22279 books match the query 'Social Science' and 4007 start with t

cover of The Cinematic Footprint: Lights, Camera, Natural Resources

The Cinematic Footprint

Lights, Camera, Natural Resources

Bozak, Nadia

Rutgers University Press, 2011

Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium.

Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.

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cover of The Cinematic Griot: The Ethnography of Jean Rouch

The Cinematic Griot

The Ethnography of Jean Rouch

Paul Stoller

University of Chicago Press, 1992

The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology.

A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation.

Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.
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cover of The Cinematic Life of the Gene

The Cinematic Life of the Gene

Jackie Stacey

Duke University Press, 2010

What might the cinema tell us about how and why the prospect of cloning disturbs our most profound ideas about gender, sexuality, difference, and the body? In The Cinematic Life of the Gene, the pioneering feminist film theorist Jackie Stacey argues that as a cultural technology of imitation, cinema is uniquely situated to help us theorize “the genetic imaginary,” the constellation of fantasies that genetic engineering provokes. Since the mid-1990s there has been remarkable innovation in genetic engineering and a proliferation of films structured by anxieties about the changing meanings of biological and cultural reproduction. Bringing analyses of several of these films into dialogue with contemporary cultural theory, Stacey demonstrates how the cinema animates the tropes and enacts the fears at the heart of our genetic imaginary. She engages with film theory; queer theories of desire, embodiment, and kinship; psychoanalytic theories of subject formation; and debates about the reproducibility of the image and the shift from analog to digital technologies.

Stacey examines the body-horror movies Alien: Resurrection and Species in light of Jean Baudrillard’s apocalyptic proclamations about cloning and “the hell of the same,” and she considers the art-house thrillers Gattaca and Code 46 in relation to ideas about imitation, including feminist theories of masquerade, postcolonial conceptualizations of mimicry, and queer notions of impersonation. Turning to Teknolust and Genetic Admiration, independent films by feminist directors, she extends Walter Benjamin’s theory of aura to draw an analogy between the replication of biological information and the reproducibility of the art object. Stacey suggests new ways to think about those who are not what they appear to be, the problem of determining identity in a world of artificiality, and the loss of singularity amid unchecked replication.

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cover of The Circle of Mountains: A Basque Shepherding Community

The Circle of Mountains

A Basque Shepherding Community

Sandra Ott

University of Nevada Press, 1993

Ott provides an excellent ethnography of a French Basque agrarian and sheepherding community. The commune of Sainte-Engrâce extends along a mountain valley in the southeastern corner of Soule, one of the three Basque provences in France. In The Circle of Mountains, Sandra Ott examines the importance of cooperation and reciprocity as the essential basis for the main institutions within this community. These French Basques visualize their community as a circle, and their vision of living in "the circle of mountians," rather than in a valley, reflects their perspective on the society in which they live. The first half of the book incorporates material on history, ecology and economy, and delves deeply into the domestic organization, kinship, and neighborliness of this Basque community. In the second half of the book, the author introduces the males' customary roles as shepherds and cheesemakers. Following a detailed commentary on these vocations, Ott suggests that these seemingly prosaic activities represent the male attempt at symbolic fulfillment of the female procreative and nurturing roles. In a new afterword, Ott discusses developments that have impacted life in the pastoral community of Sainte-Engrâce since the original publication of the book—including the acquisition of telephones and the construction of roads to nearly every home.The Circle of Mountains will be of interest not only to social anthropologists but also to those concerned with the Basque language and culture and to scholars and students of ethnology, international studies, and political science.

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cover of The Circulation of Children: Kinship, Adoption, and Morality in Andean Peru

The Circulation of Children

Kinship, Adoption, and Morality in Andean Peru

Jessaca B. Leinaweaver

Duke University Press, 2008

In this vivid ethnography, Jessaca B. Leinaweaver explores “child circulation,” informal arrangements in which indigenous Andean children are sent by their parents to live in other households. At first glance, child circulation appears tantamount to child abandonment. When seen in that light, the practice is a violation of international norms regarding children’s rights, guidelines that the Peruvian state relies on in regulating legal adoptions. Leinaweaver demonstrates that such an understanding of the practice is simplistic and misleading. Her in-depth ethnographic analysis reveals child circulation to be a meaningful, pragmatic social practice for poor and indigenous Peruvians, a flexible system of kinship that has likely been part of Andean lives for centuries. Child circulation may be initiated because parents cannot care for their children, because a childless elder wants company, or because it gives a young person the opportunity to gain needed skills.

Leinaweaver provides insight into the emotional and material factors that bring together and separate indigenous Andean families in the highland city of Ayacucho. She describes how child circulation is intimately linked to survival in the city, which has had to withstand colonialism, economic isolation, and the devastating civil war unleashed by the Shining Path. Leinaweaver examines the practice from the perspective of parents who send their children to live in other households, the adults who receive them, and the children themselves. She relates child circulation to international laws and norms regarding children’s rights, adoptions, and orphans, and to Peru’s history of racial conflict and violence. Given that history, Leinaweaver maintains that it is not surprising that child circulation, a practice associated with Peru’s impoverished indigenous community, is alternately ignored, tolerated, or condemned by the state.

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cover of The Citizen and the Vagabond: A Politics of Mobility

The Citizen and the Vagabond

A Politics of Mobility

Tim Cresswell

University of Minnesota Press, 2026

An expansive treatise on the power relations that govern our movement

The Citizen and the Vagabond develops a theoretical approach to the study of mobility and its relationship to the production, maintenance, and transformation of social and cultural hierarchies. Expanding upon his foundational work on the subject, Tim Cresswell examines human movement from around the globe to better understand the various forms of inequality and injustice that shape our lives.

Establishing a framework for movement in terms of rhythm, speed, routes, and friction, Cresswell extends these themes to address the Covid-19 pandemic and subsequent lockdowns, exploring what this turbulent period reveals to us about the politics of mobility. He demonstrates that while flexibility and ease of movement are typically considered markers of personal freedom, increased mobility brings with it new modes of control and surveillance. As he investigates the hierarchies and embodied experiences that emerge amid these tensions, Cresswell employs two figures: the citizen, whose mobility within and across borders is expected and accepted, and the vagabond, whose perpetual mobility is deemed suspect and in need of ordering.

In conversation with the work of theorists such as Mimi Sheller, Zygmunt Bauman, Paul Virilio, Henri Lefebvre, Ivan Illich, and Anna Tsing, Cresswell reaches beyond geography to incorporate insights from the humanities and social sciences. An interdisciplinary intervention into the study of mobility and citizenship, The Citizen and the Vagabond provides a new set of coordinates from which to grasp the shifting dynamics of movement and power.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of The City

The City

Robert E. Park and Ernest W. Burgess

University of Chicago Press, 1984

The City, first published in 1925 and reprinted here in its entirety, is a cross-section of concerns of the Chicago urban school during the period of its most intense activity. Park and Burgess realized that ecological and economic factors were converted into a social organization by the traditions and aspirations of city dwellers. In their efforts to achieve objectivity, these sociologists never lost sight of the values that propel human beings.

