448 books match the query 'Interviews' and 80 start with t

cover of The Spiral of Memory: Interviews

The Spiral of Memory

Interviews

Joy Harjo

University of Michigan Press, 1995

With the recently-published The Woman Who Fell from the Sky, Joy Harjo has emerged as one of the most powerful Native American voices of her generation. Over the past two decades, Harjo has refined and perfected a unique poetic voice that speaks her multifaceted experience as Native American, woman and Westerner in twentieth-century society.
The Spiral of Memory gathers the conversations in which Harjo has articulated her singular yet universal perspective on the world and her poetry. She reflects upon the nuances and development of her art, the importance of her origins, the arduous reconstruction of the tribal past, the dramatic confrontation between Native American and Anglo civilizations, the existential and artistic itinerary through present-day America, and other provocative and profoundly human themes.
Joy Harjo is the author of several volumes of poetry. She received awards from the National Endowment for the Arts, the Before Columbus Foundation, and the Poetry Society of America. She is Professor of English, University of New Mexico, Albuquerque. Laura Coltelli is Associate Professor of American Literature, University of Pisa.
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cover of The Struggle for Peace: Israelis and Palestinians

The Struggle for Peace

Israelis and Palestinians

Edited by Elizabeth Warnock Fernea and Mary Evelyn Hocking

University of Texas Press, 1992

The determination of ordinary people to end regional and global conflicts is powerful despite the forces opposing them. The Struggle for Peace explores how average citizens on both sides of the Israeli-Palestinian conflict worked for peace in the late twentieth century. Essays by noted scholars are juxtaposed with profiles of individual Israelis and Palestinians involved in peace activism. What emerges is a unique perspective on the prospects for peace in this troubled area.

Coordinated with a documentary film of the same name, the book is designed as a tool for the study of conflict resolution generally and the Israeli-Palestinian conflict in particular. The twelve original essays deal with the issues from different disciplinary perspectives: political science (Yehoshafat Harkabi, A. R. Norton, Muhammad Muslih, and Robert Vitalis); history (Avraham Zilkha and Joel Beinin); anthropology (Robert Rubinstein); sociology (Salim Tamari); film (Steven Talley); law (Edward Sherman); and international peacekeeping (Christian Harleman). The human side of the struggle is presented through brief biographies and portraits of twenty-five ordinary Israelis and Palestinians involved in peace activities in Israel and the West Bank.

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cover of The Sun Still Shone: Professors Talk Retirement

The Sun Still Shone

Professors Talk Retirement

Lorraine T. Dorfman

University of Iowa Press, 1997

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cover of The Suspended Passion: Interviews

The Suspended Passion

Interviews

Marguerite Duras

Seagull Books, 2016

A controversial figure of the postwar French literary and cultural scene, Marguerite Duras has exerted a powerful hold on readers around the world. This volume of interviews—hailed on its French publication as Duras’s “secret confession”—offers readers a rich vein of new insight into her work, opinions, life, and relationships.

The interviews that make up the book were conducted in 1987, when Italian journalist Leopoldina Pallotta della Torre met the seventy-three-year-old Duras at her Paris flat and convinced her to sit for a series of conversations. The resulting book was published in Italian in 1989, but it somehow failed to attract a French publisher, and it was quickly forgotten. Nearly a quarter of a century later, however, the book was rediscovered and translated into French, and, it has now become a sensation. In its revealing pages, Duras speaks with extraordinary freedom about her life as a writer, her relationship to cinema, her friendship with Mitterand , her love of Chekhov and football, and, perhaps most significantly, her childhood in pre-war Vietnam, the experiences that propelled her most famous novel, The Lover.

A true literary event, finally available in English, The Suspended Passion is a remarkable document of an extraordinary literary life.
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cover of The Terror of the Machine: Technology, Work, Gender, and Ecology on the U.S.-Mexico Border

The Terror of the Machine

Technology, Work, Gender, and Ecology on the U.S.-Mexico Border

By Devon G. Peña

University of Texas Press, 1995

Born of thirteen years of field research, this interdisciplinary work explores the complex intersections of technology, class, gender, and ecology in the transnational milieu of Mexico's maquiladoras, foreign-owned assembly plants located along the U.S. border.

