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Time and the Town was the last of Mary Heaton Vorse's books. It is about many things —a town and its people, the author, a certain kind of idyllic life. As much as anything else, it is the biography of the house Vorse bought in 1907 and lived in, off and on, for the next thirty-six years. The moods of the house mirrored her own. "Our houses," she wrote, "are our biographies, the stories of our defeats and victories."

Tinged with nostalgia and disenchantment, the book describes a Provincetown that has changed, a place on the verge of modernity. It is no longer a major fishing port. It has become a place whose business is tourism. Contrasting the old and the new, Vorse celebrates the enduring character of the town itself. She tells stories that are engaging and charming, droll and fabulous. The wrinkled Mrs. Mary Mooncusser who, though drunk and stark naked, conducts herself with great decorum when Vorse pays her a call, might have stepped out of the pages of Sherwood Anderson or Eudora Welty. In another anecdote, the townspeople scour the beaches for cases of booze dumped into the sea by rumrunners and are briefly inflated with the spirit of ancestral smugglers and buccaneers.

Vorse herself remained something of an outsider in Provincetown, despite her evident affection for the place and its inhabitants. They surely regarded her as simply another of those artist-intellectuals--many of whom appear in the pages of this book. The "off-Cape" outsiders put the town in the national limelight but took no interest in local matters. Vorse here ponders local matters exclusively, almost, one suspects, as a way of forgetting the more complex matters that occupied her--her agonies of parental guilt, her resentment of domestic obligations, her third marriage, her depressions and breakdowns. The town is in that sense beyond time.
 

A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War.

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”

For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.

The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

When Ernie López was a boy selling newspapers in Depression-era Los Angeles, his father beat him when he failed to bring home the expected eighty to ninety cents a day. When the beatings became unbearable, he took to petty stealing to make up the difference. As his thefts succeeded, Ernie's sense of necessity got tangled up with ambition and adventure. At thirteen, a joyride in a stolen car led to a sentence in California's harshest juvenile reformatory. The system's failure to show any mercy soon propelled López into a cycle of crime and incarceration that resulted in his spending decades in some of America's most notorious prisons, including four and a half years on death row for a murder López insists he did not commit.

To Alcatraz, Death Row, and Back is the personal life story of a man who refused to be broken by either an abusive father or an equally abusive criminal justice system. While López freely admits that "I've been no angel," his insider's account of daily life in Alcatraz and San Quentin graphically reveals the violence, arbitrary infliction of excessive punishment, and unending monotony that give rise to gang cultures within the prisons and practically insure that parolees will commit far worse crimes when they return to the streets. Rafael Pérez-Torres discusses how Ernie López's experiences typify the harsher treatment that ethnic and minority suspects often receive in the American criminal justice system, as well as how they reveal the indomitable resilience of Chicanos/as and their culture. As Pérez-Torres concludes, "López's story presents us with the voice of one who—though subjected to a system meant to destroy his soul—not only endured but survived, and in surviving prevailed."

Marion Duff Hanks (1921–2011) was one of the most beloved and influential leaders of the Church of Jesus Christ of Latter-day Saints in the twentieth century, serving as a General Authority (senior leader) for forty years. He was also a leader of national import. As a recognized expert on youth, five US presidents appointed him to their President’s Council on Physical Fitness and Sports. Hanks also served as an executive leader of Rotary International and the Boy Scouts of America.

Author Richard Hanks draws on previously unavailable primary sources—journals, correspondence, notebooks, and recordings—to share this first and only authorized biography of his father. Hanks traces his father’s influence as he advocated for numerous changes in the institutional church, including humanitarian efforts, refugee relief services, missionary community service, a focus on mercy for the sinner, and a churchwide emphasis on “coming unto Christ.” A Renaissance man, Duff Hanks felt comfortable mingling with presidents and world leaders and speaking from pulpits and podiums to huge audiences and on television. But he found his greatest joy in assisting the individual, encouraging each in their personal search for happiness. Once, when asked about his goals, he replied, “My strongest desire is to qualify to be a friend of Christ.”

Marion Duff Hanks (1921–2011) was one of the most beloved and influential leaders of the Church of Jesus Christ of Latter-day Saints in the twentieth century, serving as a General Authority (senior leader) for forty years. He was also a leader of national import. As a recognized expert on youth, five US presidents appointed him to their President’s Council on Physical Fitness and Sports. Hanks also served as an executive leader of Rotary International and the Boy Scouts of America.