"It is a classic which remains relevant largely because it poses questions still unresolved."—Choice
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cover of The City

The City

Robert E. Park and Ernest W. Burgess

University of Chicago Press, 2019

First published in 1925, The City is a trailblazing text in urban history, urban sociology, and urban studies. Its innovative combination of ethnographic observation and social science theory epitomized the Chicago school of sociology. Robert E. Park, Ernest W. Burgess, and their collaborators were among the first to document the interplay between urban individuals and larger social structures and institutions, seeking patterns within the city’s riot of people, events, and influences. As sociologist Robert J. Sampson notes in his new foreword, though much has changed since The City was first published, we can still benefit from its charge to explain where and why individuals and social groups live as they do.
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cover of The City

The City

Robert E. Park and Ernest W. Burgess

University of Chicago Press, 2019

This is an auto-narrated audiobook version of this book. 

First published in 1925, The City is a trailblazing text in urban history, urban sociology, and urban studies. Its innovative combination of ethnographic observation and social science theory epitomized the Chicago school of sociology. Robert E. Park, Ernest W. Burgess, and their collaborators were among the first to document the interplay between urban individuals and larger social structures and institutions, seeking patterns within the city’s riot of people, events, and influences. As sociologist Robert J. Sampson notes in his new foreword, though much has changed since The City was first published, we can still benefit from its charge to explain where and why individuals and social groups live as they do.
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cover of The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco

The City Aroused

Queer Places and Urban Redevelopment in Postwar San Francisco

Damon Scott

University of Texas Press, 2023

A history of San Francisco that studies change in the postwar urban landscape in relation to the city's queer culture.

The City Aroused is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Damon Scott shows that urban renewal was a catalyst for community organizing among racially diverse operators and patrons with far-reaching implications for the national gay rights movement.

Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen’s hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape.

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cover of The City Creative: The Rise of Urban Placemaking in Contemporary America

The City Creative

The Rise of Urban Placemaking in Contemporary America

Michael H. Carriere and David Schalliol

University of Chicago Press, 2021

In the wake of the Great Recession, American cities from Philadelphia to San Diego saw an upsurge in hyperlocal placemaking—small-scale interventions aimed at encouraging greater equity and community engagement in growth and renewal. But the projects that were the most successful at achieving these lofty ambitions weren’t usually established by politicians, urban planners, or real estate developers; they were initiated by community activists, artists, and neighbors. In order to figure out why, The City Creative mounts a comprehensive study of placemaking in urban America, tracing its intellectual history and contrasting it with the efforts of people making positive change in their communities today.
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Spanning the 1950s to the post-recession 2010s, The City Creative highlights the roles of such prominent individuals and organizations as Jane Jacobs, Christopher Alexander, Richard Sennett, Project for Public Spaces, and the National Endowment for the Arts in the development of urban placemaking, both in the abstract and on the ground. But that’s only half the story. Bringing the narrative to the present, Michael H. Carriere and David Schalliol also detail placemaking interventions at more than 200 sites in more than 40 cities, combining archival research, interviews, participant observation, and Schalliol’s powerful documentary photography. Carriere and Schalliol find that while these formal and informal placemaking interventions can bridge local community development and regional economic plans, more often than not, they push the boundaries of mainstream placemaking. Rather than simply stressing sociability or market-driven economic development, these initiatives offer an alternative model of community-led progress with the potential to redistribute valuable resources while producing tangible and intangible benefits for their communities. The City Creative provides a kaleidoscopic overview of how these initiatives grow, and sometimes collapse, illustrating the centrality of placemaking in the evolution of the American city and how it can be reoriented to meet demands for a more equitable future.
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cover of The City Electric: Infrastructure and Ingenuity in Postsocialist Tanzania

The City Electric

Infrastructure and Ingenuity in Postsocialist Tanzania

Michael Degani

Duke University Press, 2022

Over the last twenty years of neoliberal reform, the power supply in Dar es Salaam, Tanzania’s metropolis, has become less reliable even as its importance has increased. Though mobile phones, televisions, and refrigerators have flooded the city, the electricity required to run these devices is still supplied by the socialist-era energy company Tanesco, which is characterized by increased fees, aging infrastructure, and a sluggish bureaucracy. While some residents contemplate off-grid solutions, others repair, extend, or tap into the state network with the assistance of freelance electricians or moonlighting utility employees. In The City Electric Michael Degani explores how electricity and its piracy has become a key site for urban Tanzanians to enact, experience, and debate their social contract with the state. Moving from the politics of generation contracts down to the street-level experience of blackouts and disconnection patrols, he reveals the logics of infrastructural modification and their effects on everyday life. As politicians, residents, electricians, and utility inspectors all redistribute flows of payment and power, they reframe the energy grid both as a technical system and as an ongoing experiment in collective interdependence.
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cover of The City Moves West: Economic and Industrial Growth in Central West Texas

The City Moves West

Economic and Industrial Growth in Central West Texas

By Robert L. Martin

University of Texas Press, 1969

Where water supply, railway transportation, and oil reserves have been abundant, towns in central West Texas have prospered; where these resources are few, settlements have maintained only slight growth or disappeared entirely. Supporting his conclusions with profuse statistical evidence, Robert L. Martin traces the economic development of six major towns in the area, all with over 10,000 residents in 1960: Lamesa, Snyder, Sweetwater, Big Spring, Midland, and Odessa.

Ranching brought the first settlers to West Texas in the 1870s and dominated the economy until 1900. In the 1880s farmers began to arrive, and between 1900 and 1930 agricultural production replaced ranching as the most important industry.

With the influx of population came the railroad, and small settlements were established along its route. Those with sufficient water supply prospered and, as counties were organized, became county seats and supply centers for the surrounding agricultural regions.

The land could not support a large agricultural population, and agriculture-related manufactures soon drew population to the towns. However, it was not until the oil discoveries of the 1920's that the modern city emerged. After World War II, oil production and oil-related industries generated great wealth and caused a boom in population growth and urban development. Despite the growth in prosperity, the economy is precariously balanced. Urban centers dependent on oil—an industry of limited life—have matured in an area without sufficient water or agricultural resources to support them. Martin concludes that, without careful planning and a solution to the water problem, these cities could some day become ghost towns on the plains.

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cover of The City after Property: Abandonment and Repair in Postindustrial Detroit

The City after Property

Abandonment and Repair in Postindustrial Detroit

Sara Safransky

Duke University Press, 2023

In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
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cover of The City and the Hospital: The Paradox of Medically Overserved Communities

The City and the Hospital

The Paradox of Medically Overserved Communities

Daniel Skinner, Jonathan R. Wynn, and Berkeley Franz

University of Chicago Press, 2023

A surprising look at how hospitals affect and are affected by their surrounding communities.
 
An enduring paradox of urban public health is that many communities around hospitals are economically distressed and, counterintuitively, medically underserved. In The City and the Hospital two sociologists, Jonathan R. Wynn and Berkeley Franz, and a political scientist, Daniel Skinner, track the multiple causes of this problem and offer policy solutions.
 
