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The Faustian bargain—in which an individual or group collaborates with an evil entity in order to obtain knowledge, power, or material gain—is perhaps best exemplified by the alliance between world-renowned human geneticists and the Nazi state. Under the swastika, German scientists descended into the moral abyss, perpetrating heinous medical crimes at Auschwitz and at euthanasia hospitals. But why did biomedical researchers accept such a bargain?

The Nazi Symbiosis offers a nuanced account of the myriad ways human heredity and Nazi politics reinforced each other before and during the Third Reich. Exploring the ethical and professional consequences for the scientists involved as well as the political ramifications for Nazi racial policies, Sheila Faith Weiss places genetics and eugenics in their larger international context. In questioning whether the motives that propelled German geneticists were different from the compromises that researchers from other countries and eras face, Weiss extends her argument into our modern moment, as we confront the promises and perils of genomic medicine today.

Ahmad Mahmoud sets The Neighbors against the backdrop of the oil nationalization crisis that gripped Iran in the early 1950s. His protagonist, Khaled, a young man from a rundown neighborhood in Ahvaz, a city in southern Iran, becomes involved in the struggle to wrest Iran’s oil industry from the British and, as the result of his political activities, comes to realize that there is more to life than the drudgery and poverty his parents and neighbors have experienced.

The Neighbors, published in 1974, cemented Mahmoud’s reputation as a novelist and captured the ethos of a generation—the generation that laid the groundwork for those who continue to struggle for democracy in Iran today. Though the novel received considerable praise and was read widely, its political nature earned the ire of Mohammad Reza Shah’s regime, and the Islamic Republic has objected to its sexually explicit content. This is the first time one of Ahmad Mahmoud’s novels has appeared in English translation.

How immigrants helped rebuild a city—and redefined what it means to be American

Among the most consequential pieces of Great Society legislation, the Immigration Act of 1965 opened the nation's doors to large-scale immigration from Africa, Asia, and Latin America. A half century later, the impact of the "new immigration" is evident in the transformation of the country's demographics, economy, politics, and culture, particularly in urban America.

In The New Bostonians, Marilynn S. Johnson examines the historical confluence of recent immigration and urban transformation in greater Boston, a region that underwent dramatic decline after World War II. Since the 1980s, the Boston area has experienced an astounding renaissance—a development, she argues, to which immigrants have contributed in numerous ways. From 1970 to 2010, the percentage of foreign-born residents of the city more than doubled, representing far more diversity than earlier waves of immigration. Like the older Irish, Italian, and other European immigrant groups whose labor once powered the region's industrial economy, these newer migrants have been crucial in re-building the population, labor force, and metropolitan landscape of the New Boston, although the fruits of the new prosperity have not been equally shared.

In the United States, the fight to secure full civil rights for African American people has endured for centuries. The movement has included many voices, among them, working people, charismatic activists, musicians and artists, the LGBTQIA community, veterans, suburbanites, and elected officials. Moving from the labor struggles of the 1930s to the sit-ins and boycotts of midcentury, and the Black Lives Matter protests of today, this expansive volume brings together first-person accounts, political documents and speeches, and historical photographs from each region of the country.

Designed for use in courses and engaging for general readers, this new compilation is the most diverse, most inclusive, and most comprehensive resource available for teaching and learning about the civil rights movement. With chronological and geographical depth, The New Civil Rights Movement Reader addresses a range of key topics, including youth activism, regional and local freedom struggles, voting rights, economic inequality, gender, sexuality, and culture, and the movement’s global reach.

For scholars who have studied it, as for many Americans who experienced it firsthand, Franklin Roosevelt's New Deal has long represented a turning point in the modern history of the United States. More than simply a bold program of political change, it marked a critical departure in the governing principles, institutional arrangements, and policies that shape American life. 

In this collection of original essays, a distinguished group of political scientists and historians reevaluate the legacy of the New Deal, showing how Roosevelt and his allies forged an enduring public philosophy—modern liberalism—that redefined the relationship of government and governed. Adapting broad principles from the past to the unprecedented circumstances of a worldwide depression, the New Dealers shifted American politics away from its traditional emphasis on self-reliance, private property, and decentralized power. In its place they advocated a new “economic constitutional order”—in effect, a new social contract—in which the government guaranteed protection to individuals against the uncertainties of the marketplace. 

