22279 books match the query 'Social Science' and 4007 start with t
Bozak, Nadia
Rutgers University Press, 2011
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium.
Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
Paul Stoller
University of Chicago Press, 1992
Jackie Stacey
Duke University Press, 2010
Stacey examines the body-horror movies Alien: Resurrection and Species in light of Jean Baudrillard’s apocalyptic proclamations about cloning and “the hell of the same,” and she considers the art-house thrillers Gattaca and Code 46 in relation to ideas about imitation, including feminist theories of masquerade, postcolonial conceptualizations of mimicry, and queer notions of impersonation. Turning to Teknolust and Genetic Admiration, independent films by feminist directors, she extends Walter Benjamin’s theory of aura to draw an analogy between the replication of biological information and the reproducibility of the art object. Stacey suggests new ways to think about those who are not what they appear to be, the problem of determining identity in a world of artificiality, and the loss of singularity amid unchecked replication.
Sandra Ott
University of Nevada Press, 1993
Ott provides an excellent ethnography of a French Basque agrarian and sheepherding community. The commune of Sainte-Engrâce extends along a mountain valley in the southeastern corner of Soule, one of the three Basque provences in France. In The Circle of Mountains, Sandra Ott examines the importance of cooperation and reciprocity as the essential basis for the main institutions within this community. These French Basques visualize their community as a circle, and their vision of living in "the circle of mountians," rather than in a valley, reflects their perspective on the society in which they live. The first half of the book incorporates material on history, ecology and economy, and delves deeply into the domestic organization, kinship, and neighborliness of this Basque community. In the second half of the book, the author introduces the males' customary roles as shepherds and cheesemakers. Following a detailed commentary on these vocations, Ott suggests that these seemingly prosaic activities represent the male attempt at symbolic fulfillment of the female procreative and nurturing roles. In a new afterword, Ott discusses developments that have impacted life in the pastoral community of Sainte-Engrâce since the original publication of the book—including the acquisition of telephones and the construction of roads to nearly every home.The Circle of Mountains will be of interest not only to social anthropologists but also to those concerned with the Basque language and culture and to scholars and students of ethnology, international studies, and political science.
Jessaca B. Leinaweaver
Duke University Press, 2008
Leinaweaver provides insight into the emotional and material factors that bring together and separate indigenous Andean families in the highland city of Ayacucho. She describes how child circulation is intimately linked to survival in the city, which has had to withstand colonialism, economic isolation, and the devastating civil war unleashed by the Shining Path. Leinaweaver examines the practice from the perspective of parents who send their children to live in other households, the adults who receive them, and the children themselves. She relates child circulation to international laws and norms regarding children’s rights, adoptions, and orphans, and to Peru’s history of racial conflict and violence. Given that history, Leinaweaver maintains that it is not surprising that child circulation, a practice associated with Peru’s impoverished indigenous community, is alternately ignored, tolerated, or condemned by the state.
Tim Cresswell
University of Minnesota Press, 2026
An expansive treatise on the power relations that govern our movement
The Citizen and the Vagabond develops a theoretical approach to the study of mobility and its relationship to the production, maintenance, and transformation of social and cultural hierarchies. Expanding upon his foundational work on the subject, Tim Cresswell examines human movement from around the globe to better understand the various forms of inequality and injustice that shape our lives.
Establishing a framework for movement in terms of rhythm, speed, routes, and friction, Cresswell extends these themes to address the Covid-19 pandemic and subsequent lockdowns, exploring what this turbulent period reveals to us about the politics of mobility. He demonstrates that while flexibility and ease of movement are typically considered markers of personal freedom, increased mobility brings with it new modes of control and surveillance. As he investigates the hierarchies and embodied experiences that emerge amid these tensions, Cresswell employs two figures: the citizen, whose mobility within and across borders is expected and accepted, and the vagabond, whose perpetual mobility is deemed suspect and in need of ordering.
In conversation with the work of theorists such as Mimi Sheller, Zygmunt Bauman, Paul Virilio, Henri Lefebvre, Ivan Illich, and Anna Tsing, Cresswell reaches beyond geography to incorporate insights from the humanities and social sciences. An interdisciplinary intervention into the study of mobility and citizenship, The Citizen and the Vagabond provides a new set of coordinates from which to grasp the shifting dynamics of movement and power.