Focusing on three urban hospitals—Connecticut’s Hartford Hospital, the flagship of the Hartford Healthcare system; the Cleveland Clinic, which coordinates with other providers for routine care while its main campus provides specialty care; and the University of Colorado Hospital, a rare example of an urban institution that relocated to a new community—the authors analyze the complicated relationship between a hospital and its neighborhoods. On the one hand, hospitals anchor the communities that surround them, often staying in a neighborhood for decades. Hospitals also craft strategies to engage with the surrounding community, many of those focused on buying locally and hiring staff from their surrounding area. On the other hand, hospitals will often only provide care to the neighboring community through emergency departments, reserving advanced medical care and long-term treatment for those who can pay a premium for it. In addition, the authors show, hospitals frequently buy neighborhood real estate and advocate for development programs that drive gentrification and displacement.
 
To understand how urban healthcare institutions work with their communities, the authors address power, history, race, and urbanity as much as the workings of the medical industry. These varied initiatives and effects mean that understanding urban hospitals requires seeing them in a new light—not only as medical centers but as complicated urban forces.
 
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cover of The City as Campus: Urbanism and Higher Education in Chicago

The City as Campus

Urbanism and Higher Education in Chicago

Sharon Haar

University of Minnesota Press, 2010

We are witnessing an explosion of universities and campuses nationwide, and urban schools play an important role in shaping the cities outside their walls. In The City as Campus, Sharon Haar uses Chicago as a case study to examine how universities interact with their urban contexts, demonstrating how higher education became integrated with ideas of urban growth as schools evolved alongside the city.

The City as Campus shows the strain of this integration, detailing historical accounts of battles over space as campus designers faced the challenge of weaving the social, spatial, and architectural conditions of the urban milieu into new forms to meet the changing needs of academia. Through a close analysis of the history of higher education in Chicago, The City as Campus explores how the university's missions of service, teaching, and research have metamorphosed over time, particularly in response to the unique opportunities-and restraints-the city provides. Illustrating how Chicago serves as a site of pedagogical transformation and a location for the larger purpose of the academic community, The City as Campus presents a social and design history of the urban campus as an architectural idea and form.
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cover of The City at Its Limits: Taboo, Transgression, and Urban Renewal in Lima

The City at Its Limits

Taboo, Transgression, and Urban Renewal in Lima

Daniella Gandolfo

University of Chicago Press, 2009

In 1996, against the backdrop of Alberto Fujimori’s increasingly corrupt national politics, an older woman in Lima, Peru—part of a group of women street sweepers protesting the privatization of the city’s cleaning services—stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted. The City at Its Limits employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city’s conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist José María Arguedas’s writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives—personal, sociological, historical, and theoretical—The City at Its Limits is a pioneering work on the cutting edge of ethnography.
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cover of The City is Me

The City is Me

Rosane Araujo

Intellect Books, 2013

Proposing a new way of understanding the relationship between the city and personal identity, The City is Me argues that there is no longer a distance between the two. The result of extensive research about our notions of the city and the person throughout time, this volume explores the technology, research findings, and new ideas that have made it impossible to sustain conceptions of the city that are based on the criterion of a boundary. Showing how this shift mirrors the decentralization and fragmentation of personal identity in a globalized world, Rosane Araujo confronts the challenge of rethinking urbanism in a way that corresponds to the risk and uncertainty—but also to the possibilities—of today’s cities.

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cover of The City of Our Dreaming: The Alchemy Lecture

The City of Our Dreaming

The Alchemy Lecture

Laleh Khalili, V. Mitch McEwen, Gabriela Leandro Pereira, and Leanne Betasamosake Simpson

Duke University Press, 2026

The third annual Alchemy Lecture brought together four “Alchemists”—thinkers and practitioners working across disciplines and geographies—to share a constellation of ideas for the future. Their urgent, poignant and inventive lectures compose The City of Our Dreaming, which shares their ideas for cities and how to shape them according to community needs. Together, V. Mitch McEwen, Laleh Khalili, Gabriela Leandro Pereira, and Michi Saagiig Nishnaabeg writer and musician Leanne Betasamosake Simpson offer new models for crafting architectures of freedom in disparate imagined spaces. From suggesting a city modeled on buoyancy that reconsiders displacement to a dream of radical kinship and bonds through reciprocal giving, to “projects paved by the audacity to inhabit” that are built from dreams—the site from which all Black emancipation begins—and to the ways collectives form at the thresholds between things, The City of our Dreaming is a clarion call for new conceptions of city life. The Alchemists imagine the architectures and infrastructures that make possible, inevitable and irresistible gestures of freedom, modes of sustenance, and the necessity and pleasure of breaking bread together.
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cover of The City, Revisited: Urban Theory from Chicago, Los Angeles, and New York

The City, Revisited

Urban Theory from Chicago, Los Angeles, and New York

Dennis R. Judd

University of Minnesota Press, 2011

The contributors to The City, Revisited trace an intellectual history that begins in 1925 with the publication of the influential classic The City, engaging in a spirited debate about whether the major theories of twentieth-century urban development are relevant for studying the twenty-first-century metropolis.

Contributors: Janet Abu-Lughod, Northwestern U and New School for Social Research; Robert Beauregard, Columbia U; Larry Bennett, DePaul U; Andrew A. Beveridge, Queens College and CUNY; Amy Bridges, U of California, San Diego; Terry Nichols Clark, U of Chicago; Nicholas Dahmann, U of Southern California; Michael Dear, U of California, Berkeley; Steven P. Erie, U of California, San Diego; Frank Gaffikin, Queen's U of Belfast; David Halle, U of California, Los Angeles; Tom Kelly, U of Illinois at Chicago; Ratoola Kunda, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; John Mollenkopf, CUNY; David C. Perry, U of Illinois at Chicago; Francisco Sabatini, Ponticia Universidad Catolica de Chile; Rodrigo Salcedo, Pontificia Universidad Catolica de Santiago; Dick Simpson, U of Illinois at Chicago; Daphne Spain, U of Virginia; Costas Spirou, National-Louis U in Chicago.
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cover of The City, the River, the Bridge: Before and after the Minneapolis Bridge Collapse

The City, the River, the Bridge

Before and after the Minneapolis Bridge Collapse

Patrick Nunnally

University of Minnesota Press, 2011

On August 1, 2007, just after 6:00 p.m., during the evening rush hour in Minneapolis, the 1,900-foot-long, eight-lane I-35W bridge buckled and crashed into the Mississippi River. The unimaginable had happened right on the doorstep of the University of Minnesota Twin Cities campus. Many of the first responders were from the University, persevering in the midst of chaos and disbelief. In the ensuing weeks, research and engineering teams from the University reviewed the wreckage, searched for causes, and began planning for the future.

