5550 books match the query 'Biography & Autobiography' and 1006 start with t

cover of Third Alabama!: The Civil War Memoir of Brigadier General Cullen Andrews Battle, CSA

Third Alabama!

The Civil War Memoir of Brigadier General Cullen Andrews Battle, CSA

Cullen Andrews Battle

University of Alabama Press, 2002

This memoir is a dramatic, intelligent first-person account of an Alabama regiment central to the Confederate campaign, written by its commander.

From Seven Pines to Sharpsburg and Chancellorsville to Spotsylvania, the Third Alabama Regiment played a key role in the Civil War. One of the first infantry units from the Deep South to make the journey to Virginia in 1861, the Third Alabama was the first to cross the Potomac into Maryland and to enter the streets of Gettysburg in 1863.

As the regiment’s leader and one of General Robert E. Lee’s brigade commanders, General Cullen Andrews Battle witnessed the extent of the many triumphs and sufferings of the Army of Northern Virginia. Trained as a journalist and lawyer, he records these events honestly and with compassion. Battle captures the courage of citizen soldiers fighting without prior military training, always paying tribute to the heroism of those under his command, while providing vivid accounts of some of the war’s bloodiest fights. He assesses Confederate mistakes, particularly at Seven Pines—and sheds light on the third Battle of Winchester, the only decisive defeat in which the regiment was involved.

Brandon Beck’s introductory notes provide a thorough review of Battle’s life and valuable biographical information on soldiers under his command as well as on other officers in the Army of Northern Virginia. A worthwhile addition to all Civil War libraries, public or private, Third Alabama! offers an informative, dramatic reading of the wartime activities of one of the Confederacy’s bravest fighting units.

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cover of Thirty Rooms to Hide In: Insanity, Addiction, and Rock ‘n’ Roll in the Shadow of the Mayo Clinic

Thirty Rooms to Hide In

Insanity, Addiction, and Rock ‘n’ Roll in the Shadow of the Mayo Clinic

Luke Longstreet Sullivan

University of Minnesota Press, 2014

Author Luke Longstreet Sullivan has a simple way of describing his new memoir: “It’s like The Shining . . . only funnier.” Thirty Rooms to HideIn tells the astonishing story of Sullivan’s father and his descent from one of the world’s top orthopedic surgeons at the Mayo Clinic to a man who is increasingly abusive, alcoholic, and insane, ultimately dying alone on the floor of a Georgia motel room. For his wife and six sons, the years prior to his death were characterized by turmoil, anger, and family dysfunction; but somehow they were also a time of real happiness for Sullivan and his brothers, full of dark humor and much laughter.

Through the 1950s and 1960s, the six brothers had a wildly fun and thoroughly dysfunctional childhood living in a forbidding thirty-room mansion, known as the Millstone, on the outskirts of Rochester, Minnesota. The many rooms of the immense home, as well as their mother’s loving protection, allowed the Sullivan brothers to grow up as normal, mischievous boys. Against a backdrop of the times—the Cold War, the Cuban Missile Crisis, fallout shelters, JFK’s assassination, and the Beatles—the cracks in their home life and their father’s psyche continue to widen. When their mother decides to leave the Millstone and move the family across town, the Sullivan boys are able to find solace in each other and in rock ’n’ roll.

As Thirty Rooms to HideIn follows the story of the Sullivan family—at times grim, at others poignant—a wonderful, dark humor lifts the narrative. Tragic, funny, and powerfully evocative of the 1950s and 1960s, Thirty Rooms to Hide In is a tale of public success and private dysfunction, personal and familial resilience, and the strange power of humor to give refuge when it is needed most, even if it can’t always provide the answers.

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cover of This Brain Had a Mouth: Lucy Gwin and the Voice of Disability Nation

This Brain Had a Mouth

Lucy Gwin and the Voice of Disability Nation

James M. Odato

University of Massachusetts Press, 2021

Author, advocacy journalist, disability rights activist, feminist, and founder of Mouth magazine, Lucy Gwin (1943—2014) made her mark by helping those in "handicaptivity" find their voice. Gwin produced over one hundred issues of the magazine—one of the most radical and significant disability rights publications—and masterminded its acerbic, sometimes funny, and often moving articles about people from throughout the disability community.

In this engrossing biography, James M. Odato provides an intimate portrait of Gwin, detailing how she forged her own path into activism. After an automobile accident left her with a brain injury, Gwin became a tireless advocate for the equal rights of people she termed "dislabled." More than just a publisher, she fought against corruption in the rehabilitation industry, organized for the group Not Dead Yet, and much more. With Gwin's story at the center, Odato introduces readers to other key disability rights activists and organizations, and supplies context on current contentious topics such as physician-assisted suicide. Gwin's impact on disability rights was monumental, and it is time her story is widely known.
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cover of This Bright Light of Ours: Stories from the Voting Rights Fight

This Bright Light of Ours

Stories from the Voting Rights Fight

Maria Gitin

University of Alabama Press, 2014

Combining memoir with oral history, creates a vivid and searing portrait of the Freedom Summer of 1965.

This Bright Light of Ours offers a tightly focused insider’s view of the community-based activism that was the heart of the civil rights movement. A celebration of grassroots heroes, this book details through first-person accounts the contributions of ordinary people who formed  the nonviolent army that won the fight for voting rights.

Combining memoir and oral history, Maria Gitin fills a vital gap in civil rights history by focusing on the neglected Freedom Summer of 1965 when hundreds of college students joined forces with local black leaders to register thousands of new black voters in the rural South. Gitin was an idealistic nineteen-year-old college freshman from a small farming community north of San Francisco who felt called to action when she saw televised images of brutal attacks on peaceful demonstrators during Bloody Sunday, in Selma, Alabama.

Atypical among white civil rights volunteers, Gitin came from a rural low-income family. She raised funds to attend an intensive orientation in Atlanta featuring now-legendary civil rights leaders. Her detailed letters include the first narrative account of this orientation and the only in-depth field report from a teenage Summer Community Organization and Political Education (SCOPE) project participant.

Gitin details the dangerous life of civil rights activists in Wilcox County, Alabama, where she was assigned. She tells of threats and arrests, but also of forming deep friendships and of falling in love. More than four decades later, Gitin returned to Wilcox County to revisit the people and places that she could never forget and to discover their views of the “outside agitators” who had come to their community. Through conversational interviews with more than fifty Wilcox County residents and former civil rights workers, she has created a channel for the voices of these unheralded heroes who formed the backbone of the civil rights movement.

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cover of This Fine Place So Far from Home: Voices of Academics from the Working Class

This Fine Place So Far from Home

Voices of Academics from the Working Class

edited by C. L. Barney Dews and Carolyn Leste Law

Temple University Press, 1995

These autobiographical and analytical essays by a diverse group of professors and graduate students from working-class families reveal an academic world in which "blue-collar work is invisible." Describing conflict and frustration, the contributors expose a divisive middle-class bias in the university setting. Many talk openly about how little they understood about the hierarchy and processes of higher education, while others explore how their experiences now affect their relationships with their own students. They all have in common the anguish of choosing to hide their working-class background, to keep the language of home out of the classroom and the ideas of school away from home. These startlingly personal stories highlight the fissure between a working-class upbringing and the more privileged values of the institution.

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cover of This Is Not For You: An Activist's Journey of Resistance and Resilience

This Is Not For You

An Activist's Journey of Resistance and Resilience

Richard Brown

Oregon State University Press, 2021

This Is Not For You tells the story of activist and photographer Richard Brown, a Black Portlander who has spent decades working to bridge the divide between police and the Black community. His memoir brings readers with him into the streets with fellow activists, into squad cars with the rank-and-file, and to regular meetings with mayors and police chiefs. There are very few people doing the kind of work Richard Brown has done. And that, as he sees it, is a big problem.

The book finds Brown approaching his eightieth birthday and reflecting on his life. As he recalls his childhood in 1940s Harlem, his radicalization in the newly desegregated Air Force, and his decades of activism in one of America’s whitest cities, he questions how much longer he’ll do this work, and he wonders who, if anyone, will take his place.

This is a book about how and why to become an engaged, activist citizen, and how activists can stay grounded, no matter how deeply they immerse themselves in the work. It also offers an intimate, firsthand look at policing: what policing is and could be, how civilians can have a say, and how police can and should be responsive to and inclusive of civilian voices. This Is Not For You speaks on every page about being Black in America: about Black pride; Black history, art, and culture; and the experience of resisting white supremacy. It also stands as a much-needed counternarrative to Portlandia, telling a different story about the city and who has shaped it.