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Robert E. Park and Ernest W. Burgess
University of Chicago Press, 1984
Robert E. Park and Ernest W. Burgess
University of Chicago Press, 2019
Robert E. Park and Ernest W. Burgess
University of Chicago Press, 2019
Damon Scott
University of Texas Press, 2023
A history of San Francisco that studies change in the postwar urban landscape in relation to the city's queer culture.
The City Aroused is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Damon Scott shows that urban renewal was a catalyst for community organizing among racially diverse operators and patrons with far-reaching implications for the national gay rights movement.
Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen’s hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape.
Michael H. Carriere and David Schalliol
University of Chicago Press, 2021
Michael Degani
Duke University Press, 2022
By Robert L. Martin
University of Texas Press, 1969
Where water supply, railway transportation, and oil reserves have been abundant, towns in central West Texas have prospered; where these resources are few, settlements have maintained only slight growth or disappeared entirely. Supporting his conclusions with profuse statistical evidence, Robert L. Martin traces the economic development of six major towns in the area, all with over 10,000 residents in 1960: Lamesa, Snyder, Sweetwater, Big Spring, Midland, and Odessa.
Ranching brought the first settlers to West Texas in the 1870s and dominated the economy until 1900. In the 1880s farmers began to arrive, and between 1900 and 1930 agricultural production replaced ranching as the most important industry.
With the influx of population came the railroad, and small settlements were established along its route. Those with sufficient water supply prospered and, as counties were organized, became county seats and supply centers for the surrounding agricultural regions.
The land could not support a large agricultural population, and agriculture-related manufactures soon drew population to the towns. However, it was not until the oil discoveries of the 1920's that the modern city emerged. After World War II, oil production and oil-related industries generated great wealth and caused a boom in population growth and urban development. Despite the growth in prosperity, the economy is precariously balanced. Urban centers dependent on oil—an industry of limited life—have matured in an area without sufficient water or agricultural resources to support them. Martin concludes that, without careful planning and a solution to the water problem, these cities could some day become ghost towns on the plains.
Sara Safransky
Duke University Press, 2023
Daniel Skinner, Jonathan R. Wynn, and Berkeley Franz
University of Chicago Press, 2023

Sharon Haar
University of Minnesota Press, 2010
Daniella Gandolfo
University of Chicago Press, 2009

Rosane Araujo
Intellect Books, 2013
Proposing a new way of understanding the relationship between the city and personal identity, The City is Me argues that there is no longer a distance between the two. The result of extensive research about our notions of the city and the person throughout time, this volume explores the technology, research findings, and new ideas that have made it impossible to sustain conceptions of the city that are based on the criterion of a boundary. Showing how this shift mirrors the decentralization and fragmentation of personal identity in a globalized world, Rosane Araujo confronts the challenge of rethinking urbanism in a way that corresponds to the risk and uncertainty—but also to the possibilities—of today’s cities.
Laleh Khalili, V. Mitch McEwen, Gabriela Leandro Pereira, and Leanne Betasamosake Simpson
Duke University Press, 2026

Dennis R. Judd
University of Minnesota Press, 2011
Patrick Nunnally
University of Minnesota Press, 2011
Fred Pelka
University of Massachusetts Press, 2004
Organized in May 1863 to meet the Union Army's growing manpower needs, the Invalid Corps—later renamed the Veteran Reserve Corps—was a unique military unit. With more than twenty-four regiments of troops, nearly all of them men disabled by illness or combat wounds, it was at one point twice as large as the entire pre-war United States Army. During four years of service its troops enforced the draft, guarded prisoners and vital outposts, protected rail lines and supply depots, and served as military police in cities all across the country. Members of the Corps escorted President Lincoln's body home to Illinois, and after the war its officers formed the nucleus of the new Freedman's Bureau.
This volume brings together some 143 letters written by Colonel Charles F. Johnson, an officer who served with the 18th Veteran Reserve Corps after sustaining debilitating wounds during the Seven Days' Battles in June 1862. Edited with an introduction by Fred Pelka, the letters describe the day-to-day circumstances of “The Cripple Brigade,” as it was derisively called, as well as guerrilla warfare in Missouri, combat in Virginia, and barracks life in Washington, D.C. Johnson was a keen observer of his nation at war, and his correspondence with his wife Mary is by turns literate and comic, objective and personal.
In his introduction and annotations, Pelka provides a detailed history of the Invalid Corps and explores the experience of disability in nineteenth-century America. He looks at how the nation responded to the sudden appearance of tens of thousands of newly disabled young men, and traces how members of the Invalid Corps fought not only to restore the Union but also to retain their dignity as Americans and as human beings.
