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Recently the distinguished feminist theorist Elizabeth Grosz has turned her critical acumen toward rethinking time and duration. Time Travels brings her trailblazing essays together to show how reconceptualizing temporality transforms and revitalizes key scholarly and political projects. In these essays, Grosz demonstrates how imagining different relations between the past, present, and future alters understandings of social and scientific projects ranging from theories of justice to evolutionary biology, and she explores the radical implications of the reordering of these projects for feminist, queer, and critical race theories.

Grosz’s reflections on how rethinking time might generate new understandings of nature, culture, subjectivity, and politics are wide ranging. She moves from a compelling argument that Charles Darwin’s notion of biological and cultural evolution can potentially benefit feminist, queer, and antiracist agendas to an exploration of modern jurisprudence’s reliance on the notion that justice is only immanent in the future and thus is always beyond reach. She examines Henri Bergson’s philosophy of duration in light of the writings of Gilles Deleuze, Maurice Merleau-Ponty, and William James, and she discusses issues of sexual difference, identity, pleasure, and desire in relation to the thought of Deleuze, Friedrich Nietzsche, Michel Foucault, and Luce Irigaray. Together these essays demonstrate the broad scope and applicability of Grosz’s thinking about time as an undertheorized but uniquely productive force.

This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.

Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.

Through imagining a future outside the neocolonial frames and practices of contemporary Europe, this book explores a variety of critical spaces including motherhood and the home, friendships and intimate relationships, activism and community, and literature, dance and film.

The history of human beings bought and sold, forced into lives of abject servitude or sexual slavery, is a story as old as civilization and yet still of global concern today. How this story is told, Julietta Hua argues, says much about our cultural beliefs. Through a critical inquiry into representations of human trafficking, she reveals the political, social, and cultural strains underlying our current preoccupation with this issue and the difficulty of framing human rights in universal terms.

In Trafficking Women’s Human Rights, Hua maps the ways in which government, media, and scholarship have described sex trafficking for U.S. consumption. As her investigation takes us from laws like the Victims of Trafficking and Violence Protection Act to political speeches and literary and media images, it uncovers dark assumptions about race, difference, and the United States’ place in the world expressed—and often promoted—by such images. The framing itself, exploiting dichotomies of victim/agent, rescued/rescuer, trafficked/smuggled, illustrates the limits of universalism in addressing human rights.

Uniquely broad in scope, this work considers the laws of human trafficking in conjunction with popular culture. In doing so, it constructively draws attention to the ways in which notions of racialized sexualities form our ideas about national belonging, global citizenship, and, ultimately, human rights.

Lambda Literary Award for Best Book in Transgender Nonfiction, 2013

If feminist studies and transgender studies are so intimately connected, why are they not more deeply integrated? Offering multidisciplinary models for this assimilation, the vibrant essays in Transfeminist Perspectives in and beyond Transgender and Gender Studies suggest timely and necessary changes for institutions of higher learning.

Responding to the more visible presence of transgender persons as well as gender theories, the contributing essayists focus on how gender is practiced in academia, health care, social services, and even national border patrols. Working from the premise that transgender is both material and cultural, the contributors address such aspects of the university as administration, sports, curriculum, pedagogy, and the appropriate location for transgender studies.

Combining feminist theory, transgender studies, and activism centered on social diversity and justice, these essays examine how institutions as lived contexts shape everyday life.

In 1898, the year Queen Wilhelmina of the Netherlands was inaugurated, five hundred women organized an enormous public exhibition showcasing women’s contributions to Dutch society as workers in a strikingly broad array of professions. The National Exhibition of Women’s Labor, held in The Hague, was attended by more than ninety thousand visitors. Maria Grever and Berteke Waaldijk consider the exhibition in the international contexts of women’s history, visual culture, and imperialism.

A comprehensive social history, Transforming the Public Sphere describes the planning and construction of the Exhibition of Women’s Labor and the event itself—the sights, the sounds, and the smells—as well as the role of exhibitions in late-nineteenth-century public culture. The authors discuss how the 1898 exhibition displayed the range and variety of women’s economic, intellectual, and artistic roles in Dutch culture, including their participation in such traditionally male professions as engineering, diamond-cutting, and printing and publishing. They examine how people and goods from the Dutch colonies were represented, most notably in an extensive open-air replica of a “Javanese village.” Grever and Waaldijk reveal the tensions the exhibition highlighted: between women of different economic classes; between the goal of equal rights for women and the display of imperial subjects and spoils; and between socialists and feminists, who competed fiercely with one another for working women’s support. Transforming the Public Sphere explores an event that served as the dress rehearsal for advances in women’s public participation during the twentieth century.

Translocalities/Translocalidades is a path-breaking collection of essays on Latin American, Caribbean, and United States–based Latina feminisms and their multiple translations and cross-pollinations. The contributors come from countries throughout the Américas and are based in diverse disciplines, including media studies, literature, Chicana/o studies, and political science. Together, they advocate a hemispheric politics based on the knowledge that today, many sorts of Latin/o-americanidades—Afro, queer, indigenous, feminist, and so on—are constructed through processes of translocation. Latinidad in the South, North and Caribbean "middle" of the Américas, is constituted out of the intersections of the intensified cross-border, transcultural, and translocal flows that characterize contemporary transmigration throughout the hemisphere, from La Paz to Buenos Aires to Chicago and back again. Rather than immigrating and assimilating, many people in the Latin/a Américas increasingly move back and forth between localities, between historically situated and culturally specific, though increasingly porous, places, across multiple borders, and not just between nations. The contributors deem these multidirectional crossings and movements, and the positionalities engendered, translocalities/translocalidades.

Contributors. Sonia E. Alvarez, Kiran Asher, Victoria (Vicky) M. Bañales, Marisa Belausteguigoitia Rius, Maylei Blackwell, Cruz C. Bueno, Pascha Bueno-Hansen, Mirangela Buggs, Teresa Carrillo, Claudia de Lima Costa, Isabel Espinal, Verónica Feliu, Macarena Gómez-Barris, Rebecca J. Hester, Norma Klahn, Agustín Lao-Montes, Suzana Maia, Márgara Millán, Adriana Piscitelli, Ana Rebeca Prada, Ester R. Shapiro, Simone Pereira Schmidt, Millie Thayer

The East German uprising of 1989 was not a male revolution. Indeed, one of the most significant aspects of the fall of East Germany, compared to that of other East European nations, was the presence of women demanding a political role in the newly emerging social order. As one slogan proclaimed, "Without Women There Is No State."

Yet despite the determination of these women--and of West German feminist groups--to help shape the future of the German state, their influence remained, in the end, very limited. In Triumph of the Fatherland, political scientist Brigitte Young draws on in-depth interviews, archival sources, newspapers, and her own observations from 1989 to 1991 to study the goals, strategies, and eventual fate of the German women's movements during this tumultuous period.

Young focuses on the relationship between the state and its citizenry, outlining the mobilization of women in four states: the East German and West German states before unification; the "stateless state" in East Germany after the collapse of the Wall, and the West German state during unification. Ultimately she finds that the political opportunity structures opened during the "stateless state" closed again with unification, resulting in what Young calls "double gender marginalization."

Brigitte Young is Associate Professor, Department of Political Science, Otto-Suhr-Institute, Free University Berlin, Germany.