
    Johns studies the phenomenon by which each generation comes to regard itself as the hinge upon which history turns. He explores several works by historians of technology, focusing in detail on the works of literary critic Lewis Mumford, whose examinations of Herman Melville’s novels provide an early example of critical interest in the abandonment of progress as a value.
     
    He goes on to study the works of William Faulkner and Ralph Ellison, focusing on the convergence of technology and race—machines and slavery, and highlights the ways that these writers have portrayed humans as reduced to machines, evidence that technological “progress” is not always progressive, or liberating to humanity.
     
    The conclusion argues for a shift in our understanding of the relationship between technology and time. According to Johns, writers like Melville, Faulkner, and Ellison help us to think of technology separate from notions of progress, and therefore help us to escape from a perilous ideological bind that forever situates humankind at the end of history.
     
    [more]
    cover of The Assembly Line

    The Assembly Line

    Robert Linhart

    University of Massachusetts Press, 1981

    Firsthand accounts of the numbing experience of industrial work by Robert Linhart, one of the militant leftist intellectuals of 1968 France. Translated by Margaret Crosland.
    [more]
    cover of The Atheist's Bible: The Most Dangerous Book That Never Existed

    The Atheist's Bible

    The Most Dangerous Book That Never Existed

    Georges Minois

    University of Chicago Press, 2012

    A comprehensive biography of the Treatise of the Three Impostors, a controversial nonexistent medieval book.
     

    Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book—De tribus impostoribus, or the Treatise of the Three Impostors—in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other “strong minds” seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence—in not one but two versions, Latin and French.
     
    Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the Treatise of the Three Impostors. In The Atheist’s Bible, the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work—and the equally obsessive passion of those who wanted to punish people who sought it. Minois’s compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.          
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    cover of The Athenian Adonia in Context: The Adonis Festival as Cultural Practice

    The Athenian Adonia in Context

    The Adonis Festival as Cultural Practice

    Laurialan Reitzammer

    University of Wisconsin Press, 2018

    Ancient sources and modern scholars have often represented the Athenian festival of Adonis as a marginal and faintly ridiculous private women’s ritual. Seeds were planted each year in pots and, once sprouted, carried to the rooftops, where women lamented the death of Aphrodite’s youthful consort Adonis. Laurialan Reitzammer resourcefully examines a wide array of surviving evidence about the Adonia, arguing for its symbolic importance in fifth- and fourth-century Athenian culture as an occasion for gendered commentary on mainstream Athenian practices.
                Reitzammer uncovers correlations of the Adonia to Athenian wedding rituals and civic funeral oration and provides illuminating evidence that the festival was a significant cultural template for such diverse works as Aristophanes’ drama Lysistrata and Plato’s dialogue Phaedrus. Her fresh approach is a timely contribution to studies of the ways gender and sexuality intersect with religion and ritual in ancient Greece.
    [more]
    cover of The Athenian Empire Restored: Epigraphic and Historical Studies

    The Athenian Empire Restored

    Epigraphic and Historical Studies

    Harold B. Mattingly

    University of Michigan Press, 1996

    One of the most important periods of Greek history lies between the Persian king Xerxes' defeat at Greek hands in 479 B.C.E. and the destruction of the power of Athens in 404 B.C.E. A major problem in this era is how and when Athens managed to transform the free alliance against Persia into an empire of Athenian subjects: The Athenian Empire Restored presents a sustained challenge to the dating and interpretation of this process. 

    This volume collects Harold B. Mattingly's most important essays on the question, and offers them in updated form together with a new introduction and notes, and a concordance of inscriptions. A preface by Mortimer Chambers helps place the volume amid the decades- long controversy about events in and around Athens, and describes the scientific technique that has proven Mattingly's argument.
    Drawing on meticulous study of ancient coins, civic or religious inscriptions, and political decrees, Mattingly contends that the historical record has been badly muddled by over-reliance on "letter forms," or the "handwriting" on inscriptions made by stone-cutters, as a criterion for dating fifth-century inscriptions from the district of Attica. 

    In the process of establishing a sounder methodology for investigating this crucial period of Greek--and Western--history, Mattingly in these groundbreaking essays turns a beacon of light on many aspects of Greek and Athenian society and history.
    The Athenian Empire Restored will be eagerly received by historians, students and scholars of Greek culture and literature, and archaeologists in many fields.
    [more]
    cover of The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508-490 B.C.