Devon Peña examines workplace and community struggles from the perspective of the women who work in the maquiladoras. He describes the workers' struggles for workplace democracy, social justice, and sustainable development. He also observes the circulation of struggle from the factory to the community, highlighting the efforts to establish worker-owned cooperatives in the border region during the 1970s and 1980s.

Female maquila workers are typically portrayed as passive, apolitical, and easily exploited. This book, however, presents an opposing view, investigating the "subaltern life of the shop floor"—the workers' informal methods of resistance to hazardous conditions, sexual harassment, and managerial tyranny. Using survey research, oral history, discourse analysis, and site ethnography, the author develops a cogent critique of labor-process theory, a critique grounded on his extensive study of actual workplace politics in the maquiladoras.

The Terror of the Machine is a trenchant analysis of the political, cultural, and environmental effects of maquila industrialization and an eloquent and persuasive call for alternatives in the direction of ecologically sustainable and culturally appropriate modes of development.

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cover of The West Side Carbondale, Pennsylvania Mine Fire

The West Side Carbondale, Pennsylvania Mine Fire

Kathleen Purcell Munley

University of Scranton Press, 2010

In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.

            
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.

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cover of The World of René Girard: Interviews

The World of René Girard

Interviews

Nadine Dormoy

Michigan State University Press, 2024

In 1988, Nadine Dormoy conducted a series of interviews with René Girard at a pivotal moment in his career, just after a number of books and conferences had situated his work in a new context of research on self-organizing systems. In these interviews, Girard discusses the flurry of intellectual activity that followed the landmark 1981 Stanford University conference, Disorder and Order. Attended by several Nobel prize winners and other important intellectual figures, this event expanded his reputation in Europe and laid the groundwork for later accolades, including the Modern Language Association’s Award for Lifetime Scholarly Achievement and being elected as a member of the Académie Française. Girard also discusses Theater of Envy, his then-forthcoming book on Shakespeare and his first book written in English, as well as corrects several misunderstandings of his mimetic hypothesis. Dormoy is a spirited interlocutor, like Girard a postwar émigré who came to make a new life for herself teaching French in American universities. Translated into English for the first time by leading mimetic studies scholar William A. Johnsen, The World of René Girard is a must-have for those new to and familiar with Girard’s work.
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cover of The Writers: A History of American Screenwriters and Their Guild

The Writers

A History of American Screenwriters and Their Guild

Banks, Miranda J

Rutgers University Press, 2016

Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. 

Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild.

With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.
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cover of They Came to Nashville

They Came to Nashville

Marshall Chapman

Vanderbilt University Press, 2010

Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire.



In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie.



They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream.



Co-published with the Country Music Foundation Press

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cover of Things You Need to Hear: Collected Memories of Growing Up in Arkansas, 1890–1980

Things You Need to Hear

Collected Memories of Growing Up in Arkansas, 1890–1980

Margaret Jones Bolsterli

University of Arkansas Press, 2016

Things You Need to Hear gathers memories of Arkansans from all over the state with widely different backgrounds. In their own words, these people tell of the things they did growing up in the early twentieth century to get an education, what they ate, how they managed to get by during difficult times, how they amused themselves and earned a living, and much more. Some of Margaret Bolsterli's "informants," as she calls them, are famous (Johnny Cash, Maya Angelou, Levon Helm, Joycelyn Elders), but many more are not. Their vivid personal stories have been taken from published works and from original interviews conducted by Bolsterli. All together, these tales preserve memories of ways of life that are compelling, entertaining, and certainly well worth remembering.
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cover of Thinking Out of Sight: Writings on the Arts of the Visible

Thinking Out of Sight

Writings on the Arts of the Visible

Jacques Derrida

University of Chicago Press, 2021

Jacques Derrida remains a leading voice of philosophy, his works still resonating today—and for more than three decades, one of the main sites of Derridean deconstruction has been the arts. Collecting nineteen texts spanning from 1979 to 2004, Thinking out of Sight brings to light Derrida’s most inventive ideas about the making of visual artworks.