The City, the River, the Bridge represents another set of responses to the disaster. Stemming from a 2008 University of Minnesota symposium on the bridge collapse and the building of a new bridge, it addresses the ramifications of the disaster from the perspectives of history, engineering, architecture, water science, community-based journalism, and geography. Contributors examine the factors that led to the collapse, the lessons learned from the disaster and the response, the policy and planning changes that have occurred or are likely to occur, and the impact on the city and the Mississippi River. The City, the River, the Bridge demonstrates the University's commitment to issues that concern the community and shares insights on public questions of city building, infrastructure, and design policy.

Contributors: John O. Anfinson; Roberto Ballarini; Heather Dorsey; Thomas Fisher; Minmao Liao; Judith A. Martin; Roger Miller; Mark Pedelty; Deborah L. Swackhamer; Melissa Thompson.
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cover of The Civil War Letters of Colonel Charles F. Johnson, Invalid Corps

The Civil War Letters of Colonel Charles F. Johnson, Invalid Corps

Fred Pelka

University of Massachusetts Press, 2004

Organized in May 1863 to meet the Union Army's growing manpower needs, the Invalid Corps—later renamed the Veteran Reserve Corps—was a unique military unit. With more than twenty-four regiments of troops, nearly all of them men disabled by illness or combat wounds, it was at one point twice as large as the entire pre-war United States Army. During four years of service its troops enforced the draft, guarded prisoners and vital outposts, protected rail lines and supply depots, and served as military police in cities all across the country. Members of the Corps escorted President Lincoln's body home to Illinois, and after the war its officers formed the nucleus of the new Freedman's Bureau. 

This volume brings together some 143 letters written by Colonel Charles F. Johnson, an officer who served with the 18th Veteran Reserve Corps after sustaining debilitating wounds during the Seven Days' Battles in June 1862. Edited with an introduction by Fred Pelka, the letters describe the day-to-day circumstances of “The Cripple Brigade,” as it was derisively called, as well as guerrilla warfare in Missouri, combat in Virginia, and barracks life in Washington, D.C. Johnson was a keen observer of his nation at war, and his correspondence with his wife Mary is by turns literate and comic, objective and personal. 

In his introduction and annotations, Pelka provides a detailed history of the Invalid Corps and explores the experience of disability in nineteenth-century America. He looks at how the nation responded to the sudden appearance of tens of thousands of newly disabled young men, and traces how members of the Invalid Corps fought not only to restore the Union but also to retain their dignity as Americans and as human beings.

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cover of The Civilian Conservation Corps in Alabama, 1933–1942: A Great and Lasting Good

The Civilian Conservation Corps in Alabama, 1933–1942

A Great and Lasting Good

Robert Pasquill Jr.

University of Alabama Press, 2008

The Civilian Conservation Corps was one of the better known and most successful of the New Deal programs following the Great Depression.  The causes of the Great Depression have been addressed and debated from a variety of perspectives through the years.  However, the effects explained in terms of human suffering leave little room for debate. By March of 1933, there were more than 13.6 million unemployed, and more than 200,000 of them were wandering the country looking for work. Homes and families were fractured.  President Roosevelt proposed to put 500,000 unemployed men from cities and towns into the woods to plant trees, reduce fire hazards, clear streams, check erosion, and improve the park system all across America.  With unprecedented speed, national legislation was written, passed, and funded, creating a myriad of programs—referred to as alphabet projects—in hopes of generating useful work and necessary paychecks and creating a “great and lasting good” for the American public.

CCC projects in Alabama would initially employ 20,000 men with projects in all 13 state forests and seven state parks.  This volume traces in great detail the work projects, the camp living conditions, the daily lives of the enrollees, the administration and management challenges, and the lasting effects of this Neal Deal program in Alabama.  Through archives, government documents, and more than 125 interviews with former enrollees of the CCC, Pasquill has recounted the CCC program in Alabama and brought this humanitarian program to life in the Alabama countryside. It was a truly monumental win-win situation emerging from a national and international economic tragedy.

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cover of The Claremont Run: Subverting Gender in the X-Men

The Claremont Run

Subverting Gender in the X-Men

J. Andrew Deman; Foreword by Jay Edidin

University of Texas Press, 2023

Winner — 2024 Will Eisner Comic Industry Awards in Best Academic/Scholarly Work, announced at San Diego Comic-Con International (2024)

A data-driven deep dive into a legendary comics author’s subversion of gender norms within the bestselling comic of its time.


By the time Chris Claremont’s run as author of Uncanny X-Men ended in 1991, he had changed comic books forever. During his sixteen years writing the series, Claremont revitalized a franchise on the verge of collapse, shaping the X-Men who appear in today’s Hollywood blockbusters. But, more than that, he told a new kind of story, using his growing platform to articulate transgressive ideas about gender nonconformity, toxic masculinity, and female empowerment.

J. Andrew Deman’s investigation pairs close reading and quantitative analysis to examine gender representation, content, characters, and story structure. The Claremont Run compares several hundred issues of Uncanny X-Men with a thousand other Marvel comics to provide a comprehensive account of Claremont’s sophisticated and progressive gender politics. Claremont’s X-Men upended gender norms: where female characters historically served as mere eye candy, Claremont’s had leading roles and complex, evolving personalities. Perhaps more surprisingly, his male superheroes defied and complicated standards of masculinity. Groundbreaking in their time, Claremont’s comics challenged readers to see the real world differently and transformed pop culture in the process.

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cover of The Clash of Moral Nations: Cultural Politics in Pilsudski’s Poland, 1926–1935

The Clash of Moral Nations

Cultural Politics in Pilsudski’s Poland, 1926–1935

Eva Plach

Ohio University Press, 2006

The May 1926 coup d’état in Poland inaugurated what has become known as the period of sanacja or “cleansing.” The event has been explored in terms of the impact that it had on state structures and political styles. But for both supporters and opponents of the post-May regime, the sanacja was a catalyst for debate about Polish national identity, about citizenship and responsibility to the nation, and about postwar sexual morality and modern gender identities. The Clash of Moral Nations is a study of the political culture of interwar Poland, as reflected in and by the coup. Eva Plach shifts the focus from strictly political contexts and examines instead the sanacja’s open-ended and malleable language of purification, rebirth, and moral regeneration. In tracking the diverse appropriations and manipulations of the sanacja concept, Plach relies on a wide variety of texts, including the press of the period, the personal and professional papers of notable interwar women activists, and the official records of pro-sanacja organizations, such as the Women’s Union for Citizenship Work. The Clash of Moral Nations introduces an important cultural and gendered dimension to understandings of national and political identity in interwar Poland.
[more]
cover of The Climate Trial: Law and Justice on a Melting Planet