    The Athenian Experiment

    Building an Imagined Political Community in Ancient Attica, 508-490 B.C.

    Greg Anderson

    University of Michigan Press, 2003

    This book shows how, in barely the space of a generation, Athens was transformed from a relatively conventional city-state into a very new kind of polity, a region-state on a previously unthinkable scale. This bold experiment in political community laid the foundations for the world's first complex, stable democracy and, ultimately, allowed the Athenians to shape the political and cultural destiny of the Greek world. The author sets out to answer a simple question. How and when did the Athenian state acquire the anomalous size that made possible its remarkable influence on Greek politics and culture in the classical period? The standard answer is that the Athenian incorporation of the surrounding region of Attica was a gradual development, albeit a process which was largely complete some two or more centuries before the classical era. This new study proposes a very different solution: it is not until the very end of the sixth century that we see the first systematic attempt to integrate all of Attica within the polis of Athens, thus explaining why there are so few signs of impending Athenian greatness in earlier times. In supporting this claim, the book substantially rewrites the history of politics and public life in pre-classical Athens.Greek historians and other classicists will find here the most complete account of all the evidence, documentary and material, yet assembled for this transformation, along with extensive discussion of pertinent developments in earlier times. The reader will find a way of looking at the history of archaic Athens that is refreshingly novel, unusually synoptic and, in many ways, more coherent than the standard narratives.
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    cover of The Athens of America: Boston, 1825-1845

    The Athens of America

    Boston, 1825-1845

    Thomas H. O'Connor

    University of Massachusetts Press, 2006

    Many people are generally familiar with the fact that Boston was once known as “the Athens of America.” Very few, however, are clear about exactly why, except for their recollections of the famous writers and poets who gave the city a reputation for literature and learning.

    In this book, historian Thomas H. O'Connor sets the matter straight by showing that Boston's eminence during the first half of the nineteenth century was the result of a much broader community effort. After the nation emerged from its successful struggle for independence, most Bostonians visualized their city not only as the Cradle of Liberty, but also as the new world's Cradle of Civilization. 

    According to O'Connor, a leadership elite, composed of men of prominent family background, Unitarian beliefs, liberal education, and managerial experience in a variety of enterprises, used their personal talents and substantial financial resources to promote the cultural, intellectual, and humanitarian interests of Boston to the point where it would be the envy of the nation. Not only did writers, scholars, and philosophers see themselves as part of this process, but so did physicians and lawyers, ministers and teachers, merchants and businessmen, mechanics and artisans, all involved in creating a well-ordered city whose citizens would be committed to the ideals of social progress and personal perfectibility. 

    To accomplish their noble vision, leading members of the Boston community joined in programs designed to cleanse the old town of what they felt were generations of accumulated social stains and human failures, and then to create new programs and more efficient institutions that would raise the cultural and intellectual standards of all its citizens. Like ancient Athens, Boston would be a city of great statesmen, wealthy patrons, inspiring artists, and profound thinkers, headed by members of the “happy and respectable classes” who would assume responsibility for the safety, welfare, and education of the “less prosperous portions of the community.”

    Designed for the general reader and the historical enthusiast, The Athens of America is an interpretive synthesis that explores the numerous secondary sources that have concentrated on individual subjects and personalities, and draws their various conclusions into a single comprehensive narrative.

    [more]
    cover of The Atlanta Youth Murders and the Politics of Race

    The Atlanta Youth Murders and the Politics of Race

    Bernard Headley

    Southern Illinois University Press, 1998

    At least twenty-nine black children and young adults were murdered by an Atlanta serial killer between the summer of 1979 and the spring of 1981. Drawing national media attention, the “Atlanta tragedy,” as it became known, was immediately labeled a hate crime. However, when a young black man was arrested and convicted for the killings, public attention quickly shifted. Noted criminologist Bernard Headley was in Atlanta as the tragedy unfolded and provides here a thoughtful exploration of the social and political implications of the case both locally and nationally. Focusing on a singular historical event, Headley exposes broader tensions of race and class in contemporary America.

    [more]
    cover of The Atlantic Slave Trade: A Census

    The Atlantic Slave Trade

    A Census

    Philip D. Curtin

    University of Wisconsin Press, 1972

    Curtin combines modern research and statistical methods with his broad knowledge of the field to present the first book-length quantitative analysis of the Atlantic slave trade.  Its basic evidence suggests revision of currently held opinions concerning the place of the slave trade in the economies of the Old World nations and their American colonies.
     

    [more]