Results by title

477 books match the query 'Italy' and 136 start with t

Sort by

The Eye of the Lynx

Galileo, His Friends, and the Beginnings of Modern Natural History

David Freedberg

University of Chicago Press, 2003

Some years ago, David Freedberg opened a dusty cupboard at Windsor Castle and discovered hundreds of vividly colored, masterfully precise drawings of all sorts of plants and animals from the Old and New Worlds. Coming upon thousands more drawings like them across Europe, Freedberg finally traced them all back to a little-known scientific organization from seventeenth-century Italy called the Academy of Linceans (or Lynxes).

Founded by Prince Federico Cesi in 1603, the Linceans took as their task nothing less than the documentation and classification of all of nature in pictorial form. In this first book-length study of the Linceans to appear in English, Freedberg focuses especially on their unprecedented use of drawings based on microscopic observation and other new techniques of visualization. Where previous thinkers had classified objects based mainly on similarities of external appearance, the Linceans instead turned increasingly to sectioning, dissection, and observation of internal structures. They applied their new research techniques to an incredible variety of subjects, from the objects in the heavens studied by their most famous (and infamous) member Galileo Galilei—whom they supported at the most critical moments of his career—to the flora and fauna of Mexico, bees, fossils, and the reproduction of plants and fungi. But by demonstrating the inadequacy of surface structures for ordering the world, the Linceans unwittingly planted the seeds for the demise of their own favorite method—visual description-as a mode of scientific classification.

Profusely illustrated and engagingly written, Eye of the Lynx uncovers a crucial episode in the development of visual representation and natural history. And perhaps as important, it offers readers a dazzling array of early modern drawings, from magnificently depicted birds and flowers to frogs in amber, monstrously misshapen citrus fruits, and more.

[more]

The Gardens of Sallust

A Changing Landscape

By Kim J. Hartswick

University of Texas Press, 2003

Pleasure gardens, or horti, offered elite citizens of ancient Rome a retreat from the noise and grime of the city, where they could take their leisure and even conduct business amid lovely landscaping, architecture, and sculpture. One of the most important and beautiful of these gardens was the horti Sallustiani, originally developed by the Roman historian Sallust at the end of the first century B.C. and later possessed and perfected by a series of Roman emperors. Though now irrevocably altered by two millennia of human history, the Gardens of Sallust endure as a memory of beauty and as a significant archaeological site, where fragments of sculpture and ruins of architecture are still being discovered.

In this ambitious work, Kim Hartswick undertakes the first comprehensive history of the Gardens of Sallust from Roman times to the present, as well as its influence on generations of scholars, intellectuals, and archaeologists. He draws from an astonishing array of sources to reconstruct the original dimensions and appearance of the gardens and the changes they have undergone at specific points in history. Hartswick thoroughly discusses the architectural features of the garden and analyzes their remains. He also studies the sculptures excavated from the gardens and discusses the subjects and uses of many outstanding examples.

[more]

The Gateway to the Middle Ages

Italy

Eleanor Shipley Duckett

University of Michigan Press, 1988

Portrays the struggle to defend Italian lands against the Eastern Goths and barbarians from the North.

[more]

The Golden Horde

Revolutionary Italy, 1960–1977

Edited by Nanni Balestrini and Primo Moroni

Seagull Books, 2021

The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and ’70s.

An anthology of texts and fragments woven together with an original commentary, The Golden Horde widens our understanding of the full complexity and richness of radical thought and practice in Italy during the 1960s and ’70s. The book covers the generational turbulence of Italy’s postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women’s movement, the development of Autonomia, and the build-up to the watershed moment of the spontaneous political movement of 1977. Far from being merely a handbook of political history, The Golden Horde also sheds light on two decades of Italian culture, including the newspapers, songs, journals, festivals, comics, and philosophy that these movements produced. The book features writings by Sergio Bologna, Umberto Eco, Elvio Fachinelli, Lea Melandri, Danilo Montaldi, Toni Negri, Raniero Panzieri, Franco Piperno, Rossana Rossanda, Paolo Virno, and others, as well as an in-depth introduction by translator Richard Braude outlining the work’s composition and development.