Over fifty percent of royalties earned on this book will be donated to organizations working on behalf of Black Portlanders.
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cover of This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement

This Is Rhythm

Ella Jenkins, Children’s Music, and the Long Civil Rights Movement

Gayle F. Wald

University of Chicago Press, 2025

The remarkable life story of Ella Jenkins, “The First Lady of Children’s Music.”
 
Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs “You’ll Sing a Song and I’ll Sing a Song” and “Who Fed the Chickens?” are classics in the world of children’s music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children’s music, Ella Jenkins’s sonic civil rights activism isn’t widely known today.
 
Based on dozens of interviews and access to Ella Jenkins’s personal archives, Gayle F. Wald’s This Is Rhythm shares how Jenkins, a “rhythm specialist” with no formal musical training, became the most prolific and significant American children’s musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism—a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a “private” Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her “call-and-response” method has influenced and empowered generations of children and adults. 

A beautifully written tribute to Ella Jenkins’s legacy, this biography illustrates her impact on children’s music and expands our understanding of folk music’s relationship with social justice. Jenkins used music to build a new world in which children—and adults—are encouraged to listen to each other’s distinct rhythms.
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cover of This Is Where I Am: A Memoir

This Is Where I Am

A Memoir

Zeke Caligiuri

University of Minnesota Press, 2016

Prison is where Zeke Caligiuri is. Powderhorn Park in South Minneapolis, dubbed “Murderapolis” the year he turned eighteen, is where he comes from. It was the same neighborhood his father grew up in but had changed dramatically by the early 1990s. Yet in Zeke’s family, father and mother and grandmother kept things together while all around them the houses decayed and once-safe streets gave way to the crush of poverty and crime. 

This Is Where I Am is Zeke Caligiuri’s clear-eyed account of how he got from there to here, how a boy who had every hope went from dreaming of freedom to losing it, along with nearly everything and everyone he loved. Tenderhearted in its reflections on his lost childhood, brutally candid in its description of a life of hanging and hustling, Zeke’s memoir recreates a world of tagging and goofing gone awry, of moving from smoking pot to unsuccessful attempts at dealing crack, of watching his father weep at the funeral of a seventeen-year-old boy, of going to jail: first strike. It is a place where, when asked what he's going to do with his life, a friend can only answer: “What the fuck are you talking about?”

This Is Where I Am is Zeke's own answer: he is going to tell his story, every sharp detail and sobering word, with the natural grace of a gifted writer and the hard-won wisdom of hindsight. 

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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam.
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age fifty-eight, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his biological father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

 
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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam. 
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age 58, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his real father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

[more]
cover of This Magnetic North: Candid Conversations on a Changing Northern Michigan

This Magnetic North

Candid Conversations on a Changing Northern Michigan

Tim Mulherin

Michigan State University Press, 2025

What happens when a place is so beautiful that everyone wants to go there—and then they stay? 
This book explores a phenomenon occurring around Michigan’s Great Lakes and other high-demand scenic locations across the country: natural landscapes are undergoing profound human and climatological change as people pick up their lives and move to bucolic locations. The Grand Traverse region in northwest lower Michigan has been one of the most impacted regions in the state, with the population increase accelerated by the pandemic and climate change. The impact of this growth is explored through field observations and interviews involving dozens of born-and-raised locals, “boomerangers” (those who grew up, left, then returned), and relocators. The author explores the tensions between newcomers and “natives.” Interviewees include tourist industry leaders, conservationists, business owners, public safety officials, tribal members, Sleeping Bear Dunes National Lakeshore officials, and more. These voices characterize the region’s diverse views, providing insight into how one of the most popular vacation destinations in the country is attempting to balance environmental preservation with an influx of people. Northwest lower Michigan’s story of transformation, as tradition collides with progress, holds many lessons and will resonate with everyone who has ever lived in or visited such an enchanting place and dreams of calling it home.
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cover of This Music: Record of a Poet Becoming

This Music

Record of a Poet Becoming

Janice Gould; Edited by Jennifer Elise Foerster, Deborah A. Miranda, Kim Shuck, Lisa Tatonetti, and Marie-Elise Wheatwind; Foreword by Joy Harjo

University of Arizona Press, 2026

This Music is the final, intimate work of celebrated Koyoonk’auwi (Concow) poet and essayist Janice Gould, completed posthumously by a collective of close friends and literary scholars.

Told through lyrical prose poems and personal photographs, this memoir traces Gould’s life as a queer/Two-Spirit California Native coming of age in the late 1960s, navigating family, identity, activism, and art. With reflections on her mixed-blood heritage, her experiences in lesbian feminist circles, and her journey as a poet and musician, Gould’s voice resonates with clarity, tenderness, and fierce honesty.

The book opens with a foreword by Joy Harjo and an introduction from the editorial collective, including an essay by Gould’s spouse, Marie-Elise Wheatwind, framing the memoir as both a literary achievement and a loving tribute.

This Music is a vital contribution to Indigenous and LGBTQ+ literatures, offering readers a rare and powerful account of gender, sexuality, and Native identity in mid-century and contemporary America. As the one hundredth volume in the Sun Tracks series, this work honors Gould’s legacy while expanding the canon of poetic memoir. Ideal for readers of poetry, memoir, and Indigenous literature, this book will resonate deeply with scholars, students, and anyone drawn to stories of resilience, creativity, and the enduring power of memory.

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cover of This One Will Hurt You

This One Will Hurt You

Paul Crenshaw

The Ohio State University Press, 2019

The powerful essays in Paul Crenshaw’s This One Will Hurt You range in subject matter from the fierce tornadoes that crop up in Tornado Alley every spring and summer to a supposedly haunted one-hundred-year-old tuberculosis sanatorium that he lived on the grounds of as a child. They ruminate on the effects of crystal meth on small southern towns, Maurice Sendak’s Where the Wild Things Are, and the ongoing struggle of being a parent in an increasingly disturbing world. They surprise, whether discovering a loved one’s secret, an opossum’s motivation, or the unexpected decision four beer-guzzling, college-aged men must make. They tell stories of family and the past, the histories of small things such as walls and weather, and the faith it takes to hold together in the face of death.
 
With eloquence, subtle humor, and an urgent poignancy, Crenshaw delivers a powerful and moving collection of nonfiction essays, tied together by place and the violence of the world in which we live.
 
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cover of This Soldier Life: The Diaries of Romine H. Ostrander, 1863 and 1865, in Colorado Territory

This Soldier Life

The Diaries of Romine H. Ostrander, 1863 and 1865, in Colorado Territory

Paul A. Malkoski

University Press of Colorado, 2006

Romine Ostrander, born in 1837 in Roseville, Illinois, had made his way to Colorado as a private in the First Colorado Cavalry by the time he was twenty-five. On February 26, 1863, he bought a small, leather-bound diary; over the next three years he filled this volume and two more with his thoughts, travels, and frustrations. The delicate, well-worn diaries accompanied the private in his saddlebags over miles of dusty Colorado trails, but eventually they disappeared. The 1863 and 1865 journals resurfaced in 1922 in a warehouse in Fresno. Annotated for historic interest but otherwise unedited, they offer a fascinating and infectious read - the young author creates a vivid portrait of frontier Colorado and comments on the events of his day: the Sand Creek Massacre, the Civil War, Lee's surrender, and his own encounters with Arapahos, Cheyennes, Comanches, Apaches, and Cherokees.

Jan. 24, 1865:
"I have had pretty spirited arguments with these third reg't ducks sometimes about the barbarity of indiscriminately murdering defenseless women and children of the Indians at sand creek. Some of them deny that any thing of the kind was done except in the general action when there was no telling the difference; and some acknowledge that there were women and children killed after the general action was over; but argue that it was right because Indians have done the same."

Oct. 17, 1863:
"I know that I have written a great many foolish - yes silly things in this book, and - well, what of it? What if I have? Who's business is it? Who's going to read them? I am!"

Published by the Colorado Historical Society
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cover of This State of Wonders: The Letters of an Iowa Frontier Family, 1858-1861

This State of Wonders

The Letters of an Iowa Frontier Family, 1858-1861

John Kent Folmar

University of Iowa Press, 1991

When the John Hugh Williams family immigrated to Homer, Iowa, in the 1850s, they had six children, ranging in age from five to twenty. Suddenly land poor, in debt, and caught in the Panic of '57, they sent their eldest son, James, to Georgia to work and add to the family income.