The book is divided into three sections. The first demonstrates Derrida’s preoccupation with visibility, image, and space. The second contains interviews and collaborations with artists on topics ranging from the politics of color to the components of painting. Finally, the book delves into Derrida’s writings on photography, video, cinema, and theater, ending with a text published just before his death about his complex relationship to his own image. With many texts appearing for the first time in English, Thinking out of Sight helps us better understand the critique of representation and visibility throughout Derrida’s work, and, most importantly, to assess the significance of his insights about art and its commentary.
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cover of Thinking en español: Interviews with Critics of Chicana/o Literature

Thinking en español

Interviews with Critics of Chicana/o Literature

Jesús Rosales; Foreword by Rolando Hinojosa-Smith

University of Arizona Press, 2014

Thinking en español captures conversations with leading Chicana and Chicano literary critics. This unique book consists of interviews with founding members of Chicano criticism conducted by the author, Jesús Rosales, who, through his conversations with leaders such as Luis Leal, María Herrera-Sobek, Tey Diana Rebolledo, and Juan Rodríguez, shows the path of criticism from 1848 to the present.

The twelve critics interviewed for this project share certain characteristics. For each one, Mexico plays an essential role in his or her personal and academic background, and each is bilingual and bicultural, having received formal literary education in Spanish graduate programs. As products of the working class, each scholar here shares a sense of social consciousness and commitment that lends an urgency to their desire to promote Chicano literature and culture at the local, regional, national, and international levels. They serve as a source of inspiration and commitment for future generations of scholars of Chicano literature and leave a lasting legacy of their own. 

Thinking en español legitimizes Chicana/o criticism as an established discipline, and documents the works of some of the most important critics of Chicano literature at the turn of the twentieth and into the twenty-first century. This timely book immortalizes literary historical figures and documents the trajectory of Chicano criticism.
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cover of Thinking in Jazz: The Infinite Art of Improvisation

Thinking in Jazz

The Infinite Art of Improvisation

Paul F. Berliner

University of Chicago Press, 1994

A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.

The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.

Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators.

Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
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cover of Thinking in the Past Tense: Eight Conversations

Thinking in the Past Tense

Eight Conversations

Alexander Bevilacqua and Frederic Clark

University of Chicago Press, 2019

If the vibrancy on display in Thinking in the Past Tense is any indication, the study of intellectual history is enjoying an unusually fertile period in both Europe and North America. This collection of conversations with leading scholars brims with insights from such diverse fields as the history of science, the reception of classical antiquity, book history, global philology, and the study of material culture. The eight practitioners interviewed here specialize in the study of the early modern period (c. 1400–1800), for the last forty years a crucial laboratory for testing new methods in intellectual history. The lively conversations don’t simply reveal these scholars’ depth and breadth of thought; they also disclose the kind of trade secrets that historians rarely elucidate in print. Thinking in the Past Tense offers students and professionals alike a rare tactile understanding of the practice of intellectual history. Here is a collectively drawn portrait of the historian’s craft today.
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cover of Those Who Remain: A Photographer's Memoir of South Carolina Indians

Those Who Remain

A Photographer's Memoir of South Carolina Indians

Gene J. Crediford

University of Alabama Press, 2009

Through interviews and a generous photograph montage stretching over two decades, reveals the commonality and diversity among these people of Indian identity

When DeSoto (in 1540) and later Juan Pardo (in 1567) marched through what was known as the province of Cofitachequi (which covered the southern part of today’s North Carolina and most of South Carolina), the native population was estimated at well over 18,000. Most shared a common Catawba language, enabling this confederation of tribes to practice advanced political and social methods, cooperate and support each other, and meet their common enemy. The footprint of the Cofitachequi is the footprint of this book.

The contemporary Catawba, Midland, Santee, Natchez-Kusso, Varnertown, Waccamaw, Pee Dee, and Lumbee Indians of North and South Carolina, have roots in pre-contact Cofitachequi. Names have changed through the years; tribes split and blended as the forces of nature, the influx of Europeans, and the imposition of federal government authority altered their lives. For a few of these tribes, the system has worked well—or is working well now. For others, the challenge continues to try to work with and within the federal government’s system for tribal recognition—a system governing Indians but not created by them. Through interviews and a generous photograph montage stretching over two decades, Gene Crediford reveals the commonality and diversity among these people of Indian identity; their heritage, culture, frustrations with the system, joys in success of the younger generation, and hope for the future of those who come after them. This book is the story of those who remain.
 