[more]

The Gothic War

Justinian's Campaign to Reclaim Italy

Torsten Cumberland Jacobsen

Westholme Publishing, 2009

The War that Reshaped the Political Future of Europe

“Jacobsen brings to the story an intimate knowledge of Italy. The battles took place on terrain Jacobsen knows well. . . Recommended.”—Choice

“Jacobsen provides an operational history of Justinian’s campaign. Throughout he traces the military strategies and tactical intrigues of leaders such as the Roman general Belisarius and the Goth leader Totila.”—Publishers Weekly

“Jacobsen knows the sites he writes about, he has read Procopius diligently . . . and his military reconstruction can be faulted only in attributing to both sides rather better command and control than the ancient armies could generally manage. . . . Jacobsen has offered wargamers a tool they will appreciate.”—The Classical Review

A period of stability in the early sixth century A.D. gave the Eastern Roman emperor Justinian an opportunity to recapture parts of the Western Empire which had been lost to invading barbarians in the preceding centuries. The climactic conflict over Italy between 535 and 554—the Gothic War—decided the political future of Europe, holding in its balance the possibility that the Roman Empire might rise again. While large portions of the original territory of the ancient Roman Empire were recaptured, the Eastern Empire was incapable of retaining much of its hard-won advances, and soon the empire once again retracted. As a result of the Gothic War, Italy was invaded by the Lombards who began their important kingdom, the Franks began transforming Gaul into France, and without any major force remaining in North Africa, that territory was quickly overrun by the first wave of Muslim expansion in the ensuing century. Written as a general overview of this critical period, The Gothic War: Justinian’s Campaign to Reclaim Italy opens with a history of the conflict with Persia and the great Roman general Belisarius’s successful conquest of the Vandals in North Africa. After an account of the Ostrogothic tribe and their history, the campaigns of the long war for Italy are described in detail, including the three sieges of Rome, which turned the great city from a bustling metropolis into a desolate ruin. In addition to Belisarius, the Gothic War featured many of history’s most colorful antagonists, including Rome’s Narses the Eunuch, and the Goths’ ruthless and brilliant tactician, Totila. Two appendices provide information about the armies of the Romans and Ostrogoths, including their organization, weapons, and tactics, all of which changed over the course of the war.

[more]

The Hellenistic, Roman, and Medieval Glass from Cosa

David Frederick Grose (R. T. Scott, editor)

University of Michigan Press, 2017

The Hellenistic, Roman, and Medieval Glass from Cosa continues the exemplary record of publication by the American Academy in Rome on important classes of materials recovered in excavation from one of the principal archaeological sites of Roman Italy. Over 15,000 fragments of glass tableware, ranging in date from the mid-second century BCE to the early fifth century CE, were found at Cosa, a small town in Etruria (modern Tuscany). Cosa’s products were chiefly exported to North Africa and Europe, but its influence was felt throughout the Mediterranean world.

The research and analysis presented here are the work of the late David Frederick Grose, who began this project when no other city site excavations in Italy focused on ancient glass. He confirmed that the Roman glass industry began to emerge in the Julio-Claudian era, beginning in the principate of Augustus. His study traces the evolution of manufacturing techniques from core-formed vessels to free blown glass, and it documents changes in taste and style that were characteristic of the western glass industry throughout its long history.

At the time of Grose’s unexpected passing, his study was complete but not yet published. Nevertheless, the reputation of his work in this area has done much to establish the value and importance of excavating and researching Cosa’s glass. This volume, arranged and edited by R. T. Scott, makes Grose’s essential scholarship on the subject available for the first time.

[more]

The Honest Courtesan

Veronica Franco, Citizen and Writer in Sixteenth-Century Venice

Margaret F. Rosenthal

University of Chicago Press, 1992

The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position.

Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.

Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.

"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement

The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)

[more]

The Imprisoned Traveler

Joseph Forsyth and Napoleon's Italy

Keith Crook

Bucknell University Press, 2020

The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention” came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

[more]

The Italian Legacy in Philadelphia

History, Culture, People, and Ideas

Edited by Andrea Canepari and Judith Goode

Temple University Press, 2021

Italian arts and culture have been a significant influence on Philadelphia dating back to Thomas Jefferson and colonial times. Throughout the ensuing decades, Italian art and architecture styles flourished, and wealthy Philadelphians traveled to Italy and brought back objects to display in emerging institutions of art and culture. New immigration formed neighborhoods—such as South Philly, home to the Italian Market—and Italian business leaders, politicians, artists, musicians and sports figures came to prominence and became part of the social fabric of the city.

This glorious volume, The Italian Legacy in Philadelphia, celebrates the history, impact, and legacy of this vibrant community, tracing four periods of key transformation in the city’s political, economic, and social structures. The editors and contributors chronicle the changing dynamics of the city as Italian immigrants established themselves and as they continue to have lively interactions with people and institutions in Italy.