The seventy-five letters collected here represent the family's correspondence to their absent son and brother. From 1858 to 1861, James' sisters, brothers, mother, and father wrote to him frequently, each with distinct views on their daily life and struggles. While Mr. Williams wrote most often about money, farming, and moral advice (he was minister in the Church of New Jerusalem, as well as a merchant and farmer), Mrs. Williams commented on her daily chores, the family's health, the ever-important weather, and her leisure activities, including the contemporary journals and books she read, such as David Copperfield and Jane Eyre. James' sisters and brothers wrote about many concerns, from schoolwork and housework to games and family celebrations in nearby Webster City.

As the letters continue, the affection for the absent James becomes more pronounced. And, as the years go by, the letters touch on more current national trends, including the Pikes Peak Gold Rush and the growing North/South crisis, on which James and his family strongly disagree. James was never to return to Iowa but married and remained in the South, becoming a lieutenant colonel in the Confederate army.

Complete with voices both young and old, male and female, This State of Wonders offers a wealth of information about the daily life of an ordinary family on the Iowa prairie. It is a book to be treasured by all Iowans interested in the early life of their state and by all historians looking for a complete portrait of family life on the midwestern frontier.

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cover of This Tender Place: The Story of a Wetland Year

This Tender Place

The Story of a Wetland Year

Laurie Lawlor

University of Wisconsin Press, 2007

    After the deaths of her father and father-in-law, Laurie Lawlor discovers an unlikely place for healing and transformation in a wetland in southeastern Wisconsin—a landscape of abundant and sometimes inaccessible beauty that has often been ignored, misunderstood, and threatened by human destruction. In her decade-long personal wetland journey, she examines the sky, delves underwater, and peers between sedges in all seasons and all times of day.
    This Tender Place is a celebration of nature, the elements, and humanity. From the wetland’s genesis during the ice age to its survival in the twenty-first century, Lawlor chronicles the universal ties among people, wild places, and healthy wetlands.

    An engaging and deeply intimate record, This Tender Place is at its heart a story of refuge and renewal refracted through the lens of life within the wetlands—one of the most productive, yet most endangered, ecosystems in the world.

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cover of This War So Horrible: The Civil War Diary of Hiram Smith Williams, 40th Alabama Confederate Pioneer

This War So Horrible

The Civil War Diary of Hiram Smith Williams, 40th Alabama Confederate Pioneer

Hiram Smith Williams

University of Alabama Press, 1993

“Riveting reading." —Georgia Historical Quarterly

The Civil War diary of Hiram Smith Williams is extremely unusual. A carriage maker and native of New Jersey, Williams only arrived in the Deep South in 1959 and yet enlisted in the Confederate Army. As a middle-class craftsman, he represented neither wealthy Southern planters nor yeoman farmers. Part of the 40th Alabama Volunteer Regiment, he was first in Mobile, where he attempted to transfer to the CSA Navy. Failing that, he went with his regiment to Atlanta to engage in the great battle there. 

A careful writer, Williams paid the same attention to his composition as he did to his carriages. Unlike many Civil War veterans, he never revised his diary to embellish his record or heroism. Prized by historians both for providing an unique point of view as well as an exceptionally articulate narrative, Williams' diary is an important addition to any Civil War library. 


 
  
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cover of This Way Back

This Way Back

Joanna Eleftheriou

West Virginia University Press, 2020

“Winning and contemplative.” —Kirkus Reviews (starred review) 

Going back to her ancestral homeland, a Greek American girl discovers she is a lesbian in love with God, so her questions about home and belonging will not be easily answered.

This Way Back dramatizes a childhood split between Queens, New York, and Cyprus, an island nation with a long colonial history and a culture to which Joanna Eleftheriou could never quite adjust. The book avows a Greek-Cypriot-American lesbian’s existence by documenting its scenes: reenacting an 1829 mass suicide by jumping off a school stage onto gym mats at St. Nicholas, harvesting carobs on ancestral land, purchasing UNESCO-protected lace, marching in the island’s first gay pride parade, visiting Cyprus’s occupied north against a dying father’s wish, and pruning geraniums, cypress trees, and jasmine after her father grew too weak to lift the shears. While the author’s life binds the essays in This Way Back into what reads like a memoir, the book questions memoir’s conventional boundaries between the individual and her community, and between political and personal loss, the human and the environment, and the living and the dead.
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cover of Thomas Ewing Jr.: Frontier Lawyer and Civil War General

Thomas Ewing Jr.

Frontier Lawyer and Civil War General

Ronald D. Smith

University of Missouri Press, 2008

An Ohio family with roots in the South, the Ewings influenced the course of the Midwest for more than fifty years. Patriarch Thomas Ewing, a former Whig senator and cabinet member who made his fortune as a real estate lawyer, raised four major players in the nation’s history—including William Tecumseh “Cump” Sherman, taken into the family as a nine-year-old, who went on to marry his foster sister Ellen. Ronald D. Smith now tells of this extraordinary clan that played a role on the national stage through the illustrious career of one of its sons.
In Thomas Ewing Jr.: Frontier Lawyer and Civil War General, Smith introduces us to the Ewing family, little known except among scholars of Sherman, to show that Tom Jr. had a remarkable career of his own: first as a real estate lawyer, judge, soldier, and speculator in Kansas, then as a key figure in national politics. Smith takes readers back to Bleeding Kansas, with its border ruffians and land speculators, reconstructing the rough-and-tumble of its courtrooms to demonstrate that its turmoil was as much about claim-jumping as about slavery. He describes the seat-of-the-pants law practice in which Ewing worked with his brothers Hugh and Charlie and foster brother Cump. He then tells how Tom came to national prominence in the fight over the proslavery Lecompton Constitution, was instrumental in starting up the Union Pacific Railroad, and became the first chief justice of the Kansas Supreme Court.
Ewing obtained a commission in the Union Army—as did his brothers—and raised a regiment that saw significant action in Arkansas and Missouri. After William Quantrill’s raid on Lawrence, Kansas, he issued the dramatic General Order No. 11 that expelled residents from sections of western Missouri. Then this confidant of Abraham Lincoln’s went on to courageously defend three of the assassination conspirators—including the disingenuous Samuel Mudd—and lobbied the key vote to block the impeachment of Andrew Johnson.
Smith examines Ewing’s life in meticulous detail, mining family correspondence for informative quotes and digging deep into legal records to portray lawmaking on the frontier. And while Sherman has been the focus of most previous work on the Ewings, this book fills the gaps in an interlocking family of remarkable people—one that helped shape a nation’s development in its courtrooms and business suites. Thomas Ewing Jr.: Frontier Lawyer and Civil War General retells a chapter of Kansas history and opens up a panoramic view of antebellum America, the Civil War, Reconstruction, and the Gilded Age.
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cover of Thomas Frederick Tout (1855–1929): refashioning history for the twentieth century

Thomas Frederick Tout (1855–1929)

refashioning history for the twentieth century

Edited by Joel T. Rosenthal and Caroline M. Barron

University of London Press, 2019

Thomas Frederick Tout (1855–1929) was arguably the most prolific English medieval historian of the early twentieth century. The son of an unsuccessful publican, he was described at his Oxford scholarship exam as ‘uncouth and untidy’; however he went on to publish hundreds of books throughout his distinguished career with a legacy that extended well beyond the academy. Tout pioneered the use of archival research, welcomed women into academia and augmented the University of Manchester’s growing reputation for pioneering research. This book presents the first full assessment of Tout’s life and work, from his early career at Lampeter, to his work in Manchester and his wide-ranging service to the study of history. Selected essays take a fresh and critical look at Tout’s own historical writing and discuss how his research shaped, and continues to shape, our understanding of the middle ages, particularly the fourteenth century. The book concludes with a personal reflection on Tout by his grandson, Tom Sharp.
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cover of Thomas Goode Jones: Race, Politics, and Justice in the New South

Thomas Goode Jones

Race, Politics, and Justice in the New South

Brent J. Aucoin

University of Alabama Press, 2016

Thomas Goode Jones of Alabama is the first comprehensive biography of a key Alabama politician and federal jurist whose life and times embody the conflicts and transformations in the Deep South between the Civil War and World War I.
 
A man who both represented and differed from his class, Thomas Goode Jones offers contemporary readers and scholars an ideal subject of study to understand a period of southern history that still shapes American life today. Often overshadowed by the pharaonic antebellum period, the Civil War, and the luminous heights of the civil rights movement, the deceptively placid decades at the turn of the century were, in fact, a period when southerners fiercely debated the course of the South’s future. In tracing Jones’s career, Brent J. Aucoin offers vivid accounts of the great events and trends of that pivotal period: Reconstruction, the birth of the “Solid South,” the Populist Revolt, and the establishment of racial disenfranchisement and segregation.
 