The Climate Trial

Law and Justice on a Melting Planet

Noah Walker-Crawford

Duke University Press, 2026

Saúl Luciano Lliuya guides tours in the mountains and his family grow corn, wheat, barley, and potatoes on their farm in Huaraz, Peru, a community of more than 100,000 people in the Andes near Palcacocha, a glacial lake. Palcacocha, however, is growing, as is the major flood risk to Huaraz. Climate change through the emission of greenhouse gases continues to melt the Peruvian glaciers—greenhouse gases that come from corporate polluters not just in Peru, but across the industrialized world. So, Luciano Lliuya decided to sue. Although the German energy company RWE has never operated in Peru, Luciano Lliuya sought to hold the company, which uses coal power generation, liable for damages in a groundbreaking case that, despite being dismissed, established that major emitters can be held liable for climate harms. In The Climate Trial, anthropologist Noah Walker-Crawford draws on years of personal involvement with the lawsuit and extensive fieldwork in Peru and Germany to follow the people, legal strategies, scientific arguments, and political tensions that have shaped the trial. More than a courtroom drama, The Climate Trial is a deeply human story about moral responsibility in a changing world and what it means to be a “good neighbor” while living thousands of miles away.
[more]
cover of The Cochise Cultural Sequence in Southeastern Arizona

The Cochise Cultural Sequence in Southeastern Arizona

E. B. Sayles

University of Arizona Press, 1983

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
[more]
cover of The Cockfight: A Casebook

The Cockfight

A Casebook

Edited by Alan Dundes

University of Wisconsin Press, 1994

Originating more than 2500 years ago, cockfighting is one of the oldest documented sports in the world.  It has continued to flourish despite bans against it in many countries.  In The Cockfight: A Casebook, folklorist Alan Dundes brings together a diverse array of writing on this male-dominated ritual.
    Vivid descriptions of cockfights from Puerto Rico, Tahiti, Ireland, Spain, Brazil, and the Philippines complement critical commentaries, from the fourth-century reflections of St. Augustine to contemporary anthropological and psychoanalytic interpretations.  The various essays discuss the intricate rules of the cockfight, the ethical question of pitting two equally matched roosters in a fight to the death, the emotional involvement of cockfighters and fans, and the sexual implications of the sport.  The result is an enlightening collection for anthropologists, folklorists, sociologists, and psychologists, as well as followers of this ancient blood sport.

[more]
cover of The Codex and Crafts in Late Antiquity

The Codex and Crafts in Late Antiquity

Georgios Boudalis

Bard Graduate Center, 2018

The transition from roll to codex as the standard format of the book is one of the most culturally significant innovations of Late Antiquity. The Codex and Crafts in Late Antiquity examines surviving evidence in order to better understand how this transition took place. Placing the codex into the general cultural, religious, and technological context of Late Antiquity, the book examines the major types of codices—the wooden tablet codex, the single-quire codex and the multi-quire codex—in all their structural, technical, and decorative features. Georgios Boudalis argues that the codex was not an ingenious invention but rather an innovation that evolved using techniques already widely employed by artisans and craftspeople in the creation of everyday items such as socks, shoes, and baskets, revealing that the codex was a fascinating, yet practical, development.
 
[more]
cover of The Collapse of Ancient States and Civilizations

The Collapse of Ancient States and Civilizations

Edited by Norman Yoffee and George L. Cowgill

University of Arizona Press, 1988

This is an excellent collection of essays on the collapse of ancient states and civilizations by historians, archaeologists. . . . excellent overviews of the relevant research.—Contemporary Sociology
[more]
cover of The Collected Letters of Thomas and Jane Welsh Carlyle: April 1848–March 1849, Volume 23

The Collected Letters of Thomas and Jane Welsh Carlyle

April 1848–March 1849, Volume 23

Clyde de L. Ryals and Kenneth J. Fielding

Duke University Press, 0

The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.
[more]
cover of The Collected Short Stories of Bharati Mukherjee

The Collected Short Stories of Bharati Mukherjee

Edited by Ruth Maxey

Temple University Press, 2023

Pioneering Indian American writer Bharati Mukherjee is best known for her novel, Jasmine, and her breakthrough collection, The Middleman and Other Stories, which won the 1988 National Book Critics Circle Award. Her writing is distinguished as much by its narrative style and shifting points of view as it is by Mukherjee’s piercing emotional observations on the immigrant experience and her depiction of racism, nostalgia, and displacement.

The Collected Short Stories of Bharati Mukherjee is the first volume to feature the author’s complete short fiction—all 35 stories. Leading Mukherjee scholar Ruth Maxey edits the collection, unearthing seven unknown stories: five in Mukherjee’s unpublished 1963 Iowa Writer’s Workshop M.F.A. thesis, The Shattered Mirror, and two tales from 2008. 

Arranged chronologically, this essential collection brings many of Mukherjee’s stories back into print, from the semi-autobiographical story, “Hindus,” in her 1985 debut collection, Darkness, to her late stories, published from 1997-2012, as well as her classic, “The Management of Grief.” 

Maxey contextualizes Mukherjee’s short fiction and the provocative, often prescient political questions it raises about migration, nationhood, class, and history. The Collected Short Stories of Bharati Mukherjee features a Forward by prominent literary studies scholar Nalini Iyer and Afterword by critically acclaimed writer Lysley Tenorio, one of Mukherjee’s former students. It is an essential volume for readers both familiar with Mukherjee’s work and new to her groundbreaking fiction.
[more]
cover of The Colonial Construction of Indian Country: Native American Literatures and Federal Indian Law

The Colonial Construction of Indian Country

Native American Literatures and Federal Indian Law

Eric Cheyfitz

University of Minnesota Press, 2024

A guide to the colonization and projected decolonization of Native America

In The Colonial Construction of Indian Country, Eric Cheyfitz mounts a pointed historical critique of colonialism through careful analysis of the dialogue between Native American literatures and federal Indian law. Illuminating how these literatures indict colonial practices, he argues that if the decolonization of Indian country is to be achieved, then federal Indian law must be erased and replaced with independent Native nation sovereignty—because subordinate sovereignty, the historical regime, is not sovereignty at all.

 

At the same time, Cheyfitz argues that Native American literatures, specifically U.S. American Indian literatures, cannot be fully understood without a knowledge of U.S. federal Indian law: the matrix of colonialism in Indian country. Providing intersectional readings of a range of literary and legal texts, he discusses such authors as Louise Erdrich, Frances Washburn, James Welch, Gerald Vizenor, Simon Ortiz, Leslie Marmon Silko, and others. Cheyfitz examines how American Indian writers and critics have responded to the impact of law on Native life, revealing recent trends in Native writing that build upon traditional modes of storytelling and governance. 

 

With a focus on resistance to the colonial regime of federal Indian law, The Colonial Construction of Indian Country not only elucidates how Native American literatures and federal Indian law are each crucial to any reading of the other, it also guides readers to better understand the genocidal assault on Indigenous peoples by Western structures of literacy, politics, and law.

[more]
cover of The Colonias Reader: Economy, Housing and Public Health in U.S.-Mexico Border Colonias

The Colonias Reader

Economy, Housing and Public Health in U.S.-Mexico Border Colonias

Edited by Angela J. Donelson and Adrian X. Esparza

University of Arizona Press, 2010

The colonias of the U.S.–Mexico border form a loose network of more than 2,500 settlements, ranging in size from villages to cities, that are home to over a million people. While varying in size, all share common features: wrenching poverty, substandard housing, and public health issues approaching crisis levels. This book brings together scholars, professionals, and activists from a wide range of disciplines to examine the pressing issues of economic development, housing and community development, and public and environmental health in colonias of the four U.S.–Mexico border states.