Interdisciplinary essays, along with nearly 250 gorgeous images, explore the changing perspectives and styles of those who contributed Italian influences. As settlers and their descendants brought everyday cultural practices, memories, and traditions, they created different Italian-American experiences that became important parts of American culture, a legacy that is thriving in contemporary, globalized Philadelphia.

[more]

The Italian Opera Singers in Mozart's Vienna

Dorothea Link

University of Illinois Press, 2022

Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices.

Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

[more]

The Italian Resistance

Fascists, Guerrillas and the Allies

Tom Behan

Pluto Press, 2009

One of the enduring myths about World War Two is that only the Allies liberated occupied Europe. Many countries had anti-fascist Resistance movements, and Italy's was one of the biggest and most politically radical yet it remains relatively unknown outside of its own homeland.

Within Italy many plaques and streets commemorate the actions of the partisans - a movement from below that grew as Mussolini's dictatorship unravelled. Led by radical left forces, the Resistance trod a thin line between fighting their enemies at home and maintaining an uneasy working relationship with the Allies.

Essential for courses on World War Two and European history, Tom Behan uses unpublished archival material and interviews with surviving partisans to tell an inspiring story of liberation.

[more]

The Italian Way

Food and Social Life

Douglas Harper and Patrizia Faccioli

University of Chicago Press, 2009

Outside of Italy, the country’s culture and its food appear to be essentially synonymous. And indeed, as The Italian Way makes clear, preparing, cooking, and eating food play a central role in the daily activities of Italians from all walks of life. In this beautifully illustrated book, Douglas Harper and Patrizia Faccioli present a fascinating and colorful look at the Italian table.

The Italian Way focuses on two dozen families in the city of Bologna, elegantly weaving together Harper’s outsider perspective with Faccioli’s intimate knowledge of the local customs. The authors interview and observe these families as they go shopping for ingredients, cook together, and argue over who has to wash the dishes. Throughout, the authors elucidate the guiding principle of the Italian table—a delicate balance between the structure of tradition and the joy of improvisation. With its bite-sized history of food in Italy, including the five-hundred-year-old story of the country’s cookbooks, and Harper’s mouth-watering photographs, The Italian Way is a rich repast—insightful, informative, and inviting.

[more]

The Javelin Thrower

Paolo Volponi

Seagull Books, 2018

As a boy growing up in rural Italy in the 1930s, Damìn is experiencing the first stirrings of adolescence when he accidentally sees his mother having sex with the local Fascist commandant. His pain, anger, and confusion are uncomfortably intertwined with a compulsion to watch them, which becomes an obsession.

Isolating himself from anyone who might help him understand what he’s feeling, he channels his fury into his javelin, getting better and better until he is a local champion. But his success is fleeting, as wholly confused and caught up in his own anger, he ends up betraying and humiliating his friends. The Javelin Thrower is the story of an erotic education turned tragic, poisoned by the darkness running through Mussolini’s Italy.

[more]

The Jesuits and Italian Universities, 1548-1773

Paul F. Grendler

Catholic University of America Press, 2017

The Society of Jesus arrived in Italy in 1540 brimming with enthusiasm to found new universities. These would be better than Italian universities, which the Jesuits believed were full of professors teaching philosophical atheism to debauched students. The Jesuits also wanted to become professors in existing Italian universities. They would teach Christian philosophy, true theology, sound logic, eloquent humanities, and practical mathematics. They would exert a positive moral influence on students.

The Jesuits were rejected. Italy already had fourteen universities famous for their research and teaching. They were ruled by princes and cities who refused to share their universities with a religious order led by Spaniards. Between 1548 and 1773 the Jesuits made sixteen attempts, from Turin in the north to Messina in Sicily, to found new universities or to become professors in existing universities. They had some successes, as they helped found four new universities and became professors of mathematics in three more universities. But they suffered nine total failures. The battles between universities, civil governments, and the Jesuits were memorable. Lay professors accused the Jesuits of teaching philosophy badly. The Jesuits charged that Italian professors delivered few lectures and skipped most of Aristotle. Behind the denunciations were profound differences about what universities should be.

Italian universities were dominated by law and the Jesuits emphasized the humanities and theology. Nevertheless, the Society of Jesus had an impact. They added cases of conscience to the training of clergymen. They made four years of study the norm for a degree in theology. They offered a student-centered alternative to Italian universities that focused on research and ignored student misbehavior.