Born in 1844, Jones served in the Confederate army and after the war identified as a conservative “Bourbon” Democrat. He served as Alabama's governor from 1890 to 1894 and as a federal judge from 1901 until his death in 1914. As a veteran, politician, and judge, Jones embodied numerous roles in the shifting political landscape of the South.
 
Jones was not, however, a reflexive conformist and sometimes pursued policies at odds with his party. Jones’s rhetoric and support of African American civil rights were exceptional and earned him truculent criticism from unrepentant racist factions in his party. His support was so fearless that it inspired Booker T. Washington to recommend Jones to Republican president Theodore Roosevelt as a federal judge. On the bench, Jones garnered national attention for his efforts to end peonage and lynching, and yet he also enabled the establishment of legalized segregation in Alabama, confounding attempts easily to categorize him as an odious reactionary or fearless progressive.
 

 

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cover of Thomas Hobbes and the Natural Law Tradition

Thomas Hobbes and the Natural Law Tradition

Norberto Bobbio

University of Chicago Press, 1993

Pre-eminent among European political philosophers, Norberto Bobbio has throughout his career turned to the political theory of Thomas Hobbes. Gathered here for the first time are the most important of his essays which together provide both a valuable introduction to Hobbes's thought and a fresh understanding of Hobbes's place in the theory of modern politics.

Tracing Hobbes's work through De Cive and Leviathan, Bobbio identifies the philosopher's relation to the tradition of natural law. That Hobbes must now be understood in both this tradition as well as in the seemingly contradictory positivist tradition becomes clear for the first time in Bobbio's account. Bobbio also demonstrates that Hobbes cannot be easily labelled "liberal" or "totalitarian"; in Bobbio's provocative analysis of Hobbes's justification of the state, Hobbes emerges as a true conservative.

Though his primary concern is to reconstruct the inner logic of Hobbes's thought, Bobbio is also attentive to the philosopher's biography and weaves into his analysis details of Hobbes's life and world—his exile in France, his relation with the Mersenne circle, his disputes with Anglican bishops, and accusations of heresy leveled against him. The result is a revealing, thoroughly new portrait of the first theorist of the modern state.

[more]
cover of Thomas Hobbes in His Time

Thomas Hobbes in His Time

Ralph Ross, Herbert W. Schneider, and Theodore Waldman, Editors

University of Minnesota Press, 1975

Thomas Hobbes in His Time was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Thomas Hobbes, the seventeenth-century English philosopher, is the subject of lively discussion among philosophers, historians, and political theorists today. Both as a participant in a revolutionary commonwealth and as a student of the science of human nature, Hobbes has achieved a new relevance to contemporary society. As the editors of this volume point out, moralists are apt to place him in the twentieth century, and historians are apt to portray him as an antique. The aim of these essays is to get an accurate account of how radical Hobbes was in his own revolutionary century.

The essays are the fruit of years of cooperative study, going back to John Dewey's calling attention to Hobbe's interest in transforming the courts of common law into courts of equity. The recent discovery of more manuscripts and the publication of better editions of his writings have stimulated an extensive reinterpretation of Hobbe's ideas and goals.

Even in his own time, Hobbes was subject to attacks from many sides. Although scholars now generally reject the stereotype of "Hobbism" which grew during four centuries of revolutionary developments, new stereotypes to describe his philosophy have emerged. By assessing Hobbes in terms of his own day, the book will serve to counteract much contemporary misunderstanding.

The essays cover four aspects of Hobbe's thought: his political theory, his views on religion, his moral philosophy, and his theory of motion and philosophical method. With the exception of John Dewey's "The Motivation of Hobbes's Political Philosophy," all the essays were written especially for this book. The other essays and authors are "The Anglican Theory of Salvation in Hobbes" by Paul Johnson, San Bernardino State College; "Some Puzzles in Hobbes" by Ralph Ross, Scripps College, The Claremont Colleges; "The Piety of Hobbes" by Herbert W. Schneider, emeritus professor of Columbia University and Claremont Graduate School, The Claremont Colleges; "The Generation of the Public Person" by Theodore Waldman, Harvey Mudd College, The Claremont Colleges; and "The Philosophia Prima of Thomas Hobbes" by Craig Walton, University of Nevada.

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cover of Thomas Sankara: An African Revolutionary

Thomas Sankara

An African Revolutionary

Ernest Harsch

Ohio University Press, 2014

Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. Although his tenure in office was relatively short, Sankara left an indelible mark on his country’s history and development. An avowed Marxist, he outspokenly asserted his country’s independence from France and other Western powers while at the same time seeking to build a genuine pan-African unity. Ernest Harsch traces Sankara’s life from his student days to his recruitment into the military, early political awakening, and increasing dismay with his country’s extreme poverty and political corruption. As he rose to higher leadership positions, he used those offices to mobilize people for change and to counter the influence of the old, corrupt elites. Sankara and his colleagues initiated economic and social policies that shifted away from dependence on foreign aid and toward a greater use of the country’s own resources to build schools, health clinics, and public works. Although Sankara’s sweeping vision and practical reforms won him admirers both in Burkina Faso and across Africa, a combination of domestic opposition groups and factions within his own government and the army finally led to his assassination in 1987. This is the first English-language book to tell the story of Sankara’s life and struggles, drawing on the author’s extensive firsthand research and reporting on Burkina Faso, including interviews with the late leader. Decades after his death, Sankara remains an inspiration to young people throughout Africa for his integrity, idealism, and dedication to independence and self-determination.
[more]
cover of Thomas Wolfe - American Writers 6: University of Minnesota Pamphlets on American Writers

Thomas Wolfe - American Writers 6

University of Minnesota Pamphlets on American Writers

C. Hugh Holman

University of Minnesota Press, 1960

Thomas Wolfe - American Writers 6 was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

[more]
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Thomas Wolfe Remembered

Edited by Mark Canada and Nami Montgomery

University of Alabama Press, 2018

A collection of reminiscences captures the private life of a great American writer.

Thomas Wolfe’s life may seem to be an open book. A life that, after all, was the source for his best-known works, including the novels Look Homeward, Angel and Of Time and the River, as well as his numerous short stories and dramas. Since his death in 1938, scholars and admirers of Wolfe have relied largely on these texts to understand the man himself.

Thomas Wolfe Remembered provides something new: a rich, multifaceted portrait painted by those who knew him (casually or intimately), loved him (or didn’t), and saw, heard, and experienced the literary (and literal) giant. This volume gathers in one place for the first time dozens of reminiscences by friends, family members, colleagues, and casual acquaintances, adding color and fine details to the self-portrait the author created in his novels.

Wolfe found plenty to challenge and frustrate him throughout his life, from his boyhood in Asheville, North Carolina, to his education at the University of North Carolina and Harvard University, through his time in New York and Europe, his travels through the American West, and his death in Baltimore. He experienced two distracted parents in a loveless marriage, the premature death of a beloved brother, a minor stutter, and the difficulties of controlling a mercurial temper. Yet Wolfe’s exuberance, perceptiveness, memory, and compulsion to record virtually all that he experienced made for an extravagance of material that sometimes angered the people whose lives he used as source material.

Editors Mark Canada and Nami Montgomery have collected dozens of remembrances, many unpublished or long forgotten, including pieces from Julia Wolfe, Margaret Roberts, Frederick Koch, Maxwell Perkins, Elizabeth Nowell, Edward Aswell, and Martha Dodd. Some are endearing, others are disturbing, and many are comical. All provide glimpses into the vibrant, haunted, boyish, paranoid, disheveled, courteous, captivating, infuriating, and altogether fascinating giant who was Thomas Wolfe.