Robert Pasquill Jr.
University of Alabama Press, 2008
The Civilian Conservation Corps was one of the better known and most successful of the New Deal programs following the Great Depression. The causes of the Great Depression have been addressed and debated from a variety of perspectives through the years. However, the effects explained in terms of human suffering leave little room for debate. By March of 1933, there were more than 13.6 million unemployed, and more than 200,000 of them were wandering the country looking for work. Homes and families were fractured. President Roosevelt proposed to put 500,000 unemployed men from cities and towns into the woods to plant trees, reduce fire hazards, clear streams, check erosion, and improve the park system all across America. With unprecedented speed, national legislation was written, passed, and funded, creating a myriad of programs—referred to as alphabet projects—in hopes of generating useful work and necessary paychecks and creating a “great and lasting good” for the American public.
CCC projects in Alabama would initially employ 20,000 men with projects in all 13 state forests and seven state parks. This volume traces in great detail the work projects, the camp living conditions, the daily lives of the enrollees, the administration and management challenges, and the lasting effects of this Neal Deal program in Alabama. Through archives, government documents, and more than 125 interviews with former enrollees of the CCC, Pasquill has recounted the CCC program in Alabama and brought this humanitarian program to life in the Alabama countryside. It was a truly monumental win-win situation emerging from a national and international economic tragedy.
J. Andrew Deman; Foreword by Jay Edidin
University of Texas Press, 2023
Winner — 2024 Will Eisner Comic Industry Awards in Best Academic/Scholarly Work, announced at San Diego Comic-Con International (2024)
A data-driven deep dive into a legendary comics author’s subversion of gender norms within the bestselling comic of its time.
By the time Chris Claremont’s run as author of Uncanny X-Men ended in 1991, he had changed comic books forever. During his sixteen years writing the series, Claremont revitalized a franchise on the verge of collapse, shaping the X-Men who appear in today’s Hollywood blockbusters. But, more than that, he told a new kind of story, using his growing platform to articulate transgressive ideas about gender nonconformity, toxic masculinity, and female empowerment.
J. Andrew Deman’s investigation pairs close reading and quantitative analysis to examine gender representation, content, characters, and story structure. The Claremont Run compares several hundred issues of Uncanny X-Men with a thousand other Marvel comics to provide a comprehensive account of Claremont’s sophisticated and progressive gender politics. Claremont’s X-Men upended gender norms: where female characters historically served as mere eye candy, Claremont’s had leading roles and complex, evolving personalities. Perhaps more surprisingly, his male superheroes defied and complicated standards of masculinity. Groundbreaking in their time, Claremont’s comics challenged readers to see the real world differently and transformed pop culture in the process.
Eva Plach
Ohio University Press, 2006
Noah Walker-Crawford
Duke University Press, 2026
E. B. Sayles
University of Arizona Press, 1983
Edited by Alan Dundes
University of Wisconsin Press, 1994
Originating more than 2500 years ago, cockfighting is one of the oldest documented sports in the world. It has continued to flourish despite bans against it in many countries. In The Cockfight: A Casebook, folklorist Alan Dundes brings together a diverse array of writing on this male-dominated ritual.
Vivid descriptions of cockfights from Puerto Rico, Tahiti, Ireland, Spain, Brazil, and the Philippines complement critical commentaries, from the fourth-century reflections of St. Augustine to contemporary anthropological and psychoanalytic interpretations. The various essays discuss the intricate rules of the cockfight, the ethical question of pitting two equally matched roosters in a fight to the death, the emotional involvement of cockfighters and fans, and the sexual implications of the sport. The result is an enlightening collection for anthropologists, folklorists, sociologists, and psychologists, as well as followers of this ancient blood sport.
Georgios Boudalis
Bard Graduate Center, 2018
Edited by Norman Yoffee and George L. Cowgill
University of Arizona Press, 1988

Clyde de L. Ryals and Kenneth J. Fielding
Duke University Press, 0
Edited by Ruth Maxey
Temple University Press, 2023
Pioneering Indian American writer Bharati Mukherjee is best known for her novel, Jasmine, and her breakthrough collection, The Middleman and Other Stories, which won the 1988 National Book Critics Circle Award. Her writing is distinguished as much by its narrative style and shifting points of view as it is by Mukherjee’s piercing emotional observations on the immigrant experience and her depiction of racism, nostalgia, and displacement.