Author Richard Hanks draws on previously unavailable primary sources—journals, correspondence, notebooks, and recordings—to share this first and only authorized biography of his father. Hanks traces his father’s influence as he advocated for numerous changes in the institutional church, including humanitarian efforts, refugee relief services, missionary community service, a focus on mercy for the sinner, and a churchwide emphasis on “coming unto Christ.” A Renaissance man, Duff Hanks felt comfortable mingling with presidents and world leaders and speaking from pulpits and podiums to huge audiences and on television. But he found his greatest joy in assisting the individual, encouraging each in their personal search for happiness. Once, when asked about his goals, he replied, “My strongest desire is to qualify to be a friend of Christ.”

A minister’s call to justice in the struggle for civil rights.

A native Alabamian, Reverend Robert E. Hughes worked full-time in the civil rights movement as executive director of the Alabama Council of Human Relations, where he developed a close relationship with Dr. Martin Luther King Jr. After facing backlash from the Ku Klux Klan, spending four days in jail for refusing to disclose ACHR membership lists, and ultimately being forced to leave the state of Alabama, he served as a Methodist missionary in Southern Rhodesia (now part of Zimbabwe). After two years of organizing Black liberation groups, he was banned as a “prohibited immigrant” by the Ian Smith government. His lifelong commitment to social justice, racial equality, and peaceful resolution of conflicts marks a fascinating career richly documented in this comprehensive biography.

To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes traces the life and career of an admirable and lesser-known civil rights figure who fought injustice on two continents. This account presents valuable new evidence about the civil rights movement in the United States as well as human rights and liberation issues in colonial Southern Rhodesia in the years leading up to independence and self-rule. It provides an intimate portrait of a courageous individual who worked outside of the public spotlight but provided essential support and informational resources to public activists and news reporters

Randall C. Jimerson explores the interwoven threads of race relations and religious beliefs on two continents, focusing on the dual themes of the American civil rights movement and the African struggles for decolonization and majority rule. The life and career of Robert Hughes provide insight into the international dimensions of racial prejudice and discrimination that can be viewed in comparative context to similar oppressions in other colonial lands.

 

To Life explores the Jewish relationship with nature by illuminating significant Jewish thinkers who increased in important ways our understanding of various aspects of natural history. In eight compelling chapter-long biographies, naturalist Joel Greenberg demonstrates the diversity of both Jewish identity and the natural sciences.

Greenberg’s rich biographical sketches spotlight great Jewish scientists who not only made major contributions to the study of the natural world but also led rich and colorful lives: botanist and spy Aaron Aaronsohn, zoologist Libbie Henrietta Hyman, infamous ornithologist Nathan Leopold, mammalogist Philip Hershkovitz, arachnologist Herbert Levi, herpetologist Hymen Marx, public health entomologist Andrew Spielman, and ecologist Joan Ehrenfeld. These individuals manifested different aspects of Jewish identity—some observant, some secular—but all were affected in one way or another by their being Jewish. 

By exploring the relationship between Jews and nature through the lives of these figures, Greenberg shares new and underrecognized aspects of Jewish and environmental history and opens new portals into the fields they studied.

Son of the famous American journalist Louis Fischer, who corresponded from Germany and then Moscow, and the Russian writer Markoosha Fischer, Victor Fischer grew up in the shadow of Hitler and Stalin, watching his friends’ parents disappear after political arrests. Eleanor Roosevelt personally engineered the Fischer family’s escape from Russia, and soon after Victor was serving in the United States Army in World War II and fighting opposite his childhood friends in the Russian and German armies. 

From Southern roots to scholarly heights—one woman’s journey to find peace, purpose, and her place in the world.

A neat and lavish, if constricting, childhood in the lush landscapes of North Carolina. Summers at a calm, remote beach house. A proper and religiously influenced prep school in Washington. Years at Bryn Mawr, an impulsive study trip to Paris, further education at Yale, married life, and divorced life. These are the settings for Mary Ann Caws’s passionate memoir, in which she recounts the highs and lows of her journey through life. Marked by complicated relationships and a passion for learning, Caws’s story is one that resonates not only with writers like herself, but with all who have struggled with determining their path within the surrounding world.

Caws writes of her formal, stylish parents, her rebellious and deeply admired sister, and her artistic grandmother, whom she respected and idolized more than anyone else. She describes her marriage and subsequent divorce, her bouts with therapy, her children, and her growth as a student and writer. Throughout the memoir is evidence of her love for writing, teaching, art, and poetry as well as her deep respect for the people in her life that ultimately guided her into her career. 

The author describes Southern society and her own life with fondness, nostalgia, and a tinge of honest criticism. The carefully selected details and delicate balance of sentiment and fact bring readers into the fascinating, complicated, and all-too-real world of Caws’s—and our own—past.

What does it mean to belong to a place, to be truly rooted and grounded in the place you call home? How do you commit to a marriage, to a full partnership with another person, and still maintain your own separate identity? These questions have been central to Susan Wittig Albert's life, and in this beautifully written memoir, she movingly describes how she has experienced place, marriage, and aloneness while creating a home in the Texas Hill Country with her husband and writing partner, Bill Albert.