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Thomas Wolfe

Memoir of a Friendship

By Robert Raynolds

University of Texas Press, 1965

This is a story that no one else could tell. It tells how Thomas Wolfe and Robert Raynolds happened to meet, how they became friends, and how their friendship grew, survived a crisis, and continued until the death of Thomas Wolfe. "We met in the city," says Raynolds, "but Tom and I were both mountain-born and small-town bred; we were more at home with cows and rattlesnakes than with subways and city slickers, and we were very much at home with one another." The story is told with understanding, with humor, and with compassion. Robert Raynolds began writing it in 1942—four years after the death of his friend and companion novelist—and finished it twenty-three years later, in 1965. It is a responsible and considered memoir in honor of human friendship, and it brings the vivid character of Thomas Wolfe directly into the presence of the reader. The story is full of daily portraits of Thomas Wolfe. What did he look like in his room, pacing the floor, or writing? How did he appear on the streets of Brooklyn or Manhattan, day or night? Or walking in the morning in a pine forest, or running his hand gently over a block of marble in an abandoned quarry, or tramping fields of snow after midnight? What was it like to eat with him at night in New York, or at noon in a Vermont farmhouse, or at breakfast in a home made lively by the laughter and play of children? He was shy. "Why don't you find me a nice little wife?" he would ask Mrs. Raynolds. He was emotional, often speaking in the style of his writing: "And the whistle-wail of the great train. . ." He was profound, brooding after his break with his first publishers: could a man who had left a friend as he had left Maxwell Perkins ever be a "righteous man" again? This is a story of the plain and real Thomas Wolfe, of his human goodness, his bone-deep weariness in labor, his sudden joy in being understood and loved by a fellow man. And this is the story of how Robert Raynolds honored the grace of being a friend of Thomas Wolfe.
[more]
cover of Thoreau in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Thoreau in His Own Time

A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Sandra Harbert Petrulionis

University of Iowa Press, 2012

More than any other Transcendentalist of his time, Henry David Thoreau (1817–1862) embodied the full complement of the movement’s ideals and vocations: author, advocate for self-reform, stern critic of society, abolitionist, philosopher, and naturalist. The Thoreau of our time—valorized anarchist, founding environmentalist, and fervid advocate of civil disobedience—did not exist in the nineteenth century. In this rich and appealing collection, Sandra Harbert Petrulionis untangles Thoreau’s multiple identities by offering a wide range of nineteenth-century commentary as the opinions of those who knew him evolved over time.

The forty-nine recollections gathered in Thoreau in His Own Time demonstrate that it was those who knew him personally, rather than his contemporary literati, who most prized Thoreau’s message, but even those who disparaged him respected his unabashed example of an unconventional life. Included are comments by Ralph Waldo Emerson—friend, mentor, Walden landlord, and progenitor of the spin on Thoreau’s posthumous reputation; Nathaniel Hawthorne, who could not compliment Thoreau without simultaneously denigrating him; and John Weiss, whose extended commentary on Thoreau’s spirituality reflects unusual tolerance. Selections from the correspondence of Caroline Healey Dall, Maria Thoreau, Sophia Hawthorne, Sarah Alden Bradford Ripley, and Amanda Mather amplify our understanding of the ways in which nineteenth-century women viewed Thoreau. An excerpt by John Burroughs, who alternately honored and condemned Thoreau, asserts his view that Thoreau was ever searching for the unattainable.

The dozens of primary sources in this crisply edited collection illustrate the complexity of Thoreau’s iconoclastic singularity in a way that no one biographer could. Each entry is introduced by a headnote that places the selection in historical and cultural context. Petrulionis’s comprehensive introduction and her detailed chronology of personal and literary events in Thoreau’s life provide a lively and informative gateway to the entries themselves. The collaborative biography that Petrulionis creates in Thoreau in His Own Time contextualizes the strikingly divergent views held by his contemporaries and highlights the reasons behind his profound legacy.

[more]
cover of Thornton Wilder - American Writers 34: University of Minnesota Pamphlets on American Writers

Thornton Wilder - American Writers 34

University of Minnesota Pamphlets on American Writers

Bernard Grebanier

University of Minnesota Press, 1964

Thornton Wilder - American Writers 34 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

[more]
cover of Thornton Wilder and the Puritan Narrative Tradition

Thornton Wilder and the Puritan Narrative Tradition

Lincoln Konkle

University of Missouri Press, 2005

Thornton Wilder and the Puritan Narrative Tradition is the first reading of Wilder’s life, fiction, drama, and criticism as a product of American culture. Early American studies by Sacvan Bercovitch, Mason Lowance Jr., Emory Elliott, and others have identified aspects of the American literary tradition stemming from New England Puritan writers of the seventeenth and eighteenth centuries. Lincoln Konkle extends the argument for continuity into both the twentieth century and the profane space of the theater.
            Konkle shows that Thornton Wilder, as a literary descendant of Edward Taylor, inherited the best of the Puritans’ worldview and drew upon those attributes of the Puritan tradition within American literature that would strike a fundamental chord with his American audience. By providing close readings of Wilder’s texts against seventeenth- and eighteenth-century Puritan culture and literature, Konkle demonstrates that Wilder’s aesthetic was not just generically allegorical but also typically American and his religious sensibility was not just generally Christian, but specifically Calvinist. He alsoemphasizes aspects of Puritan theology, ideology, and aesthetics that have been suppressed or repressed into our cultural unconscious but are manifested in Wilder’s texts in response to various historical or personal stimuli.
             Konkle makes an original contribution to Wilder scholarship by providing the first in-depth readings of the full-length play The Trumpet Shall Sound and of the film Shadow of a Doubt (as a major work of Wilder). Also included are readings of little-known and seldom-discussed dramatic pieces, including Proserpina and the Devil, And the Sea Shall Give Up Its Dead, and Our Century. With its emphasis on the continuities of thought and form found in American literature from the seventeenth century to the twentieth, this analysis of Wilder’s drama and fiction will reclaim him as an intrinsically American writer, deserving to be read within the context of American literary and cultural traditions.  
[more]
cover of Those Days in Muramatsu: One Woman's Memoir of Occupied Japan

Those Days in Muramatsu

One Woman's Memoir of Occupied Japan

Yumi Goto

National University of Singapore Press, 2014

In the aftermath of the Pacific War and Japan’s capitulation, Mrs Yumi Goto and her family lived in the small community of Muramatsu, where they had relocated to get away from Tokyo. Yumi Goto was an English-speaking graduate of one of Japan’s top universities for women, and when a contingent of American soldiers was sent to Muramatsu as a garrison force, she became an interpreter. The sudden influx of more than 1,800 Americans into a rural Japanese community was potentially traumatic, and their imminent arrival made the townspeople “depressed and fearful”. To everyone's surprise, they found the soldiers to be “open-hearted and humane”, and the two sides co-existed peacefully. Those Days in Muramatsu is a testimony to the capacity of ordinary people from vastly different backgrounds to co-exist harmoniously, even in the aftermath of war. 
[more]
cover of Thoughtlands: Walking in Writers' Suffolk

Thoughtlands

Walking in Writers' Suffolk

Jacky Colliss Harvey

Haus Publishing, 2026

The first book of its kind to map writers, walks, and writing within the Suffolk landscape.

This is a book about walking and writing: about walkers who wrote and writers who walk. It is about the circuit that exists between mind and feet, and about landscapes that exist both physically in front of you and in a line of words. And since all this walking and writing and thinking must have somewhere to take place, it is also a book about Suffolk, the author’s birthplace, and how writers have used and responded to its unmistakable magic.

Colliss Harvey travels from west to east, from chalk plain to crag, from velvety farmlands muffled by leaves to deafening shingle and uncompromising sea. She walks in excellent company—her fellow writers range from Daniel Defoe and Robert Louis Stevenson to Patricia Highsmith, P. D. James, Ronald Blythe, and Ruth Rendell. They include the poets George Crabbe and Robert Bloomfield; literary greats Wilkie Collins, George Orwell, and W. G. Sebald, who found a new native land here; and those born in Suffolk, such as M. R. James and Edward Fitzgerald.

The walks can be followed on foot with this book in a backpack, for those moments when walking gives way to reading, or from within the deep comfort of a favorite armchair. A bit of the writer’s notebook, a little of the memoir, and a dash of the love letter, Thoughtlands is a one-of-a-kind literary journey and an unparalleled exploration of the Suffolk landscape.

[more]
cover of Three Friends: Roy Bedichek, J. Frank Dobie, Walter Prescott Webb

Three Friends

Roy Bedichek, J. Frank Dobie, Walter Prescott Webb

By William A. Owens

University of Texas Press, 1975

Roy Bedichek, J. Frank Dobie, and Walter Prescott Webb—a naturalist, a folklorist, and a historian—all taught at the University of Texas, lived only a few blocks apart, and saw each other almost every day. The true cement of their friendship, however, was the correspondence that makes up much of this book. They wrote not to exchange information, but to communicate ideas, to nail down the generalities of conversation, and, above all, to challenge, encourage, and stimulate one another.

William A. Owens, who knew all three personally, has tied their letters together with his own observations and with transcripts of tape interviews with the men. The result is a unique book, a combination of biography and personal history that portrays not only the three friends, but the land they loved as well.