The Colonias Reader is the first book to present such a broad overview of these communities, offering a glimpse into life in the colonias and the circumstances that allow them to continue to exist—and even grow—in persistent poverty. The contributors document the depth of existing problems in each state and describe how government agencies, nongovernmental organizations, and community activists have mobilized resources to overcome obstacles to progress.

More than reporting problems and documenting programs, the book provides conceptual frameworks that tie poverty to institutional and class-based conflicts, and even challenges the very basis of colonia designations. Most of these contributions move beyond portraying border residents as hapless victims of discrimination and racism, showing instead their devotion to improving their own living conditions through grassroots organizing and community leadership.

These contributions show that, despite varying degrees of success, all colonia residents aspire to a livable wage, safe and decent housing, and basic health care. The Colonias Reader showcases many situations in which these people have organized to fulfill these ambitions and provides new insight into life along the border.
[more]
cover of The Colonizing Self: Or, Home and Homelessness in Israel/Palestine

The Colonizing Self

Or, Home and Homelessness in Israel/Palestine

Hagar Kotef

Duke University Press, 2020

Colonizers continuously transform spaces of violence into spaces of home. Israeli Jews settle in the West Bank and in depopulated Palestinian houses in Haifa or Jaffa. White missionaries build their lives in Africa. The descendants of European settlers in the Americas and Australia dwell and thrive on expropriated indigenous lands. In The Colonizing Self Hagar Kotef traces the cultural, political, and spatial apparatuses that enable people and nations to settle on the ruins of other people's homes. Kotef demonstrates how the mass and structural modes of violence that are necessary for the establishment and sustainment of the colony dwell within settler-colonial homemaking, and through it shape collective and individual identities. She thus powerfully shows how the possibility to live amid the destruction one generates is not merely the possibility to turn one's gaze away from violence but also the possibility to develop an attachment to violence itself. Kotef thereby offers a theoretical framework for understanding how settler-colonial violence becomes inseparable from one's sense of self.
[more]
cover of The Color Bind: Talking (and Not Talking) About Race at Work

The Color Bind

Talking (and Not Talking) About Race at Work

Erica Gabrielle Foldy

Russell Sage Foundation, 2014

Since the 1960s, the dominant model for fostering diversity and inclusion in the United States has been the “color blind” approach, which emphasizes similarity and assimilation and insists that people should be understood as individuals, not as members of racial or cultural groups. This approach is especially prevalent in the workplace, where discussions about race and ethnicity are considered taboo. Yet, as widespread as “color blindness” has become, many studies show that the practice has damaging repercussions, including reinforcing the existing racial hierarchy by ignoring the significance of racism and discrimination. In The Color Bind, workplace experts Erica Foldy and Tamara Buckley investigate race relations in office settings, looking at how both color blindness and what they call “color cognizance” have profound effects on the ways coworkers think and interact with each other. Based on an intensive two-and-a-half-year study of employees at a child welfare agency, The Color Bind shows how color cognizance—the practice of recognizing the profound impact of race and ethnicity on life experiences while affirming the importance of racial diversity—can help workers move beyond silence on the issue of race toward more inclusive workplace practices. Drawing from existing psychological and sociological research that demonstrates the success of color-cognizant approaches in dyads, workgroups and organizations, Foldy and Buckley analyzed the behavior of work teams within a child protection agency. The behaviors of three teams in particular reveal the factors that enable color cognizance to flourish. While two of the teams largely avoided explicitly discussing race, one group, “Team North,” openly talked about race and ethnicity in team meetings. By acknowledging these differences when discussing how to work with their clients and with each other, the members of Team North were able to dig into challenges related to race and culture instead of avoiding them. The key to achieving color cognizance within the group was twofold: It required both the presence of at least a few members who were already color cognizant, as well as an environment in which all team members felt relatively safe and behaved in ways that strengthened learning, including productively resolving conflict and reflecting on their practice. The Color Bind provides a useful lens for policy makers, researchers and practitioners pursuing in a wide variety of goals, from addressing racial disparities in health and education to creating diverse and inclusive organizations to providing culturally competent services to clients and customers. By foregrounding open conversations about race and ethnicity, Foldy and Buckley show that institutions can transcend the color bind in order to better acknowledge and reflect the diverse populations they serve.
[more]
cover of The Color Black: Enslavement and Erasure in Iran

The Color Black

Enslavement and Erasure in Iran

Beeta Baghoolizadeh

Duke University Press, 2024

In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined—and interchangeable—in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
[more]
cover of The Color Line and the Quality of Life in America

The Color Line and the Quality of Life in America

Reynolds Farley

Russell Sage Foundation, 1987

Is the United States a nation divided by the "color line," as W.E.B. Dubois declared? What is the impact of race on the lives of Americans today? In this powerful new assessment of the social reality of race, Reynolds Farley and Walter Allen compare demographic, social, and economic characteristics of blacks and whites to discover how and to what extent racial identity influences opportunities and outcomes in our society. They conclude that despite areas of considerable gain, black Americans continue to be substantially disadvantaged relative to whites. A Volume in the Russell Sage Foundation Census Series
[more]
cover of The Color Line: Legacy for the Twenty-First Century

The Color Line

Legacy for the Twenty-First Century

John Hope Franklin

University of Missouri Press, 1993

Nearly twenty years after his book Racial Equality in America, Franklin addressed the issue of racial inequality. In the Paul Anthony Brick Lectures given at the University of Missouri-Columbia, just one day after the "not guilty" verdict was returned in the trial of Los Angeles police officers for the beating of Rodney King, Franklin delivered a piercing depiction of the color line that persists in America. A scathing portrait of how discrimination has been allowed to flourish and a poignantly despairing prognosis for its end, The Color Line: Legacy for the Twenty-First Century is a perfect companion to the earlier volume. Together these books powerfully define and describe the long-held, but still unrealized, goal of equal rights for all Americans.
[more]
cover of The Color Pynk: Black Femme Art for Survival

The Color Pynk

Black Femme Art for Survival

Omise'eke Natasha Tinsley

University of Texas Press, 2022

2023 John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular and American Culture Association (PACA) / Popular Culture Association (PCA)

2023 Honorable Mention, Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, Popular and American Culture Association (PACA) / Popular Culture Association (PCA)

2024 MPCA/ACA Best Single Work by One or More Authors, Midwest Popular Culture Association / Midwest American Culture Association (MPCA/ACA)


A celebration of the distinctive and politically defiant art of Black queer, cis-, and transfemmes, from the work of Janelle Monáe and Janet Mock to that of Indya Moore and Kelsey Lu.

The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise’eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom.

