Joy Harjo
University of Michigan Press, 1995
Edited by Elizabeth Warnock Fernea and Mary Evelyn Hocking
University of Texas Press, 1992
The determination of ordinary people to end regional and global conflicts is powerful despite the forces opposing them. The Struggle for Peace explores how average citizens on both sides of the Israeli-Palestinian conflict worked for peace in the late twentieth century. Essays by noted scholars are juxtaposed with profiles of individual Israelis and Palestinians involved in peace activism. What emerges is a unique perspective on the prospects for peace in this troubled area.
Coordinated with a documentary film of the same name, the book is designed as a tool for the study of conflict resolution generally and the Israeli-Palestinian conflict in particular. The twelve original essays deal with the issues from different disciplinary perspectives: political science (Yehoshafat Harkabi, A. R. Norton, Muhammad Muslih, and Robert Vitalis); history (Avraham Zilkha and Joel Beinin); anthropology (Robert Rubinstein); sociology (Salim Tamari); film (Steven Talley); law (Edward Sherman); and international peacekeeping (Christian Harleman). The human side of the struggle is presented through brief biographies and portraits of twenty-five ordinary Israelis and Palestinians involved in peace activities in Israel and the West Bank.

Lorraine T. Dorfman
University of Iowa Press, 1997
Marguerite Duras
Seagull Books, 2016
By Devon G. Peña
University of Texas Press, 1995
Born of thirteen years of field research, this interdisciplinary work explores the complex intersections of technology, class, gender, and ecology in the transnational milieu of Mexico's maquiladoras, foreign-owned assembly plants located along the U.S. border.
Devon Peña examines workplace and community struggles from the perspective of the women who work in the maquiladoras. He describes the workers' struggles for workplace democracy, social justice, and sustainable development. He also observes the circulation of struggle from the factory to the community, highlighting the efforts to establish worker-owned cooperatives in the border region during the 1970s and 1980s.
Female maquila workers are typically portrayed as passive, apolitical, and easily exploited. This book, however, presents an opposing view, investigating the "subaltern life of the shop floor"—the workers' informal methods of resistance to hazardous conditions, sexual harassment, and managerial tyranny. Using survey research, oral history, discourse analysis, and site ethnography, the author develops a cogent critique of labor-process theory, a critique grounded on his extensive study of actual workplace politics in the maquiladoras.
The Terror of the Machine is a trenchant analysis of the political, cultural, and environmental effects of maquila industrialization and an eloquent and persuasive call for alternatives in the direction of ecologically sustainable and culturally appropriate modes of development.
Kathleen Purcell Munley
University of Scranton Press, 2010
In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.
Nadine Dormoy
Michigan State University Press, 2024
Banks, Miranda J
Rutgers University Press, 2016
Marshall Chapman
Vanderbilt University Press, 2010
In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie.
They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream.
Co-published with the Country Music Foundation Press
Margaret Jones Bolsterli
University of Arkansas Press, 2016
Jacques Derrida
University of Chicago Press, 2021
Jesús Rosales; Foreword by Rolando Hinojosa-Smith
University of Arizona Press, 2014
Paul F. Berliner
University of Chicago Press, 1994
Alexander Bevilacqua and Frederic Clark
University of Chicago Press, 2019
Gene J. Crediford
University of Alabama Press, 2009
Through interviews and a generous photograph montage stretching over two decades, reveals the commonality and diversity among these people of Indian identity
When DeSoto (in 1540) and later Juan Pardo (in 1567) marched through what was known as the province of Cofitachequi (which covered the southern part of today’s North Carolina and most of South Carolina), the native population was estimated at well over 18,000. Most shared a common Catawba language, enabling this confederation of tribes to practice advanced political and social methods, cooperate and support each other, and meet their common enemy. The footprint of the Cofitachequi is the footprint of this book.
The contemporary Catawba, Midland, Santee, Natchez-Kusso, Varnertown, Waccamaw, Pee Dee, and Lumbee Indians of North and South Carolina, have roots in pre-contact Cofitachequi. Names have changed through the years; tribes split and blended as the forces of nature, the influx of Europeans, and the imposition of federal government authority altered their lives. For a few of these tribes, the system has worked well—or is working well now. For others, the challenge continues to try to work with and within the federal government’s system for tribal recognition—a system governing Indians but not created by them. Through interviews and a generous photograph montage stretching over two decades, Gene Crediford reveals the commonality and diversity among these people of Indian identity; their heritage, culture, frustrations with the system, joys in success of the younger generation, and hope for the future of those who come after them. This book is the story of those who remain.

Linda Heidenreich
University of North Texas Press, 2014
Sally Avery Bermanzohn
Vanderbilt University Press, 2003
Pavlína Rychterová
Central European University Press, 2019
Maxine Kumin
University of Michigan Press, 1980
P. Allen Krause, Edited by Mark K. Bauman with Stephen Krause
University of Alabama Press, 2016
Paul Delaney, Editor
University of Michigan Press, 1994
This collection of interviews with British playwright Tom Stoppard, author of such well-known comedies as Travesties, Jumpers, and Rosencrantz and Guildenstern Are Dead, brings together for the first time Stoppard's most significant assessments of his own work.
A wide range of discussions are featured, from extensive conversations with the editors of Theatre Quarterly and Gambit to important interviews in lesser-known periodicals. The interviews include the playwright's unguarded comments to the daily press, from those of a dazzled young Stoppard the morning after the triumphant opening of Rosencrantz and Guildenstern to those of a veteran playwright still smarting from caustic reviews 36 hours after the opening of Hapgood. The interviews cover the full range of Stoppard's work, from his adaptations for the stage to his increasing involvement in film, and this volume makes many of them available for the first time. Also appearing for the first time in print are transcripts of radio interviews and an informal lecture by Stoppard called "The Event and the Text."
Tom Stoppard's conversations about his work shed light on questions of authorial intent and the creative process. Debates over interpretations of the plays will be enhanced by this record of Stoppard's own perceptions and insights. The collection also includes the most extensive bibliography and discography ever compiled of Stoppard's print interviews, broadcast interviews, and lectures.
Witty, illuminating, and informative, Tom Stoppard in Conversation will be of interest to scholars, students, directors, actors, and fans of Stoppard's work.