[more]
cover of Three Kilos of Coffee: An Autobiography

Three Kilos of Coffee

An Autobiography

Manu Dibango and Danielle Rouard

University of Chicago Press, 1994

In 1948, at the age of fifteen, Manu Dibango left Africa for France, bearing three kilos of coffee for his adopted family and little else. This book chronicles Manu Dibango's remarkable rise from his birth in Douala, Cameroon, to his worldwide success—with Soul Makossa in 1972—as the first African musician ever to record a top 40s hit.

Composer, producer, performer, film score writer and humanitarian for the poor, Manu Dibango defines the "African sound" of modern world music. He has worked with and influenced such artists as Art Blakey, Don Cherry, Herbie Hancock, Harry Belafonte, Paul Simon, and Johnny Clegg. In Africa, he has helped younger musicians, performed benefit concerts, and transcribed for the first time the scores and lyrics of African musicians.

The product of a "mixed marriage" (of different tribes and religions) who owes allegiances to both Africa and Europe, Dibango has always been aware of the ambiguities of his identity. This awareness has informed all of the important events of his life, from his marriage to a white Frenchwoman in 1957, to his creation of an "Afro-music" which joyfully blends blues, jazz, reggae, traditional European and African serenades, highlife, Caribbean and Arabic music. This music addresses the meaning of "Africanness" and what it means to be a Black artist and citizen of the world.

This lively and thoughtful memoir is based on an extensive set of interviews in 1989 with French journalist Danielle Rouard. Richly illustrated with photographs, this book will be a must for readers of jazz biographies, students of African music and ethnomusicology, and all those who are lovers of Manu Dibango's unique artistry and accomplishments.
[more]
cover of Three Men in Texas: Bedichek, Webb, and Dobie

Three Men in Texas

Bedichek, Webb, and Dobie

Essays by their Friends in the <em>Texas Observer</em>, Edited by Ronnie Dugger

University of Texas Press, 1967

This book is a tribute to "an incomparable triumvirate." "One was a naturalist, one a historian, and one a chronicler, but each of them was each of these. The manly love between them, a handsome thing in times and places blighted by great ugliness and banality, shone from them into their friends and contemporaries, and they shared themselves freely with those younger than they who went to them wishing to learn from them." Most of this collection of writing by friends of Roy Bedichek, Walter Prescott Webb, and J. Frank Dobie originally appeared in special editions of the Texas Observer devoted to each of the three men. Some pieces were, however, written expressly for this volume.
[more]
cover of Three Years Our Mayor: George Moscone and the Making of Modern San Francisco

Three Years Our Mayor

George Moscone and the Making of Modern San Francisco

Lincoln A. Mitchell

University of Nevada Press, 2025

Those who recognize Mayor George Moscone’s name may think of him as the career politician who was assassinated along with Harvey Milk, but there was much more to this influential and fascinating man’s story. He was a trailblazing progressive and powerful state legislator who was instrumental in passing legislation on issues ranging from LGBT rights to funding for school lunches. Moscone’s 1975 campaign for mayor was historically significant because it was the first time a major race was won by a candidate who campaigned aggressively for expanding civil rights for both African Americans and LGBT people. He won his campaign for mayor chiefly because of huge support from those two constituencies. 

Moscone was also a very colorful character who, in addition to being a successful politician, was a charming and charismatic bon vivant who was deeply embedded in the fabric and culture of San Francisco. He grew up the only son of a single mother in Cow Hollow when it was a working class, largely Italian American neighborhood, and he became the kind of politician who knew bartenders, playground attendants, small business owners, and neighborhood activists in every corner of the city. Moscone’s life and the history of San Francisco during the middle half of the twentieth century are deeply intertwined.

Through illustrating the life of Moscone, author Lincoln A. Mitchell explores how today’s San Francisco came into being. Moscone—through his work in the State Senate, victory in the very divisive 1975 mayor’s race, and brief tenure as mayor—was a key figure in the city’s evolution. The politics surrounding Moscone’s election as mayor, governance of the city, and tragic death are still relevant issues. Moscone was a groundbreaking politician whose life was cut short, but his influence on San Francisco can still be felt today.
 
[more]
cover of Through a Long Absence: Words from My Father's Wars

Through a Long Absence

Words from My Father's Wars

Joy Passanante

The Ohio State University Press, 2017

A 2017 Foreword INDIES Book of the Year Silver Winner for Biography

Against the backdrop of World War II, Joy Passanante’s touching new book, Through a Long Absence: Words from My Father’s Wars, is the saga of a wartime medical unit, a passionate long-distance love, the making of a surgeon, and two first-generation American families. Told through her father’s eyes—drawing on hundreds of his letters to his beloved wife, his four-volume wartime diary, and his paintings—Passanante masterfully recreates his wartime journey and physically retraces his steps more than sixty years later in an attempt to understand a time in her parents’ lives that they’d spoken about very little.
 
More than just a World War II story, Through a Long Absence delves into one man’s past to explore his personal wars: a stint as a child bootlegger, a marriage between newlyweds separated by continents and strained by years apart, and his struggle late in life with his own mind. The narrative propels readers to surprising places—from a freight train through North Africa to an underground St. Louis distillery during Prohibition, from a young couple’s forbidden courtship to the chaos of surgical tents under fire in Normandy, from an underground trove of priceless artwork hidden by the Nazis to Jewish New Year services in Paris a week after its liberation. Through a Long Absence is a love story, an honest look into one man’s life, and a daughter’s moving quest to rediscover her father years later through his own words.
[more]
cover of Through an Indian's Looking-Glass: A Cultural Biography of William Apess, Pequot

Through an Indian's Looking-Glass

A Cultural Biography of William Apess, Pequot

Drew Lopenzina

University of Massachusetts Press, 2017

The life of William Apess (1798–1839), a Pequot Indian, Methodist preacher, and widely celebrated writer, provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America's early nationhood. Apess's life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Christian spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native presence in a time and place that was long supposed to have settled its “Indian question” in favor of extinction.

Through meticulous archival research, close readings of Apess's key works, and informed and imaginative speculation about his largely enigmatic life, Drew Lopenzina provides a vivid portrait of this singular Native American figure. This new biography will sit alongside Apess's own writing as vital reading for those interested in early America and indigeneity.

[more]
cover of Through an Uncommon Lens: The Life and Photography of F. Holland Day

Through an Uncommon Lens

The Life and Photography of F. Holland Day

Patricia J. Fanning

University of Massachusetts Press, 2008

Based in the Boston area, F. Holland Day (1864–1933) was a central figure in artistic circles on both sides of the Atlantic. Publisher of Oscar Wilde and Stephen Crane, mentor to a young Kahlil Gibran, adviser and friend to photographers Alvin Langdon Coburn and Edward Steichen, Day lived a life devoted to art and beauty. At the turn of the twentieth century, his reputation rivaled that of Alfred Stieglitz. A pioneer in the field of pictorial photography, Day was also an influential book publisher in the Arts and Crafts tradition. He cofounded the publishing company of Copeland and Day, which issued more than a hundred titles between 1893 and 1899. In addition, he embraced a unique sense of social responsibility and a commitment to historic preservation. Colorful and sometimes eccentric, Day was best known for his stunningly original, brilliantly executed, and sometimes controversial photographic images of blacks, children, and allegorical subjects. His determination to promote photography as a fine art led him to create photographic representations of the crucifixion of Christ, studies for which he was his own model. Although he continued to mentor young artists until his death, ill health caused Day to spend the last fourteen years of his life inside his home in Norwood, Massachusetts. By the time he died in 1933, he was virtually unknown, but in recent years there has been a resurgence of interest in his art. Responding to this renewed interest, Patricia Fanning has written an impressive biography—one that draws on previously unavailable archival material and is attuned to the historical and cultural contexts in which Day lived and worked. The book is illustrated with more than a hundred photographs, including 32 duotone illustrations of the artist's work.
[more]
cover of Through the Day, through the Night: A Flemish Belgian Boyhood and World War II

Through the Day, through the Night

A Flemish Belgian Boyhood and World War II

Jan Vansina

University of Wisconsin Press, 2014

One of twelve children in a close-knit, affluent Catholic Belgian family, Jan Vansina began life in a seemingly sheltered environment. But that cocoon was soon pierced by the escalating tensions and violence that gripped Europe in the 1930s and 1940s. In this book Vansina recalls his boyhood and youth in Antwerp, Bruges, and the Flemish countryside as the country was rocked by waves of economic depression, fascism, competing nationalisms, and the occupation of first Axis and then Allied forces.
            Within the vast literature on World War II, a much smaller body of work treats the everyday experiences of civilians, particularly in smaller countries drawn into the conflict. Recalling the war in Belgium from a child’s-eye perspective, Vansina describes pangs of hunger so great as to make him crave the bitter taste of cod-liver oil. He vividly remembers the shock of seeing severely wounded men on the grounds of a field hospital, the dangers of crossing fields and swimming in ponds strafed by planes, and his family’s interactions with occupying and escaping soldiers from both sides. After the war he recalls emerging numb from the cinema where he first saw the footage of the Nazi death camps, and he describes a new phase of unrest marked by looting, vigilante justice, and the country’s efforts at reunification.
            Vansina, a historian and anthropologist best known for his insights into oral tradition and social memory, draws on his own memories and those of his siblings to reconstruct daily life in Belgium during a tumultuous era.