Paul Grendler tells a new story based on years of research in a dozen archives. Anyone interested in the volatile mix of universities, religion, and politics will find this book fascinating and instructive, as will anyone who contemplates what it means to be a Catholic university.

[more]

The Jews in Mussolini's Italy

From Equality to Persecution

Michele Sarfatti; Translated by John and Anne C. Tedeschi

University of Wisconsin Press, 2006

Often overshadowed by the persecution of Jews in Germany, the treatment of Jews in fascist Italy comes into sharp focus in this volume by Italian historian Michele Sarfatti. Using thorough and careful statistical evidence to document how the Italian social climate changed from relatively just to irredeemably prejudicial, Sarfatti begins with a history of Italian Jews in the decades before fascism—when Jews were fully integrated into Italian national life—and provides a deft and comprehensive history from fascism’s rise in 1922 to its defeat in 1945.

Outstanding Academic Title, Choice Magazine

[more]

The Lady Anatomist

The Life and Work of Anna Morandi Manzolini

Rebecca Messbarger

University of Chicago Press, 2010

Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.

Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

[more]

The Last Soldiers of the King

Life in Wartime Italy, 1943-1945

Eugenio Corti & Translated by Manuela Arundel

University of Missouri Press, 2003

In the sequel to the highly acclaimed Few Returned, Eugenio Corti, one of Italy’s most distinguished postwar writers, continues his poignant account of his experiences as an Italian soldier in the Second World War. In the earlier book, Corti, a twenty-one-year-old lieutenant of artillery, recounts the horrifying experience of the soldiers who were sent to Russia to fight alongside their German ally. On the River Don, the Red Army surrounded Corti and the other members of the Italian force. Of the 30,000 men in the Thirty-fifth Corps, Corti was one of only an estimated 4,000 soldiers to survive the ordeal. Mussolini’s dreams of empire were shattered, and his ill-fated Eighth Army no longer existed.

In 1943, after recurrent military defeats, the Italian government and its king, Victor Emmanuel III, forced Mussolini to resign. Italy then signed an armistice with the Allies and ended its alliance with Germany. The Germans immediately occupied northern Italy, which the Axis still held, and reinstated Mussolini in the north. Some Italians remained loyal to fascism; many others aligned themselves with the Allies, who were now advancing in southern Italy. Corti’s sympathies were with the Allies, and after a harrowing escape from the German-occupied north, he rejoined the Italian Army fighting on the side of the king. The Last Soldiers of the King is Corti’s account of the Italian Army’s experiences fighting the Germans during the remainder of the war.

In this unforgettable narrative, Corti depicts the war from the perspective of the average Italian soldier, capturing its boredom and absurdity along with brief periods of savagery, terror, and death. Painting vivid pictures of the sights, sounds, and smells of war, he shows how these men fought alongside the Allies against the Germans. They fought without hatred, driven by a sense of duty and love for their country and a desire to quickly put an end to a war that was destroying so many lives. Corti superbly relates the wandering of the remnant of Italian officers and men as they sought to reestablish themselves as Italian soldiers. The Last Soldiers of the King tells the story of a proud people forced to endure death, poverty, and the virtual destruction of their nation.

[more]

The Letters of Machiavelli

Niccolò Machiavelli

University of Chicago Press, 1988

This collection of the most brilliant and characteristic letters of Niccolò Machiavelli displays the vital and penetrating mind of the man who wrote the first work of modern political science. These letters, which reveal Machiavelli's critical intelligence, sense of humor, and elegant sense, are our chief source of information about his personal life. As such, they will serve as a vivid introduction to the personalities and events of the most turbulent period of the Renaissance, and they will also enlighten people who have been fascinated by the political thinker who wrote The Prince and The Discourses on Livy.

[more]

The Life of Belisarius

The Last Great General of Rome

Lord Mahon

Westholme Publishing, 2005

The Man Who Recaptured the Lost Glory of Rome
Serving the Byzantine Emperor Justinian during the 6th century A.D., Belisarius defeated a superior Persian force that threatened to extinguish Constantinople; his small army next drove the Vandals out of the ancient Roman provinces of North Africa and forced the Visigoths to retreat from Italy, returning Rome to the Emperor for the final time. His ability to achieve victory against overwhelming odds and his fairness to both his own troops and those of his enemies became legendary. Despite his successes, Justinian recalled Belisarius and, swayed by jealous advisers, accused the general of conspiring to overthrow him. Although innocent, he was publicly humiliated and stripped of his rank. But when a massive army of barbarians moved against Constantinople and the citizenry panicked in fear, they turned to their only true hero, Belisarius. The forsaken general donned his armor, called out his trusted veterans, and repulsed the barbarian horde. But instead of showing gratitude, Justinian banished him from the city.