The Collected Short Stories of Bharati Mukherjee is the first volume to feature the author’s complete short fiction—all 35 stories. Leading Mukherjee scholar Ruth Maxey edits the collection, unearthing seven unknown stories: five in Mukherjee’s unpublished 1963 Iowa Writer’s Workshop M.F.A. thesis, The Shattered Mirror, and two tales from 2008.
Arranged chronologically, this essential collection brings many of Mukherjee’s stories back into print, from the semi-autobiographical story, “Hindus,” in her 1985 debut collection, Darkness, to her late stories, published from 1997-2012, as well as her classic, “The Management of Grief.”
Maxey contextualizes Mukherjee’s short fiction and the provocative, often prescient political questions it raises about migration, nationhood, class, and history. The Collected Short Stories of Bharati Mukherjee features a Forward by prominent literary studies scholar Nalini Iyer and Afterword by critically acclaimed writer Lysley Tenorio, one of Mukherjee’s former students. It is an essential volume for readers both familiar with Mukherjee’s work and new to her groundbreaking fiction.Eric Cheyfitz
University of Minnesota Press, 2024
A guide to the colonization and projected decolonization of Native America
In The Colonial Construction of Indian Country, Eric Cheyfitz mounts a pointed historical critique of colonialism through careful analysis of the dialogue between Native American literatures and federal Indian law. Illuminating how these literatures indict colonial practices, he argues that if the decolonization of Indian country is to be achieved, then federal Indian law must be erased and replaced with independent Native nation sovereignty—because subordinate sovereignty, the historical regime, is not sovereignty at all.
At the same time, Cheyfitz argues that Native American literatures, specifically U.S. American Indian literatures, cannot be fully understood without a knowledge of U.S. federal Indian law: the matrix of colonialism in Indian country. Providing intersectional readings of a range of literary and legal texts, he discusses such authors as Louise Erdrich, Frances Washburn, James Welch, Gerald Vizenor, Simon Ortiz, Leslie Marmon Silko, and others. Cheyfitz examines how American Indian writers and critics have responded to the impact of law on Native life, revealing recent trends in Native writing that build upon traditional modes of storytelling and governance.
With a focus on resistance to the colonial regime of federal Indian law, The Colonial Construction of Indian Country not only elucidates how Native American literatures and federal Indian law are each crucial to any reading of the other, it also guides readers to better understand the genocidal assault on Indigenous peoples by Western structures of literacy, politics, and law.
Edited by Angela J. Donelson and Adrian X. Esparza
University of Arizona Press, 2010
Hagar Kotef
Duke University Press, 2020
Erica Gabrielle Foldy
Russell Sage Foundation, 2014
Beeta Baghoolizadeh
Duke University Press, 2024
Reynolds Farley
Russell Sage Foundation, 1987
John Hope Franklin
University of Missouri Press, 1993
Omise'eke Natasha Tinsley
University of Texas Press, 2022
2023 John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular and American Culture Association (PACA) / Popular Culture Association (PCA)
2023 Honorable Mention, Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, Popular and American Culture Association (PACA) / Popular Culture Association (PCA)
2024 MPCA/ACA Best Single Work by One or More Authors, Midwest Popular Culture Association / Midwest American Culture Association (MPCA/ACA)
A celebration of the distinctive and politically defiant art of Black queer, cis-, and transfemmes, from the work of Janelle Monáe and Janet Mock to that of Indya Moore and Kelsey Lu.
The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise’eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom.
Tinsley engages 2017–2020 Black femme cultural production that colorfully and provocatively imagines freedom in the stark white face of its impossibility. Looking to the music of Janelle Monáe and Kelsey Lu, Janet Mock’s writing for the television show Pose, the fashion of Indya Moore and (F)empower, and the films of Tourmaline and Juliana Huxtable, as well as poetry and novels, The Color Pynk conceptualizes Black femme as a set of consciously, continually rescripted cultural and aesthetic practices that disrupts conventional meanings of race, gender, and sexuality. There is an exuberant defiance in queer Black femininity, Tinsley finds—so that Black femmes continue to love themselves wildly in a world that resists their joy.
Katherine Jensen
University of Chicago Press, 2023
Jean Carol Griffith
University of Alabama Press, 2009
Exploring how women writers used regional fiction to reimagine democracy, identity, and belonging in America.
American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women's Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers.
Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism's responses to the debate over who was capable of democratic participation and reading regionalism's changing mediations between natives and strangers as reflections of the changing face of democracy.