Together, Alone opens in 1985, as Albert leaves a successful, if rootless, career as a university administrator and begins a new life as a freelance writer, wife, and homesteader on a patch of rural land northwest of Austin. She vividly describes the work of creating a home at Meadow Knoll, a place in which she and Bill raised their own food and animals, while working together and separately on writing projects. Once her sense of home and partnership was firmly established, Albert recalls how she had to find its counterbalance—a place where she could be alone and explore those parts of the self that only emerge in solitude. For her, this place was Lebh Shomea, a silent monastic retreat. In writing about her time at Lebh Shomea, Albert reveals the deep satisfaction she finds in belonging to a community of people who have chosen to be apart and experience silence and solitude.

Tom Blackwell (1938–2020) is primarily known for his work in Photorealism, a stylistic movement noted for its ardent embrace of photographic source material. In 1969, he began a series of brashly beautiful motorcycle paintings that established him as one of the founders and foremost artists of the movement. The myriad painterly possibilities of urban store windows became another abiding interest. In his store-window paintings, Blackwell captures the counterpoint between the idealized reality within the store display and the bustling urban life reflected in the glass. As author Linda Chase remarks, "The magic of these paintings resides in the artist's ability to transform the arbitrary photographic information into dynamic and complex artistic compositions, revealing and clarifying the image while preserving its mystery."

In conjunction with his Photorealist paintings, Blackwell has produced a related body of work that is allegorical in its perpective. Combining photo-derived images, he addresses themes such as the passage of time, the fragility of nature, and the continuity that weaves through human history. The paintings, rich in symbolism and interpretive possibilities, fascinate and impress viewers with the breadth of Blackwell's abilities. "As a painter, I have been interested in dealing with the formal issues involved in juxtaposed and overlapping images," he explains. "In my Photorealism work, my goal is to reveal something about the actual world and to explore our photo-mediated perceptions of it."

Blackwell, born in Chicago in 1938, has deftly captured the vibrancy and visual excitement of urban street life for the past four decades and has had solo exhibitions across the United States and abroad. Tom Blackwell: The Complete Paintings, 1970–2014 is a comprehensive study of the artist's work as well as his artistic development and process, and includes a compilation of his early paintings through to his most recent works.

WINNER OF THE LYMAN BOOK AWARD FOR MARITIME AND NAVAL SCIENCE, TECHNOLOGY, AND ENVIRONMENT

Argues that the US Navy’s commitment to high-steam propulsion for its World War II fleet was a tactical, technological, and bureaucratic failure

In Too Far on a Whim, Tyler A. Pitrof presents a high-spirited revision of the US Navy’s commitment to high-steam propulsion systems, the mainstay of its World War II fleets. Pitrof’s research persuasively demonstrates that in its war against the Imperial Japanese Navy, the US Navy succeeded despite its high-steam propulsion systems rather than because of them.

War with an aggressive Japan and a resurgent Germany loomed in the dark days of the late 1930s. Rear Admiral Harold G. Bowen Sr., head of the US Navy’s Bureau of Engineering, advanced a radical vision: a new fleet based on high-steam propulsion, a novel technology that promised high speeds with smaller engines and better fuel efficiency. High-steam engines had drawbacks—smaller operational ranges and maintenance issues. Nevertheless, trusting its engineers to resolve these issues, the US Navy put high-steam propulsion at the heart of its warship design from 1938 to 1945.

The official record of high-steam technology’s subsequent performance has relied heavily on Bowen’s own memoir, in which he painted high-steam innovation in heroic colors. Pitrof’s empirical review of primary sources such as ship’s maintenance records, however, illuminates the opposite—that the heroism lay in the ability of American seamen to improvise solutions to keep these difficult engines running.

Pitrof artfully explains engineering concepts in layman’s terms and provides an account that extends far beyond technology and into matters of naval hierarchies and bureaucracy, strategic theory, and ego. He offers a cautionary tale—as relevant to any endeavor as it is to military undertakings—about how failures arise when technical experts lack managers who understand their work. Admiral Bowen wielded excessive power because no one else in the US Navy knew enough to countermand him.

Compulsively readable, Too Far on a Whim is a landmark for those interested in naval history and technology but also for readers interested in the interplay between innovation, decision-making, and engineering.
 

As director of the Cincinnati Observatory and, later, a civilian in the newly established forecast and storm warning division of the U.S. Army Signal Service, Cleveland Abbe was the first person to issue official, regularly scheduled weather forecasts, or “probabilities,” in the United States. Abbe began his work in forecasting in 1869, earning the nickname “Old Probabilities” and gaining recognition for the reliability of his reports. He would go on to become a leader of the US Weather Bureau—which we know today as the National Weather Service. In establishing a system for creating daily weather forecasts and more, this humble pioneer helped lay the foundation for modern meteorology in the United States.