Best Special Interest Books, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers
[more]
cover of Through the Door of Life: A Jewish Journey between Genders

Through the Door of Life

A Jewish Journey between Genders

Joy Ladin

University of Wisconsin Press, 2012

Professor Jay Ladin made headlines around the world when, after years of teaching literature at Yeshiva University, he returned to the Orthodox Jewish campus as a woman—Joy Ladin. In Through the Door of Life, Joy Ladin takes readers inside her transition as she changed genders and, in the process, created a new self.
    With unsparing honesty and surprising humor, Ladin wrestles with both the practical problems of gender transition and the larger moral, spiritual, and philosophical questions that arise. Ladin recounts her struggle to reconcile the pain of her experience living as the “wrong” gender with the pain of her children in losing the father they love. We eavesdrop on her lifelong conversations with the God whom she sees both as the source of her agony and as her hope for transcending it. We look over her shoulder as she learns to walk and talk as a woman after forty-plus years of walking and talking as a man. We stare with her into the mirror as she asks herself how the new self she is creating will ever become real.
    Ladin’s poignant memoir takes us from the death of living as the man she knew she wasn’t, to the shattering of family and career that accompanied her transition, to the new self, relationships, and love she finds when she opens the door of life.


2012 Finalist for the National Jewish Book Award for Biography, Autobiography, or Memoir

“Wrenching—and liberating. . . .[it] opens up new ways of looking at gender and the place of LGBT Jews in community.”—Greater Phoenix Jewish News

“Given her high-profile academic position, Ladin’s transition was a major news story in Israel and even internationally. But behind the public story was a private struggle and learning experience, and Ladin pulls no punches in telling that story. She offers a peek into how daunting it was to learn, with little support from others, how to dress as a middle-aged woman, to mu on make-up, to walk and talk like a female. She provides a front-row seat for observing how one person confronted a seemingly impossible situation and how she triumphed, however shakingly, over the many adversities, both societal and psychological, that stood in the way.”—The Gay and Lesbian Review Worldwide
[more]
cover of Thunder Below!: The USS *Barb* Revolutionizes Submarine Warfare in World War II

Thunder Below!

The USS *Barb* Revolutionizes Submarine Warfare in World War II

Admiral Eugene B. Fluckey

University of Illinois Press, 1992

The thunderous roar of exploding depth charges was a familiar and comforting sound to the crew members of the USS Barb, who frequently found themselves somewhere between enemy fire and Davy Jones's locker.
 
Under the leadership of her fearless skipper, Captain Gene Fluckey, the Barb sank the greatest tonnage of any American sub in World War II. At the same time, the Barb did far more than merely sink ships-she changed forever the way submarines stalk and kill their prey.
 
This is a gripping adventure chock-full of "you-are-there" moments. Fluckey has drawn on logs, reports, letters, interviews, and a recently discovered illegal diary kept by one of his torpedomen. And in a fascinating twist, he uses archival documents from the Japanese Navy to give its version of events.
 
The unique story of the Barb begins with its men, who had the confidence to become unbeatable. Each team helped develop innovative ideas, new tactics, and new strategies. All strove for personal excellence, and success became contagious. Instead of lying in wait under the waves, the USS Barb pursued enemy ships on the surface, attacking in the swift and precise style of torpedo boats. She was the first sub to use rocket missiles and to creep up on enemy convoys at night, joining the flank escort line from astern, darting in and out as she sank ships up the column.
Surface-cruising, diving only to escape, "Luckey Fluckey" relentlessly patrolled the Pacific, driving his boat and crew to their limits. There can be no greater contrast to modern warfare's long-distance, videogame style of battle than the exploits of the captain and crew of the USS Barb, where they sub, out of ammunition, actually rammed an enemy ship until it sank.
 
Thunder Below! is a first-rate, true-life, inspirational story of the courage and heroism of ordinary men under fire.

A Main Selection of the Military Book Club. Winner of the Rear Admiral Samuel Eliot Morison Award for Naval Literature given by the Naval Order of the United States, New York Commandery.
[more]
cover of Thunder Over Zion: The Life and Times of Chief Judge Willis W Ritter

Thunder Over Zion

The Life and Times of Chief Judge Willis W Ritter

Cowley & Nielson

University of Utah Press, 2006

Willis William Ritter, United States District Judge for the District of Utah from 1949 until his death on March 4, 1978, was the one judge whose name was familiar among those who had little or no idea of the difference between judicial jurisdictions. Many knew him by the broad gestures with which he challenged bureaucracies and the federal government itself. He was, legally speaking, a friend to the underdog. Yet at his death scarcely a friend was left and he had become the object of ridicule, outrage, pity, and contempt.

Ritter was clearly ahead of his time, for his opinions on criminal justice, police interrogation, and the rights to counsel have now become accepted standards in jurisprudence. They are, indeed, so universally accepted that few if any viewers of televised police court dramas would even question them. In his personal life he was a man flawed on a grand scale and he lived a life fraught with contradictions. This is his compelling story, compellingly recounted.
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cover of Thunder from the Right: Ezra Taft Benson in Mormonism and Politics

Thunder from the Right

Ezra Taft Benson in Mormonism and Politics

Edited by Matthew L. Harris

University of Illinois Press, 2019

Ezra Taft Benson's ultra-conservative vision made him one of the most polarizing leaders in the history of the Church of Jesus Christ of Latter-day Saints. His willingness to mix religion with extreme right-wing politics troubled many. Yet his fierce defense of the traditional family, unabashed love of country, and deep knowledge of the faith endeared him to millions. In Thunder from the Right, a group of veteran Mormon scholars probe aspects of Benson's extraordinary life. Topics include: how Benson's views influenced his actions as Secretary of Agriculture in the Eisenhower Administration; his dedication to the conservative movement, from alliances with Barry Goldwater and the John Birch Society to his condemnation of the civil rights movement as a communist front; how his concept of the principal of free agency became central to Mormon theology; his advocacy of traditional gender roles as a counterbalance to liberalism; and the events and implications of Benson's term as Church president. Contributors: Gary James Bergera, Matthew Bowman, Newell G. Bringhurst, Brian Q. Cannon, Robert A. Goldberg, Matthew L. Harris, J. B. Haws, and Andrea G. Radke-Moss
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cover of Thurberville

Thurberville

Bob Hunter

The Ohio State University Press, 2017

James Thurber’s Columbus was not today’s Columbus—or even yesterday’s. It was a Columbus he both knew and created, a place perched on the fringe of reality and the fringe of his imagination. It is the place Bob Hunter revisits in Thurberville, a book where the author separates truth from fiction and identifies what parts of the famous humorist’s hometown of 180,000 exist in the burgeoning metro area of more than two million today.
Thurber’s Columbus was a wild and crazy place, a city full of fascinating and sometimes peculiar characters, many in his own family. Because of the widespread popularity of his stories, that was also the Columbus that many of his readers around the world came to know.
Thurberville chronicles those characters and explores that world. But it also examines the real city where Thurber struggled and then blossomed as a college student, worked as a newspaper reporter and a press agent, and achieved international fame as a humorist and cartoonist after he left town, in part by writing about the subjects he left behind.
Much of Thurber’s best work was cultivated by experiences Thurber had in Columbus and in his dealings with family, friends, teachers, and acquaintances there. They are worth a revisit and, in some cases, an introduction.
 
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cover of Thus I Lived with Words: Robert Louis Stevenson and the Writer's Craft

Thus I Lived with Words

Robert Louis Stevenson and the Writer's Craft

Annette R. Federico

University of Iowa Press, 2017

Robert Louis Stevenson (1850–1894) loved more than anything to talk about the craft of writing and the pleasure of reading good books. His dedication to the creative impulse manifests itself in the extraordinary amount of work he produced in virtually every literary genre—fiction, poetry, travel writing, and essays—in a short and peripatetic life. His letters, especially, confess his elation at the richness of words and the companionship of books, often projected against ill health and the shadow of his own mortality.