Although the contributors differ in their assessment of the successes and failures of New Deal liberalism, all agree that its implications for American political life were profound and far-reaching—in the realm of foreign as well as domestic affairs, for the theory as well as the practice of government. Taken together, the essays offer a fresh look at the many ways the New Deal, in Harry Hopkins's phrase, “made America over.”

In addition to the editors, contributors are William E. Leuchtenburg, Marc Landy, Nelson Lichtenstein, Donald R. Brand, Jyette Klausen, Suzanne Mettler, Ronald Story, Seyom Brown, and Morton Keller.

How some “back-to-the-landers” fled alienating urban, bureaucratic places for rural Appalachia in pursuit of self-reliance, liberation, and community, only to later find themselves vulnerable to a rising tide of national conservatism that minted new political elites on the state and local level at odds with their progressive social ideas and environmental values. 

It is a powerful story: the relationship between the 1960s New Left and organized labor was summed up by hardhats confronting students and others over US involvement in Vietnam. But the real story goes beyond the "Love It or Leave It" signs and melees involving blue-collar types attacking protesters. 

Peter B. Levy challenges these images by exploring the complex relationship between the two groups. Early in the 1960s, the New Left and labor had cooperated to fight for civil rights and anti-poverty programs. But diverging opinions on the Vietnam War created a schism that divided these one-time allies. Levy shows how the war, combined with the emergence of the black power movement and the blossoming of the counterculture, drove a permanent wedge between the two sides and produced the polarization that remains to this day.

Unlocking a vital understanding of how literary studies and media studies overlap and are bound together

A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media.

From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji.

By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.

How healthy control subjects in clinical research transformed the practice and labor of science, as told by the Normals themselves.

In the 1950s, the National Institutes of Health were in search of a large, replenishing stream of healthy people to participate in clinical studies. To establish legal sources of test subjects, the NIH signed unprecedented contracts with American colleges, church organizations, and other government agencies, and in the process gave rise to a new type of test subject: the “normal patient.” Thousands of them eventually moved into the NIH Clinical Center to live in hospital rooms, eat food prepared in a metabolic kitchen, and follow—or flout—the rules.

The Normals is a groundbreaking account of the NIH Normal Volunteer Patient Program, which has lasted into the twenty-first century. This program harnessed outside organizations in all areas of postwar American life—colleges and universities, labor unions, civic groups, federal prisons, and churches—to recruit research subjects for human experiments. Drawing on thousands of pages of unearthed government documents, oral histories, and personal materials shared by the patients themselves (collected in a new archive), Laura Stark follows five experiments and the people involved, delving into their biographies, their time at the Clinical Center, and the thorny problem of determining who counts as “normal.” The “Normals” were not passive objects of study, Stark shows, but active research participants who collaborated with scientists, maintained the laboratories where they served, informed official ethics policies, and bargained to meet their needs.

By taking seriously the pillow fights and the first kisses, the bible clubs and the movie nights that animated the Clinical Center as much as the medical experiments, The Normals brings to life a surprising true story of the origins of our present-day system of human experiment, one that at once explores what it means to work, to serve, to volunteer.

In Nadine Gordimer's view, the novel can present history as historians cannot. Moreover, this presentation is not fictional in the sense of being “untrue.” Rather, fiction deals with an area of activity usually inaccessible to the sciences of greater externally: the area in which historical process is registered as the subjective experience of individuals in society; fiction give us “history from the inside.” Gordimer's novels give us an extraordinary and unique insight into historical experience in the period in which she writes.

Outstanding poets and critics present cultural readings of the Objectivist poets, a group whose works have been largely unexamined.

"Objectivist" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.

Thus, argue editors Rachel Blau DuPlessis and Peter Quartermain, the time has come for an anthology that unites essential works on Objectivist practices and presents Objectivist writing as an enlargement of the possibilities of poetry rather than as a determinable and definable literary movement. The authors' collective aim is to bring attention to this group of poets and to exemplify and specify cultural readings for poetic texts--readings alert to the material world, politics, society, and history, and readings concerned with the production, dissemination, and reception of poetic texts.

The contributors consider Basil Bunting, Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky within both their historical milieu and our own. The essays insist on poetry as a mode of thought; analyze and evaluate Objectivist politics; focus on the ethical, spiritual, and religious issues raised by certain Objectivist affiliations with Judaism; and explore the dissemination of poetic texts and the vagaries of Objectivist reception. Running throughout the book are two related threads: Objectivist writing as generally a practice aware of its own historical and social contingency and Objectivist writing as a site of complexity, contestation, interrogation, and disagreement.