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Arguing that resilient coasts emerge from collaborative, cross-disciplinary understanding rather than single-issue solutions

At the Bates-Morse Mountain Conservation Area, climate change impacts are visible to the attentive observer. High tides increasingly flood the causeway across the Sprague River Salt Marsh, large winter storms are reshaping the sand dunes at Seawall Beach, and the offshore waters of the Gulf of Maine are among the fastest-warming on the planet. Environmental change is not new there, nor is the impact of human activity, but different parts of this coastal system are changing at different rates, in different ways. Some components are potentially self-renewing, such as the barrier dune beach, while others, such as Piping Plover populations or the salt marshes, might be restored only with assistance. Unfortunately, other components may already be beyond help: the forest of pitch pines between the dunes and the marsh faces the dual threat of saltwater intrusion below ground and potential burial by migrating sands above.

In The View from Morse Mountain, contributors invite readers into this system through an array of complementary inquiries into bedrock geology, carbon capture by salt marshes, dune movement, the physiology of trees, bird migration, perceptual psychology, and the overlays of Indigenous history and colonial settlement. Fostering adaptability, particularly in coastal systems, requires just such an integrated set of examinations and perspectives. This collection of expert analyses works to encourage place-based curiosity in anyone, both those familiar with this area of Maine and people beyond, helping them recognize both loss and resilience, and to deepen their love for the places they treasure.

Contributors include the volume editors as well as Emily Chandler, Caitlin Cleaver, Isobel Curtis, J. Dykstra Eusden Jr., Brett Huggett, Bev Johnson, Dana Oster, Mike Retelle, and Robert Strong.

For anyone interested in visual communication, a training guide for evaluating and developing visual representations for the big ideas in science and technology, essential skills for journal submissions, grant applications, and public understanding.
 
As a scientist, engineer, or other researcher, you may have written an abstract. In a paragraph, you explain the purpose of your research, your approach, the questions you have asked and answered, and your work’s impact. The abstract is a summary and an invitation—to read the paper, attend your talk, and join you in your thinking. You may even have been asked to create a visual abstract—a single image—to achieve the same goals. As a designer or public information officer, you may have had a similar brief—to explain a compelling subject with a visual for a journal cover or press release. And yet, this important skill—devising visual metaphors—isn’t typically taught. With her decades of experience creating compelling images and instructing MIT researchers, award-winning photographer and science communicator Felice C. Frankel helps readers evaluate and create their own visual abstractions.
 
Like in her other books in the Visual Elements series, on photography and design, Frankel asks readers to evaluate different choices—for example, in conveying the uncertainty of a hurricane’s path or the organization of the Standard Model for elementary particles. But in Abstraction, she offers more. With examples from science, engineering, and beyond, the book helps readers consider and evaluate the visuals around them and determine how they work and when they fail: Is this representation the best for communication? Will these abstractions encourage others to engage with my work? Will they mislead? Will they help my ideas evolve? Frankel invites researchers to think about the many meanings behind their images—and, in turn, to think more deeply about their research.

Where nature meets democracy—John Dewey’s vision for a more connected world.

American philosopher John Dewey considered all human endeavors to be one with the natural world. In his writings, particularly Art as Experience (1934), Dewey insists on the primacy of the environment in aesthetic experience. Dewey’s conception of environment includes both the natural and the man-made. The World in Which We Occur highlights this notion in order to define “pragmatist ecology,” a practice rooted in the interface of the cultural and the natural. Neil Browne finds this to be a significant feature of some of the most important ecological writing of the last century.

To fully understand human involvement in the natural world, Browne argues that disciplinary boundaries must be opened, with profound implications for the practice of democracy. The degradation of the physical environment and democratic decay, for Browne, are rooted in the same problem: our persistent belief that humans are somehow separate from their physical environment.

Browne probes the work of a number of major American writers through the lens of Dewey’s philosophy. Among other texts examined are John Muir’s My First Summer in the Sierra (1911); Sea of Cortez (1941) by John Steinbeck and Edward Ricketts; Rachel Carson’s three books about the sea, Under the Sea-Wind (1941), The Sea Around Us (1951), and The Edge of the Sea (1955); John Haines’s The Stars, the Snow, the Fire (1989); Barry Lopez’s Arctic Dreams (1986); and Terry Tempest Williams’s Refuge (1991). Together, these texts—with their combinations of scientific observation and personal meditation—challenge the dichotomies that we have become accustomed and affirm the principles of a pragmatist ecology, one in which ecological and democratic values go hand in hand.

Enter the fascinating world of reptiles and amphibians through the eyes of a pioneering field scientist.

Their Blood Runs Cold is entertaining, informative reading that not only enhances our understanding of a unique group of animals, but also provides genuine insight into the mind and character of a research scientist.

Whit Gibbons possesses the rare talent of conveying the challenge and excitement of scientific inquiry. A research ecologist who specializes in the study of reptiles and amphibians, he gives accounts of work in the field that are as readable as good short stories.

From the dangers of being chased by an angry rattlesnake to the exhilaration of discovering a previously undescribed species, Gibbons brings to life the everyday experiences of the herpetologist as he chases down lizards, turtles, snakes, alligators, salamanders, and frogs in their natural habitats. With essays like “Turtles May Be Slow but They’re 200 Million Years Ahead of Us” and “How to Catch an Alligator in One Uneasy Lesson,” Their Blood Runs Cold both entertains and informs.

The thirtieth anniversary edition of Their Blood Runs Cold features a new prologue and epilogue, additions that address changes in the taxonomy and study of reptiles and amphibians that have occurred since the publication of the original edition and offer suggestions for further reading that highlight the explosion of interest in the topic.

A master cartographer and teacher, Armin Lobeck provides a clear, accessible guide to discerning the geological history of an area through an understanding of the lines of rivers, mountains, and coasts found on maps. He presents commonplace physical features that map users normally take for granted as a collection of cartographic detective stories. After pointing out patterns that call for solutions, Lobeck assembles clues and leads his readers through thoughtful, carefully crafted explanations, to show how to grasp the history of the earth through the art of map reading.