This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.
Michael O'Malley
University of Chicago Press, 2024
Sue Peabody and Tyler Stovall, eds.
Duke University Press, 2003
The Color of Liberty addresses four major themes: the evolution of race as an idea in France; representations of "the other" in French literature, art, government, and trade; the international dimensions of French racial thinking, particularly in relation to colonialism; and the impact of racial differences on the shaping of the modern French city. The many permutations of race in French history—as assigned identity, consumer product icon, scientific discourse, philosophical problem, by-product of migration, or tool in empire building—here receive nuanced treatments confronting the malleability of ideas about race and the uses to which they have been put.
Contributors. Leora Auslander, Claude Blanckaert, Alice Conklin, Fred Constant, Laurent Dubois, Yaël Simpson Fletcher, Richard Fogarty, John Garrigus, Dana Hale, Thomas C. Holt, Patricia M. E. Lorcin, Dennis McEnnerney, Michael A. Osborne, Lynn Palermo, Sue Peabody, Pierre H. Boulle, Alyssa Goldstein Sepinwall, Tyler Stovall, Michael G. Vann, Gary Wilder
Photographs and introduction by Dan Burkholder
University of Texas Press, 2008
The devastation of New Orleans after Hurricane Katrina has been imprinted in our collective visual memory by thousands of images in the media and books of dramatic photographs by Robert Polidori, Larry Towell, Chris Jordan, Debbie Fleming Caffrey, and others. New Orleanians want the world to see and respond to the destruction of their city and the suffering of its people—and yet so many images of so much destruction threaten a visual and emotional overload that would tempt us to avert our eyes and become numb.
In The Color of Loss, Dan Burkholder presents a powerful new way of seeing the ravaged homes, churches, schools, and businesses of New Orleans. Using an innovative digital photographic technology called high dynamic range (HDR) imaging, in which multiple exposures are artistically blended to bring out details in the shadows and highlights that would be hidden in conventional photographs, he creates images that are almost like paintings in their richness of color and profusion of detail. Far more intense and poetic than purely documentary photographs, Burkholder's images lure viewers to linger over the artifacts of people's lives—a child's red wagon abandoned in a mud-caked room, a molding picture of Jesus—to fully understand the havoc thrust upon the people of New Orleans.
In the deserted, sinisterly beautiful rooms of The Color of Loss, we see how much of the splendor and texture of New Orleans washed away in the flood. This is the hidden truth of Katrina that Dan Burkholder has revealed.
By Elizabeth Hordge-Freeman
University of Texas Press, 2015
Winner, Section on the Sociology of Emotions Outstanding Recent Contribution (Book) Award, American Sociological Association, 2016
Charles Horton Cooley Award for Recent Book, Society for the Study of Symbolic Interaction, 2017
Best Publication Award, Section on Body and Embodiment, American Sociological Association (ASA), 2018
The Color Of Love reveals the power of racial hierarchies to infiltrate our most intimate relationships. Delving far deeper than previous sociologists have into the black Brazilian experience, Elizabeth Hordge-Freeman examines the relationship between racialization and the emotional life of a family. Based on interviews and a sixteen-month ethnography of ten working-class Brazilian families, this provocative work sheds light on how families simultaneously resist and reproduce racial hierarchies. Examining race and gender, Hordge-Freeman illustrates the privileges of whiteness by revealing how those with “blacker” features often experience material and emotional hardships. From parental ties, to sibling interactions, to extended family and romantic relationships, the chapters chart new territory by revealing the connection between proximity to whiteness and the distribution of affection within families.
Hordge-Freeman also explores how black Brazilian families, particularly mothers, rely on diverse strategies that reproduce, negotiate, and resist racism. She frames efforts to modify racial features as sometimes reflecting internalized racism, and at other times as responding to material and emotional considerations. Contextualizing their strategies within broader narratives of the African diaspora, she examines how Salvador’s inhabitants perceive the history of the slave trade itself in a city that is referred to as the “blackest” in Brazil. She argues that racial hierarchies may orchestrate family relationships in ways that reflect and reproduce racial inequality, but black Brazilian families actively negotiate these hierarchies to assert their citizenship and humanity.
Derrick Darby and John L. Rury
University of Chicago Press, 2018
Barbara Weinstein
Duke University Press, 2015
Haya Stier and Marta Tienda
University of Chicago Press, 2000
Chris Gavaler
The Ohio State University Press, 2026