Tinsley engages 2017–2020 Black femme cultural production that colorfully and provocatively imagines freedom in the stark white face of its impossibility. Looking to the music of Janelle Monáe and Kelsey Lu, Janet Mock’s writing for the television show Pose, the fashion of Indya Moore and (F)empower, and the films of Tourmaline and Juliana Huxtable, as well as poetry and novels, The Color Pynk conceptualizes Black femme as a set of consciously, continually rescripted cultural and aesthetic practices that disrupts conventional meanings of race, gender, and sexuality. There is an exuberant defiance in queer Black femininity, Tinsley finds—so that Black femmes continue to love themselves wildly in a world that resists their joy.

[more]
cover of The Color of Asylum: The Racial Politics of Safe Haven in Brazil

The Color of Asylum

The Racial Politics of Safe Haven in Brazil

Katherine Jensen

University of Chicago Press, 2023

An ethnography of the difficult experiences of refugees in Brazil.
 
In 2013, as Syrians desperate to escape a brutal war fled the country, Brazil took the remarkable step of instituting an open-door policy for all Syrian refugees. Why did Brazil—in contrast to much of the international community—offer asylum to any Syrian who would come? And how do Syrians differ from other refugee populations seeking status in Brazil?
 
In The Color of Asylum, Katherine Jensen offers an ethnographic look at the process of asylum seeking in Brazil, uncovering the different ways asylum seekers are treated and the racial logic behind their treatment. She focuses on two of the largest and most successful groups of asylum seekers: Syrian and Congolese refugees. While the groups obtain asylum status in Brazil at roughly equivalent rates, their journey to that status could not be more different, with Congolese refugees enduring significantly greater difficulties at each stage, from arrival through to their treatment by Brazilian officials. As Jensen shows, Syrians, meanwhile, receive better treatment because the Brazilian state recognizes them as white, in a nation that has historically privileged white immigration. Ultimately, however, Jensen reaches an unexpected conclusion: Regardless of their country of origin, even migrants who do secure asylum status find their lives remain extremely difficult, marked by struggle and discrimination.

 
[more]
cover of The Color of Democracy in Women's Regional Writing

The Color of Democracy in Women's Regional Writing

Jean Carol Griffith

University of Alabama Press, 2009

Exploring how women writers used regional fiction to reimagine democracy, identity, and belonging in America.

American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women's Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers. 

Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism's responses to the debate over who was capable of democratic participation and reading regionalism's changing mediations between natives and strangers as reflections of the changing face of democracy. 

This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.

[more]
cover of The Color of Family: History, Race, and the Politics of Ancestry

The Color of Family

History, Race, and the Politics of Ancestry

Michael O'Malley

University of Chicago Press, 2024

A uniquely blended personal family history and history of the changing definitions of race in America.
 
A zealous eugenicist ran Virginia’s Bureau of Vital Statistics in the first half of the twentieth century, misusing his position to reclassify people he suspected of hiding their “true” race. But in addition to being blinded by his prejudices, he and his predecessors were operating more by instinct than by science. Their whole dubious enterprise was subject not just to changing concepts of race but outright error, propagated across generations.
 
This is how Michael O’Malley, a descendant of a Philadelphia Irish American family, came to have “colored” ancestors in Virginia. In The Color of Family, O’Malley teases out the various changes made to citizens’ names and relationships over the years, and how they affected families as they navigated what it meant to be “white,” “colored,” “mixed race,” and more. In the process, he delves into the interplay of genealogy and history, exploring how the documents that establish identity came about, and how private companies like Ancestry.com increasingly supplant state and federal authorities—and not for the better.
 
Combining the history of O’Malley’s own family with the broader history of racial classification, The Color of Family is an accessible and lively look at the ever-shifting and often poisoned racial dynamics of the United States.
[more]
cover of The Color of Liberty: Histories of Race in France

The Color of Liberty

Histories of Race in France

Sue Peabody and Tyler Stovall, eds.

Duke University Press, 2003

France has long defined itself as a color-blind nation where racial bias has no place. Even today, the French universal curriculum for secondary students makes no mention of race or slavery, and many French scholars still resist addressing racial questions. Yet, as this groundbreaking volume shows, color and other racial markers have been major factors in French national life for more than three hundred years. The sixteen essays in The Color of Liberty offer a wealth of innovative research on the neglected history of race in France, ranging from the early modern period to the present.

The Color of Liberty addresses four major themes: the evolution of race as an idea in France; representations of "the other" in French literature, art, government, and trade; the international dimensions of French racial thinking, particularly in relation to colonialism; and the impact of racial differences on the shaping of the modern French city. The many permutations of race in French history—as assigned identity, consumer product icon, scientific discourse, philosophical problem, by-product of migration, or tool in empire building—here receive nuanced treatments confronting the malleability of ideas about race and the uses to which they have been put.

Contributors. Leora Auslander, Claude Blanckaert, Alice Conklin, Fred Constant, Laurent Dubois, Yaël Simpson Fletcher, Richard Fogarty, John Garrigus, Dana Hale, Thomas C. Holt, Patricia M. E. Lorcin, Dennis McEnnerney, Michael A. Osborne, Lynn Palermo, Sue Peabody, Pierre H. Boulle, Alyssa Goldstein Sepinwall, Tyler Stovall, Michael G. Vann, Gary Wilder

[more]
cover of The Color of Loss: An Intimate Portrait of New Orleans after Katrina

The Color of Loss

An Intimate Portrait of New Orleans after Katrina

Photographs and introduction by Dan Burkholder

University of Texas Press, 2008

The devastation of New Orleans after Hurricane Katrina has been imprinted in our collective visual memory by thousands of images in the media and books of dramatic photographs by Robert Polidori, Larry Towell, Chris Jordan, Debbie Fleming Caffrey, and others. New Orleanians want the world to see and respond to the destruction of their city and the suffering of its people—and yet so many images of so much destruction threaten a visual and emotional overload that would tempt us to avert our eyes and become numb.

In The Color of Loss, Dan Burkholder presents a powerful new way of seeing the ravaged homes, churches, schools, and businesses of New Orleans. Using an innovative digital photographic technology called high dynamic range (HDR) imaging, in which multiple exposures are artistically blended to bring out details in the shadows and highlights that would be hidden in conventional photographs, he creates images that are almost like paintings in their richness of color and profusion of detail. Far more intense and poetic than purely documentary photographs, Burkholder's images lure viewers to linger over the artifacts of people's lives—a child's red wagon abandoned in a mud-caked room, a molding picture of Jesus—to fully understand the havoc thrust upon the people of New Orleans.

In the deserted, sinisterly beautiful rooms of The Color of Loss, we see how much of the splendor and texture of New Orleans washed away in the flood. This is the hidden truth of Katrina that Dan Burkholder has revealed.