Considered among the greatest generals of all time and studied later for his innovative battle tactics and unconventional strategy, Belisarius is credited with reclaiming the lost glory of Rome and helping to preserve Constantinople, whose influence would continue for centuries. Lord Mahon's biography, the first scholarly history of this remarkable figure, combines the adventure of a great epic novel with the engrossing story of a man who, despite injustices, remained loyal to the end. Edited and introduced by historian Jon C. N. Coulston, this new and retypeset edition, the first in more than 100 years, will allow the modern reader to discover one of history's most intriguing figures.

[more]

The Light and the Dark

(The Life and Times of Artemisia Gentileschi)

Kate Hamill, Kristin Leahey

Northwestern University Press, 2026

A play from the inimitable Kate Hamill, based on the true story of the groundbreaking Italian painter Artemisia Gentileschi

During the seventeenth century, Italian artists strove to reshape the very image of humanity. Artemisia Gentileschi—the daughter of a painter—dreams of making her mark at a time when a woman is not thought capable of being an artist, let alone one of the greats. Just as her career begins to gain unexpected momentum, a series of devastating betrayals crack the foundation of her work—and her life. In electrifying verse and gorgeous artwork, The Light and The Dark depicts the deeply moving true story of a young woman who changed the very image of women in society . . . weaving a magnetic and empowering tapestry of ambition, rage, and resilience across the ages.

[more]

The Lion's Ear

Pope Leo X, the Renaissance Papacy, and Music

Anthony M. Cummings

University of Michigan Press, 2022

For centuries, the Renaissance papacy has been celebrated for its generous patronage of the arts. Pope Leo X, son of the legendary Lorenzo "the Magnificent" de'Medici, is widely understood to be one of the greatest patrons of music in European history, and one of the emblematic figures of the Italian Renaissance.

The Lion's Ear is the first full-length scholarly treatment of the musical patronage of a Renaissance pope and provides an evocative picture of the musical life of the pre-Reformation papacy. The various uses of music in early modern Rome---music for public festivals, such as carnival; for the liturgical ceremonies of the Sistine Chapel; to accompany daily dining and festive banqueting; for the celebration of saints' feast days; and for theatrical performances---are vividly described and analyzed and give a detailed understanding of the place of music in the life of one of its most important early modern benefactors.

Anthony M. Cummings takes an interdisciplinary approach to his subject matter, bringing together the history of music, art, philosophy, and ecclesiastical history to locate the music in its broadest and deepest contexts. Through materials such as diplomatic correspondence, the book aims to reconstruct the atmosphere of the musical life in Leo X's court, presenting the subject matter in a way that will appeal to scholars and students of musicology and early modern history.

Art historians, ecclesiastical historians, and specialists from many other disciplines have long produced scholarly findings useful for understanding the pre-Reformation papacy, its alliance with the Italian Renaissance, and the extraordinary artistic legacy of that alliance. Anthony M. Cummings complements that scholarship with his thorough and imaginative account of music's relationship with that vibrant and fascinating culture, the first by a specialist in the musical life of early modern Europe.

[more]

The Lives and Deaths of Women in Ancient Pompeii

Brenda Longfellow

University of Texas Press, 2025

A study of women’s lives in the public sphere of the ancient city of Pompeii.

Pompeii’s well-preserved remains provide a unique opportunity for the close study of ancient lives. Drawing on statues, inscriptions, graffiti, wall paintings, and the architecture of tombs, sanctuaries, houses, and public spaces, The Lives and Deaths of Women in Ancient Pompeii examines the public lives of women in Pompeii. Art historian Brenda Longfellow explores how historical women of all social backgrounds acted in public and exerted agency on behalf of themselves and others, ultimately finding that female initiatives in Pompeii were not only accepted but desired by the community to a greater extent than has previously been recognized.

Longfellow centers her study on a few key women—including the city’s most notable female patron, Eumachia—and uses them to examine female roles in postmortem commemorations, civic patronage and benefactions, commerce, the priesthood, and the home. By following these individuals, Longfellow examines women’s lives in Pompeii in both abstract and concrete ways, allowing readers to better understand their importance to the city and society. The result is a groundbreaking book that foregrounds the agency of women in everyday Pompeii.