Set against the backdrop of nineteenth and early twentieth-century international events and scientific advancements, this biography of Abbe explores both his personal life and his scientific career. It illuminates his time spent in Russia in the mid-1860s—as the Civil War was waged and a president was assassinated back home—in part through letters with his mother. Decades of diaries and correspondence from the Cleveland Abbe Papers at the Library of Congress, as well as first-person accounts, illuminate this biography of a mild-mannered family man whose thirst for knowledge drove him to become a giant in an emerging scientific field.

As a Black child adopted out of the New York foster care system as a toddler and raised by white evangelical parents, Rhonda Roorda had to learn how to walk in two different worlds. She often questioned “whether my skin was too dark” and if she “acted too white.” She recalls being haunted by feelings of shame and not being enough. Torn from the Root is her illuminating story of identity, belonging, and purpose and lays bare the deep pain she felt navigating life as a vulnerable Black girl and how she healed herself.

Roorda suffered trauma and abuse in her youth, but she also developed resilience. Eventually, she resolves to find her birth family and takes readers on her exciting and agonizing journey.

Torn from the Root thinks critically about the child welfare system and the long-term impacts of transracial adoption. Roorda helps readers understand her experience, posing necessary questions about the challenges of transracial adoption. Her emotional story, full of wisdom and reflection, recounts how she accepted the truth of her adoption and found balance, not discomfort, in her own skin.

Preserving voices from the back roads—Ruby Pickens Tartt and the folklore of Alabama’s Black Belt.

“You recall the expression ‘toting the lead row’, don’t you? In chopping cotton or corn there is always a leader, one who can chop the fastest of them all. When he finishes his row, he goes back and helps the other choppers finish theirs. The one who totes the lead row takes the lead place in the next row.”—Ruby Pickens Tartt

Toting the Lead Row is a powerful biographical and cultural tribute to Ruby Pickens Tartt, a white woman from Alabama’s Black Belt who devoted her life to preserving the oral traditions of rural Black communities. Born in 1880 in Livingston, Alabama, Tartt witnessed nearly a century of social transformation and made it her mission to document the songs, stories, and life histories of her African American neighbors. She believed that the soul of Sumter County resided not in its institutions, but in its cabins, fields, and voices.

During the Great Depression, Tartt worked with the Federal Writers’ Project, collaborating with renowned folklorists such as Carl Carmer and John Lomax. Her home became a hub for cultural preservation, attracting scholars and artists who recognized the depth of her fieldwork. The book’s title refers to a Southern agricultural phrase—“toting the lead row”—symbolizing leadership and support, a role Tartt embodied in her efforts to elevate the voices of those often overlooked.

This volume is divided into two parts: the first offers a detailed biography of Tartt and her work with the WPA, while the second presents a curated selection of her collected writings, including 18 life histories and 12 slave narratives. Through these stories, Tartt preserved a vital piece of Southern history and gave voice to generations whose experiences might otherwise have been lost.

Toting the Lead Row is both a celebration of a remarkable woman and a vital contribution to the study of folklore, race, and Southern identity.

An in-depth, perceptive account of the unconventional life of the Moomins’ beloved creator, now available in the United States

Tove Jansson achieved fame as the creator of the Moomins, beloved by generations of readers around the world. Remarkably, the Moomins were only part of the prodigious creative output of this Finnish-Swedish writer and artist. Jansson’s work also includes short stories and five novels for adults, as well as paintings, murals, and book illustrations. In this acclaimed biography, Boel Westin relies on numerous conversations with Jansson and unprecedented access to her journals, letters, and personal archives to present an engrossing and comprehensive review of the life and world of Scandinavia’s best-loved author.

As Westin’s meticulous research makes clear, Jansson’s artistic and literary works reflected what was most important to her: the love of family and nature and the desire to pursue her art. Guided by her personal motto, “Love and work,” Jansson seized both with uncompromising joy. And while her romantic relationships with men proved unfulfilling, she found those with women—especially with her longtime partner, the artist Tuulikki Pietilä—both grounding and inspiring.

Westin weaves together the many threads of Jansson’s rich, complex life: an education interrupted to help her family; the bleak war years and her emergence as a painter; the decades of Moominmania across books, newspaper comic strips, merchandise, and adaptations; her later fictions, including her popular The Summer Book; and her time with Pietilä on the solitary island of Klovharu. Tove Jansson: Life, Art, Words offers fans and admirers around the world the most complete portrait of the writer Philip Pullman described as “a genius, a woman of profound wisdom and great artistry.”