[more]
cover of The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

The Color of Love

Racial Features, Stigma, and Socialization in Black Brazilian Families

By Elizabeth Hordge-Freeman

University of Texas Press, 2015

Winner, Section on the Sociology of Emotions Outstanding Recent Contribution (Book) Award, American Sociological Association, 2016
Charles Horton Cooley Award for Recent Book, Society for the Study of Symbolic Interaction, 2017
Best Publication Award, Section on Body and Embodiment, American Sociological Association (ASA), 2018

The Color Of Love reveals the power of racial hierarchies to infiltrate our most intimate relationships. Delving far deeper than previous sociologists have into the black Brazilian experience, Elizabeth Hordge-Freeman examines the relationship between racialization and the emotional life of a family. Based on interviews and a sixteen-month ethnography of ten working-class Brazilian families, this provocative work sheds light on how families simultaneously resist and reproduce racial hierarchies. Examining race and gender, Hordge-Freeman illustrates the privileges of whiteness by revealing how those with “blacker” features often experience material and emotional hardships. From parental ties, to sibling interactions, to extended family and romantic relationships, the chapters chart new territory by revealing the connection between proximity to whiteness and the distribution of affection within families.

Hordge-Freeman also explores how black Brazilian families, particularly mothers, rely on diverse strategies that reproduce, negotiate, and resist racism. She frames efforts to modify racial features as sometimes reflecting internalized racism, and at other times as responding to material and emotional considerations. Contextualizing their strategies within broader narratives of the African diaspora, she examines how Salvador’s inhabitants perceive the history of the slave trade itself in a city that is referred to as the “blackest” in Brazil. She argues that racial hierarchies may orchestrate family relationships in ways that reflect and reproduce racial inequality, but black Brazilian families actively negotiate these hierarchies to assert their citizenship and humanity.

[more]
cover of The Color of Mind: Why the Origins of the Achievement Gap Matter for Justice

The Color of Mind

Why the Origins of the Achievement Gap Matter for Justice

Derrick Darby and John L. Rury

University of Chicago Press, 2018

American students vary in educational achievement, but white students in general typically have better test scores and grades than black students. Why is this the case, and what can school leaders do about it? In The Color of Mind, Derrick Darby and John L. Rury answer these pressing questions and show that we cannot make further progress in closing the achievement gap until we understand its racist origins.

Telling the story of what they call the Color of Mind—the idea that there are racial differences in intelligence, character, and behavior—they show how philosophers, such as David Hume and Immanuel Kant, and American statesman Thomas Jefferson, contributed to the construction of this pernicious idea, how it influenced the nature of schooling and student achievement, and how voices of dissent such as Frederick Douglass, Frances Ellen Watkins Harper, and W. E. B. Du Bois debunked the Color of Mind and worked to undo its adverse impacts.

Rejecting the view that racial differences in educational achievement are a product of innate or cultural differences, Darby and Rury uncover the historical interplay between ideas about race and American schooling, to show clearly that the racial achievement gap has been socially and institutionally constructed. School leaders striving to bring justice and dignity to American schools today must work to root out the systemic manifestations of these ideas within schools, while still doing what they can to mitigate the negative effects of poverty, segregation, inequality, and other external factors that adversely affect student achievement. While we cannot expect schools alone to solve these vexing social problems, we must demand that they address the dignitary injustices associated with how we track, discipline, and deal with special education that reinforce long-standing racist ideas. That is the only way to expel the Color of Mind from schools, close the racial achievement gap, and afford all children the dignity they deserve.
[more]
cover of The Color of Modernity: São Paulo and the Making of Race and Nation in Brazil

The Color of Modernity

São Paulo and the Making of Race and Nation in Brazil

Barbara Weinstein

Duke University Press, 2015

In The Color of Modernity, Barbara Weinstein focuses on race, gender, and regionalism in the formation of national identities in Brazil; this focus allows her to explore how uneven patterns of economic development are consolidated and understood. Organized around two principal episodes—the 1932 Constitutionalist Revolution and 1954’s IV Centenário, the quadricentennial of São Paulo’s founding—this book shows how both elites and popular sectors in São Paulo embraced a regional identity that emphasized their European origins and aptitude for modernity and progress, attributes that became—and remain—associated with “whiteness.” This racialized regionalism naturalized and reproduced regional inequalities, as São Paulo became synonymous with prosperity while Brazil’s Northeast, a region plagued by drought and poverty, came to represent backwardness and São Paulo’s racial “Other.”  This view of regional difference, Weinstein argues, led to development policies that exacerbated these inequalities and impeded democratization.
[more]
cover of The Color of Opportunity: Pathways to Family, Welfare, and Work

The Color of Opportunity

Pathways to Family, Welfare, and Work

Haya Stier and Marta Tienda

University of Chicago Press, 2000

In The Color of Opportunity, Haya Stier and Marta Tienda ask: How do race and ethnicity limit opportunity in post-civil rights Chicago? In the 1960s, Chicago was a focal point of civil rights activities. But in the 1980s it served as the laboratory for ideas about the emergence and social consequences of concentrated urban poverty; many experts such as William J. Wilson downplayed the significance of race as a cause of concentrated poverty, emphasizing instead structural causes that called for change in employment policy. But in this new study, Stier and Tienda ask about the pervasive poverty, unemployment, and reliance on welfare among blacks and Hispanics in Chicago, wondering if and how the inner city poor differ from the poor in general.

The culmination of a six-year collaboration analyzing the Urban Poverty and Family Life Survey of Chicago, The Color of Opportunity is the first major work to compare Chicago's inner city minorities with national populations of like race and ethnicity from a life course perspective. The authors find that blacks, whites, Mexicans, and Puerto Ricans living in poor neighborhoods differ in their experiences with early material deprivation and the lifetime disadvantages that accumulate—but they do not differ much from the urban poor in their family formation, welfare participation, or labor force attachment. Stier and Tienda find little evidence for ghetto-specific behavior, but they document the myriad ways color still restricts economic opportunity.

The Color of Opportunity stands as a much-needed corrective to increasingly negative views of poor people of color, especially the poor who live in deprived neighborhoods. It makes a key and lasting contribution to ongoing debates about the origins and nature of urban poverty.
[more]
cover of The Color of Paper: Representing Race in the Comics Medium

The Color of Paper

Representing Race in the Comics Medium

Chris Gavaler

The Ohio State University Press, 2026

How does a comics reader understand that a certain race is assigned to a character? In The Color of Paper, Chris Gavaler establishes a formal approach for analyzing racial representations in comics, demonstrating that the ink-on-paper materiality of comics reveals the illogic of metaphorical colors as racial categorizations. Analyzing images by a wide range of comics artists and colorists, including Emilee Denich, Jaime Hernandez, George Herriman, Jack Kirby, and Ben Passmore, Gavaler goes beyond pigment and gradient to explore the formal and material elements of page backgrounds and the negative space of gutters that literally frame race in comics. He surveys major and independent publishers to assess how industry trends and evolving coloring techniques affect racial representation. And, breaking from subjective and overgeneralized analytical norms, Gavaler grounds his analysis in quantitative research on viewers’ responses. The centuries-old relationships between drawn racial markers and assumptions about their meanings continue in a white-dominated culture that benefits from and therefore preserves illusions of their natural accuracy. Denaturalizing racial depictions through formal visual analysis potentially alters racial thinking in ways that extend beyond works on paper and into daily lives.
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