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cover of Three Decades of Engendering History

Three Decades of Engendering History

Linda Heidenreich

University of North Texas Press, 2014

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cover of Through Survivors' Eyes: From the Sixties to the Greensboro Massacre

Through Survivors' Eyes

From the Sixties to the Greensboro Massacre

Sally Avery Bermanzohn

Vanderbilt University Press, 2003

On the morning of November 3, 1979, a group of black and white demonstrators were preparing to march against the Ku Klux Klan through the streets of Greensboro, North Carolina, when a caravan of Klansmen and Nazis opened fire on them. Eighty-eight seconds later, five demonstrators lay dead and ten others were wounded. Four TV stations recorded their deaths by Klan gunfire. Yet, after two criminal trials, not a single gunman spent a day in prison. Despite this outrage, the survivors won an unprecedented civil-court victory in 1985 when a North Carolina jury held the Greensboro police jointly liable with the KKK for wrongful death.

In passionate first-person accounts, Through Survivors' Eyes tells the story of six remarkable people who set out to change the world. The survivors came of age as the "protest generation," joining the social movements of the 1960s and 1970s. They marched for civil rights, against war, for textile and healthcare workers, and for black power and women's liberation. As the mass mobilizations waned in the mid-1970s, they searched for a way to continue their activism, studied Marxism, and became communists.

Nelson Johnson, who grew up on a farm in eastern North Carolina in a family proud of its African American heritage, settled in Greensboro in the 1960s and became a leader of the Black Liberation Movement and a decade later the founder of the Faith Community Church. Willena Cannon, the daughter of black sharecroppers, witnessed a KKK murder as a child and was spurred to a life of activism. Her son, Kwame Cannon, was only ten when he saw the Greensboro killings. Marty Nathan, who grew up the daughter of a Midwestern union organizer and came to the South to attend medical school, lost her husband to the Klan/Nazi gunfire. Paul Bermanzohn, the son of Jewish Holocaust survivors, was permanently injured during the shootings. Sally Avery Bermanzohn, a child of the New York suburbs who came south to join the Civil Rights Movement, watched in horror as her friends were killed and her husband was wounded.

Through Survivors' Eyes is the story of people who abandoned conventional lives to become civil rights activists and then revolutionaries. It is about blacks and whites who united against Klan/Nazi terror, and then had to overcome unbearable hardship, and persist in seeking justice. It is also a story of one divided southern community, from the protests of black college students of the late 1960s to the convening this January of a Truth and Community Reconciliation Project (on the South African model) intended to reassess the Massacre.
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cover of Times of Upheaval: Four Medievalists in Twentieth-Century Central Europe. Conversations with Jerzy Kloczowski, János M. Bak, František Šmahel, and Herwig Wolfram

Times of Upheaval

Four Medievalists in Twentieth-Century Central Europe. Conversations with Jerzy Kloczowski, János M. Bak, František Šmahel, and Herwig Wolfram

Pavlína Rychterová

Central European University Press, 2019

The volume unites conversations with four masters of Medieval Studies from east-central Europe: János Bak from Hungary, Jerzy Kloczowski from Poland, František Šmahel from the Czech Republic, and Herwig Wolfram from Austria. The interviews, made by younger colleagues, reveal engaging life stories, with numerous observations, anecdotes and experiences. The four scholars grew up before and during the war, under Nazi occupation, emerged as young scholars in the difficult post-war period, and, for most of their careers worked in the shadow of the Iron Curtain, two of them spending most of their lifetimes under communist regimes. The conversations focus on ways in which open-minded young intellectuals became medieval historians under difficult circumstances, how they experienced the long shadows of totalitarian regimes with their acute sensitivity for historical change, and how their perceptions of the world around them reflected back on their approach to medieval history. The histories of their nations were broken, most of them ceased to exist and then were re-established during their lifetimes, came under foreign domination, were split up, or had their territories shifted. These changes affected these scholars' identities and patriotic feelings, and their present was reflected in the distant mirror of the medieval past.
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cover of To Make a Prairie: Essays on Poets, Poetry, and Country Living

To Make a Prairie

Essays on Poets, Poetry, and Country Living

Maxine Kumin

University of Michigan Press, 1980

Kumin reflects on the process of writing poetry and on life in the country
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cover of To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement

To Stand Aside or Stand Alone

Southern Reform Rabbis and the Civil Rights Movement

P. Allen Krause, Edited by Mark K. Bauman with Stephen Krause

University of Alabama Press, 2016

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.
 
After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.
 
The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.
 
Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.
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cover of Tom Stoppard in Conversation

Tom Stoppard in Conversation

Paul Delaney, Editor

University of Michigan Press, 1994

This collection of interviews with British playwright Tom Stoppard, author of such well-known comedies as Travesties, Jumpers, and Rosencrantz and Guildenstern Are Dead, brings together for the first time Stoppard's most significant assessments of his own work.

A wide range of discussions are featured, from extensive conversations with the editors of Theatre Quarterly and Gambit to important interviews in lesser-known periodicals. The interviews include the playwright's unguarded comments to the daily press, from those of a dazzled young Stoppard the morning after the triumphant opening of Rosencrantz and Guildenstern to those of a veteran playwright still smarting from caustic reviews 36 hours after the opening of Hapgood. The interviews cover the full range of Stoppard's work, from his adaptations for the stage to his increasing involvement in film, and this volume makes many of them available for the first time. Also appearing for the first time in print are transcripts of radio interviews and an informal lecture by Stoppard called "The Event and the Text."

Tom Stoppard's conversations about his work shed light on questions of authorial intent and the creative process. Debates over interpretations of the plays will be enhanced by this record of Stoppard's own perceptions and insights. The collection also includes the most extensive bibliography and discography ever compiled of Stoppard's print interviews, broadcast interviews, and lectures.

Witty, illuminating, and informative, Tom Stoppard in Conversation will be of interest to scholars, students, directors, actors, and fans of Stoppard's work.

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cover of Trajectories: Crossing the Map of Poetry

Trajectories

Crossing the Map of Poetry

Carolyne Wright

University of Michigan Press, 2027

In Trajectories, poet, translator, human rights advocate, and world traveler Carolyne Wright maps her poetic path in the crossing of cultural, linguistic, and national boundaries. From her origins in Seattle and the Pacific Northwest through Latin America (Chile, Brazil) and South Asia (India, Bangladesh) through languages spoken in these regions (Spanish, Portuguese, and Bengali), Wright recalls and relives the poetic trajectory as well as the seeming tangents that one poet’s relatively uncommon life has taken. She pays tribute to poetic mentors of the “Northwest School,” to Bengali and Chilean women poets, to the poetry and music of Brazil, and to poets such as Elizabeth Bishop, Ted Hughes, and Sylvia Plath.

Throughout her essays and interviews and across a wide range of literary interests, Wright explores connections between family and national history, intersections of personal and public spheres, and the poetics of the era in which she moves. She connects lyricism to social engagement, witnessing contemporary and historical issues while remaining committed to the heightened, musical language of lyric poetry. Both personal and political, a compelling story and a work of criticism, Trajectories seeks essential insights into poetry as a path of discovery across the cartography of the human heart. Wright offers these experiences and insights as a map for readers who wish to share the journey.

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cover of Transgender Voices: Beyond Women and Men

Transgender Voices

Beyond Women and Men

Lori B. Girshick

University Press of New England, 2009

In this extraordinary book, based on 150 in-depth interviews, Lori B. Girshick, a sociologist and social justice activist, brings together the voices of sex- and gender-diverse people who speak with absolute candor about their lives. Girshick presents transpeople speaking in their own voices about identity, coming out, passing, sexual orientation, relationship negotiations and the dynamics of attraction, homophobia (including internalized fears), and bullying. She exposes the guilt and the shame that “gender police” use in their attempts to exert control and points out the many ways transpeople are discriminated against in daily life, from filling out identification documents to gender-segregated bathrooms. By showing us a variety of descriptions of diverse real lives and providing a thorough exploration of the embodied experiences of gender variant people, Girshick demonstrates that there is nothing inherently binary about gender, and that the way each of us experiences our own gender is, in fact, normal and natural.
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cover of Translated Nation: Rewriting the Dakhóta Oyáte

Translated Nation

Rewriting the Dakhóta Oyáte

Christopher J. Pexa

University of Minnesota Press, 2019

How authors rendered Dakhóta philosophy by literary means to encode ethical and political connectedness and sovereign life within a settler surveillance state

Translated Nation examines literary works and oral histories by Dakhóta intellectuals from the aftermath of the 1862 U.S.–Dakota War to the present day, highlighting creative Dakhóta responses to violences of the settler colonial state. Christopher Pexa argues that the assimilation era of federal U.S. law and policy was far from an idle one for the Dakhóta people, but rather involved remaking the Oyáte (the Očéti Šakówiŋ Oyáte or People of the Seven Council Fires) through the encrypting of Dakhóta political and relational norms in plain view of settler audiences.