Stevenson belonged to a newly commercial literary world, an era of mass readership, marketing, and celebrity. He had plenty of practical advice for writers who wanted to enter the profession: study the best authors, aim for simplicity, strike a keynote, work on your style. He also held that a writer should adhere to the truth and utter only what seems sincere to his or her heart and experience of the world. Writers have messages to deliver, whether the work is a tale of Highland adventure, a collection of children’s verse, or an essay on umbrellas. Stevenson believed that an author could do no better than to find the appetite for joy, the secret place of delight that is the hidden nucleus of most people’s lives. His remarks on how to write, on style and method, and on pleasure and moral purpose contain everything in literature and life that he cared most about—adventuring, persisting, finding out who you are, and learning to embrace “the romance of destiny.” 
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cover of Thyra J. Edwards: Black Activist in the Global Freedom Struggle

Thyra J. Edwards

Black Activist in the Global Freedom Struggle

Gregg Andrews

University of Missouri Press, 2011

In 1938, a black newspaper in Houston paid front-page tribute to Thyra J. Edwards as the embodiment of “The Spirit of Aframerican Womanhood.” Edwards was a world lecturer, journalist, social worker, labor organizer, women’s rights advocate, and civil rights activist—an undeniably important figure in the social struggles of the first half of the twentieth century. She experienced international prominence throughout much of her life, from the early 1930s to her death in 1953, but has received little attention from historians in years since. Gregg Andrews’s Thyra J. Edwards: Black Activist in the Global Freedom Struggle is the first book-length biographical study of this remarkable, historically significant woman.

Edwards, granddaughter of runaway slaves, grew up in Jim Crow–era Houston and started her career there as a teacher. She moved to Gary, Indiana, and Chicago as a social worker, then to New York as a journalist, and later became involved with the Communist Party, attracted by its stance on race and labor. She was mentored by famed civil rights leader A. Philip Randolph, who became her special friend and led her to pursue her education. She obtained scholarships to college, and after several years of study in the U.S. and then in Denmark, she became a women’s labor organizer and a union publicist.

In the 1930s and 1940s, she wrote about international events for black newspapers, traveling to Europe, Mexico, and the Soviet Union and presenting an anti-imperialist critique of world affairs to her readers. Edwards’s involvement with the Loyalists in the Spanish Civil War, her work in a Jewish refugee settlement in Italy, and her activities with U.S. communists drew the attention of the FBI. She was harassed by government intelligence organizations until she died at the age of just fifty-five. Edwards contributed as much to the radical foundations of the modern civil rights movements as any other woman of her time.

This fascinating new biography details Thyra Edwards’s lifelong journey and myriad achievements, describing both her personal and professional sides and the many ways they intertwined. Gregg Andrews used Edwards’s official FBI file—along with her personal papers, published articles, and civil rights manuscript collections—to present a complete portrait of this noteworthy activist. An engaging volume for the historian as well as the general reader, Thyra J. Edwards explores the complete domestic and international impact of her life and actions.
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cover of Ties That Bound: Founding First Ladies and Slaves

Ties That Bound

Founding First Ladies and Slaves

Marie Jenkins Schwartz

University of Chicago Press, 2017

Behind every great man stands a great woman. And behind that great woman stands a slave. Or so it was in the households of the Founding Fathers from Virginia, where slaves worked and suffered throughout the domestic environments of the era, from Mount Vernon, Monticello, and Montpelier to the nation’s capital. American icons like Martha Washington, Martha Jefferson, and Dolley Madison were all slaveholders. And as Marie Jenkins Schwartz uncovers in Ties That Bound, these women, as the day-to-day managers of their households, dealt with the realities of a slaveholding culture directly and continually, even in the most intimate of spaces.

Unlike other histories that treat the stories of the First Ladies’ slaves as separate from the lives of their mistresses, Ties That Bound closely examines the relationships that developed between the First Ladies and their slaves. For elite women and their families, slaves were more than an agricultural workforce; slavery was an entire domestic way of life that reflected and reinforced their status. In many cases slaves were more constant companions to the white women of the household than were their husbands and sons, who often traveled or were at war. By looking closely at the complicated intimacy these women shared, Schwartz is able to reveal how they negotiated their roles, illuminating much about the lives of slaves themselves, as well as class, race, and gender in early America.

By detailing the prevalence and prominence of slaves in the daily lives of women who helped shape the country, Schwartz makes it clear that it is impossible to honestly tell the stories of these women while ignoring their slaves.  She asks us to consider anew the embedded power of slavery in the very earliest conception of American politics, society, and everyday domestic routines.
 
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cover of Till the Dark Angel Comes: Abolitionism and the Road to the Second American Revolution

Till the Dark Angel Comes

Abolitionism and the Road to the Second American Revolution

William S. King

Westholme Publishing, 2016

The Transformation of the Abolitionist Movement from Peaceful Demonstration to Radical Confrontation as Embodied in John Brown
Establishing himself as a fresh and important voice in the history of African American emancipation,William S. King provides a critical introduction to the lead-up to the Civil War. A skilled and judicious chronicler, King seamlessly weaves multiple and seemingly disparate threads, including early nineteenth-century Revivalism, the emergence of the Republic of Texas, the fugitive slave laws—and even the explosion of a cannon aboard the U.S.S. Princeton in 1844—to explain how the opposition to slavery in America changed from producing speeches and pamphlets to embracing the reality that slavery could be eradicated only through armed conflict. By tracing this transformation through the life of John Brown, King provides an entirely new assessment of this enigmatic figure who was characterized as a “mad man” in the wake of his butchering of proslavery settlers in Kansas and the inept raid on Harpers Ferry, Virginia. King puts these actions in context to explain the paradox of Brown’s legacy. On one hand he was vilified as an unstable threat to American democracy or a fanatical sideshow to the history of the Civil War, while on the other he was an inspiration to the oppressed, a man who garnered the indomitable Harriet Tubman’s commitment to the righteousness of his endeavor.
Elegantly written with a command of period sources, Till the Dark Angel Comes: Abolitionism and the Road to the Second American Revolution is the story of interracial opposition to slavery, the important debates among free blacks as to their future in America, and the arguments and compromises at the highest levels of government. Here we encounter many personalities of the time, some well known, such as Frederick Douglass,William Lloyd Garrison, and John C. Calhoun, and others less so, but no less important—Martin Delany, Henry Highland Garnet, and Elijah Lovejoy.
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cover of Tillie Olsen: One Woman, Many Riddles

Tillie Olsen

One Woman, Many Riddles

Reid, Panthea

Rutgers University Press, 2011

In Tillie Olsen: One Woman, Many Riddles, Panthea Reid examines the complex life of this iconic feminist hero and twentieth-century literary giant.

Born in Omaha, Nebraska, Tillie Olsen spent her young adulthood there, in Kansas City, and in Faribault, Minnesota. She relocated to California in 1933 and lived most of her life in San Francisco. From 1962 on, she sojourned frequently in Massachusetts, New Hampshire, Santa Cruz, and Soquel, California. She was a 1920s "hell-cat"; a 1930s revolutionary; an early 1940s crusader for equal pay for equal work and a war-relief patriot; an ex-GI's ideal wife in the later 1940s; a victim of FBI surveillance in the 1950s;a civil rights and antiwar advocate during the 1960s and 1970s; and a life-long orator for universal human rights.

The enigma of Tillie Olsen is intertwined with that of the twentieth century. From the rebellions in Czarist Russia, through the terrors of the Depression and the hopes of the New Deal, to World War II, the Nuremberg Trials, and the United Nations' founding, to the cold war and House Un-American Activities Committee hearings, to later progressive and repressive movements, the story of Olsen's life brings remote events into focus.

In her classic short story "I Stand Here Ironing" and her groundbreaking Tell Me a Riddle, Yonnondido, and Silences, Olsen scripted powerful, moving prose about ordinary people's lives, exposing the pervasive effects of sexism, racism, and classism and elevating motherhood and women's creativity into topics of study. Popularly referred to as "Saint Tillie," Olsen was hailed by many as the mother of modern feminism.

Based on diaries, letters, manuscripts, private documents, resurrected public records, and countless interviews, Reid's artfully crafted biography untangles some of the puzzling knots of the last century's triumphs and failures and speaks truth to legend, correcting fabrications and myths about and also by Tillie Olsen.

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