[more]

The Lord, the Slave, and the Tailor’s Son

Andrea Casali and Identity Theft in Renaissance Italy

Craig A. Monson

University of Michigan Press, 2027

Andrea Casali might well have been forgotten. A handsome, young Bolognese nobleman, heir to fabulous wealth, palaces, and artistic treasures, known as a poet and artist, in 1604 he was reported killed at age nineteen during the epic Siege of Ostend. Thirty years later, however, a grizzled, former galley slave appeared in Rome, claiming to be the dead Casali and demanding his inheritance. Was he a noble survivor of captivity under the Ottoman Turks or a cunning impostor, masquerading under an illustrious name?

His claim ignited scandal, vehement public argument, even physical assaults and rioting in the streets. A three-year trial ended with judges convicting him of impersonation but declining to rule on who he really was. Across seventeenth-century Italy and even beyond, writers offered claims and counterclaims as to his identity. The Lord, the Slave, and the Tailor’s Son offers the first comprehensive reconstruction of the Casali affair, drawing upon extensive documentary evidence, much of it newly discovered: trial records, suppressed witness testimony, autograph letters of both Casali and the alleged impostor, wills, and inventories, as well as poetry and polemical tracts. The book reveals an extraordinary, true story of stolen identity, fake news, elite collusion, and manipulation of popular belief in Renaissance Italy, a story that feels strikingly modern today.

[more]

The Making of Measure and the Promise of Sameness

Emanuele Lugli

University of Chicago Press, 2019

An interdisciplinary history of standardized measurements.

Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case.

This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a global scale. Drawing from literary works and frescoes, architectural surveys, and legal compilations, Emanuele Lugli offers a history of material practices widely overlooked by historians. He argues that the public display of measurements in Italy’s newly formed city republics not only laid the foundation for now centuries-old practices of making, but also helped to legitimize local governments and shore up church power, buttressing fantasies of exactitude and certainty that linger to this day.

This ambitious, truly interdisciplinary book explains how measurements, rather than being mere descriptors of the real, themselves work as powerful molds of ideas, affecting our notions of what we consider similar, accurate, and truthful.

[more]

The Man Verdi

Frank Walker

University of Chicago Press, 1982

In this classic biography of composer Giuseppe Verdi, Frank Walker reveals Verdi the man through his connections with the individuals who knew him best.

“Walker focuses on some of the more significant people in Verdi’s life and carefully scrutinizes his relationships with them. His wife, Giuseppina Strepponi; his student and amanuensis, Emanuele Muzio; the conductor who first fully understood Verdi’s mature art, Angelo Mariani; the great prima donna, Teresa Stolz; the incomparable librettist and friend of his old age, Arrigo Boito—each passes before our eyes in Walker’s meticulous reconstruction. As we learn more about them, we learn more about Verdi. We see him through the eyes of his closest friends, we watch his daily activities, his daily thoughts, his habits, his warmth, his domestic tyranny. The myth dissolves and a human being stands before us.”—Philip Gossett, from the introduction

[more]

The Manly Masquerade

Masculinity, Paternity, and Castration in the Italian Renaissance

Valeria Finucci

Duke University Press, 2003

The Manly Masquerade unravels the complex ways men were defined as men in Renaissance Italy through readings of a vast array of sixteenth- and seventeenth-century evidence: medical and travel literature; theology; law; myth; conduct books; and plays, chivalric romances, and novellas by authors including Machiavelli, Tasso, and Ariosto. Valeria Finucci shows how ideas of masculinity were formed in the midst of acute anxiety about paternity by highlighting the beliefs—widely held at the time—that conception could occur without a paternal imprimatur or through a woman’s encounter with an animal, or even that a pregnant woman’s imagination could erase the father’s "signature" from the fetus. Against these visions of reproduction gone awry, Finucci looks at how concepts of masculinity were tied to issues of paternity through social standing, legal matters, and inheritance practices.

Highlighting the fissures running through Italian Renaissance ideas of manliness, Finucci describes how, alongside pervasive images of the virile, sexually active man, early modern Italian culture recognized the existence of hermaphrodites and started to experiment with a new kind of sexuality by manufacturing a non-man: the castrato. Following the creation of castrati, the Church forbade the marriage of all non-procreative men, and, in this move, Finucci identifies a powerful legitimation of the view that what makes men is not the possession of male organs or the ability to have sex, but the capability to father. Through analysis, anecdote, and rich cultural description, The Manly Masquerade exposes the "real" early modern man: the paterfamilias.

[more]