From Nicholas Black Elk to Charles Alexander Eastman to Ella Cara Deloria, Pexa analyzes well-known writers from a tribally centered perspective that highlights their contributions to Dakhóta/Lakhóta philosophy and politics. He explores how these authors, as well as oral histories from the Spirit Lake Dakhóta Nation, invoke thióšpaye (extended family or kinship) ethics to critique U.S. legal translations of Dakhóta relations and politics into liberal molds of heteronormativity, individualism, property, and citizenship. He examines how Dakhóta intellectuals remained part of their social frameworks even while negotiating the possibilities and violence of settler colonial framings, ideologies, and social forms. 

Bringing together oral and written as well as past and present literatures, Translated Nation expands our sense of literary archives and political agency and demonstrates how Dakhóta peoplehood not only emerges over time but in everyday places, activities, and stories. It provides a distinctive view of the hidden vibrancy of a historical period that is often tied only to Indigenous survival.

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cover of Transmitting Jewish History: Yosef Hayim Yerushalmi in Conversation with Sylvie Anne Goldberg

Transmitting Jewish History

Yosef Hayim Yerushalmi in Conversation with Sylvie Anne Goldberg

Yosef Hayim Yerushalmi and Sylvie Anne Goldberg

Brandeis University Press, 2021

The deeply personal reflections of a giant of Jewish history.
 
Scholar Yosef Hayim Yerushalmi (1932–2009) possessed a stunning range of erudition in all eras of Jewish history, as well as in world history, classical literature, and European culture. What Yerushalmi also brought to his craft was a brilliant literary style, honed by his own voracious reading from early youth and his formative undergraduate studies. This series of interviews paints a revealing portrait of this giant of history, bringing together exceptional material on Yerushalmi’s personal and intellectual journeys that not only attests to the astonishing breakthrough of the issues of Jewish history into “general history,” but also offers profound insight into being Jewish in today's world.  
 
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cover of Trappings: Stories of Women, Power, and Clothing

Trappings

Stories of Women, Power, and Clothing

Ludwig, Tiffany

Rutgers University Press, 2007

What do you wear that makes you feel powerful? How about the woman next to you at the bank? In line with you at the store? Think about your mother. What would she put on to reveal her power source to the world? These are the questions that inspired Tiffany Ludwig and Renee Piechocki to embark on an interview journey across the United States. Over a period of six years, they talked with more than 500 women and girls, ages four through ninety-two, who ranged from office workers to drag-kings, stay-at-home moms to attorneys, fashion industry executives to elected officials, students to cowgirls.

            It is these women’s sensitive, funny, and always revealing thoughts that are at the heart of Trappings—a book that although it begins with a question about clothing is not about fashion at all. Here, clothing is simply a vehicle to access a larger dialogue about a diverse range of issues women face related to power and identity, including what expectations and limitations are placed upon them by their affiliation with a specific gender, culture, race, class, or profession. A complex spectrum of responses include discussions about the importance of clothing’s comfort and practicality, how clothing can facilitate women’s movement through class and social strata, how sex is used strategically in business and social settings, and how clothing can be used to empower women by connecting them with cultural or personal history.

            Complimented by 148 color and black-and-white photographs, the visual and written portraits in this book reveal much more than the contents of women’s closets. Through the intimate lens of clothing, Ludwig and Piechocki expose the very personal ways that power is sought, experienced, and projected by women.

 

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cover of Travels in a Gay Nation: Portraits of LGBTQ Americans

Travels in a Gay Nation

Portraits of LGBTQ Americans

Philip Gambone

University of Wisconsin Press, 2010

For two years, Philip Gambone traveled the length and breadth of the United States, talking candidly with LGBTQ people about their lives. In addition to interviews from David Sedaris, George Takei, Barney Frank, and Tammy Baldwin, Travels in a Gay Nation brings us lesser-known voices—a retired Naval officer, a transgender scholar and “drag king,” a Princeton philosopher, two opera sopranos who happen to be lovers, an indie rock musician, the founder of a gay frat house, and a pair of Vermont garden designers.
    In this age when contemporary gay America is still coming under attack, Gambone captures the humanity of each individual. For some, their identity as a sexual minority is crucial to their life’s work; for others, it has been less so, perhaps even irrelevant. But, whether splashy or quiet, center-stage or behind the scenes, Gambone’s subjects have managed—despite facing ignorance, fear, hatred, intolerance, injustice, violence, ridicule, or just plain indifference—to construct passionate, inspiring lives.