Carolyne Wright
University of Michigan Press, 2027
In Trajectories, poet, translator, human rights advocate, and world traveler Carolyne Wright maps her poetic path in the crossing of cultural, linguistic, and national boundaries. From her origins in Seattle and the Pacific Northwest through Latin America (Chile, Brazil) and South Asia (India, Bangladesh) through languages spoken in these regions (Spanish, Portuguese, and Bengali), Wright recalls and relives the poetic trajectory as well as the seeming tangents that one poet’s relatively uncommon life has taken. She pays tribute to poetic mentors of the “Northwest School,” to Bengali and Chilean women poets, to the poetry and music of Brazil, and to poets such as Elizabeth Bishop, Ted Hughes, and Sylvia Plath.
Throughout her essays and interviews and across a wide range of literary interests, Wright explores connections between family and national history, intersections of personal and public spheres, and the poetics of the era in which she moves. She connects lyricism to social engagement, witnessing contemporary and historical issues while remaining committed to the heightened, musical language of lyric poetry. Both personal and political, a compelling story and a work of criticism, Trajectories seeks essential insights into poetry as a path of discovery across the cartography of the human heart. Wright offers these experiences and insights as a map for readers who wish to share the journey.
Lori B. Girshick
University Press of New England, 2009
Christopher J. Pexa
University of Minnesota Press, 2019
How authors rendered Dakhóta philosophy by literary means to encode ethical and political connectedness and sovereign life within a settler surveillance state
Translated Nation examines literary works and oral histories by Dakhóta intellectuals from the aftermath of the 1862 U.S.–Dakota War to the present day, highlighting creative Dakhóta responses to violences of the settler colonial state. Christopher Pexa argues that the assimilation era of federal U.S. law and policy was far from an idle one for the Dakhóta people, but rather involved remaking the Oyáte (the Očéti Šakówiŋ Oyáte or People of the Seven Council Fires) through the encrypting of Dakhóta political and relational norms in plain view of settler audiences.
From Nicholas Black Elk to Charles Alexander Eastman to Ella Cara Deloria, Pexa analyzes well-known writers from a tribally centered perspective that highlights their contributions to Dakhóta/Lakhóta philosophy and politics. He explores how these authors, as well as oral histories from the Spirit Lake Dakhóta Nation, invoke thióšpaye (extended family or kinship) ethics to critique U.S. legal translations of Dakhóta relations and politics into liberal molds of heteronormativity, individualism, property, and citizenship. He examines how Dakhóta intellectuals remained part of their social frameworks even while negotiating the possibilities and violence of settler colonial framings, ideologies, and social forms.
Bringing together oral and written as well as past and present literatures, Translated Nation expands our sense of literary archives and political agency and demonstrates how Dakhóta peoplehood not only emerges over time but in everyday places, activities, and stories. It provides a distinctive view of the hidden vibrancy of a historical period that is often tied only to Indigenous survival.
Yosef Hayim Yerushalmi and Sylvie Anne Goldberg
Brandeis University Press, 2021

Ludwig, Tiffany
Rutgers University Press, 2007
What do you wear that makes you feel powerful? How about the woman next to you at the bank? In line with you at the store? Think about your mother. What would she put on to reveal her power source to the world? These are the questions that inspired Tiffany Ludwig and Renee Piechocki to embark on an interview journey across the United States. Over a period of six years, they talked with more than 500 women and girls, ages four through ninety-two, who ranged from office workers to drag-kings, stay-at-home moms to attorneys, fashion industry executives to elected officials, students to cowgirls.
It is these women’s sensitive, funny, and always revealing thoughts that are at the heart of Trappings—a book that although it begins with a question about clothing is not about fashion at all. Here, clothing is simply a vehicle to access a larger dialogue about a diverse range of issues women face related to power and identity, including what expectations and limitations are placed upon them by their affiliation with a specific gender, culture, race, class, or profession. A complex spectrum of responses include discussions about the importance of clothing’s comfort and practicality, how clothing can facilitate women’s movement through class and social strata, how sex is used strategically in business and social settings, and how clothing can be used to empower women by connecting them with cultural or personal history.
Complimented by 148 color and black-and-white photographs, the visual and written portraits in this book reveal much more than the contents of women’s closets. Through the intimate lens of clothing, Ludwig and Piechocki expose the very personal ways that power is sought, experienced, and projected by women.
Philip Gambone
University of Wisconsin Press, 2010
Eileen Luna-Firebaugh
University of Arizona Press, 2007
John K. Crellin and Jane Philpott
Duke University Press, 1997
Tamara Chaplin
University of Chicago Press, 2007