 
Finalist, Foreword Magazine’s Anthology of the Year

Outstanding Book in the High School Category, selected by the American Association of School Libraries

Best Book in Special Interest Category, selected by the Public Library Association
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cover of Tribal Policing: Asserting Sovereignty, Seeking Justice

Tribal Policing

Asserting Sovereignty, Seeking Justice

Eileen Luna-Firebaugh

University of Arizona Press, 2007

What does it mean to be a tribal police officer? What are the complexities of that role? And how do tribal communities, tribal police departments, and other law enforcement agencies collaborate to address the alarmingly high rate of violent crime in Indian country?

Author Eileen Luna-Firebaugh answers these and other questions in this well-documented text about tribal government and law enforcement in America. Based on extensive research with tribal police departments conducted over a period of eight years, Tribal Policing reveals the complicated role of police officials in Indian country and the innovative methods they are developing to address crime within their borders and to advance tribal sovereignty in the United States.

Tribal police departments face many challenges, such as heightened crime rates, a lack of resources (working patrol vehicles, 911 systems, access to police radios), and vast patrol areas. Luna-Firebaugh demonstrates that tribal officers see themselves as members of the tribal community and that tribal law enforcement is a complex balance of tribal position and authority within the community. Among other topics, Luna-Firebaugh analyzes the structure of tribal law enforcement and the ways it differs from mainstream policing; the role of women, tribal members, and others who comprise tribal law enforcement personnel; tribal jails and corrections; police training; and the legal, political, cultural, and historical issues that affect American Indian tribal policing.

This informative text addresses the scarcity of published material regarding tribal law enforcement and will be a welcome addition to courses in criminal justice, the administration of justice, law enforcement, and Native American studies.
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cover of Trying to Give Ease: Tommie Bass and the Story of Herbal Medicine

Trying to Give Ease

Tommie Bass and the Story of Herbal Medicine

John K. Crellin and Jane Philpott

Duke University Press, 1997

In Trying to Give Ease, John K. Crellin and Jane Philpott focus on the life, practices, and accumulated knowledge of the late A. L. "Tommie" Bass, a widely known and admired Appalachian herbalist. Informed by insights drawn from several disciplines, particularly anthropology, their broad historical analyses of self-care practices and herbal remedies draw heavily on recorded interviews with Bass and his patients. Special attention is given to local resources that shape alternative medicine, the backgrounds of herbal practitioners, and the cultural currency of medical concepts once central to professional medicine and now less common. The authors report on both the physical effects of herbal remedies and the psychological factors that have an impact on their success. Trying to Give Ease is a companion to A Reference Guide to Medicinal Plants, also published by Duke University Press.
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cover of Turning On the Mind: French Philosophers on Television

Turning On the Mind

French Philosophers on Television

Tamara Chaplin

University of Chicago Press, 2007

In 1951, the eight o’clock nightly news reported on Jean-Paul Sartre for the first time. By the end of the twentieth century, more than 3,500 programs dealing with philosophy and its practitioners—including Bachelard, Badiou, Foucault, Lyotard, and Lévy—had aired on French television. According to Tamara Chaplin, this enduring commitment to bringing the most abstract and least visual of disciplines to the French public challenges our very assumptions about the incompatibility of elite culture and mass media. Indeed, it belies the conviction that television is inevitably anti-intellectual and the quintessential archenemy of the book. 
  
Chaplin argues that the history of the televising of philosophy is crucial to understanding the struggle over French national identity in the postwar period. Linking this history to decolonization, modernization, and globalization, Turning On the Mind claims that we can understand neither the markedly public role that philosophy came to play in French society during the late twentieth century nor the renewed interest in ethics and political philosophy in the early twenty-first unless we acknowledge the work of television. Throughout, Chaplin insists that we jettison presumptions about the anti-intellectual nature of the visual field, engages critical questions about the survival of national cultures in a globalizing world, and encourages us to rethink philosophy itself, ultimately asserting that the content of the discipline is indivisible from the new media forms in which it has found expression.
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